Table of Contents

Title Page

Copyright Page

Foreword

Introduction

THE INMOST LIGHT

NOVEL OF THE BLACK SEAL

NOVEL OF THE WHITE POWDER

THE RED HAND

THE WHITE PEOPLE

A FRAGMENT OF LIFE

THE BOWMEN

THE SOLDIERS’ REST

THE GREAT RETURN

OUT OF THE EARTH

THE TERROR

Explanatory Notes

CLICK ON A CLASSIC

THE STORY OF PENGUIN CLASSICS

PENGUIN CLASSICS

THE WHITE PEOPLE AND OTHER WEIRD STORIES

ARTHUR MACHEN (Arthur Llewelyn Jones), a Welsh author of supernatural, fantasy, and horror fiction, was born on March 3, 1863. He grew up in Caerleon, Monmouthshire, and attended boarding school at Hereford Cathedral School. Due to financial constraints, he could not continue his education at university. He moved to London in 1881 and worked as a journalist, children’s tutor, and publisher’s clerk, finding time to write at night. In 1887, he married Amelia Hogg and met writer and occultist A. E. Waite, who had a profound influence on his writing and philosophy. In that same year, an inheritance he received following the death of his father gave him the freedom to spend more time on his writing. By 1894, Machen had his first major success. “The Great God Pan” was published by John Lane and despite widespread criticism for its sexual and horrific content it sold well and went into a second edition. Following this success, he published The Three Impostors (1895), Hieroglyphics: A Note upon Ecstasy in Literature (1902), “The White People” (1904), and The Hill of Dreams (1907). After his first wife’s tragic death, Machen took up acting, becoming a member of Frank Benson’s company. He also pursued his interest in Celtic Christianity and the Holy Grail at this time. He married Dorothie Purefoy Hudleston in 1903. From 1910 to 1921, he accepted a position at the London Evening News, though he disliked his job and only kept at it for a steady paycheck. In the 1920s Machen’s work became immensely popular in the United States, but Machen experienced increasing poverty; he was saved in 1931 by receiving a Civil List pension from the British government. Among his later works are The Green Round (1933), The Cosy Room (1936), and The Children of the Pool (1936). Arthur Machen died on March 30, 1947.

S . T. JOSHI (born 1958) is the author of such critical studies as The Weird Tale (1990), H. P. Lovecraft: The Decline of the West (1990), and The Modern Weird Tale (2001). He has prepared corrected editions of H. P. Lovecraft’s work for Arkham House and annotated editions of the weird tales of Lovecraft, Algernon Blackwood, Lord Dunsany, and M. R. James for Penguin Classics, as well as the anthology American Supernatural Tales (2007). His exhaustive biography, H. P. Lovecraft: A Life (1996), won the British Fantasy Award and the Bram Stoker Award from the Horror Writers Association; an unabridged and updated edition has appeared as I Am Providence: The Life and Times of H. P. Lovecraft (2010). He has also edited works by Ambrose Bierce, H. L. Mencken, and other writers, and has written on religion, politics, and race relations. He is at work on a comprehensive history of supernatural fiction.

GUILLERMO DEL TORO (born 1964) is a Mexican director, producer, screenwriter, novelist, and designer. He cofounded the Guadalajara International Film Festival, and formed his own production company—the Tequila Gang. However, he is most recognized for his Academy Award–winning film, Pan’s Labyrinth, and the Hellboy film franchise. He has received the Nebula, Hugo, and Bram Stoker awards and is an avid collecter and student of arcane memorabilia and weird fiction.

PENGUIN BOOKS

Published by the Penguin Group
Penguin Group (USA) Inc., 375 Hudson Street, New York, New York 10014, U.S.A.
Penguin Group (Canada), 90 Eglinton Avenue East, Suite 700, Toronto,
Ontario, Canada M4P 2Y3 (a division of Pearson Penguin Canada Inc.)
Penguin Books Ltd, 80 Strand, London WC2R oRL , England
Penguin Ireland, 25 St Stephen’s Green, Dublin 2, Ireland (a division of Penguin Books Ltd)
Penguin Group (Australia), 250 Camberwell Road, Camberwell,
Victoria 3124, Australia (a division of Pearson Australia Group Pty Ltd)
Penguin Books India Pvt Ltd, 11 Community Centre, Panchsheel Park, New Delhi–110 017, India
Penguin Group (NZ), 67 Apollo Drive, Rosedale, Auckland 0632,
New Zealand (a division of Pearson New Zealand Ltd)
Penguin Books (South Africa) (Pty) Ltd, 24 Sturdee Avenue,
Rosebank, Johannesburg 2196, South Africa

Penguin Books Ltd, Registered Offices:
80 Strand, London WC2R oRL , England

First published in Penguin Books 2011

Introduction and notes copyright © S. T. Joshi, 2011 Foreword copyright © Guillermo del Toro, 2011 All rights reserved

LIBRARY OF CONGRESS CATALOGING IN PUBLICATION DATA
Machen, Arthur, 1863–1947.
The white people and other weird stories / Arthur Machen; edited with an introduction
and notes by S.T. Joshi; foreword by Guillermo del Toro.
p. cm.—(Penguin classics)
Summary: “Machen’s weird tales of the creepy and fantastic finally come to Penguin Classics.
With an introduction from S.T. Joshi, editor of AMERICAN SUPERNATURAL TALES,
THE WHITE PEOPLE AND OTHER WEIRD STORIES is the perfect introduction to
the father of weird fiction. The title story “The White People” is an exercise in the bizarre leaving
the reader disoriented and on edge. From the first page, Machen turns even fundamental
truths upside-down, as his character Ambrose explains, “there have been those who have
sounded the very depths of sin, who all their lives have never done an ‘ill deed’” setting the
stage for a tale entirely without logic—Provided by publisher.
Includes bibliographical references.

ISBN : 978-1-101-55268-1

1. Fantasy fiction, English. 2. Horror tales, English. I. Joshi, S. T., 1958–II. Title.
PR6025.A245A6 2011
823’.912—dc22
2011027590

The scanning, uploading and distribution of this book via the Internet or via any other means
without the permission of the publisher is illegal and punishable by law. Please purchase only
authorized electronic editions and do not participate in or encourage electronic piracy
of copyrighted materials. Your support of the author’s rights is appreciated.

http://us.penguingroup.com

Foreword

The Ecstasy of St. Arthur

It is a rare breed of fabulist who transcribes and records—rather than invents—a reality invisible to most of us. These scribes, like St. John the Divine, are possessed of a near-religious certainty that such worlds exist. Arthur Machen was one of these.

Much like Algernon Blackwood, Machen had no doubts about ancient worlds beneath us and the power their inhabitants exert over our souls and, ultimately, our flesh. There are, he knew, barbarians at the gate, hiding somewhere in the darkness below.

The United Kingdom, for all its pomp and phlegm, is permeated with a sense of spiritual doom. No matter how many churches were built in its fields and villages, no matter how many saints walked its newly paved streets, pagan powers had long before claimed the blood-soaked land. Thus, every year, the River Thames’s muddy banks at low tide yield ancient figurines, human bones, and Roman coins. Here is a raw reminder that we share this world with impish beings with unbridled hunger and desire, who watch us and our silly concerns with bemusement.

Machen’s magisterial style and labyrinthian storytelling (“The Great God Pan” and The Three Imposters come to mind) have influenced many authors, from H. P. Lovecraft to Jorge Luis Borges, and portions of the Machen literary universe, with its dense, Chinese-box formalism and the meta-dialogue between reader and author will become a hallmark of generations to come.

Much like Borges, Machen was an acolyte of Robert Louis Stevenson, one of the most painstaking writers in the English language. And also like Borges, Machen seemed to believe that reading and writing are a form of prayer, each an extension of the other. But where the world was a library to Borges, to Machen it was an all-encompassing concrete geography, even as he was fascinated by traces of pre-Roman cults. Today, as then, his words are neither scholastic nor philosophical, but rather an alarm, a frantic denunciation.

The coherence of his tales and beliefs was not fueled by the fanciful invention of Marcel Schwob (another Stevenson devotee) or Lord Dunsany or, even later, Clark Ashton Smith. Machen didn’t need to visit Zothique or Bethmoora or any other distant land. He simply turned to the hills and promontories around him—those timeless green sentinels that confided to him all the Eleusinian mysteries buried in the earth.

Overheated paganism surrounded Machen: the Symbolists, the Decadent movement, the Golden Dawn, Tarot, Spiritualism, and Egyptian magic were everywhere in a pre-war Europe sated with Victorian morality, deflowered by industry, and seeking spiritual fulfillment in truths older than the Anglican Church.

The lustful pursuits of the modern pagans took place in exquisitely decorated salons; even absinthe had its own patron saint. Sir Richard Burton and John Hanning Speke delineated foreign geographies as Felicien Rops (the perfect counterpart to Machen) and Oscar Wilde demolished moral ones. Machen translated François Béroalde de Verville and Giacomo Casanova and was thus familiar with their notions of philosophy, alchemy, and lust, but unlike many of his counterparts, he articulated his world through naked fear rather than fascination or desire. Far from being a libertine, he was afraid not only of the corruption of the spirit but also the more palpable corruption of the flesh. The price of lifting the veil and glimpsing the face of Pan is high and real.

The dichotomy between sexuality and spirituality can only take root in countries founded on puritanical principles—countries that cannot laugh at the Devil because they would be mocking God, too.

Machen recorded these articles of faith with great zeal as an explorer in a lonely spiritual universe. He abandoned the safety of his humble quarters, the sanctity of his God-given name, and the veneer of metropolitan sophistication to achieve an ecstatic vision. Much like Lovecraft, he believed in the transitory nature of our agency in this world and the unyielding ferocity of the cosmos.

This fear tenuously also links Machen with that other great antiquarian, M. R. James, but in his case it is not scholarly arrogance that dooms his characters, but curiosity and fate. Unlike Machen, James deals with hauntings of such specificity that they never allude to a grander scheme. Yet both men seem to share the conviction that our condemnation lies in our past, in the sins of our forefathers. In “The Great God Pan,” the impregnation and curse of a character blooms in the next generation. Evil is never dormant—it gestates.

Freudian interpretations of these fears, focused on images of fertility, femininity, and the earth, seem to me to miss the point and can only be yielded as reductive arguments. Philosophers, writers, and artists are rarely emotionally successful human beings. A more interesting connection springs from the fact that fear can be recognized as an eminently spiritual sensation. Here is the darker side of faith, if you will, for what is fate but the belief in that which cannot be proven or rationalized?

Machen knew that to accept our cosmic insignificance is to achieve a spiritual perspective and ultimately realize that, yes, all is permitted. And that no matter how wicked or how perverse we can be, somewhere in a long forgotten realm a mad God awaits, leering—and ready to embrace us all.

GUILLERMO DEL TORO

Introduction

Arthur Machen’s own life is perhaps his greatest creation; for it is exactly the life we might expect a poet and a visionary to have lived. Born in 1863 in the village of Caerleon-on-Usk in Wales (the site, two millennia earlier, of the Roman town of Isca Silurum and the base of the Second Augustan Legion), Machen was fascinated since youth by the Roman antiquities in his region as well as the rural Welsh countryside. He attended Hereford Cathedral School, but in 1880 he failed an examination for the Royal College of Surgeons; he felt he had no option but to go to London to look for work, where he hoped that his ardent enthusiasm for books might land him some literary work.

But only poverty and loneliness were his portion. Dragging out a meager existence as a translator (his translation of the Heptameron of Marguerite de Navarre [1886] long remained standard, as did his later translation of Casanova’s memoirs), tutor, and cataloger, he knew at first hand the spiritual isolation that his alter ego, Lucian Taylor, would depict so poignantly in The Hill of Dreams (1907). In his first autobiography, Far Off Things (1922), he speaks of this period with a wistfulness that scarcely conceals his anguish. Consider the description of his attic garret on Clarendon Road:

It was, of course, at the top of the house, and it was much smaller than any monastic “cell” that I have ever seen. From recollection I should estimate its dimensions as ten feet by five. It held a bed, a washstand, a small table, and one chair; and so it was very fortunate that I had few visitors. Outside, on the landing, I kept my big wooden box with all my possessions—and these not many—in it. And there was a very notable circumstance about this landing. On the wall was suspended, lengthwise, a step-ladder by which one could climb through a trap door to the roof in case of fire, and so between the rungs or steps of this ladder I disposed my library. For anything I know, the books tasted as well thus housed as they did at a later period when I kept them in an eighteenth-century bookcase of noble dark mahogany, behind glass doors. There was no fireplace in my room, and I was often very cold. I would sit in my shabby old great-coat, reading or writing, and if I were writing I would every now and then stand up and warm my hands over the gas-jet, to prevent my fingers getting numb.[1]

Although Machen published a few works during this period—The Anatomy of Tobacco (1884), an owlishly learned disquisition on various types of tobacco, and the picaresque novel The Chronicle of Clemendy (1886)—they were commercially unsuccessful and today are not highly regarded.

But the death of Machen’s father in 1887 suddenly gave him, for the next fourteen years, the economic independence he required to write whatever he chose, without thought of markets or sales. And yet, one of his first works of fiction of this period—“The Great God Pan” (1890)—created a sensation, especially when it appeared in book form in 1894. It shocked the moral guardians of an enfeebled Victorian culture as the diseased outpourings of a decadent mind; but the reviewers who condemned it as sexually offensive could not know that Machen shared the very inhibitions he seemed to be defying. This tale—as well as the infinitely superior “The White People” (1899)—succeeds largely because Machen himself, as a rigidly orthodox Anglo-Catholic, crystallized his horror of aberrant sexuality by giving it a supernatural dimension.

That Machen chose to work in the literature of the supernatural—one branch of what has come to be called weird fiction, which also encompasses fantasy and psychological suspense—is of interest in itself. Canonically, the supernatural in literature commenced with Horace Walpole’s short novel The Castle of Otranto (1764), which ultimately ushered in the age of the Gothic novel, whose most notable exponents were Ann Radcliffe, Matthew Gregory Lewis, and Charles Robert Maturin. It is not paradoxical that this literature emerged in a century typified by the rationalism of Alexander Pope and Samuel Johnson, for the supernatural can only manifest itself in literature when a relatively stable and coherent idea of the natural has been arrived at. In this sense, the supernatural must keep pace with science: Although it draws upon myth and folklore in its exhibition of ghosts, vampires, werewolves, haunted houses, and other such elements, it can only do so at a time when these elements are generally believed to defy what are commonly understood to be the laws of nature; for only in this manner can they constitute the imaginative liberation that many writers and readers seek. At the same time, the best weird writers understood that supernatural motifs could serve as metaphors for the expression of truths about the human condition (the vampire as social outsider, for example) in a more vivid and pungent manner than in conventional mimetic realism.

Edgar Allan Poe (1809–1849) was a seminal figure in supernatural literature. He recognized that the novel was a poor vehicle for the conveyance of such a fleeting emotion as terror, and so he restricted the weird to the intensity of the short story; he also had a keen understanding of the psychology of fear, so that he was able to meld supernatural and psychological horror in a particularly potent manner. Subsequent to Poe, the most viable weird literature was embodied in short stories, and Machen, whose admiration of Poe was high, followed him in this regard.

The later nineteenth century was a tremendously fertile period for weird writing, especially in England: Such writers as Joseph Sheridan Le Fanu (“Green Tea,” “Carmilla”), Nathaniel Hawthorne (“Rappaccini’s Daughter”), Ambrose Bierce (“The Death of Halpin Frayser”), Rudyard Kipling (“The Mark of the Beast”), Robert Louis Stevenson (The Strange Case of Dr. Jekyll and Mr. Hyde), Bram Stoker (Dracula), and a legion of ghost story writers made the supernatural a highly visible component of the literature of the period. Indeed, Machen was a harbinger of a kind of golden age of weird writing that encompassed such figures as Lord Dunsany (1878–1957), Algernon Blackwood (1869–1951), M. R. James (1862–1936), Walter de la Mare (1873–1956), and, a little later, H. P. Lovecraft (1890–1937). Dunsany was predominantly a writer of fantasy—a literary mode where the author invents an entire world or cosmos out of his or her imagination, a mode whose best-known example today is J. R. R. Tolkien’s Lord of the Rings trilogy (1954–55)—but the others worked chiefly in the supernatural. Machen, therefore, was working in a recognized literary genre when he produced his earliest tales.

In “The Great God Pan” we are asked to believe that a scientific experiment performed upon a young woman of seventeen results in her “seeing” the Great God Pan; she instantly loses her mind and becomes an idiot. Some years thereafter a strange woman named Helen Vaughan plagues London society, causing a rash of suicides and destroying the lives of several prominent men about town. In the end we learn that Helen is in fact the daughter of the young woman, born nine months after the fateful experiment.

Another scientific experiment is at the focus of “The Inmost Light,” written in 1892 and first published in 1894. Here we find that a doctor has persuaded his own wife to allow him to extract her soul and place it in a gem—the “inmost light” in that gem is her soul. The result is that the woman continues to live, but presents—like Helen Vaughan—a visage of mingled beauty and horror. One man who sees her in a window thinks of her as a “satyr.” To one of Machen’s conventional religiosity, a person without a (Christian) soul can only appear as a figure of pagan antiquity.

“The Shining Pyramid” (1895), although not included here, is worth discussing as one of Machen’s first expositions of what might be called his “Little People mythology.” Although it features a spectacularly potent scene in which the stunted, primitive denizens of Britain—now dwelling in caves, having been driven out by successive waves of fully human peoples—perform a hideous ritual around a pyramid of fire, “The Shining Pyramid” is perhaps too much of a detective story to be fully effective as a weird tale. But what might be called the “Little People mythology” (perhaps most exhaustively treated in “Novel of the Black Seal”) is of some interest in itself. Machen makes it clear that he himself believed in the former existence of just such a race of creatures as he depicts in these stories:

Of recent years abundant proof has been given that a short, non-Aryan race once dwelt beneath ground, in hillocks, throughout Europe, their raths have been explored, and the weird old tales of green hills all lighted up at night have received confirmation. Much in the old legends may be explained by a reference to this primitive race. The stories of changelings, and captive women, become clear on the supposition that the “fairies” occasionally raided the houses of the invaders.[2]

This was written more than two decades before the publication of Margaret A. Murray’s The Witch-Cult in Western Europe (1921), which gave a momentary stamp of approval to the thesis. But Machen knew that the really adventuresome aspect of his theory—or, rather, the radical extension of it that he made for fictional purposes—was that “the people still lived in hidden caverns in wild and lonely lands,” something he maintained was “wildly improbable.” [3]

But behind all this speculative anthropology is the symbolism of the Little People. They are horrible and loathsome, to be sure, but they have at least one advantage over modern human beings: They have retained that primal sacrament (perverted, of course, by bestiality and violence) that links them with the Beyond. There is something of awe mingled with the horror experienced by the narrators when they witness the “pyramid of fire” summoned by the Little People in “The Shining Pyramid,” and this signals the truth uttered by the protagonist of “The White People”: “Sorcery and sanctity . . . these are the only realities. Each is an ecstasy, a withdrawal from the common life.”

Probably Machen’s most sustained weird work is The Three Impostors, published in 1895. Also poorly received, it was criticized for being excessively imitative of Robert Louis Stevenson. It is commonly believed that the model for the novel—both in its episodic structure and in its somewhat flippant and jaunty style—is Stevenson’s New Arabian Nights (1882); but the true model is that novel’s sequel, The Dynamiter (1885), written by Stevenson in conjunction with his wife, Fanny Van de Grift Stevenson. Machen ultimately acknowledged this criticism, and for the next two years he worked with difficulty, even agony, to hammer out his own style; the result is that luminous novel of aesthetic sincerity, The Hill of Dreams.

What is The Three Impostors? On the surface, it appears to be a random collection of episodes strung together with the flimsiest kind of narrative thread. One episode—“Novel of the Iron Maid”—had in fact been written and published in 1890, and for copyright reasons it and its introductory segment (“The Decorative Imagination”) do not appear in many American editions of the novel. Other episodes—notably the celebrated “Novel of the Black Seal” and “Novel of the White Powder”—have been abstracted from the narrative fabric and reprinted as self-standing stories. This occurred on several occasions during Machen’s lifetime, and he appears to have registered no great complaint; but Machen was scarcely in a position to do so, as the period between 1901 and 1931 (when he received a Civil List pension of £100 a year) was of considerable poverty for him, and he could ill afford to pass up any revenue his writings yielded.

Both the title and the subtitle of The Three Impostors (the latter frequently omitted from reprints) may provide the clue to the interpretation of the novel. Who are the “three impostors” of the title? Who can they be but the two men and a woman we encounter in the prologue, who have at last captured and perhaps killed the “young man with spectacles” they have evidently been pursuing? For it is they who, under a series of guises, tell the various “novels” (from the French nouvelle, or tale, especially one of a romantic or fantastic character) scattered throughout the work. Their sole audience is a pair of friends, Mr. Dyson and Charles Phillipps, who wage an ongoing philosophical battle on the nature of reality and the nature of fiction, and it becomes gradually clear that the tales spun by the “three impostors” may be entirely fictitious, being instead somewhat laborious contrivances meant to dupe Dyson and Phillipps into leading them to the spectacled young man.

Toward the end it begins to dawn upon the two gentlemen that the stories they are hearing are perhaps not entirely reliable; Dyson finally resolves to “abjure all Milesian and Arabian methods of entertainment”—a reference to the Milesian tale (the Greek version of the tall tale) and, of course, to the Arabian Nights. This connects with a theme that runs throughout The Three Impostors and Machen’s work as a whole—the fantastic nature of the metropolis of London. “A Fragment of Life” (1904), a pensive novella on the borderline of the weird, conveys this conception poignantly: “London seemed a city of the Arabian Nights, and its labyrinths of streets an enchanted maze; its long avenues of lighted lamps were as starry systems, and its immensity became for him an image of the endless universe.”

But what purpose could Machen have in seemingly dynamiting the seriousness and power of the episodes in The Three Impostors by putting them in the mouths of dubious characters? There may be no clear answer to this question, but perhaps some clues can be provided by considering Machen’s general philosophy. I hesitate to call his view of the world a philosophy, for really it was a set of dogmatic prejudices that changed little through the whole of his long life; but at its essence was a violent hostility to and resentment at what he perceived to be the growing secularism and “scientism” of the modern world. To Machen, the religious mystic, the triumphs of nineteenth-century science were anything but victories; instead, it seemed to him that science was coming to rule all aspects of life, even those aspects—the spiritual life and its corollary, art—where it had no place.

In The Three Impostors, Phillipps clearly espouses the hardheaded scientific skepticism Machen wishes to combat. It is no surprise that the woman who calls herself Miss Lally tells him the “Novel of the Black Seal”; for in this story it is Professor Gregg who embodies what Machen believes to be the genuinely scientific attitude of open-mindedness to unusual phenomena: “Life, believe me, is no simple thing, no mass of grey matter and congeries of veins and muscles to be laid naked by the surgeon’s knife; man is the secret which I am about to explore, and before I can discover him I must cross over weltering seas indeed, and oceans and the mists of many thousand years.” Indeed, it seems quite likely that Miss Lally tells Phillipps this story only in order to overcome his innate skepticism; for Phillipps “required a marvel to be neatly draped in the robes of Science before he would give it any credit . . .”

Perhaps the subtitle of The Three Impostors—“or The Transmutations”—provides a further clue. Exactly what transmutations are in question? To be sure, on a superficial level the various “novels” and other episodes transmute scenery, as we flit from the suburbs of London (“Novel of the Iron Maid,” “Novel of the White Powder”) to the wilds of the American West (“Novel of the Dark Valley”) to the “wild, domed hills” of Wales (“Novel of the Black Seal”). Miss Lally casually notes that “I looked out of my window and saw the whole landscape transmuted before me.” But the reference here is merely to topography; elsewhere there are much more profound transmutations going on. When Professor Gregg finally decodes the cryptic black seal that appears to confirm his theory of the “Little People,” he states with awed solemnity: “I read the key of the awful transmutation of the hills.” Here it is not landscape but Gregg’s entire outlook on life that has been transmuted; as H. P. Lovecraft would say, Gregg has stumbled upon “that most terrible conception of the human brain—a malign and particular suspension or defeat of those fixed laws of Nature which are our only safeguard against the assaults of chaos and the daemons of unplumbed space.”[4]

The “Novel of the White Powder” confirms this view. Miss Leicester, who tells the tale (and who is presumably identical to the Miss Lally of the earlier narrative), speaks offhandedly of “the transmutation of my brother’s character” after he begins taking the strange drug from a careless apothecary’s shop. But what really happens to the hapless student is the transmutation of his very being, physically and morally, leading a doctor to write harriedly, “my old conception of the universe has been swept away.” This is the ultimate transmutation. That doctor, in effect, gives voice to Machen’s own view of the world: “The whole universe . . . is a tremendous sacrament; a mystic, ineffable force and energy, veiled by an outward form of matter; and man, and the sun and the other stars, and the flower of the grass, and the crystal in the test-tube, are each and every one as spiritual, as material, and subject to an inner working.” It was this view that Machen was determined to convey to his audience over a lifetime of writing.

In the final years of his “great decade” of fiction writing (1887–1901) Machen produced several of the works for which he is known today. Even excluding the marginally weird novel The Hill of Dreams (written in 1895–97 but not published until 1907), which Lovecraft rightly described as a “memorable epic of the sensitive aesthetic mind,”[5] we are faced with such works as “The Red Hand” (1897), the prose poems collected in Ornaments in Jade (1924), “The White People” (the second-greatest horror tale ever written, according to Lovecraft, next to Algernon Blackwood’s “The Willows”), and the unclassifiable novella “A Fragment of Life.” Had Machen written nothing else, these works alone would be sufficient to grant him a place in weird literature—or in literature as a whole.

“The Red Hand” (written in 1895) is a pendant to The Three Impostors, resurrecting the two central figures in that novel, Phillipps and Dyson, as they continue their intellectual dispute over the nature of reality while becoming involved in what proves to be an exceptionally clever supernatural detective story. Dyson, the mystic (hence the stand-in for Machen), evokes a “theory of improbability” to account for the remarkable series of coincidences that leads him to the solution of the case; but this is less interesting than the overall philosophical thrust of the tale, in which Machen utilizes the tools of rationalism (specifically, the forensic analysis of evidence in regard to the murder at the heart of the case) to undermine rationalism and thereby to “prove” to his satisfaction that the matter can only be accounted for by appealing to the supernatural—in this case, the continued existence of “Little People.”

Of the prose poems in Ornaments in Jade it is difficult to speak in detail. These delicate vignettes may in some sense be pendants to The Hill of Dreams—not in terms of plot, but in terms of style and substance. Just as, in that novel, he strove valiantly to rid himself of the incubus of Stevenson’s flippancy, so do these prose poems—comparable only to those of Clark Ashton Smith as the finest in English—complete Machen’s transformation from clever imitator to independent artist. If there is any dominant theme that unites them, it is the constant contrast between mundane modernity and the hoary past—a past that is simultaneously terrifying in its primitivism and awesome in its suggestions of intimate, symbolic connections with the essence of life and Nature. However brutalized modern people are by the dominant materialism of the age, their sense of spirituality can well up in spite of themselves in the practice of ancient rituals.

As for “The White People,” in a sense it returns to the theme of “The Great God Pan” (1890) in its emphasis on illicit sex. For Machen, the orthodox Anglo-Catholic, sexual aberrations represented a kind of violation of the entire fabric of the universe. This is the substance of the remarks by Ambrose at the beginning of the tale, especially his comment that sin is “the attempt to penetrate into another and higher sphere in a forbidden [my italics] manner” and “the effort to gain the ecstasy and knowledge that pertain alone to angels . . .” This story—in which a young girl unwittingly reveals in her diary her inculcation into a witch-cult and, evidently, her impregnation by some nameless entity—transmogrifies illicit sex into a cosmic sin that will either lift us up into the ranks of the angels or plunge us down into the company of demons.

“A Fragment of Life” is an altogether different proposition. If this short novel is only on the very edge of the weird, it deserves far wider recognition as one of Machen’s most finished works. The exquisitely gradual way in which the stolid bourgeois couple, Edward and Mary Darnell, slowly awaken to their sense of wonder and abandon London for their native Wales is one of Machen’s great literary accomplishments. Amid all the mundane details of the small-scale social life of the Darnells, we receive small hints that their love of beauty has not been entirely destroyed, as it has for so many who live too fully in the modern world. Machen delivers an unanswerable criticism of the narrowing of vision that such a life engenders: “So, day after day, he lived in the grey phantasmal world, akin to death, that has, somehow, with most of us, made good its claim to be called life.” And yet, something so simple as birdsong heard by Edward (“That night was the night I thought I heard the nightingale . . . and the sky was such a wonderful deep blue”) provides an anticipation of the coming change. Mary, too, although seemingly more hard-headedly practical than Edward, senses the alteration in her being (“one would have almost said that they were the eyes of one who longed and half expected to be initiated into the mysteries, who knew not what great wonder was to be revealed”). The entire novel is a kind of instantiation of the critical theories in Machen’s idiosyncratic treatise on aesthetics, Hieroglyphics: A Note upon Ecstasy in Literature (1902), in which he criticized such writers as Jane Austen and George Eliot for being too closely tied to mundane reality and failing to include that modicum of “ecstasy” which ought, in Machen’s eyes, to inform all literature. We may well believe that Machen was insufficiently attuned to the “ecstasy” that is in fact present in the work of the social realists he disdains, but we can hardly gainsay that he himself has flawlessly embodied his own principles in “A Fragment of Life.”

After writing this novel (which was itself worked on sporadically over five years, 1899–1904), Machen appeared to lose focus as far as fiction writing was concerned. In 1907 he wrote the curious novel The Secret Glory (not published until 1922), but that was the extent of his creative output between 1904 and 1914. With his inheritance gone, Machen was forced to produce mountains of journalism; the book publications of his fiction—specifically The House of Souls (1906) and The Hill of Dreams (1907)—brought him fleeting attention, but not much in the way of income. It was only in 1914 that he resumed fiction writing—but he did so in a peculiar way.

Machen had, since 1910, been serving on the staff of one of the leading newspapers in London, the Evening News, as reporter and columnist. At least two of the four stories that comprised The Bowmen and Other Legends of the War (1915)—“The Bowmen” (September 29, 1914) and “The Soldiers’ Rest” (October 20, 1914)—appeared in the Evening News. The well-known story of how “The Bowmen”—a tale about the ghosts of medieval British soldiers who come to the aid of a beleaguered British unit at the battle of Mons in late August 1914—came to be regarded as the account of a real occurrence, with angels rescuing the soldiers and supposedly first-hand accounts by the soldiers themselves testifying to the miracle, need not be discussed in detail; Machen himself recounts the matter in his long introduction to The Bowmen and Other Legends of the War. His repeated protestations that the story was entirely a product of his imagination went for naught; the outbreak of the European war—which had commenced less than two months prior to the publication of “The Bowmen”—was so traumatic that the emergence of such legendry was inevitable. Machen himself alludes to Kipling’s “The Lost Legion” as a central literary influence on the tale, although other literary sources reaching back to Herodotus’s Histories have recently been postulated. [6] But what is more significant is Machen’s own attempt to pull off a kind of hoax with “The Bowmen.” The mere fact that it was published in a newspaper—even though newspapers at this time published more fiction than they do now—and the fact that it was written with the plain-spoken sobriety expected of factual articles, suggest that Machen is not wholly blameless in the subsequent furor caused by his little tale.

Much the same could be said for “The Great Return,” which also appeared in the Evening News (October 21–November 16, 1915) and was subsequently published in book form by a religious publisher, Faith Press. Here Machen seeks no more than to present, in the most orthodox reportorial manner, a series of curious incidents in Wales that, to his mind, suggest the actual rediscovery of the Holy Grail. Once again, as in “The Red Hand,” although in a somewhat cruder way, Machen seeks to use the tools of rationalism to undermine rationalism: Here the outwardly skeptical newspaper reporter—who is none other than Machen himself, with no attempt made to establish a distance between author and persona—becomes gradually convinced of the reality of the phenomena described. Machen is content to present a scenario whereby something miraculous might have happened: This is sufficient for his current purpose of attacking the godless materialism of his age.

The European war was obviously a highly disturbing event to Machen. Already alienated from his time by his own religious mysticism, so much in contrast with the prevailing scientific rationalism of the later nineteenth century, he found his own faith shaken by a war in which Christians were killing other Christians with great gusto. Toward the end of the conflict he wrote a series of sophistical articles attempting to justify the ways of God to man; they were collected as War and the Christian Faith (1918). But a much more interesting response to the war came in the short novel The Terror (1917), which was also serialized in the Evening News (October 16–31, 1916). Once again we are faced with a reportorial account—sober, factual, even a bit bland—but again the purpose is to demonstrate that “science deals only with surfaces” and that the true causes for the revolt of animals against the domination of mankind lie much deeper.

The Terror reveals several features characteristic of Machen’s later fiction. The first, perhaps, is frank autobiography. Not only does the first-person narrative voice seem, as in “The Great Return” and “Out of the Earth,” to be Machen himself, but he plays upon his own role as a journalist and reporter. Is he attempting to pass off the narrative as a “true” story? To be sure, there is no deliberate intent to deceive; but the circumstantiality of his account, and its generally reportorial tone, make one wonder whether Machen is hoping to convey a deeper truth—the truth that the brief, fitful, and ultimately temporary “revolution” of the animals against humanity’s reign over the earth is a signal that human morals are collapsing as a result of the hideous and unprecedented warfare that had broken out two years earlier.

The other feature that distinguishes The Terror is its mystery or even detective element. On the basis of several stories included here, one could easily imagine Machen writing an accomplished detective novel, but of course he would never have done so, for the notion of resolving all loose ends, and thereby emphasizing the rational intellect’s understanding of the world, was anathema to Machen. For him, something of mystery must remain as a bulwark against the relentless march of science. And yet, in its way The Terror is nothing more than a logical working out of all possibilities, so that, by a process of elimination, a single explanation—even if it is supernatural—remains as the only viable solution to the case.

By the 1920s Machen occupied a peculiar, even bizarre position in the English literary scene. In 1923 a first edition of The Hill of Dreams was fetching the fabulous price of £1,500, or $7,500, far more than most people earned in an entire year. And yet, Machen himself was struggling along as a journalist for a variety of British magazines and newspapers, making ends meet only by writing with unrelenting regularity for such papers as the London Graphic, John O’London’s Weekly, the Lyons Mail, and the Observer; toward the end of the decade he had lapsed into such poverty that an extraordinary effort was made by British writers—T. S. Eliot among them—to garner a Civil List pension for him; the effort succeeded in 1931. Thereafter Machen had an annual income of £100 from the British government, and this allowed him to live in comfort at his home in Old Amersham, Buckinghamshire, for the remaining sixteen years of his life.

Scarcely a year in the 1920s passed without some significant publication of Machen’s work, but in the great majority of instances these presented stories, novels, or essays that he had written years or decades before. His major original works of the period were his three sensitive autobiographies, Far Off Things (1922), Things Near and Far (1923), and The London Adventure (1924), which paint a bittersweet portrait of the poverty he endured when he left his native Wales in the early 1880s to work as a Grub Street hack during the day while spending the evenings writing those imperishable works of fantasy and terror that have earned him a small but choice readership. Alfred A. Knopf began issuing a multivolume edition of his major works in the United States in 1922, and those volumes, with their familiar yellow covers, are still highly soughtafter items for the book collector.

One wonders whether Machen gained a sense of being posthumous in his own time. He was being hailed for works he had written as a young man in the 1890s, and little of his new work found either critical esteem or popular favor. He wrote relatively few actual works of fiction in the 1920s, aside from some stories for various anthologies edited by Cynthia Asquith. In the 1930s he resumed somewhat greater productivity in fiction writing and issued two late collections, The Cosy Room and The Children of the Pool, both published in 1936. The former volume contains stories written over a wide period, but the latter is an original collection of previously unpublished tales. They are, however, a sadly uneven mix. Machen’s wife of many years, Purefoy, died on March 30, 1947, and he himself died several months later, on December 15, 1947.

Like many writers, Machen wrote too much, and wrote too often under the stress of economic necessity rather than aesthetic inspiration, but he should be judged by his best work, not his worst. In a career that spanned more than six decades, he produced some of the most evocative weird fiction in all literary history. Written with impeccably mellifluous prose, infused with a powerful mystical vision, and imbued with a wonder and terror that their author felt with every fiber of his being, his novels and tales will survive when works of far greater technical accomplishment fall by the wayside. Flawed as some of them are by certain crotchets—especially a furious hostility to science and secularism—that disfigure Machen’s own philosophy, they are nonetheless as effective as they are because they echo the sincere beliefs of their author, whose eternal quest to preserve the mystery of the universe in an age of materialism is one to which we can all respond.

S. T. JOSHI

Suggestions for Further Reading

PRIMARY SOURCES

Machen’s short stories were collected in his lifetime in the volumes The Great God Pan and The Inmost Light (John Lane/ Roberts Brothers, 1894), The House of Souls (Grant Richards, 1906; abridged ed. Knopf, 1922), The Angels of Mons: The Bowmen and Other Legends of the War (Simpkin, Marshall, Hamilton, Kent, 1915), Ornaments in Jade (Knopf, 1924), The Shining Pyramid (Martin Secker, 1925), The Children of the Pool and Other Stories (Hutchinson, 1936), and The Cosy Room and Other Stories (Rich & Cowan, 1936). After his death, Philip Van Doren Stern assembled Tales of Horror and the Supernatural (Knopf, 1948), which has stayed in print to the present day from various publishers, most recently Tartarus Press (1997). Successive editions of Ritual and Other Stories (Tartarus Press, 1992, 1997, 2004) gather the stories not included in Tales of Horror and the Supernatural. S. T. Joshi has assembled three volumes of Machen’s stories that contain nearly the totality of his short fiction: The Three Impostors and Other Stories (Chaosium, 2001), The White People and Other Stories (Chaosium, 2003), and The Terror and Other Stories (Chaosium, 2005).

Novel-length works of fiction include The Chronicle of Clemendy (Society of Pantagruelists, 1888), a picaresque novel; The Three Impostors (John Lane/Roberts Brothers, 1895); The Hill of Dreams (Grant Richards, 1907), a powerful study of artistic expression; The Terror (Duckworth, 1917); The Secret Glory (Martin Secker, 1922), a satire of the British school system; and The Green Round (Ernest Benn, 1933), a slight weird novel.

Machen’s nonfiction writing is voluminous and largely uncollected. Important book-length works are The Anatomy of Tobacco (Redway, 1884), a tongue-in-cheek study of types of tobacco; Hieroglyphics: A Note upon Ecstasy in Literature (Grant Richards, 1902), a significant statement of Machen’s aesthetic principles ; and The Canning Wonder (Chatto & Windus, 1925), an account of a mysterious disappearance in the eighteenth century. In a class by themselves are Machen’s three autobiographies, Far Off Things (Martin Secker, 1922), Things Near and Far (Martin Secker, 1923), and The London Adventure (Martin Secker, 1924); the first two were reprinted as The Autobiography of Arthur Machen (Richards Press, 1951). His periodical essays were gathered in Dog and Duck (Knopf, 1924), Dreads and Drolls (Martin Secker, 1926), Notes and Queries (Spurr & Swift, 1926), and in two volumes assembled by Vincent Starrett, The Shining Pyramid (Covici-McGee, 1923) and The Glorious Mystery (Covici-McGee, 1924), but the great majority—especially his hundreds of articles for the London Evening News (1910–21)—remain uncollected. An important recent volume of essays is The Secret of the Sangraal, edited by R. B. Russell (Tartarus Press, 1995). Russell has also edited an expanded edition of Dreads and Drolls (Tartarus Press, 2007).

A slim collection of letters—A Few Letters from Arthur Machen (Rowfant Club, 1932)—appeared in Machen’s lifetime. A much more substantial volume is Selected Letters, edited by Roger Dobson, Godfrey Brangham, and R. A. Gilbert (Aquarian Press, 1989).

The Caerleon Edition of Machen’s Works (Martin Secker, 1923; 9 vols.) is an impressive compilation. A more recent omnibus is The Collected Arthur Machen (Duckworth, 1988).

SECONDARY SOURCES

There is still no satisfactory biography of Machen; perhaps scholars have been intimidated by the brilliance of Machen’s own autobiographies. Three biographies—Aidan Reynolds and William Charlton’s Arthur Machen: A Short Account of His Life and Work (Richards Press, 1963); Mark Valentine’s Arthur Machen (Seren, 1994); and John Gawsworth’s The Life of Arthur Machen (Tartarus Press, 2005 [probably written in the 1930s])—all contain useful matter. Machen’s wife, Purefoy, wrote a memoir that has been published as Where Memory Slept: The Memoirs of Purefoy Machen, edited by Godfrey Brangham (Green Round Press, 1991). The best critical study remains Wesley D. Sweetser’s Arthur Machen (Twayne, 1964). Helpful criticism can be found in several small-press items, especially two booklets edited by Mark Valentine and Roger Dobson, Arthur Machen: Apostle of Wonder (Caermaen, 1985) and Arthur Machen: Artist and Mystic (Caermaen, 1986). Adrian Goldstone and Wesley Sweetser’s A Bibliography of Arthur Machen (University of Texas Press, 1965) is exhaustive but now very much out of date. The Arthur Machen Society published a number of interesting items, including the journal Avallaunius. A later organization, The Friends of Arthur Machen, continues to publish the journal Faunus.

Other criticism can be found in the following:

Adcock, Arthur St. John. “Arthur Machen.” In The Glory That Was Grub Street. New York: Frederick A. Stokes, 1928, 213–44.

Bjärstorp, Sara. The Margins of Writing: A Study of Arthur Machen and the Literary Field of the 1890s. Lund, Sweden: Department of English, Lund University, 2005.

Eckersley, Adrian. “A Theme in the Early Work of Arthur Machen: ‘Degeneration.’” English Literature in Transition 35 (1992): 277–87.

Gekle, William Francis. Arthur Machen: Weaver of Fantasy. Millbrook, NY: Round Table Press, 1949.

Goodrick-Clarke, Nicholas. “The Enchanted City: Arthur Machen and Locality.” Durham University Journal 87, no. 2 (July 1995): 301–13.

Gunther, John. “The Truth about Arthur Machen.” Bookman (New York) 61 (July 1925): 571–574.

Hillyer, Robert. “Arthur Machen.” Atlantic Monthly 179 (May 1947): 138–40.

———. “Arthur Machen.” Yale Review 13 (October 1923): 174–76.

Jordan-Smith, Paul. “Black Magic: An Impression of Arthur Machen.” In On Strange Altars. New York: Albert & Charles Boni, 1924, 214–35.

Joshi, S. T. “Arthur Machen: The Mystery of the Universe.” In The Weird Tale. Austin: University of Texas Press, 1990, 12–41.

Krutch, Joseph Wood. “Tales of a Mystic.” Nation (September 13, 1922): 258–59.

Leslie-McCarthy, Sage. “Re-vitalising the Little People: Arthur Machen’s Tales of the Remnant Races.” Australasian Victorian Studies Journal 11 (2005): 65–78.

Lynch, Helen. “Arthur Machen.” Sewanee Review 47 (July–September 1939): 424–27.

Matteson, Robert S. “Arthur Machen: A Vision of an Enchanted Land.” Personalist 46 (Spring 1965): 253–68.

Miles, Hamish. “Machen in Retrospect.” Dial 74 (June 1923): 627–30.

Owens, Jill Tedford. “Arthur Machen’s Supernaturalism: The Decadent Variety.” University of Mississippi Studies in English 8 (1990): 117–26.

Roberts, R. Ellis. “Arthur Machen.” Bookman (London) 62 (September 1922): 240–42.

Russell, R. B., ed. Machenalia (2 vols.). Lewes, UK: Tartarus Press, 1990.

Sewell, Brocard, ed. Arthur Machen. Llandeilo, Wales: St. Albert’s Press, 1960.

Shiel, M. P. “On Scholar-Artistry.” In Science, Life and Literature. London: Williams & Norgate, 1950, 95–100.

Starrett, Vincent. “Arthur Machen: A Novelist of Ecstasy and Sin.” Reedy’s Mirror (October 5, 1917): 631–32. Reprinted in Starrett’s Buried Caesars . Chicago: Covici-McGee, 1923, 1–31.

Tyler, Robert L. “Arthur Machen: The Minor Writer and His Function.” Approach (Spring 1960): 21–26.

Van Vechten, Carl. “Arthur Machen: Dreamer and Mystic.” Literary Digest International Book Review 1 (February 1923): 36–37. In Van Vechten’s Excavations. New York: Alfred A. Knopf, 1926, 162–69.

———. Peter Whiffle. New York: Knopf, 1922. [See chapter 10.]

Wagenknecht, Edward. Seven Masters of Supernatural Fiction. Westport, CT: Greenwood Press, 1991.

Wandrei, Donald. “Arthur Machen and The Hill of Dreams.” Minnesota Quarterly 3, no. 3 (Spring 1926): 19–24. Studies in Weird Fiction no. 15 (Summer 1994): 27–30.

A Note on the Texts

“The Inmost Light,” the two segments from The Three Impostors (“Novel of the Black Seal” and “Novel of the White Powder”), “The Red Hand,” “The White People,” and “A Fragment of Life” are taken from The House of Souls (Grant Richards, 1906). “The Bowmen” and “The Soldiers’ Rest” are taken from The Angels of Mons: The Bowmen and Other Legends of the War (Simpkin, Marshall, Hamilton, Kent, 1915). “The Great Return” and The Terror are taken from the Caerleon Edition of Machen’s Works (Martin Secker, 1923), volume 7. “Out of the Earth” is taken from The Shining Pyramid (Martin Secker, 1925).

I am grateful to Ray Russell and Gwilym Games for assistance in the preparation of the text and notes.

THE INMOST LIGHT

I

One evening in autumn, when the deformities of London were veiled in faint blue mist, and its vistas and far-reaching streets seemed splendid, Mr. Charles Salisbury was slowly pacing down Rupert Street, drawing nearer to his favourite restaurant by slow degrees. His eyes were downcast in study of the pavement, and thus it was that as he passed in at the narrow door a man who had come up from the lower end of the street jostled against him.

“I beg your pardon—wasn’t looking where I was going. Why, it’s Dyson!”

“Yes, quite so. How are you, Salisbury?”

“Quite well. But where have you been, Dyson? I don’t think I can have seen you for the last five years?”

“No; I dare say not. You remember I was getting rather hard up when you came to my place at Charlotte Street?”

“Perfectly. I think I remember your telling me that you owed five weeks’ rent, and that you had parted with your watch for a comparatively small sum.”

“My dear Salisbury, your memory is admirable. Yes, I was hard up. But the curious thing is that soon after you saw me I became harder up. My financial state was described by a friend as ‘stone broke.’ I don’t approve of slang, mind you, but such was my condition. But suppose we go in; there might be other people who would like to dine—it’s a human weakness, Salisbury.”

“Certainly; come along. I was wondering as I walked down whether the corner table were taken. It has a velvet back you know.”

“I know the spot; it’s vacant. Yes, as I was saying, I became even harder up.”

“What did you do then?” asked Salisbury, disposing of his hat, and settling down in the corner of the seat, with a glance of fond anticipation at the menu.

“What did I do? Why, I sat down and reflected. I had a good classical education, and a positive distaste for business of any kind: that was the capital with which I faced the world. Do you know, I have heard people describe olives as nasty! What lamentable Philistinism! I have often thought, Salisbury, that I could write genuine poetry under the influence of olives and red wine. Let us have Chianti; it may not be very good, but the flasks are simply charming.”

“It is pretty good here. We may as well have a big flask.”

“Very good. I reflected, then, on my want of prospects, and I determined to embark in literature.”

“Really; that was strange. You seem in pretty comfortable circumstances, though.”

“Though! What a satire upon a noble profession. I am afraid, Salisbury, you haven’t a proper idea of the dignity of an artist. You see me sitting at my desk—or at least you can see me if you care to call—with pen and ink, and simple nothingness before me, and if you come again in a few hours you will (in all probability) find a creation!”

“Yes, quite so. I had an idea that literature was not remunerative.”

“You are mistaken; its rewards are great. I may mention, by the way, that shortly after you saw me I succeeded to a small income. An uncle died, and proved unexpectedly generous.”

“Ah, I see. That must have been convenient.”

“It was pleasant—undeniably pleasant. I have always considered it in the light of an endowment of my researches. I told you I was a man of letters; it would, perhaps, be more correct to describe myself as a man of science.”

“Dear me, Dyson, you have really changed very much in the last few years. I had a notion, don’t you know, that you were a sort of idler about town, the kind of man one might meet on the north side of Piccadilly every day from May to July.”

“Exactly. I was even then forming myself, though all unconsciously. You know my poor father could not afford to send me to the University. I used to grumble in my ignorance at not having completed my education. That was the folly of youth, Salisbury; my University was Piccadilly. There I began to study the great science which still occupies me.”

“What science do you mean?”

“The science of the great city; the physiology of London; literally and metaphysically the greatest subject that the mind of man can conceive. What an admirable salmi this is; undoubtedly the final end of the pheasant. Yet I feel sometimes positively overwhelmed with the thought of the vastness and complexity of London. Paris a man may get to understand thoroughly with a reasonable amount of study; but London is always a mystery. In Paris you may say: ‘Here live the actresses, here the Bohemians, and the Ratés’;[1] but it is different in London. You may point out a street, correctly enough, as the abode of washerwomen; but, in that second floor, a man may be studying Chaldee roots, and in the garret over the way a forgotten artist is dying by inches.”

“I see you are Dyson, unchanged and unchangeable,” said Salisbury, slowly sipping his Chianti. “I think you are misled by a too fervid imagination; the mystery of London exists only in your fancy. It seems to me a dull place enough. We seldom hear of a really artistic crime in London, whereas I believe Paris abounds in that sort of thing.”

“Give me some more wine. Thanks. You are mistaken, my dear fellow, you are really mistaken. London has nothing to be ashamed of in the way of crime. Where we fail is for want of Homers, not Agamemnons. Carent quia vate sacro,[2] you know.”

“I recall the quotation. But I don’t think I quite follow you.”

“Well, in plain language, we have no good writers in London who make a speciality of that kind of thing. Our common reporter is a dull dog; every story that he has to tell is spoilt in the telling. His idea of horror and of what excites horror is so lamentably deficient. Nothing will content the fellow but blood, vulgar red blood, and when he can get it he lays it on thick, and considers that he has produced a telling article. It’s a poor notion. And, by some curious fatality, it is the most commonplace and brutal murders which always attract the most attention and get written up the most. For instance, I dare say that you never heard of the Harlesden case?”

“No; no, I don’t remember anything about it.”

“Of course not. And yet the story is a curious one. I will tell it you over our coffee. Harlesden, you know, or I expect you don’t know, is quite on the out-quarters of London; something curiously different from your fine old crusted suburb like Norwood or Hampstead, different as each of these is from the other. Hampstead, I mean, is where you look for the head of your great China house with his three acres of land and pine-houses, though of late there is the artistic substratum; while Norwood is the home of the prosperous middle-class family who took the house ‘because it was near the Palace,’ and sickened of the Palace six months afterwards; but Harlesden is a place of no character. It’s too new to have any character as yet. There are the rows of red houses and the rows of white houses and the bright green Venetians, and the blistering doorways, and the little backyards they call gardens, and a few feeble shops, and then, just as you think you’re going to grasp the physiognomy of the settlement, it all melts away.”

“How the dickens is that? the houses don’t tumble down before one’s eyes, I suppose!”

“Well, no, not exactly that. But Harlesden as an entity disappears. Your street turns into a quiet lane, and your staring houses into elm trees, and the back-gardens into green meadows. You pass instantly from town to country; there is no transition as in a small country town, no soft gradations of wider lawns and orchards, with houses gradually becoming less dense, but a dead stop. I believe the people who live there mostly go into the City. I have seen once or twice a laden ’bus bound thitherwards. But however that may be, I can’t conceive a greater loneliness in a desert at midnight than there is there at mid-day. It is like a city of the dead; the streets are glaring and desolate, and as you pass it suddenly strikes you that this too is part of London. Well, a year or two ago there was a doctor living there; he had set up his brass plate and his red lamp[3] at the very end of one of those shining streets, and from the back of the house, the fields stretched away to the north. I don’t know what his reason was in settling down in such an out-of-the-way place, perhaps Dr. Black, as we will call him, was a far-seeing man and looked ahead. His relations, so it appeared afterwards, had lost sight of him for many years and didn’t even know he was a doctor, much less where he lived. However, there he was settled in Harlesden, with some fragments of a practice, and an uncommonly pretty wife. People used to see them walking out together in the summer evenings soon after they came to Harlesden, and, so far as could be observed, they seemed a very affectionate couple. These walks went on through the autumn, and then ceased; but, of course, as the days grew dark and the weather cold, the lanes near Harlesden might be expected to lose many of their attractions. All through the winter nobody saw anything of Mrs. Black; the doctor used to reply to his patients’ inquiries that she was a ‘little out of sorts, would be better, no doubt, in the spring.’ But the spring came, and the summer, and no Mrs. Black appeared, and at last people began to rumour and talk amongst themselves, and all sorts of queer things were said at ‘high teas,’ which you may possibly have heard are the only form of entertainment known in such suburbs. Dr. Black began to surprise some very odd looks cast in his direction, and the practice, such as it was, fell off before his eyes. In short, when the neighbours whispered about the matter, they whispered that Mrs. Black was dead, and that the doctor had made away with her. But this wasn’t the case; Mrs. Black was seen alive in June. It was a Sunday afternoon, one of those few exquisite days that an English climate offers, and half London had strayed out into the fields, north, south, east, and west to smell the scent of the white May, and to see if the wild roses were yet in blossom in the hedges. I had gone out myself early in the morning, and had had a long ramble, and somehow or other as I was steering homeward I found myself in this very Harlesden we have been talking about. To be exact, I had a glass of beer in the ‘General Gordon,’ [4] the most flourishing house in the neighbourhood, and as I was wandering rather aimlessly about, I saw an uncommonly tempting gap in a hedgerow, and resolved to explore the meadow beyond. Soft grass is very grateful to the feet after the infernal grit strewn on suburban sidewalks, and after walking about for some time I thought I should like to sit down on a bank and have a smoke. While I was getting out my pouch, I looked up in the direction of the houses, and as I looked I felt my breath caught back, and my teeth began to chatter, and the stick I had in one hand snapped in two with the grip I gave it. It was as if I had had an electric current down my spine, and yet for some moment of time which seemed long, but which must have been very short, I caught myself wondering what on earth was the matter. Then I knew what had made my very heart shudder and my bones grind together in an agony. As I glanced up I had looked straight towards the last house in the row before me, and in an upper window of that house I had seen for some short fraction of a second a face. It was the face of a woman, and yet it was not human. You and I, Salisbury, have heard in our time, as we sat in our seats in church in sober English fashion, of a lust that cannot be satiated and of a fire that is unquenchable, but few of us have any notion what these words mean.[5] I hope you never may, for as I saw that face at the window, with the blue sky above me and the warm air playing in gusts about me, I knew I had looked into another world—looked through the window of a commonplace, brand-new house, and seen hell open before me. When the first shock was over, I thought once or twice that I should have fainted; my face streamed with a cold sweat, and my breath came and went in sobs, as if I had been half drowned. I managed to get up at last, and walk round to the street, and there I saw the name ‘Dr. Black’ on the post by the front gate. As fate or my luck would have it, the door opened and a man came down the steps as I passed by. I had no doubt it was the doctor himself. He was of a type rather common in London; long and thin, with a pasty face and a dull black moustache. He gave me a look as we passed each other on the pavement, and though it was merely the casual glance which one foot-passenger bestows on another, I felt convinced in my mind that here was an ugly customer to deal with. As you may imagine, I went my way a good deal puzzled and horrified too by what I had seen; for I had paid another visit to the ‘General Gordon,’ and had got together a good deal of the common gossip of the place about the Blacks. I didn’t mention the fact that I had seen a woman’s face in the window; but I heard that Mrs. Black had been much admired for her beautiful golden hair, and round what had struck me with such a nameless terror, there was a mist of flowing yellow hair, as it were an aureole of glory round the visage of a satyr. The whole thing bothered me in an indescribable manner; and when I got home I tried my best to think of the impression I had received as an illusion, but it was no use. I knew very well I had seen what I have tried to describe to you, and I was morally certain that I had seen Mrs. Black. And then there was the gossip of the place, the suspicion of foul play, which I knew to be false, and my own conviction that there was some deadly mischief or other going on in that bright red house at the corner of Devon Road: how to construct a theory of a reasonable kind out of these two elements. In short, I found myself in a world of mystery; I puzzled my head over it and filled up my leisure moments by gathering together odd threads of speculation, but I never moved a step towards any real solution, and as the summer days went on the matter seemed to grow misty and indistinct, shadowing some vague terror, like a nightmare of last month. I suppose it would before long have faded into the background of my brain—I should not have forgotten it, for such a thing could never be forgotten—but one morning as I was looking over the paper my eye was caught by a heading over some two dozen lines of small type. The words I had seen were simply, ‘The Harlesden Case,’ and I knew what I was going to read. Mrs. Black was dead. Black had called in another medical man to certify as to cause of death, and something or other had aroused the strange doctor’s suspicions and there had been an inquest and post-mortem. And the result? That, I will confess, did astonish me considerably; it was the triumph of the unexpected. The two doctors who made the autopsy were obliged to confess that they could not discover the faintest trace of any kind of foul play; their most exquisite tests and reagents failed to detect the presence of poison in the most infinitesimal quantity. Death, they found, had been caused by a somewhat obscure and scientifically interesting form of brain disease. The tissue of the brain and the molecules of the grey matter had undergone a most extraordinary series of changes; and the younger of the two doctors, who has some reputation, I believe, as a specialist in brain trouble, made some remarks in giving his evidence which struck me deeply at the time, though I did not then grasp their full significance. He said: ‘At the commencement of the examination I was astonished to find appearances of a character entirely new to me, notwithstanding my somewhat large experience. I need not specify these appearances at present, it will be sufficient for me to state that as I proceeded in my task I could scarcely believe that the brain before me was that of a human being at all.’ There was some surprise at this statement, as you may imagine, and the coroner asked the doctor if he meant to say that the brain resembled that of an animal. ‘No,’ he replied, ‘I should not put it in that way. Some of the appearances I noticed seemed to point in that direction, but others, and these were the more surprising, indicated a nervous organization of a wholly different character from that either of man or the lower animals.’ It was a curious thing to say, but of course the jury brought in a verdict of death from natural causes, and, so far as the public was concerned, the case came to an end. But after I had read what the doctor said I made up my mind that I should like to know a good deal more, and I set to work on what seemed likely to prove an interesting investigation. I had really a good deal of trouble, but I was successful in a measure. Though why—my dear fellow, I had no notion at the time. Are you aware that we have been here nearly four hours? The waiters are staring at us. Let’s have the bill and be gone.”

The two men went out in silence, and stood a moment in the cool air, watching the hurrying traffic of Coventry Street pass before them to the accompaniment of the ringing bells of hansoms and the cries of the newsboys; the deep far murmur of London surging up ever and again from beneath these louder noises.

“It is a strange case, isn’t it?” said Dyson at length. “What do you think of it?”

“My dear fellow, I haven’t heard the end, so I will reserve my opinion. When will you give me the sequel?”

“Come to my rooms some evening; say next Thursday. Here’s the address. Good-night; I want to get down to the Strand.” Dyson hailed a passing hansom, and Salisbury turned northward to walk home to his lodgings.

II

Mr. Salisbury, as may have been gathered from the few remarks which he had found it possible to introduce in the course of the evening, was a young gentleman of a peculiarly solid form of intellect, coy and retiring before the mysterious and the uncommon, with a constitutional dislike of paradox. During the restaurant dinner he had been forced to listen in almost absolute silence to a strange tissue of improbabilities strung together with the ingenuity of a born meddler in plots and mysteries, and it was with a feeling of weariness that he crossed Shaftesbury Avenue, and dived into the recesses of Soho, for his lodgings were in a modest neighborhood to the north of Oxford Street. As he walked he speculated on the probable fate of Dyson, relying on literature, unbefriended by a thoughtful relative, and could not help concluding that so much subtlety united to a too vivid imagination would in all likelihood have been rewarded with a pair of sandwich-boards or a super’s banner. Absorbed in this train of thought, and admiring the perverse dexterity which could transmute the face of a sickly woman and a case of brain disease into the crude elements of romance, Salisbury strayed on through the dimly-lighted streets, not noticing the gusty wind which drove sharply round corners and whirled the stray rubbish of the pavement into the air in eddies, while black clouds gathered over the sickly yellow moon. Even a stray drop or two of rain blown into his face did not rouse him from his meditations, and it was only when with a sudden rush the storm tore down upon the street that he began to consider the expediency of finding some shelter. The rain, driven by the wind, pelted down with the violence of a thunderstorm, dashing up from the stones and hissing through the air, and soon a perfect torrent of water coursed along the kennels and accumulated in pools over the choked-up drains. The few stray passengers who had been loafing rather than walking about the street had scuttered away, like frightened rabbits, to some invisible places of refuge, and though Salisbury whistled loud and long for a hansom, no hansom appeared. He looked about him, as if to discover how far he might be from the haven of Oxford Street, but strolling carelessly along, he had turned out of his way, and found himself in an unknown region, and one to all appearance devoid even of a public-house where shelter could be bought for the modest sum of twopence. The street lamps were few and at long intervals, and burned behind grimy glasses with the sickly light of oil, and by this wavering glimmer Salisbury could make out the shadowy and vast old houses of which the street was composed. As he passed along, hurrying, and shrinking from the full sweep of the rain, he noticed the innumerable bell-handles, with names that seemed about to vanish of old age graven on brass plates beneath them, and here and there a richly carved penthouse overhung the door, blackening with the grime of fifty years. The storm seemed to grow more and more furious; he was wet through, and a new hat had become a ruin, and still Oxford Street seemed as far off as ever; it was with deep relief that the dripping man caught sight of a dark archway which seemed to promise shelter from the rain if not from the wind. Salisbury took up his position in the driest corner and looked about him; he was standing in a kind of passage contrived under part of a house, and behind him stretched a narrow footway leading between blank walls to regions unknown. He had stood there for some time, vainly endeavouring to rid himself of some of his superfluous moisture, and listening for the passing wheel of a hansom, when his attention was aroused by a loud noise coming from the direction of the passage behind, and growing louder as it drew nearer. In a couple of minutes he could make out the shrill, raucous voice of a woman, threatening and renouncing and making the very stones echo with her accents, while now and then a man grumbled and expostulated. Though to all appearance devoid of romance, Salisbury had some relish for street rows, and was, indeed, somewhat of an amateur in the more amusing phases of drunkenness; he therefore composed himself to listen and observe with something of the air of a subscriber to grand opera. To his annoyance, however, the tempest seemed suddenly to be composed, and he could hear nothing but the impatient steps of the woman and the slow lurch of the man as they came towards him. Keeping back in the shadow of the wall, he could see the two drawing nearer; the man was evidently drunk, and had much ado to avoid frequent collision with the wall as he tacked across from one side to the other, like some bark beating up against a wind. The woman was looking straight in front of her, with tears streaming from her eyes, but suddenly as they went by the flame blazed up again, and she burst forth into a torrent of abuse, facing round upon her companion.

“You low rascal, you mean, contemptible cur,” she went on, after an incoherent storm of curses, “you think I’m to work and slave for you always, I suppose, while you’re after that Green Street girl and drinking every penny you’ve got? But you’re mistaken, Sam—indeed, I’ll bear it no longer. Damn you, you dirty thief, I’ve done with you and your master too, so you can go your own errands, and I only hope they’ll get you into trouble.”

The woman tore at the bosom of her dress, and taking something out that looked like paper, crumpled it up and flung it away. It fell at Salisbury’s feet. She ran out and disappeared in the darkness, while the man lurched slowly into the street, grumbling indistinctly to himself in a perplexed tone of voice. Salisbury looked out after him, and saw him maundering along the pavement, halting now and then and swaying indecisively, and then starting off at some fresh tangent. The sky had cleared, and white fleecy clouds were fleeting across the moon, high in the heaven. The light came and went by turns, as the clouds passed by, and, turning round as the clear, white rays shone into the passage, Salisbury saw the little ball of crumpled paper which the woman had cast down. Oddly curious to know what it might contain, he picked it up and put it in his pocket, and set out afresh on his journey.

III

Salisbury was a man of habit. When he got home, drenched to the skin, his clothes hanging lank about him, and a ghastly dew besmearing his hat, his only thought was of his health, of which he took studious care. So, after changing his clothes and encasing himself in a warm dressing-gown, he proceeded to prepare a sudorific in the shape of hot gin and water, warming the latter over one of those spirit-lamps which mitigate the austerities of the modern hermit’s life. By the time this preparation had been exhibited, and Salisbury’s disturbed feelings had been soothed by a pipe of tobacco, he was able to get into bed in a happy state of vacancy, without a thought of his adventure in the dark archway, or of the weird fancies with which Dyson had seasoned his dinner. It was the same at breakfast the next morning, for Salisbury made a point of not thinking of any thing until that meal was over; but when the cup and saucer were cleared away, and the morning pipe was lit, he remembered the little ball of paper, and began fumbling in the pockets of his wet coat. He did not remember into which pocket he had put it, and as he dived now into one and now into another, he experienced a strange feeling of apprehension lest it should not be there at all, though he could not for the life of him have explained the importance he attached to what was in all probability mere rubbish. But he sighed with relief when his fingers touched the crumpled surface in an inside pocket, and he drew it out gently and laid it on the little desk by his easy-chair with as much care as if it had been some rare jewel. Salisbury sat smoking and staring at his find for a few minutes, an odd temptation to throw the thing in the fire and have done with it struggling with as odd a speculation as to its possible contents, and as to the reason why the infuriated woman should have flung a bit of paper from her with such vehemence. As might be expected, it was the latter feeling that conquered in the end, and yet it was with something like repugnance that he at last took the paper and unrolled it, and laid it out before him. It was a piece of common dirty paper, to all appearance torn out of a cheap exercise-book, and in the middle were a few lines written in a queer cramped hand. Salisbury bent his head and stared eagerly at it for a moment, drawing a long breath, and then fell back in his chair gazing blankly before him, till at last with a sudden revulsion he burst into a peal of laughter, so long and loud and uproarious that the landlady’s baby in the floor below awoke from sleep and echoed his mirth with hideous yells. But he laughed again and again, and took the paper up to read a second time what seemed such meaningless nonsense.

“Q. has had to go and see his friends in Paris,” it began. “Traverse Handel S. ‘Once around the grass, and twice around the lass, and thrice around the maple tree.’ ”

Salisbury took up the paper and crumpled it as the angry woman had done, and aimed it at the fire. He did not throw it there, however, but tossed it carelessly into the well of the desk, and laughed again. The sheer folly of the thing offended him, and he was ashamed of his own eager speculation, as one who pores over the high-sounding announcements in the agony column of the daily paper, and finds nothing but advertisement and triviality. He walked to the window, and stared out at the languid morning life of his quarter; the maids in slatternly print dresses washing door-steps, the fishmonger and the butcher on their rounds, and the tradesmen standing at the doors of their small shops, drooping for lack of trade and excitement. In the distance a blue haze gave some grandeur to the prospect, but the view as a whole was depressing, and would only have interested a student of the life of London, who finds something rare and choice in its every aspect. Salisbury turned away in disgust, and settled himself in the easy-chair, upholstered in a bright shade of green, and decked with yellow gimp, which was the pride and attraction of the apartments. Here he composed himself to his morning’s occupation—the perusal of a novel that dealt with sport and love in a manner that suggested the collaboration of a stud-groom and a ladies’ college. In an ordinary way, however, Salisbury would have been carried on by the interest of the story up to lunch-time, but this morning he fidgeted in and out of his chair, took the book up and laid it down again, and swore at last to himself and at himself in mere irritation. In point of fact the jingle of the paper found in the archway had “got into his head,” and do what he would he could not help muttering over and over, “Once around the grass, and twice around the lass, and thrice around the maple tree.” It became a positive pain, like the foolish burden of a music-hall song, everlastingly quoted, and sung at all hours of the day and night, and treasured by the street boys as an unfailing resource for six months together. He went out into the streets, and tried to forget his enemy in the jostling of the crowds and the roar and clatter of the traffic, but presently he would find himself stealing quietly aside, and pacing some deserted byway, vainly puzzling his brains, and trying to fix some meaning to phrases that were meaningless. It was a positive relief when Thursday came, and he remembered that he had made an appointment to go and see Dyson; the flimsy reveries of the self-styled man of letters appeared entertaining when compared with this ceaseless iteration, this maze of thought from which there seemed no possibility of escape. Dyson’s abode was in one of the quietest of the quiet streets that lead down from the Strand to the river, and when Salisbury passed from the narrow stairway into his friend’s room, he saw that the uncle had been beneficent indeed. The floor glowed and flamed with all the colours of the East; it was, as Dyson pompously remarked, “a sunset in a dream,” and the lamplight, the twilight of London streets, was shut out with strangely worked curtains, glittering here and there with threads of gold. In the shelves of an oak armoire stood jars and plates of old French china, and the black and white of etchings not to be found in the Haymarket or in Bond Street, stood out against the splendour of a Japanese paper. Salisbury sat down on the settle by the hearth, and sniffed the mingled fumes of incense and tobacco, wondering and dumb before all this splendour after the green rep and the oleographs, the gilt-framed mirror, and the lustres of his own apartment.

“I am glad you have come,” said Dyson. “Comfortable little room, isn’t it? But you don’t look very well, Salisbury. Nothing disagreed with you, has it?”

“No; but I have been a good deal bothered for the last few days. The fact is I had an odd kind of—of—adventure, I suppose I may call it, that night I saw you, and it has worried me a good deal. And the provoking part of it is that it’s the merest nonsense—but, however, I will tell you all about it, by and by. You were going to let me have the rest of that odd story you began at the restaurant.”

“Yes. But I am afraid, Salisbury, you are incorrigible. You are a slave to what you call matter of fact. You know perfectly well that in your heart you think the oddness in that case is of my making, and that it is all really as plain as the police reports. However, as I have begun, I will go on. But first we will have something to drink, and you may as well light your pipe.”

Dyson went up to the oak cupboard, and drew from its depths a rotund bottle and two little glasses, quaintly gilded.

“It’s Benedictine,” he said. “You’ll have some, won’t you?”

Salisbury assented, and the two men sat sipping and smoking reflectively for some minutes before Dyson began.

“Let me see,” he said at last, “we were at the inquest, weren’t we? No, we had done with that. Ah, I remember. I was telling you that on the whole I had been successful in my inquiries, investigation, or whatever you like to call it, into the matter. Wasn’t that where I left off?”

“Yes, that was it. To be precise, I think ‘though’ was the last word you said on the matter.”

“Exactly. I have been thinking it all over since the other night, and I have come to the conclusion that that ‘though’ is a very big ‘though’ indeed. Not to put too fine a point on it, I have had to confess that what I found out, or thought I found out, amounts in reality to nothing. I am as far away from the heart of the case as ever. However, I may as well tell you what I do know. You may remember my saying that I was impressed a good deal by some remarks of one of the doctors who gave evidence at the inquest. Well, I determined that my first step must be to try if I could get something more definite and intelligible out of that doctor. Somehow or other I managed to get an introduction to the man, and he gave me an appointment to come and see him. He turned out to be a pleasant, genial fellow; rather young and not in the least like the typical medical man, and he began the conference by offering me whisky and cigars. I didn’t think it worth while to beat about the bush, so I began by saying that part of his evidence at the Harlesden Inquest struck me as very peculiar, and I gave him the printed report, with the sentences in question underlined. He just glanced at the slip, and gave me a queer look. ‘It struck you as peculiar, did it?’ said he. ‘Well, you must remember that the Harlesden case was very peculiar. In fact, I think I may safely say that in some features it was unique—quite unique.’ ‘Quite so,’ I replied, ‘and that’s exactly why it interests me, and why I want to know more about it. And I thought that if anybody could give me any information it would be you. What is your opinion of the matter?’

“It was a pretty downright sort of question, and my doctor looked rather taken aback.

“ ‘Well,’ he said, ‘as I fancy your motive in inquiring into the question must be mere curiosity, I think I may tell you my opinion with tolerable freedom. So, Mr., Mr. Dyson? if you want to know my theory, it is this: I believe that Dr. Black killed his wife.’

“ ‘But the verdict,’ I answered, ‘the verdict was given from your own evidence.’

“ ‘Quite so; the verdict was given in accordance with the evidence of my colleague and myself, and, under the circumstances, I think the jury acted very sensibly. In fact, I don’t see what else they could have done. But I stick to my opinion, mind you, and I say this also. I don’t wonder at Black’s doing what I firmly believe he did. I think he was justified.’

“ ‘Justified! How could that be?’ I asked. I was astonished, as you may imagine, at the answer I had got. The doctor wheeled round his chair and looked steadily at me for a moment before he answered.

“ ‘I suppose you are not a man of science yourself? No; then it would be of no use my going into detail. I have always been firmly opposed myself to any partnership between physiology and psychology. I believe that both are bound to suffer. No one recognises more decidedly than I do the impassable gulf, the fathomless abyss that separates the world of consciousness from the sphere of matter. We know that every change of consciousness is accompanied by a rearrangement of the molecules in the grey matter; and that is all. What the link between them is, or why they occur together, we do not know, and most authorities believe that we never can know. Yet, I will tell you that as I did my work, the knife in my hand, I felt convinced, in spite of all theories, that what lay before me was not the brain of a dead woman—not the brain of a human being at all. Of course I saw the face; but it was quite placid, devoid of all expression. It must have been a beautiful face, no doubt, but I can honestly say that I would not have looked in that face when there was life behind it for a thousand guineas, no, nor for twice that sum.’

“ ‘My dear sir,’ I said, ‘you surprise me extremely. You say that it was not the brain of a human being. What was it, then?’

“ ‘The brain of a devil.’ He spoke quite coolly, and never moved a muscle. ‘The brain of a devil,’ he repeated, ‘and I have no doubt that Black found some way of putting an end to it. I don’t blame him if he did. Whatever Mrs. Black was, she was not fit to stay in this world. Will you have anything more? No? Good-night, good-night.’

“It was a queer sort of opinion to get from a man of science, wasn’t it? When he was saying that he would not have looked on that face when alive for a thousand guineas, or two thousand guineas, I was thinking of the face I had seen, but I said nothing. I went again to Harlesden, and passed from one shop to another, making small purchases, and trying to find out whether there was anything about the Blacks which was not already common property, but there was very little to hear. One of the tradesmen to whom I spoke said he had known the dead woman well; she used to buy of him such quantities of grocery as were required for their small household, for they never kept a servant, but had a charwoman in occasionally, and she had not seen Mrs. Black for months before she died. According to this man Mrs. Black was ‘a nice lady,’ always kind and considerate, and so fond of her husband and he of her, as every one thought. And yet, to put the doctor’s opinion on one side, I knew what I had seen. And then after thinking it all over, and putting one thing with another, it seemed to me that the only person likely to give me much assistance would be Black himself, and I made up my mind to find him. Of course he wasn’t to be found in Harlesden; he had left, I was told, directly after the funeral. Everything in the house had been sold, and one fine day Black got into the train with a small portmanteau, and went, nobody knew where. It was a chance if he were ever heard of again, and it was by a mere chance that I came across him at last. I was walking one day along Gray’s Inn Road, not bound for anywhere in particular, but looking about me, as usual, and holding on to my hat, for it was a gusty day in early March, and the wind was making the tree-tops in the Inn rock and quiver. I had come up from the Holborn end, and I had almost got to Theobald’s Road when I noticed a man walking in front of me, leaning on a stick, and to all appearance very feeble. There was something about his look that made me curious, I don’t know why, and I began to walk briskly with the idea of overtaking him, when of a sudden his hat blew off and came bounding along the pavement to my feet. Of course I rescued the hat, and gave it a glance as I went towards its owner. It was a biography in itself; a Piccadilly maker’s name in the inside, but I don’t think a beggar would have picked it out of the gutter. Then I looked up and saw Dr. Black of Harlesden waiting for me. A queer thing, wasn’t it? But, Salisbury, what a change! When I saw Dr. Black come down the steps of his house at Harlesden he was an upright man, walking firmly with well-built limbs; a man, I should say, in the prime of his life. And now before me there crouched this wretched creature, bent and feeble, with shrunken cheeks, and hair that was whitening fast, and limbs that trembled and shook together, and misery in his eyes. He thanked me for bringing him his hat, saying, ‘I don’t think I should ever have got it, I can’t run much now. A gusty day, sir, isn’t it?’ and with this he was turning away, but by little and little I contrived to draw him into the current of conversation, and we walked together eastward. I think the man would have been glad to get rid of me; but I didn’t intend to let him go, and he stopped at last in front of a miserable house in a miserable street. It was, I verily believe, one of the most wretched quarters I have ever seen: houses that must have been sordid and hideous enough when new, that had gathered foulness with every year, and now seemed to lean and totter to their fall. ‘I live up there,’ said Black, pointing to the tiles, ‘not in the front—in the back. I am very quiet there. I won’t ask you to come in now, but perhaps some other day—’ I caught him up at that, and told him I should be only too glad to come and see him. He gave me an odd sort of glance, as if he were wondering what on earth I or anybody else could care about him, and I left him fumbling with his latch-key. I think you will say I did pretty well when I tell you that within a few weeks I had made myself an intimate friend of Black’s. I shall never forget the first time I went to his room; I hope I shall never see such abject, squalid misery again. The foul paper, from which all pattern or trace of a pattern had long vanished, subdued and penetrated with the grime of the evil street, was hanging in mouldering pennons from the wall. Only at the end of the room was it possible to stand upright, and the sight of the wretched bed and the odour of corruption that pervaded the place made me turn faint and sick. Here I found him munching a piece of bread; he seemed surprised to find that I had kept my promise, but he gave me his chair and sat on the bed while we talked. I used to go to see him often, and we had long conversations together, but he never mentioned Harlesden or his wife. I fancy that he supposed me ignorant of the matter, or thought that if I had heard of it, I should never connect the respectable Dr. Black of Harlesden with a poor garreteer in the backwoods of London. He was a strange man, and as we sat together smoking, I often wondered whether he were mad or sane, for I think the wildest dreams of Paracelsus and the Rosicrucians[6] would appear plain and sober fact compared with the theories I have heard him earnestly advance in that grimy den of his. I once ventured to hint something of the sort to him. I suggested that something he had said was in flat contradiction to all science and all experience. ‘No,’ he answered, ‘not all experience, for mine counts for something. I am no dealer in unproved theories; what I say I have proved for myself, and at a terrible cost. There is a region of knowledge which you will never know, which wise men seeing from afar off shun like the plague, as well they may, but into that region I have gone. If you knew, if you could even dream of what may be done, of what one or two men have done in this quiet world of ours, your very soul would shudder and faint within you. What you have heard from me has been but the merest husk and outer covering of true science—that science which means death, and that which is more awful than death, to those who gain it. No, when men say that there are strange things in the world, they little know the awe and the terror that dwell always with them and about them.’ There was a sort of fascination about the man that drew me to him, and I was quite sorry to have to leave London for a month or two; I missed his odd talk. A few days after I came back to town I thought I would look him up, but when I gave the two rings at the bell that used to summon him, there was no answer. I rang and rang again, and was just turning to go away, when the door opened and a dirty woman asked me what I wanted. From her look I fancy she took me for a plain-clothes officer after one of her lodgers, but when I inquired if Mr. Black were in, she gave me a stare of another kind. ‘There’s no Mr. Black lives here,’ she said. ‘He’s gone. He’s dead this six weeks. I always thought he was a bit queer in his head, or else had been and got into some trouble or other. He used to go out every morning from ten till one, and one Monday morning we heard him come in, and go into his room and shut the door, and a few minutes after, just as we was a-sitting down to our dinner, there was such a scream that I thought I should have gone right off. And then we heard a stamping, and down he came, raging and cursing most dreadful, swearing he had been robbed of something that was worth millions. And then he just dropped down in the passage, and we thought he was dead. We got him up to his room, and put him on his bed, and I just sat there and waited, while my ’usband he went for the doctor. And there was the winder wide open, and a little tin box he had lying on the floor open and empty, but of course nobody could possible have got in at the winder, and as for him having anything that was worth anything, it’s nonsense, for he was often weeks and weeks behind with his rent, and my ’usband he threatened often and often to turn him into the street, for, as he said, we’ve got a living to myke like other people—and, of course, that’s true; but, somehow, I didn’t like to do it, though he was an odd kind of a man, and I fancy had been better off. And then the doctor came and looked at him, and said as he couldn’t do nothing, and that night he died as I was a-sitting by his bed; and I can tell you that, with one thing and another, we lost money by him, for the few bits of clothes as he had were worth next to nothing when they came to be sold.’ I gave the woman half a sovereign for her trouble, and went home thinking of Dr. Black and the epitaph she had made him, and wondering at his strange fancy that he had been robbed. I take it that he had very little to fear on that score, poor fellow; but I suppose that he was really mad, and died in a sudden access of his mania. His landlady said that once or twice when she had had occasion to go into his room (to dun the poor wretch for his rent, most likely), he would keep her at the door for about a minute, and that when she came in she would find him putting away his tin box in the corner by the window; I suppose he had become possessed with the idea of some great treasure, and fancied himself a wealthy man in the midst of all his misery. Explicit, my tale is ended, and you see that though I knew Black, I know nothing of his wife or of the history of her death.—That’s the Harlesden case, Salisbury, and I think it interests me all the more deeply because there does not seem the shadow of a possibility that I or any one else will ever know more about it. What do you think of it?”

“Well, Dyson, I must say that I think you have contrived to surround the whole thing with a mystery of your own making. I go for the doctor’s solution: Black murdered his wife, being himself in all probability an undeveloped lunatic.”

“What? Do you believe, then, that this woman was something too awful, too terrible to be allowed to remain on the earth? You will remember that the doctor said it was the brain of a devil?”

“Yes, yes, but he was speaking, of course, metaphorically. It’s really quite a simple matter if you only look at it like that.”

“Ah, well, you may be right; but yet I am sure you are not. Well, well, it’s no good discussing it any more. A little more Benedictine? That’s right; try some of this tobacco. Didn’t you say that you had been bothered by something—something which happened that night we dined together?”

“Yes, I have been worried, Dyson, worried a great deal. I—But it’s such a trivial matter—indeed, such an absurdity—that I feel ashamed to trouble you with it.”

“Never mind, let’s have it, absurd or not.”

With many hesitations, and with much inward resentment of the folly of the thing, Salisbury told his tale, and repeated reluctantly the absurd intelligence and the absurder doggerel of the scrap of paper, expecting to hear Dyson burst out into a roar of laughter.

“Isn’t it too bad that I should let myself be bothered by such stuff as that?” he asked, when he had stuttered out the jingle of once, and twice, and thrice.

Dyson had listened to it all gravely, even to the end, and meditated for a few minutes in silence.

“Yes,” he said at length, “it was a curious chance, your taking shelter in that archway just as those two went by. But I don’t know that I should call what was written on the paper nonsense; it is bizarre certainly, but I expect it has a meaning for somebody. Just repeat it again, will you, and I will write it down. Perhaps we might find a cipher of some sort, though I hardly think we shall.”

Again had the reluctant lips of Salisbury slowly to stammer out the rubbish that he abhorred, while Dyson jotted it down on a slip of paper.

“Look over it, will you?” he said, when it was done; “it may be important that I should have every word in its place. Is that all right?”

“Yes; that is an accurate copy. But I don’t think you will get much out of it. Depend upon it, it is mere nonsense, a wanton scribble. I must be going now, Dyson. No, no more; that stuff of yours is pretty strong. Good-night.”

“I suppose you would like to hear from me, if I did find out anything?”

“No, not I; I don’t want to hear about the thing again. You may regard the discovery, if it is one, as your own.”

“Very well. Good-night.”

IV

A good many hours after Salisbury had returned to the company of the green rep chairs, Dyson still sat at his desk, itself a Japanese romance, smoking many pipes, and meditating over his friend’s story. The bizarre quality of the inscription which had annoyed Salisbury was to him an attraction, and now and again he took it up and scanned thoughtfully what he had written, especially the quaint jingle at the end. It was a token, a symbol, he decided, and not a cipher, and the woman who had flung it away was in all probability entirely ignorant of its meaning; she was but the agent of the “Sam” she had abused and discarded, and he too was again the agent of some one unknown; possibly of the individual styled Q, who had been forced to visit his French friends. But what to make of “Traverse Handel S.” Here was the root and source of the enigma, and not all the tobacco of Virginia seemed likely to suggest any clue here. It seemed almost hopeless, but Dyson regarded himself as the Wellington of mysteries, and went to bed feeling assured that sooner or later he would hit upon the right track. For the next few days he was deeply engaged in his literary labours, labours which were a profound mystery even to the most intimate of his friends, who searched the railway bookstalls in vain for the result of so many hours spent at the Japanese bureau in company with strong tobacco and black tea. On this occasion Dyson confined himself to his room for four days, and it was with genuine relief that he laid down his pen and went out into the streets in quest of relaxation and fresh air. The gas-lamps were being lighted, and the fifth edition of the evening papers was being howled through the streets, and Dyson, feeling that he wanted quiet, turned away from the clamorous Strand, and began to trend away to the north-west. Soon he found himself in streets that echoed to his footsteps, and crossing a broad new thoroughfare, and verging still to the west, Dyson discovered that he had penetrated to the depths of Soho. Here again was life; rare vintages of France and Italy, at prices which seemed contemptibly small, allured the passer-by; here were cheeses, vast and rich, here olive oil, and here a grove of Rabelaisian sausages; while in a neighbouring shop the whole Press of Paris appeared to be on sale. In the middle of the roadway a strange miscellany of nations sauntered to and fro, for there cab and hansom rarely ventured; and from window over window the inhabitants looked forth in pleased contemplation of the scene. Dyson made his way slowly along, mingling with the crowd on the cobble-stones, listening to the queer babel of French and German, and Italian and English, glancing now and again at the shop-windows with their levelled batteries of bottles, and had almost gained the end of the street, when his attention was arrested by a small shop at the corner, a vivid contrast to its neighbours. It was the typical shop of the poor quarter; a shop entirely English. Here were vended tobacco and sweets, cheap pipes of clay and cherry-wood; penny exercise-books and penholders jostled for precedence with comic songs, and story papers with appalling cuts showed that romance claimed its place beside the actualities of the evening paper, the bills of which fluttered at the doorway. Dyson glanced up at the name above the door, and stood by the kennel trembling, for a sharp pang, the pang of one who has made a discovery, had for a moment left him incapable of motion. The name over the shop was Travers. Dyson looked up again, this time at the corner of the wall above the lamp-post, and read in white letters on a blue ground the words “Handel Street, W.C.,” and the legend was repeated in fainter letters just below. He gave a little sigh of satisfaction, and without more ado walked boldly into the shop, and stared full in the face the fat man who was sitting behind the counter. The fellow rose to his feet, and returned the stare a little curiously, and then began in stereotyped phrase—

“What can I do for you, sir?”

Dyson enjoyed the situation and a dawning perplexity on the man’s face. He propped his stick carefully against the counter and leaning over it, said slowly and impressively—

“Once around the grass, and twice around the lass, and thrice around the maple-tree.”

Dyson had calculated on his words producing an effect, and he was not disappointed. The vendor of miscellanies gasped, openmouthed like a fish, and steadied himself against the counter. When he spoke, after a short interval, it was in a hoarse mutter, tremulous and unsteady.

“Would you mind saying that again, sir? I didn’t quite catch it.”

“My good man, I shall most certainly do nothing of the kind. You heard what I said perfectly well. You have got a clock in your shop, I see; an admirable timekeeper, I have no doubt. Well, I give you a minute by your own clock.”

The man looked about him in a perplexed indecision, and Dyson felt that it was time to be bold.

“Look here, Travers, the time is nearly up. You have heard of Q, I think. Remember, I hold your life in my hands. Now!”

Dyson was shocked at the result of his own audacity. The man shrank and shrivelled in terror, the sweat poured down a face of ashy white, and he held up his hands before him.

“Mr. Davies, Mr. Davies, don’t say that—don’t for Heaven’s sake. I didn’t know you at first, I didn’t indeed. Good God! Mr. Davies, you wouldn’t ruin me? I’ll get it in a moment.”

“You had better not lose any more time.”

The man slunk piteously out of his own shop, and went into a back parlour. Dyson heard his trembling fingers fumbling with a bunch of keys, and the creak of an opening box. He came back presently with a small package neatly tied up in brown paper in his hands, and still, full of terror, handed it to Dyson.

“I’m glad to be rid of it,” he said. “I’ll take no more jobs of this sort.”

Dyson took the parcel and his stick, and walked out of the shop with a nod, turning round as he passed the door. Travers had sunk into his seat, his face still white with terror, with one hand over his eyes, and Dyson speculated a good deal as he walked rapidly away as to what queer chords those could be on which he had played so roughly. He hailed the first hansom he could see and drove home, and when he had lit his hanging lamp, and laid his parcel on the table, he paused for a moment, wondering on what strange thing the lamplight would soon shine. He locked his door, and cut the strings, and unfolded the paper layer after layer, and came at last to a small wooden box, simply but solidly made. There was no lock, and Dyson had simply to raise the lid, and as he did so he drew a long breath and started back. The lamp seemed to glimmer feebly like a single candle, but the whole room blazed with light—and not with light alone, but with a thousand colours, with all the glories of some painted window; and upon the walls of his room and on the familiar furniture, the glow flamed back and seemed to flow again to its source, the little wooden box. For there upon a bed of soft wool lay the most splendid jewel, a jewel such as Dyson had never dreamed of, and within it shone the blue of far skies, and the green of the sea by the shore, and the red of the ruby, and deep violet rays, and in the middle of all it seemed aflame as if a fountain of fire rose up, and fell, and rose again with sparks like stars for drops. Dyson gave a long deep sigh, and dropped into his chair, and put his hands over his eyes to think. The jewel was like an opal, but from a long experience of the shop-windows he knew there was no such thing as an opal one-quarter or one-eighth of its size. He looked at the stone again, with a feeling that was almost awe, and placed it gently on the table under the lamp, and watched the wonderful flame that shone and sparkled in its centre, and then turned to the box, curious to know whether it might contain other marvels. He lifted the bed of wool on which the opal had reclined, and saw beneath, no more jewels, but a little old pocket-book, worn and shabby with use. Dyson opened it at the first leaf, and dropped the book again appalled. He had read the name of the owner, neatly written in blue ink:

STEVEN BLACK, M.D.,
Oranmore,
Devon Road,
Harlesden.

It was several minutes before Dyson could bring himself to open the book a second time; he remembered the wretched exile in his garret; and his strange talk, and the memory too of the face he had seen at the window, and of what the specialist had said, surged up in his mind, and as he held his finger on the cover, he shivered, dreading what might be written within. When at last he held it in his hand, and turned the pages, he found that the first two leaves were blank, but the third was covered with clear, minute writing, and Dyson began to read with the light of the opal flaming in his eyes.

V

“Ever since I was a young man”—the record began—“I devoted all my leisure and a good deal of time that ought to have been given to other studies to the investigation of curious and obscure branches of knowledge. What are commonly called the pleasures of life had never any attractions for me, and I lived alone in London, avoiding my fellow-students, and in my turn avoided by them as a man self-absorbed and unsympathetic. So long as I could gratify my desire of knowledge of a peculiar kind, knowledge of which the very existence is a profound secret to most men, I was intensely happy, and I have often spent whole nights sitting in the darkness of my room, and thinking of the strange world on the brink of which I trod. My professional studies, however, and the necessity of obtaining a degree, for some time forced my more obscure employment into the background, and soon after I had qualified I met Agnes, who became my wife. We took a new house in this remote suburb, and I began the regular routine of a sober practice, and for some months lived happily enough, sharing in the life about me, and only thinking at odd intervals of that occult science which had once fascinated my whole being. I had learnt enough of the paths I had begun to tread to know that they were beyond all expression difficult and dangerous, that to persevere meant in all probability the wreck of a life, and that they led to regions so terrible, that the mind of man shrinks appalled at the very thought. Moreover, the quiet and the peace I had enjoyed since my marriage had wiled me away to a great extent from places where I knew no peace could dwell. But suddenly—I think indeed it was the work of a single night, as I lay awake on my bed gazing into the darkness—suddenly, I say, the old desire, the former longing, returned, and returned with a force that had been intensified ten times by its absence; and when the day dawned and I looked out of the window, and saw with haggard eyes the sunrise in the east, I knew that my doom had been pronounced; that as I had gone far, so now I must go farther with unfaltering steps. I turned to the bed where my wife was sleeping peacefully, and lay down again, weeping bitter tears, for the sun had set on our happy life and had risen with a dawn of terror to us both. I will not set down here in minute detail what followed; outwardly I went about the day’s labour as before, saying nothing to my wife. But she soon saw that I had changed; I spent my spare time in a room which I had fitted up as a laboratory, and often I crept upstairs in the grey dawn of the morning, when the light of many lamps still glowed over London; and each night I had stolen a step nearer to that great abyss which I was to bridge over, the gulf between the world of consciousness and the world of matter. My experiments were many and complicated in their nature, and it was some months before I realised whither they all pointed, and when this was borne in upon me in a moment’s time, I felt my face whiten and my heart still within me. But the power to draw back, the power to stand before the doors that now opened wide before me and not to enter in, had long ago been absent; the way was closed, and I could only pass onward. My position was as utterly hopeless as that of the prisoner in an utter dungeon, whose only light is that of the dungeon above him; the doors were shut and escape was impossible. Experiment after experiment gave the same result, and I knew, and shrank even as the thought passed through my mind, that in the work I had to do there must be elements which no laboratory could furnish, which no scales could ever measure. In that work, from which even I doubted to escape with life, life itself must enter; from some human being there must be drawn that essence which men call the soul, and in its place (for in the scheme of the world there is no vacant chamber)—in its place would enter in what the lips can hardly utter, what the mind cannot conceive without a horror more awful than the horror of death itself. And when I knew this, I knew also on whom this fate would fall; I looked into my wife’s eyes. Even at that hour, if I had gone out and taken a rope and hanged myself, I might have escaped, and she also, but in no other way. At last I told her all. She shuddered, and wept, and called on her dead mother for help, and asked me if I had no mercy, and I could only sigh. I concealed nothing from her; I told her what she would become, and what would enter in where her life had been; I told her of all the shame and of all the horror. You who will read this when I am dead—if indeed I allow this record to survive,—you who have opened the box and have seen what lies there, if you could understand what lies hidden in that opal! For one night my wife consented to what I asked of her, consented with the tears running down her beautiful face, and hot shame flushing red over her neck and breast, consented to undergo this for me. I threw open the window, and we looked together at the sky and the dark earth for the last time; it was a fine star-light night, and there was a pleasant breeze blowing, and I kissed her on her lips, and her tears ran down upon my face. That night she came down to my laboratory, and there, with shutters bolted and barred down, with curtains drawn thick and close, so that the very stars might be shut out from the sight of that room, while the crucible hissed and boiled over the lamp, I did what had to be done, and led out what was no longer a woman. But on the table the opal flamed and sparkled with such light as no eyes of man have ever gazed on, and the rays of the flame that was within it flashed and glittered, and shone even to my heart. My wife had only asked one thing of me; that when there came at last what I had told her, I would kill her. I have kept that promise.”

There was nothing more. Dyson let the little pocket-book fall, and turned and looked again at the opal with its flaming inmost light, and then with unutterable irresistible horror surging up in his heart, grasped the jewel, and flung it on the ground, and trampled it beneath his heel. His face was white with terror as he turned away, and for a moment stood sick and trembling, and then with a start he leapt across the room and steadied himself against the door. There was an angry hiss, as of steam escaping under great pressure, and as he gazed, motionless, a volume of heavy yellow smoke was slowly issuing from the very centre of the jewel, and wreathing itself in snakelike coils above it. And then a thin white flame burst forth from the smoke, and shot up into the air and vanished; and on the ground there lay a thing like a cinder, black and crumbling to the touch.

NOVEL OF THE BLACK SEAL

“I see you are a determined rationalist,” said the lady. “Did you not hear me say that I have had experiences even more terrible? I too was once a sceptic, but after what I have known I can no longer affect to doubt.”

“Madam,” replied Mr. Phillipps, “no one shall make me deny my faith. I will never believe, nor will I pretend to believe, that two and two make five, nor will I on any pretences admit the existence of two-sided triangles.”

“You are a little hasty,” rejoined the lady. “But may I ask you if you ever heard the name of Professor Gregg, the authority on ethnology and kindred subjects?”

“I have done much more than merely hear of Professor Gregg,” said Phillipps. “I always regarded him as one of our most acute and clear-headed observers; and his last publication, the ‘Textbook of Ethnology,’ struck me as being quite admirable in its kind. Indeed, the book had but come into my hands when I heard of the terrible accident which cut short Gregg’s career. He had, I think, taken a country house in the West of England for the summer, and is supposed to have fallen into a river. So far as I remember, his body was never recovered.”

“Sir, I am sure that you are discreet. Your conversation seems to declare as much, and the very title of that little work of yours which you mentioned assures me that you are no empty trifler. In a word, I feel that I may depend on you. You appear to be under the impression that Professor Gregg is dead; I have no reason to believe that that is the case.”

“What?” cried Phillipps, astonished and perturbed. “You do not hint that there was anything disgraceful? I cannot believe it. Gregg was a man of clearest character; his private life was one of great benevolence; and though I myself am free from delusions, I believe him to have been a sincere and devout Christian. Surely you cannot mean to insinuate that some disreputable history forced him to flee the country?”

“Again you are in a hurry,” replied the lady. “I said nothing of all this. Briefly, then, I must tell you that Professor Gregg left his house one morning in full health both of mind and body. He never returned, but his watch and chain, a purse containing three sovereigns in gold, and some loose silver, with a ring that he wore habitually, were found three days later on a wild and savage hillside, many miles from the river. These articles were placed beside a limestone rock of fantastic form; they had been wrapped into a parcel with a kind of rough parchment which was secured with gut. The parcel was opened, and the inner side of the parchment bore an inscription done with some red substance; the characters were undecipherable, but seemed to be a corrupt cuneiform.”

“You interest me intensely,” said Phillipps. “Would you mind continuing your story? The circumstance you have mentioned seems to me of the most inexplicable character, and I thirst for an elucidation.”

The young lady seemed to meditate for a moment, and she then proceeded to relate the

NOVEL OF THE BLACK SEAL

I must now give you some fuller particulars of my history. I am the daughter of a civil engineer, Steven Lally by name, who was so unfortunate as to die suddenly at the outset of his career, and before he had accumulated sufficient means to support his wife and her two children.

My mother contrived to keep the small household going on resources which must have been incredibly small; we lived in a remote country village, because most of the necessaries of life were cheaper than in a town, but even so we were brought up with the severest economy. My father was a clever and well-read man, and left behind him a small but select collection of books, containing the best Greek, Latin, and English classics, and these books were the only amusement we possessed. My brother, I remember, learnt Latin out of Descartes’ “Meditationes,”[1] and I, in place of the little tales which children are usually told to read, had nothing more charming than a translation of the “Gesta Romanorum.”[2] We grew up thus, quiet and studious children, and in course of time my brother provided for himself in the manner I have mentioned. I continued to live at home; my poor mother had become an invalid, and demanded my continual care, and about two years ago she died after many months of painful illness. My situation was a terrible one; the shabby furniture barely sufficed to pay the debts I had been forced to contract, and the books I dispatched to my brother, knowing how he would value them. I was absolutely alone; I was aware how poorly my brother was paid; and though I came up to London in the hope of finding employment, with the understanding that he would defray my expenses, I swore it should only be for a month, and that if I could not in that time find some work, I would starve rather than deprive him of the few miserable pounds he had laid by for his day of trouble. I took a little room in a distant suburb, the cheapest that I could find; I lived on bread and tea, and I spent my time in vain answering of advertisements, and vainer walks to addresses I had noted.[3] Day followed on day, and week on week, and still I was unsuccessful, till at last the term I had appointed drew to a close, and I saw before me the grim prospect of slowly dying of starvation. My landlady was good-natured in her way; she knew the slenderness of my means, and I am sure that she would not have turned me out of doors; it remained for me then to go away, and to try to die in some quiet place. It was winter then, and a thick white fog gathered in the early part of the afternoon, becoming more dense as the day wore on; it was a Sunday, I remember, and the people of the house were at chapel. At about three o’clock I crept out and walked away as quickly as I could, for I was weak from abstinence. The white mist wrapped all the streets in silence, a hard frost had gathered thick upon the bare branches of the trees, and frost crystals glittered on the wooden fences, and on the cold, cruel ground beneath my feet. I walked on, turning to right and left in utter haphazard, without caring to look up at the names of the streets, and all that I remember of my walk on that Sunday afternoon seems but the broken fragments of an evil dream. In a confused vision I stumbled on, through roads half town and half country, grey fields melting into the cloudy world of mist on one side of me, and on the other comfortable villas with a glow of firelight flickering on the walls, but all unreal; red brick walls and lighted windows, vague trees, and glimmering country, gas-lamps beginning to star the white shadows, the vanishing perspectives of the railway line beneath high embankments, the green and red of the signal lamps,—all these were but momentary pictures flashed on my tired brain and senses numbed by hunger. Now and then I would hear a quick step ringing on the iron road, and men would pass me well wrapped up, walking fast for the sake of warmth, and no doubt eagerly foretasting the pleasures of a glowing hearth, with curtains tightly drawn about the frosted panes, and the welcomes of their friends; but as the early evening darkened and night approached, foot-passengers got fewer and fewer, and I passed through street after street alone. In the white silence I stumbled on, as desolate as if I trod the streets of a buried city; and as I grew more weak and exhausted, something of the horror of death was folding thickly round my heart. Suddenly, as I turned a corner, some one accosted me courteously beneath the lamp-post, and I heard a voice asking if I could kindly point the way to Avon Road. At the sudden shock of human accents I was prostrated, and my strength gave way; I fell all huddled on the sidewalk, and wept and sobbed and laughed in violent hysteria. I had gone out prepared to die, and as I stepped across the threshold that had sheltered me, I consciously bade adieu to all hopes and all remembrances; the door clanged behind me with the noise of thunder, and I felt that an iron curtain had fallen on the brief passages of my life, that henceforth I was to walk a little way in a world of gloom and shadow; I entered on the stage of the first act of death. Then came my wandering in the mist, the whiteness wrapping all things, the void streets, and muffled silence, till when that voice spoke to me it was as if I had died and life returned to me. In a few minutes I was able to compose my feelings, and as I rose I saw that I was confronted by a middle-aged gentleman of pleasing appearance, neatly and correctly dressed. He looked at me with an expression of great pity, but before I could stammer out my ignorance of the neighbourhood, for indeed I had not the slightest notion of where I had wandered, he spoke.

“My dear madam,” he said, “you seem in some terrible distress. You cannot think how you alarmed me. But may I inquire the nature of your trouble? I assure you that you can safely confide in me.”

“You are very kind,” I replied, “but I fear there is nothing to be done. My condition seems a hopeless one.”

“Oh, nonsense, nonsense! You are too young to talk like that. Come, let us walk down here, and you must tell me your difficulty. Perhaps I may be able to help you.”

There was something very soothing and persuasive in his manner, and as we walked together I gave him an outline of my story, and told of the despair that had oppressed me almost to death.

“You were wrong to give in so completely,” he said, when I was silent. “A month is too short a time in which to feel one’s way in London. London, let me tell you, Miss Lally, does not lie open and undefended; it is a fortified place, fossed and double-moated with curious intricacies. As must always happen in large towns, the conditions of life have become hugely artificial; no mere simple palisade is run up to oppose the man or woman who would take the place by storm, but serried lines of subtle contrivances, mines, and pitfalls which it needs a strange skill to overcome. You, in your simplicity, fancied you had only to shout for these walls to sink into nothingness, but the time is gone for such startling victories as these. Take courage; you will learn the secret of success before very long.”

“Alas! sir,” I replied, “I have no doubt your conclusions are correct, but at the present moment I seem to be in a fair way to die of starvation. You spoke of a secret; for heaven’s sake tell it me, if you have any pity for my distress.”

He laughed genially. “There lies the strangeness of it all. Those who know the secret cannot tell it if they would; it is positively as ineffable as the central doctrine of Freemasonry. But I may say this, that you yourself have penetrated at least the outer husk of the mystery,” and he laughed again.

“Pray do not jest with me,” I said. “What have I done, que sçais-je?[4] I am so far ignorant that I have not the slightest idea of how my next meal is to be provided.”

“Excuse me. You ask what you have done. You have met me. Come, we will fence no longer. I see you have self-education, the only education which is not infinitely pernicious, and I am in want of a governess for my two children. I have been a widower for some years; my name is Gregg. I offer you the post I have named, and shall we say a salary of a hundred a year?”

I could only stutter out my thanks, and slipping a card with his address, and a banknote by way of earnest, into my hand, Mr. Gregg bade me good-bye, asking me to call in a day or two.

Such was my introduction to Professor Gregg, and can you wonder that the remembrance of despair and the cold blast that had blown from the gates of death upon me made me regard him as a second father? Before the close of the week I was installed in my new duties. The professor had leased an old brick manor-house in a western suburb of London, and here, surrounded by pleasant lawns and orchards, and soothed with the murmur of ancient elms that rocked their boughs above the roof, the new chapter of my life began. Knowing as you do the nature of the professor’s occupations, you will not be surprised to hear that the house teemed with books, and cabinets full of strange, and even hideous, objects filled every available nook in the vast low rooms. Gregg was a man whose one thought was for knowledge, and I too before long caught something of his enthusiasm, and strove to enter into his passion for research. In a few months I was perhaps more his secretary than the governess of the two children, and many a night I have sat at the desk in the glow of the shaded lamp while he, pacing up and down in the rich gloom of the firelight, dictated to me the substance of his “Textbook of Ethnology.” But amidst these more sober and accurate studies I always detected a something hidden, a longing and desire for some object to which he did not allude; and now and then he would break short in what he was saying and lapse into reverie, entranced, as it seemed to me, by some distant prospect of adventurous discovery. The textbook was at last finished, and we began to receive proofs from the printers, which were entrusted to me for a first reading, and then underwent the final revision of the professor. All the while his weariness of the actual business he was engaged on increased, and it was with the joyous laugh of a schoolboy when term is over that he one day handed me a copy of the book. “There,” he said, “I have kept my word; I promised to write it, and it is done with. Now I shall be free to live for stranger things; I confess it, Miss Lally, I covet the renown of Columbus; you will, I hope, see me play the part of an explorer.”

“Surely,” I said, “there is little left to explore. You have been born a few hundred years too late for that.”

“I think you are wrong,” he replied; “there are still, depend upon it, quaint, undiscovered countries and continents of strange extent. Ah, Miss Lally! believe me, we stand amidst sacraments and mysteries full of awe, and it doth not yet appear what we shall be. Life, believe me, is no simple thing, no mass of grey matter and congeries of veins and muscles to be laid naked by the surgeon’s knife; man is the secret which I am about to explore, and before I can discover him I must cross over weltering seas indeed, and oceans and the mists of many thousand years. You know the myth of the lost Atlantis; what if it be true, and I am destined to be called the discoverer of that wonderful land?”

I could see excitement boiling beneath his words, and in his face was the heat of the hunter; before me stood a man who believed himself summoned to tourney with the unknown. A pang of joy possessed me when I reflected that I was to be in a way associated with him in the adventure, and I too burned with the lust of the chase, not pausing to consider that I knew not what we were to unshadow.

The next morning Professor Gregg took me into his inner study, where, ranged against the wall, stood a nest of pigeon-holes, every drawer neatly labelled, and the results of years of toil classified in a few feet of space.

“Here,” he said, “is my life; here are all the facts which I have gathered together with so much pains, and yet it is all nothing. No, nothing to what I am about to attempt. Look at this”; and he took me to an old bureau, a piece fantastic and faded, which stood in a corner of the room. He unlocked the front and opened one of the drawers.

“A few scraps of paper,” he went on, pointing to the drawer, “and a lump of black stone, rudely annotated with queer marks and scratches—that is all that drawer holds. Here you see is an old envelope with the dark red stamp of twenty years ago, but I have pencilled a few lines at the back; here is a sheet of manuscript, and here some cuttings from obscure local journals. And if you ask me the subject-matter of the collection, it will not seem extraordinary—a servant-girl at a farm-house, who disappeared from her place and has never been heard of, a child supposed to have slipped down some old working on the mountains, some queer scribbling on a limestone rock, a man murdered with a blow from a strange weapon; such is the scent I have to go upon. Yes, as you say, there is a ready explanation for all this; the girl may have run away to London, or Liverpool, or New York; the child may be at the bottom of the disused shaft; and the letters on the rock may be the idle whims of some vagrant. Yes, yes, I admit all that; but I know I hold the true key. Look!” and he held out a slip of yellow paper.

Characters found inscribed on a limestone rock on the Grey Hills, I read, and then there was a word erased, presumably the name of a county, and a date some fifteen years back. Beneath was traced a number of uncouth characters, shaped somewhat like wedges or daggers, as strange and outlandish as the Hebrew alphabet.

“Now the seal,” said Professor Gregg, and he handed me the black stone, a thing about two inches long, and something like an old-fashioned tobacco-stopper, much enlarged.

I held it up to the light, and saw to my surprise the characters on the paper repeated on the seal.

“Yes,” said the professor, “they are the same. And the marks on the limestone rock were made fifteen years ago, with some red substance. And the characters on the seal are four thousand years old at least. Perhaps much more.”

“Is it a hoax?” I said.

“No, I anticipated that. I was not to be led to give my life to a practical joke. I have tested the matter very carefully. Only one person besides myself knows of the mere existence of that black seal. Besides, there are other reasons which I cannot enter into now.”

“But what does it all mean?” I said. “I cannot understand to what conclusion all this leads.”

“My dear Miss Lally, that is a question I would rather leave unanswered for some little time. Perhaps I shall never be able to say what secrets are held here in solution; a few vague hints, the outlines of village tragedies, a few marks done with red earth upon a rock, and an ancient seal. A queer set of data to go upon? Half a dozen pieces of evidence, and twenty years before even so much could be got together; and who knows what mirage or terra incognita[5] may be beyond all this? I look across deep waters, Miss Lally, and the land beyond may be but a haze after all. But still I believe it is not so, and a few months will show whether I am right or wrong.”

He left me, and alone I endeavoured to fathom the mystery, wondering to what goal such eccentric odds and ends of evidence could lead. I myself am not wholly devoid of imagination, and I had reason to respect the professor’s solidity of intellect; yet I saw in the contents of the drawer but the materials of fantasy, and vainly tried to conceive what theory could be founded on the fragments that had been placed before me. Indeed, I could discover in what I had heard and seen but the first chapter of an extravagant romance; and yet deep in my heart I burned with curiosity, and day after day I looked eagerly in Professor Gregg’s face for some hint of what was to happen.

It was one evening after dinner that the word came.

“I hope you can make your preparations without much trouble,” he said suddenly to me. “We shall be leaving here in a week’s time.”

“Really!” I said in astonishment. “Where are we going?”

“I have taken a country house in the west of England, not far from Caermaen, a quiet little town, once a city, and the headquarters of a Roman legion. It is very dull there, but the country is pretty, and the air is wholesome.”

I detected a glint in his eyes, and guessed that this sudden move had some relation to our conversation of a few days before.

“I shall just take a few books with me,” said Professor Gregg, “that is all. Everything else will remain here for our return. I have got a holiday,” he went on, smiling at me, “and I shan’t be sorry to be quit for a time of my old bones and stones and rubbish. Do you know,” he went on, “I have been grinding away at facts for thirty years; it is time for fancies.”

The days passed quickly; I could see that the professor was all quivering with suppressed excitement, and I could scarce credit the eager appetence of his glance as we left the old manor-house behind us and began our journey. We set out at midday, and it was in the dusk of the evening that we arrived at a little country station. I was tired and excited, and the drive through the lanes seems all a dream. First the deserted streets of a forgotten village, while I heard Professor Gregg’s voice talking of the Augustan Legion and the clash of arms, and all the tremendous pomp that followed the eagles; then the broad river swimming to full tide with the last afterglow glimmering duskily in the yellow water, the wide meadows, the cornfields whitening, and the deep lane winding on the slope between the hills and the water. At last we began to ascend, and the air grew rarer. I looked down and saw the pure white mist tracking the outline of the river like a shroud, and a vague and shadowy country; imaginations and fantasy of swelling hills and hanging woods, and half-shaped outlines of hills beyond, and in the distance the glare of the furnace fire on the mountain, growing by turns a pillar of shining flame and fading to a dull point of red. We were slowly mounting a carriage drive, and then there came to me the cool breath and the secret of the great wood that was above us; I seemed to wander in its deepest depths, and there was the sound of trickling water, the scent of the green leaves, and the breath of the summer night. The carriage stopped at last, and I could scarcely distinguish the form of the house as I waited a moment at the pillared porch. The rest of the evening seemed a dream of strange things bounded by the great silence of the wood and the valley and the river.

The next morning, when I awoke and looked out of the bow window of the big, old-fashioned bedroom, I saw under a grey sky a country that was still all mystery. The long, lovely valley, with the river winding in and out below, crossed in mid-vision by a mediæval bridge of vaulted and buttressed stone, the clear presence of the rising ground beyond, and the woods that I had only seen in shadow the night before, seemed tinged with enchantment, and the soft breath of air that sighed in at the opened pane was like no other wind. I looked across the valley, and beyond, hill followed on hill as wave on wave, and here a faint blue pillar of smoke rose still in the morning air from the chimney of an ancient grey farmhouse, there was a rugged height crowned with dark firs, and in the distance I saw the white streak of a road that climbed and vanished into some unimagined country. But the boundary of all was a great wall of mountain, vast in the west, and ending like a fortress with a steep ascent and a domed tumulus clear against the sky.

I saw Professor Gregg walking up and down the terrace path below the windows, and it was evident that he was revelling in the sense of liberty, and the thought that he had for a while bidden good-bye to task-work. When I joined him there was exultation in his voice as he pointed out the sweep of valley and the river that wound beneath the lovely hills.

“Yes,” he said, “it is a strangely beautiful country; and to me, at least, it seems full of mystery. You have not forgotten the drawer I showed you, Miss Lally? No; and you have guessed that I have come here not merely for the sake of the children and the fresh air?”

“I think I have guessed as much as that,” I replied; “but you must remember I do not know the mere nature of your investigations; and as for the connection between the search and this wonderful valley, it is past my guessing.”

He smiled queerly at me. “You must not think I am making a mystery for the sake of mystery,” he said. “I do not speak out because, so far, there is nothing to be spoken, nothing definite, I mean, nothing that can be set down in hard black and white, as dull and sure and irreproachable as any blue-book. And then I have another reason: Many years ago a chance paragraph in a newspaper caught my attention, and focussed in an instant the vagrant thoughts and half-formed fancies of many idle and speculative hours into a certain hypothesis. I saw at once that I was treading on a thin crust; my theory was wild and fantastic in the extreme, and I would not for any consideration have written a hint of it for publication. But I thought that in the company of scientific men like myself, men who knew the course of discovery, and were aware that the gas that blazes and flares in the ginpalace was once a wild hypothesis—I thought that with such men as these I might hazard my dream—let us say Atlantis, or the philosopher’s stone, or what you like—without danger of ridicule. I found I was grossly mistaken; my friends looked blankly at me and at one another, and I could see something of pity, and something also of insolent contempt, in the glances they exchanged. One of them called on me next day, and hinted that I must be suffering from overwork and brain exhaustion. ‘In plain terms,’ I said, ‘you think I am going mad. I think not’; and I showed him out with some little appearance of heat. Since that day I vowed that I would never whisper the nature of my theory to any living soul; to no one but yourself have I ever shown the contents of that drawer. After all, I may be following a rainbow; I may have been misled by the play of coincidence; but as I stand here in this mystic hush and silence amidst the woods and wild hills, I am more than ever sure that I am hot on the scent. Come, it is time we went in.”

To me in all this there was something both of wonder and excitement; I knew how in his ordinary work Professor Gregg moved step by step, testing every inch of the way, and never venturing on assertion without proof that was impregnable. Yet I divined more from his glance and the vehemence of his tone than from the spoken word, that he had in his every thought the vision of the almost incredible continually with him; and I, who was with some share of imagination no little of a sceptic, offended at a hint of the marvellous, could not help asking myself whether he were cherishing a monomania, and barring out from this one subject all the scientific method of his other life.

Yet, with this image of mystery haunting my thoughts, I surrendered wholly to the charm of the country. Above the faded house on the hillside began the great forest—a long, dark line seen from the opposing hills, stretching above the river for many a mile from north to south, and yielding in the north to even wilder country, barren and savage hills, and ragged commonland, a territory all strange and unvisited, and more unknown to Englishmen than the very heart of Africa. The space of a couple of steep fields alone separated the house from the wood, and the children were delighted to follow me up the long alleys of undergrowth, between smooth pleached walls of shining beech, to the highest point in the wood, whence one looked on one side across the river and the rise and fall of the country to the great western mountain wall, and on the other over the surge and dip of the myriad trees of the forest, over level meadows and the shining yellow sea to the faint coast beyond. I used to sit at this point on the warm sunlit turf which marked the track of the Roman Road, while the two children raced about hunting for the whinberries that grew here and there on the banks. Here beneath the deep blue sky and the great clouds rolling, like olden galleons with sails full-bellied, from the sea to the hills, as I listened to the whispered charm of the great and ancient wood, I lived solely for delight, and only remembered strange things when we would return to the house and find Professor Gregg either shut up in the little room he had made his study, or else pacing the terrace with the look, patient and enthusiastic, of the determined seeker.

One morning, some eight or nine days after our arrival, I looked out of my window and saw the whole landscape transmuted before me. The clouds had dipped low and hidden the mountain in the west; a southern wind was driving the rain in shifting pillars up the valley, and the little brooklet that burst the hill below the house now raged, a red torrent, down the river. We were perforce obliged to keep snug within-doors; and when I had attended to my pupils, I sat down in the morning-room where the ruins of a library still encumbered an old-fashioned bookcase. I had inspected the shelves once or twice, but their contents had failed to attract me; volumes of eighteenth-century sermons, an old book on farriery,[6] a collection of Poems by “persons of quality,” Prideaux’s Connection,[7] and an odd volume of Pope, were the boundaries of the library, and there seemed little doubt that everything of interest or value had been removed. Now however, in desperation, I began to re-examine the musty sheepskin and calf bindings, and found, much to my delight, a fine old quarto printed by the Stephani,[8] containing the three books of Pomponius Mela, De Situ Orbis,[9] and other of the ancient geographers. I knew enough of Latin to steer my way through an ordinary sentence, and I soon became absorbed in the odd mixture of fact and fancy—light shining on a little of the space of the world, and beyond, mist and shadow and awful forms. Glancing over the clear-printed pages, my attention was caught by the heading of a chapter in Solinus, and I read the words:—

“MIRA DE INTIMIS GENTIBUS LIBYAE, DE LAPIDE
HEXECONTALITHO,”

—“The wonders of the people that inhabit the inner parts of Libya, and of the stone called Sixtystone.”[10]

The odd title attracted me, and I read on:—“Gens ista avia et secreta habitat, in montibus horrendis fœda mysteria celebrat. De hominibus nihil aliud illi praeferunt quam figuram, ab humano ritu prorsus exulant, oderunt deum lucis. Stridunt potius quam loquuntur; vox absona nec sine horrore auditur. Lapide quodam gloriantur, quem Hexecontalithon vocant; dicunt enim hunc lapidem sexaginta notas ostendere. Cujus lapidis nomen secretum ineffabile colunt: quod Ixaxar.”

“This folk,” I translated to myself, “dwells in remote and secret places, and celebrates foul mysteries on savage hills. Nothing have they in common with men save the face, and the customs of humanity are wholly strange to them; and they hate the sun. They hiss rather than speak; their voices are harsh, and not to be heard without fear. They boast of a certain stone, which they call Sixtystone; for they say that it displays sixty characters. And this stone has a secret unspeakable name; which is Ixaxar.”

I laughed at the queer inconsequence of all this, and thought it fit for “Sinbad the Sailor,”[11] or other of the supplementary Nights. When I saw Professor Gregg in the course of the day, I told him of my find in the bookcase, and the fantastic rubbish I had been reading. To my surprise he looked up at me with an expression of great interest.

“That is really very curious,” he said. “I have never thought it worth while to look into the old geographers, and I dare say I have missed a good deal. Ah, that is the passage, is it? It seems a shame to rob you of your entertainment, but I really think I must carry off the book.”

The next day the professor called me to come to the study. I found him sitting at a table in the full light of the window, scrutinizing something very attentively with a magnifying glass.

“Ah, Miss Lally,” he began, “I want to use your eyes. This glass is pretty good, but not like my old one that I left in town. Would you mind examining the thing yourself, and telling me how many characters are cut on it?”

He handed me the object in his hand. I saw that it was the black seal he had shown me in London, and my heart began to beat with the thought that I was presently to know something. I took the seal, and, holding it up to the light, checked off the grotesque dagger-shaped characters one by one.

“I make sixty-two,” I said at last.

“Sixty-two? Nonsense; it’s impossible. Ah, I see what you have done, you have counted that and that,” and he pointed to two marks which I had certainly taken as letters with the rest.

“Yes, yes,” Professor Gregg went on, “but those are obvious scratches, done accidentally; I saw that at once. Yes, then that’s quite right. Thank you very much, Miss Lally.”

I was going away, rather disappointed at my having been called in merely to count the number of marks on the black seal, when suddenly there flashed into my mind what I had read in the morning.

“But, Professor Gregg,” I cried, breathless, “the seal, the seal. Why, it is the stone Hexecontalithos that Solinus writes of; it is Ixaxar.”

“Yes,” he said, “I suppose it is. Or it may be a mere coincidence. It never does to be too sure, you know, in these matters. Coincidence killed the professor.”

I went away puzzled by what I had heard, and as much as ever at a loss to find the ruling clue in this maze of strange evidence. For three days the bad weather lasted, changing from driving rain to a dense mist, fine and dripping, and we seemed to be shut up in a white cloud that veiled all the world away from us. All the while Professor Gregg was darkling in his room, unwilling, it appeared, to dispense confidences or talk of any kind, and I heard him walking to and fro with a quick, impatient step, as if he were in some way wearied of inaction. The fourth morning was fine, and at breakfast the professor said briskly—

“We want some extra help about the house; a boy of fifteen or sixteen, you know. There are a lot of little odd jobs that take up the maids’ time which a boy could do much better.”

“The girls have not complained to me in any way,” I replied. “Indeed, Anne said there was much less work than in London, owing to there being so little dust.”

“Ah, yes, they are very good girls. But I think we shall do much better with a boy. In fact, that is what has been bothering me for the last two days.”

“Bothering you?” I said in astonishment, for as a matter of fact the professor never took the slightest interest in the affairs of the house.

“Yes,” he said, “the weather, you know. I really couldn’t go out in that Scotch mist; I don’t know the country very well, and I should have lost my way. But I am going to get the boy this morning.”

“But how do you know there is such a boy as you want anywhere about?”

“Oh, I have no doubt as to that. I may have to walk a mile or two at the most, but I am sure to find just the boy I require.”

I thought the professor was joking, but though his tone was airy enough there was something grim and set about his features that puzzled me. He got his stick, and stood at the door looking meditatively before him, and as I passed through the hall he called to me.

“By the way, Miss Lally, there was one thing I wanted to say to you. I dare say you may have heard that some of these country lads are not over bright; idiotic would be a harsh word to use, and they are usually called ‘naturals,’ or something of the kind. I hope you won’t mind if the boy I am after should turn out not too keen-witted; he will be perfectly harmless, of course, and blacking boots doesn’t need much mental effort.”

With that he was gone, striding up the road that led to the wood, and I remained stupefied; and then for the first time my astonishment was mingled with a sudden note of terror, arising I knew not whence, and all unexplained even to myself, and yet I felt about my heart for an instant something of the chill of death, and that shapeless, formless dread of the unknown that is worse than death itself. I tried to find courage in the sweet air that blew up from the sea, and in the sunlight after rain, but the mystic woods seemed to darken around me; and the vision of the river coiling between the reeds, and the silver grey of the ancient bridge, fashioned in my mind symbols of vague dread, as the mind of a child fashions terror from things harmless and familiar.

Two hours later Professor Gregg returned. I met him as he came down the road, and asked quietly if he had been able to find a boy.

“Oh, yes,” he answered; “I found one easily enough. His name is Jervase Cradock, and I expect he will make himself very useful. His father has been dead for many years, and the mother, whom I saw, seemed very glad at the prospect of a few shillings extra coming in on Saturday nights. As I expected, he is not too sharp, has fits at times, the mother said; but as he will not be trusted with the china, that doesn’t much matter, does it? And he is not in any way dangerous, you know, merely a little weak.”

“When is he coming?”

“To-morrow morning at eight o’clock. Anne will show him what he has to do, and how to do it. At first he will go home every night, but perhaps it may ultimately turn out more convenient for him to sleep here, and only go home for Sundays.”

I found nothing to say to all this; Professor Gregg spoke in a quiet tone of matter-of-fact, as indeed was warranted by the circumstance; and yet I could not quell my sensation of astonishment at the whole affair. I knew that in reality no assistance was wanted in the housework, and the professor’s prediction that the boy he was to engage might prove a little “simple,” followed by so exact a fulfilment, struck me as bizarre in the extreme. The next morning I heard from the housemaid that the boy Cradock had come at eight, and that she had been trying to make him useful. “He doesn’t seem quite all there, I don’t think, miss,” was her comment, and later in the day I saw him helping the old man who worked in the garden. He was a youth of about fourteen, with black hair and black eyes and an olive skin, and I saw at once from the curious vacancy of his expression that he was mentally weak. He touched his forehead awkwardly as I went by, and I heard him answering the gardener in a queer, harsh voice that caught my attention; it gave me the impression of some one speaking deep below under the earth, and there was a strange sibilance, like the hissing of the phonograph as the pointer travels over the cylinder. I heard that he seemed anxious to do what he could, and was quite docile and obedient, and Morgan the gardener, who knew his mother, assured me he was perfectly harmless. “He’s always been a bit queer,” he said, “and no wonder, after what his mother went through before he was born. I did know his father, Thomas Cradock, well, and a very fine workman he was too, indeed. He got something wrong with his lungs owing to working in the wet woods, and never got over it, and went off quite sudden like. And they do say as how Mrs. Cradock was quite off her head; anyhow, she was found by Mr. Hillyer, Ty Coch, all crouched up on the Grey Hills, over there, crying and weeping like a lost soul. And Jervase, he was born about eight months afterwards, and as I was saying, he was a bit queer always; and they do say when he could scarcely walk he would frighten the other children into fits with the noises he would make.”

A word in the story had stirred up some remembrance within me, and, vaguely curious, I asked the old man where the Grey Hills were.

“Up there,” he said, with the same gesture he had used before; “you go past the ‘Fox and Hounds,’ and through the forest, by the old ruins. It’s a good five mile from here, and a strange sort of a place. The poorest soil between this and Monmouth, they do say, though it’s good feed for sheep. Yes, it was a sad thing for poor Mrs. Cradock.”

The old man turned to his work, and I strolled on down the path between the espaliers, gnarled and gouty with age, thinking of the story I had heard, and groping for the point in it that had some key to my memory. In an instant it came before me; I had seen the phrase “Grey Hills” on the slip of yellowed paper that Professor Gregg had taken from the drawer in his cabinet. Again I was seized with pangs of mingled curiosity and fear; I remembered the strange characters copied from the limestone rock, and then again their identity with the inscription on the age-old seal, and the fantastic fables of the Latin geographer. I saw beyond doubt that, unless coincidence had set all the scene and disposed all these bizarre events with curious art, I was to be a spectator of things far removed from the usual and customary traffic and jostle of life. Professor Gregg I noted day by day; he was hot on his trail, growing lean with eagerness; and in the evenings, when the sun was swimming on the verge of the mountain, he would pace the terrace to and fro with his eyes on the ground, while the mist grew white in the valley, and the stillness of the evening brought far voices near, and the blue smoke rose a straight column from the diamond-shaped chimney of the grey farm-house, just as I had seen it on the first morning. I have told you I was of sceptical habit; but though I understood little or nothing, I began to dread, vainly proposing to myself the iterated dogmas of science that all life is material, and that in the system of things there is no undiscovered land, even beyond the remotest stars, where the supernatural can find a footing. Yet there struck in on this the thought that matter is as really awful and unknown as spirit, that science itself but dallies on the threshold, scarcely gaining more than a glimpse of the wonders of the inner place.

There is one day that stands up from amidst the others as a grim red beacon, betokening evil to come. I was sitting on a bench in the garden, watching the boy Cradock weeding, when I was suddenly alarmed by a harsh and choking sound, like the cry of a wild beast in anguish, and I was unspeakably shocked to see the unfortunate lad standing in full view before me, his whole body quivering and shaking at short intervals as though shocks of electricity were passing through him, his teeth grinding, foam gathering on his lips, and his face all swollen and blackened to a hideous mask of humanity. I shrieked with terror, and Professor Gregg came running; and as I pointed to Cradock, the boy with one convulsive shudder fell face forward, and lay on the wet earth, his body writhing like a wounded blindworm, and an inconceivable babble of sounds bursting and rattling and hissing from his lips. He seemed to pour forth an infamous jargon, with words, or what seemed words, that might have belonged to a tongue dead since untold ages, and buried deep beneath Nilotic mud, or in the inmost recesses of the Mexican forest. For a moment the thought passed through my mind, as my ears were still revolted with that infernal clamour, “Surely this is the very speech of hell,” and then I cried out again and again, and ran away shuddering to my inmost soul. I had seen Professor Gregg’s face as he stooped over the wretched boy and raised him, and I was appalled by the glow of exultation that shone on every lineament and feature. As I sat in my room with drawn blinds, and my eyes hidden in my hands, I heard heavy steps beneath, and I was told afterwards that Professor Gregg had carried Cradock to his study, and had locked the door. I heard voices murmur indistinctly, and I trembled to think of what might be passing within a few feet of where I sat; I longed to escape to the woods and sunshine, and yet I dreaded the sights that might confront me on the way; and at last, as I held the handle of the door nervously, I heard Professor Gregg’s voice calling to me with a cheerful ring. “It’s all right now, Miss Lally,” he said. “The poor fellow has got over it, and I have been arranging for him to sleep here after to-morrow. Perhaps I may be able to do something for him.”

“Yes,” he said later, “it was a very painful sight, and I don’t wonder you were alarmed. We may hope that good food will build him up a little, but I am afraid he will never be really cured,” and he affected the dismal and conventional air with which one speaks of hopeless illness; and yet beneath it I detected the delight that leapt up rampant within him, and fought and struggled to find utterance. It was as if one glanced down on the even surface of the sea, clear and immobile, and saw beneath raging depths and a storm of contending billows. It was indeed to me a torturing and offensive problem that this man, who had so bounteously rescued me from the sharpness of death, and showed himself in all the relations of life full of benevolence, and pity, and kindly forethought, should so manifestly be for once on the side of the demons, and take a ghastly pleasure in the torments of an afflicted fellow-creature. Apart, I struggled with the horned difficulty, and strove to find the solution; but without the hint of a clue, beset by mystery and contradiction, I saw nothing that might help me, and began to wonder whether, after all, I had not escaped from the white mist of the suburb at too dear a rate. I hinted something of my thought to the professor; I said enough to let him know that I was in the most acute perplexity, but the moment after regretted what I had done when I saw his face contort with a spasm of pain.

“My dear Miss Lally,” he said, “you surely do not wish to leave us? No, no, you would not do it. You do not know how I rely on you; how confidently I go forward, assured that you are here to watch over my children. You, Miss Lally, are my rearguard; for let me tell you the business in which I am engaged is not wholly devoid of peril. You have not forgotten what I said the first morning here; my lips are shut by an old and firm resolve till they can open to utter no ingenious hypothesis or vague surmise but irrefragable fact, as certain as a demonstration in mathematics. Think over it, Miss Lally: not for a moment would I endeavour to keep you here against your own instincts, and yet I tell you frankly that I am persuaded it is here, here amidst the woods, that your duty lies.”

I was touched by the eloquence of his tone, and by the remembrance that the man, after all, had been my salvation, and I gave him my hand on a promise to serve him loyally and without question. A few days later the rector of our church—a little church, grey and severe and quaint, that hovered on the very banks of the river and watched the tides swim and return—came to see us, and Professor Gregg easily persuaded him to stay and share our dinner. Mr. Meyrick was a member of an antique family of squires, whose old manor-house stood amongst the hills some seven miles away, and thus rooted in the soil, the rector was a living store of all the old fading customs and lore of the country. His manner, genial, with a deal of retired oddity, won on Professor Gregg; and towards the cheese, when a curious Burgundy had begun its incantations, the two men glowed like the wine, and talked of philology with the enthusiasm of a burgess over the peerage. The parson was expounding the pronunciation of the Welsh ll, and producing sounds like the gurgle of his native brooks, when Professor Gregg struck in.

“By the way,” he said, “that was a very odd word I met with the other day. You know my boy, poor Jervase Cradock? Well, he has got the bad habit of talking to himself, and the day before yesterday I was walking in the garden here and heard him; he was evidently quite unconscious of my presence. A lot of what he said I couldn’t make out, but one word struck me distinctly. It was such an odd sound, half sibilant, half guttural, and as quaint as those double ls you have been demonstrating. I do not know whether I can give you an idea of the sound; ‘Ishakshar’ is perhaps as near as I can get. But the k ought to be a Greek chi or a Spanish j. Now what does it mean in Welsh?”

“In Welsh?” said the parson. “There is no such word in Welsh, nor any word remotely resembling it. I know the book-Welsh, as they call it, and the colloquial dialects as well as any man, but there’s no word like that from Anglesea to Usk. Besides, none of the Cradocks speaks a word of Welsh; it’s dying out about here.”

“Really. You interest me extremely, Mr. Meyrick. I confess the word didn’t strike me as having the Welsh ring. But I thought it might be some local corruption.”

“No, I never heard such a word, or anything like it. Indeed,” he added, smiling whimsically, “if it belongs to any language, I should say it must be that of the fairies—the Tylwydd Têg, as we call them.”

The talk went on to the discovery of a Roman villa in the neighbourhood; and soon after I left the room, and sat down apart to wonder at the drawing together of such strange clues of evidence. As the professor had spoken of the curious word, I had caught the glint of his eye upon me; and though the pronunciation he gave was grotesque in the extreme, I recognised the name of the stone of sixty characters mentioned by Solinus, the black seal shut up in some secret drawer of the study, stamped for ever by a vanished race with signs that no man could read, signs that might, for all I knew, be the veils of awful things done long ago, and forgotten before the hills were moulded into form.

When the next morning I came down, I found Professor Gregg pacing the terrace in his eternal walk.

“Look at that bridge,” he said, when he saw me; “observe the quaint and Gothic design, the angles between the arches, and the silvery grey of the stone in the awe of the morning light. I confess it seems to me symbolic; it should illustrate a mystical allegory of the passage from one world to another.”

“Professor Gregg,” I said quietly, “it is time that I knew something of what has happened, and of what is to happen.”

For the moment he put me off, but I returned again with the same question in the evening, and then Professor Gregg flamed with excitement. “Don’t you understand yet?” he cried. “But I have told you a good deal; yes, and shown you a good deal; you have heard pretty nearly all that I have heard, and seen what I have seen; or at least,” and his voice chilled as he spoke, “enough to make a good deal clear as noonday. The servants told you, I have no doubt, that the wretched boy Cradock had another seizure the night before last; he awoke me with cries in that voice you heard in the garden, and I went to him, and God forbid you should see what I saw that night. But all this is useless; my time here is drawing to a close; I must be back in town in three weeks, as I have a course of lectures to prepare, and need all my books about me. In a very few days it will be all over, and I shall no longer hint, and no longer be liable to ridicule as a madman and a quack. No, I shall speak plainly, and I shall be heard with such emotions as perhaps no other man has ever drawn from the breasts of his fellows.”

He paused, and seemed to grow radiant with the joy of great and wonderful discovery.

“But all that is for the future, the near future certainly, but still the future,” he went on at length. “There is something to be done yet; you will remember my telling you that my researches were not altogether devoid of peril? Yes, there is a certain amount of danger to be faced; I did not know how much when I spoke on the subject before, and to a certain extent I am still in the dark. But it will be a strange adventure, the last of all, the last demonstration in the chain.”

He was walking up and down the room as he spoke, and I could hear in his voice the contending tones of exultation and despondence, or perhaps I should say awe, the awe of a man who goes forth on unknown waters, and I thought of his allusion to Columbus on the night he had laid his book before me. The evening was a little chilly, and a fire of logs had been lighted in the study where we were; the remittent flame and the glow on the walls reminded me of the old days. I was sitting silent in an arm-chair by the fire, wondering over all I had heard, and still vainly speculating as to the secret springs concealed from me under all the phantasmagoria I had witnessed, when I became suddenly aware of a sensation that change of some sort had been at work in the room, and that there was something unfamiliar in its aspect. For some time I looked about me, trying in vain to localise the alteration that I knew had been made; the table by the window, the chairs, the faded settee were all as I had known them. Suddenly, as a sought-for recollection flashes into the mind, I knew what was amiss. I was facing the professor’s desk, which stood on the other side of the fire, and above the desk was a grimy-looking bust of Pitt,[12] that I had never seen there before. And then I remembered the true position of this work of art; in the furthest corner by the door was an old cupboard, projecting into the room, and on the top of the cupboard, fifteen feet from the floor, the bust had been, and there, no doubt, it had delayed, accumulating dirt, since the early years of the century.

I was utterly amazed, and sat silent still, in a confusion of thought. There was, so far as I knew, no such thing as a step-ladder in the house, for I had asked for one to make some alterations in the curtains of my room, and a tall man standing on a chair would have found it impossible to take down the bust. It had been placed, not on the edge of the cupboard, but far back against the wall; and Professor Gregg was, if anything, under the average height.

“How on earth did you manage to get down Pitt?” I said at last.

The professor looked curiously at me, and seemed to hesitate a little.

“They must have found you a step-ladder, or perhaps the gardener brought in a short ladder from outside?”

“No, I have had no ladder of any kind. Now, Miss Lally,” he went on with an awkward simulation of jest, “there is a little puzzle for you; a problem in the manner of the inimitable Holmes; there are the facts, plain and patent; summon your acuteness to the solution of the puzzle. For Heaven’s sake,” he cried with a breaking voice, “say no more about it! I tell you, I never touched the thing,” and he went out of the room with horror manifest on his face, and his hand shook and jarred the door behind him.

I looked round the room in vague surprise, not at all realizing what had happened, making vain and idle surmises by way of explanation, and wondering at the stirring of black waters by an idle word and the trivial change of an ornament. “This is some petty business, some whim on which I have jarred,” I reflected; “the professor is perhaps scrupulous and superstitious over trifles, and my question may have outraged unacknowledged fears, as though one killed a spider or spilled the salt before the very eyes of a practical Scotchwoman.” I was immersed in these fond suspicions, and began to plume myself a little on my immunity from such empty fears, when the truth fell heavily as lead upon my heart, and I recognised with cold terror that some awful influence had been at work. The bust was simply inaccessible; without a ladder no one could have touched it.

I went out to the kitchen and spoke as quietly as I could to the housemaid.

“Who moved that bust from the top of the cupboard, Anne?” I said to her. “Professor Gregg says he has not touched it. Did you find an old step-ladder in one of the outhouses?”

The girl looked at me blankly.

“I never touched it,” she said. “I found it where it is now the other morning when I dusted the room. I remember now, it was Wednesday morning, because it was the morning after Cradock was taken bad in the night. My room is next to his, you know, miss,” the girl went on piteously, “and it was awful to hear how he cried and called out names that I couldn’t understand. It made me feel all afraid; and then master came, and I heard him speak, and he took down Cradock to the study and gave him something.”

“And you found that bust moved the next morning?”

“Yes, miss. There was a queer sort of smell in the study when I came down and opened the windows; a bad smell it was, and I wondered what it could be. Do you know, miss, I went a long time ago to the Zoo in London with my cousin Thomas Barker, one afternoon that I had off, when I was at Mrs. Prince’s in Stanhope Gate, and we went into the snake-house to see the snakes, and it was just the same sort of smell; very sick it made me feel, I remember, and I got Barker to take me out. And it was just the same kind of a smell in the study, as I was saying, and I was wondering what it could be from, when I see that bust with Pitt cut in it, standing on the master’s desk, and I thought to myself, Now who has done that, and how have they done it? And when I came to dust the things, I looked at the bust, and I saw a great mark on it where the dust was gone, for I don’t think it can have been touched with a duster for years and years, and it wasn’t like finger-marks, but a large patch like, broad and spread out. So I passed my hand over it, without thinking what I was doing, and where that patch was it was all sticky and slimy, as if a snail had crawled over it. Very strange, isn’t it, miss? and I wonder who can have done it, and how that mess was made.”

The well-meant gabble of the servant touched me to the quick; I lay down upon my bed, and bit my lip that I should not cry out loud in the sharp anguish of my terror and bewilderment. Indeed, I was almost mad with dread; I believe that if it had been daylight I should have fled hot foot, forgetting all courage and all the debt of gratitude that was due to Professor Gregg, not caring whether my fate were that I must starve slowly, so long as I might escape from the net of blind and panic fear that every day seemed to draw a little closer round me. If I knew, I thought, if I knew what there were to dread, I could guard against it; but here, in this lonely house, shut in on all sides by the olden woods and the vaulted hills, terror seems to spring inconsequent from every covert, and the flesh is aghast at the half-heard murmurs of horrible things. All in vain I strove to summon scepticism to my aid, and endeavoured by cool common sense to buttress my belief in a world of natural order, for the air that blew in at the open window was a mystic breath, and in the darkness I felt the silence go heavy and sorrowful as a mass of requiem, and I conjured images of strange shapes gathering fast amidst the reeds, beside the wash of the river.

In the morning, from the moment that I set foot in the breakfast-room, I felt that the unknown plot was drawing to a crisis; the professor’s face was firm and set, and he seemed hardly to hear our voices when we spoke.

“I am going out for a rather long walk,” he said, when the meal was over. “You mustn’t be expecting me, now, or thinking anything has happened if I don’t turn up to dinner. I have been getting stupid lately, and I dare say a miniature walking tour will do me good. Perhaps I may even spend the night in some little inn, if I find any place that looks clean and comfortable.”

I heard this, and knew by my experience of Professor Gregg’s manner that it was no ordinary business or pleasure that impelled him. I knew not, nor even remotely guessed, where he was bound, nor had I the vaguest notion of his errand, but all the fear of the night before returned; and as he stood, smiling, on the terrace, ready to set out, I implored him to stay, and to forget all his dreams of the undiscovered continent.

“No, no, Miss Lally,” he replied, still smiling, “it’s too late now. Vestigia nulla retrorsum,[13] you know, is the device of all true explorers, though I hope it won’t be literally true in my case. But, indeed, you are wrong to alarm yourself so; I look upon my little expedition as quite commonplace; no more exciting than a day with the geological hammers. There is a risk, of course, but so there is on the commonest excursion. I can afford to be jaunty; I am doing nothing so hazardous as ’Arry does a hundred times over in the course of every Bank Holiday. Well, then, you must look more cheerfully; and so good-bye till to-morrow at latest.”

He walked briskly up the road, and I saw him open the gate that marks the entrance of the wood, and then he vanished in the gloom of the trees.

All the day passed heavily with a strange darkness in the air, and again I felt as if imprisoned amidst the ancient woods, shut in an olden land of mystery and dread, and as if all was long ago and forgotten by the living outside. I hoped and dreaded; and when the dinner-hour came I waited, expecting to hear the professor’s step in the hall, and his voice exulting at I knew not what triumph. I composed my face to welcome him gladly, but the night descended dark, and he did not come.

In the morning, when the maid knocked at my door, I called out to her, and asked if her master had returned; and when she replied that his bedroom stood open and empty, I felt the cold clasp of despair. Still, I fancied he might have discovered genial company, and would return for luncheon, or perhaps in the afternoon, and I took the children for a walk in the forest, and tried my best to play and laugh with them, and to shut out the thoughts of mystery and veiled terror. Hour after hour I waited, and my thoughts grew darker; again the night came and found me watching, and at last, as I was making much ado to finish my dinner, I heard steps outside and the sound of a man’s voice.

The maid came in and looked oddly at me. “Please, miss,” she began, “Mr. Morgan the gardener wants to speak to you for a minute, if you didn’t mind.”

“Show him in, please,” I answered, and I set my lips tight.

The old man came slowly into the room, and the servant shut the door behind him.

“Sit down, Mr. Morgan,” I said; “what is it that you want to say to me?”

“Well, miss, Mr. Gregg he gave me something for you yesterday morning, just before he went off; and he told me particular not to hand it up before eight o’clock this evening exactly, if so be as he wasn’t back again home before, and if he should come home before I was just to return it to him in his own hands. So, you see, as Mr. Gregg isn’t here yet, I suppose I’d better give you the parcel directly.”

He pulled out something from his pocket, and gave it to me, half rising. I took it silently, and seeing that Morgan seemed doubtful as to what he was to do next, I thanked him and bade him good-night, and he went out. I was left alone in the room with the parcel in my hand—a paper parcel neatly sealed and directed to me, with the instructions Morgan had quoted, all written in the professor’s large loose hand. I broke the seals with a choking at my heart, and found an envelope inside, addressed also, but open, and I took the letter out.

“MY DEAR MISS LALLY,” it began,—“To quote the old logic manual, the case of your reading this note is a case of my having made a blunder of some sort, and, I am afraid, a blunder that turns these lines into a farewell. It is practically certain that neither you nor any one else will ever see me again. I have made my will with provision for this eventuality, and I hope you will consent to accept the small remembrance addressed to you, and my sincere thanks for the way in which you joined your fortunes to mine. The fate which has come upon me is desperate and terrible beyond the remotest dreams of man; but this fate you have a right to know—if you please. If you look in the left-hand drawer of my dressing-table, you will find the key of the escritoire, properly labelled. In the well of the escritoire is a large envelope sealed and addressed to your name. I advise you to throw it forthwith into the fire; you will sleep better of nights if you do so. But if you must know the history of what has happened, it is all written down for you to read.”

The signature was firmly written below, and again I turned the page and read out the words one by one, aghast and white to the lips, my hands cold as ice, and sickness choking me. The dead silence of the room, and the thought of the dark woods and hills closing me in on every side, oppressed me, helpless and without capacity, and not knowing where to turn for counsel. At last I resolved that though knowledge should haunt my whole life and all the days to come, I must know the meaning of the strange terrors that had so long tormented me, rising grey, dim, and awful, like the shadows in the wood at dusk. I carefully carried out Professor Gregg’s directions, and not without reluctance broke the seal of the envelope, and spread out his manuscript before me. That manuscript I always carry with me, and I see that I cannot deny your unspoken request to read it. This, then, was what I read that night, sitting at the desk, with a shaded lamp beside me.

The young lady who called herself Miss Lally then proceeded to recite

The Statement of William
Gregg, F.R.S., etc.

It is many years since the first glimmer of the theory which is now almost, if not quite, reduced to fact dawned on my mind. A somewhat extensive course of miscellaneous and obsolete reading had done a good deal to prepare the way, and, later, when I became somewhat of a specialist, and immersed myself in the studies known as ethnological, I was now and then startled by facts that would not square with orthodox scientific opinion, and by discoveries that seemed to hint at something still hidden for all our research. More particularly I became convinced that much of the folk-lore of the world is but an exaggerated account of events that really happened, and I was especially drawn to consider the stories of the fairies, the good folk of the Celtic races. Here I thought I could detect the fringe of embroidery and exaggeration, the fantastic guise, the little people dressed in green and gold sporting in the flowers, and I thought I saw a distinct analogy between the name given to this race (supposed to be imaginary) and the description of their appearance and manners. Just as our remote ancestors called the dreaded beings “fair” and “good” precisely because they dreaded them, so they had dressed them up in charming forms, knowing the truth to be the very reverse. Literature, too, had gone early to work, and had lent a powerful hand in the transformation, so that the playful elves of Shakespeare are already far removed from the true original, and the real horror is disguised in a form of prankish mischief. But in the older tales, the stories that used to make men cross themselves as they sat round the burning logs, we tread a different stage; I saw a widely opposed spirit in certain histories of children and of men and women who vanished strangely from the earth. They would be seen by a peasant in the fields walking towards some green and rounded hillock, and seen no more on earth; and there are stories of mothers who have left a child quietly sleeping, with the cottage door rudely barred with a piece of wood, and have returned, not to find the plump and rosy little Saxon, but a thin and wizened creature, with sallow skin and black, piercing eyes, the child of another race. Then, again, there were myths darker still; the dread of witch and wizard, the lurid evil of the Sabbath, and the hint of demons who mingled with the daughters of men. And just as we have turned the terrible “fair folk” into a company of benignant, if freakish, elves, so we have hidden from us the black foulness of the witch and her companions under a popular diablerie of old women and broomsticks and a comic cat with tail on end. So the Greeks called the hideous furies benevolent ladies,[14] and thus the northern nations have followed their example. I pursued my investigations, stealing odd hours from other and more imperative labours, and I asked myself the question: Supposing these traditions to be true, who were the demons who are reported to have attended the Sabbaths? I need not say that I laid aside what I may call the supernatural hypothesis of the Middle Ages, and came to the conclusion that fairies and devils were of one and the same race and origin; invention, no doubt, and the Gothic fancy of old days, had done much in the way of exaggeration and distortion; yet I firmly believe that beneath all this imagery there was a black background of truth. As for some of the alleged wonders, I hesitated. While I should be very loath to receive any one specific instance of modern spiritualism as containing even a grain of the genuine, yet I was not wholly prepared to deny that human flesh may now and then, once perhaps in ten million cases, be the veil of powers which seem magical to us—powers which, so far from proceeding from the heights and leading men thither, are in reality survivals from the depths of being. The amœba and the snail have powers which we do not possess; and I thought it possible that the theory of reversion might explain many things which seem wholly inexplicable. Thus stood my position; I saw good reason to believe that much of the tradition, a vast deal of the earliest and uncorrupted tradition of the so-called fairies, represented solid fact, and I thought that the purely supernatural element in these traditions was to be accounted for on the hypothesis that a race which had fallen out of the grand march of evolution might have retained, as a survival, certain powers which would be to us wholly miraculous. Such was my theory as it stood conceived in my mind; and working with this in view, I seemed to gather confirmation from every side, from the spoils of a tumulus or a barrow, from a local paper reporting an antiquarian meeting in the country, and from general literature of all kinds. Amongst other instances, I remember being struck by the phrase “articulate-speaking men” in Homer,[15] as if the writer knew or had heard of men whose speech was so rude that it could hardly be termed articulate; and on my hypothesis of a race who had lagged far behind the rest, I could easily conceive that such a folk would speak a jargon but little removed from the inarticulate noises of brute beasts.

Thus I stood, satisfied that my conjecture was at all events not far removed from fact, when a chance paragraph in a small country print one day arrested my attention. It was a short account of what was to all appearance the usual sordid tragedy of the village—a young girl unaccountably missing, and evil rumour blatant and busy with her reputation. Yet I could read between the lines that all this scandal was purely hypothetical, and in all probability invented to account for what was in any other manner unaccountable. A flight to London or Liverpool, or an undiscovered body lying with a weight about its neck in the foul depths of a woodland pool, or perhaps murder—such were the theories of the wretched girl’s neighbours. But as I idly scanned the paragraph, a flash of thought passed through me with the violence of an electric shock: what if the obscure and horrible race of the hills still survived, still remained haunting wild places and barren hills, and now and then repeating the evil of Gothic legend, unchanged and unchangeable as the Turanian Shelta,[16] or the Basques of Spain? I have said that the thought came with violence; and indeed I drew in my breath sharply, and clung with both hands to my elbow-chair, in a strange confusion of horror and elation. It was as if one of my confrères of physical science, roaming in a quiet English wood, had been suddenly stricken aghast by the presence of the slimy and loathsome terror of the ichthyosaurus, the original of the stories of the awful worms killed by valorous knights, or had seen the sun darkened by the pterodactyl, the dragon of tradition. Yet as a resolute explorer of knowledge, the thought of such a discovery threw me into a passion of joy, and I cut out the slip from the paper and put it in a drawer in my old bureau, resolved that it should be but the first piece in a collection of the strangest significance. I sat long that evening dreaming of the conclusions I should establish, nor did cooler reflection at first dash my confidence. Yet as I began to put the case fairly, I saw that I might be building on an unstable foundation; the facts might possibly be in accordance with local opinion, and I regarded the affair with a mood of some reserve. Yet I resolved to remain perched on the look-out, and I hugged to myself the thought that I alone was watching and wakeful, while the great crowd of thinkers and searchers stood heedless and indifferent, perhaps letting the most prerogative facts pass by unnoticed.

Several years elapsed before I was enabled to add to the contents of the drawer; and the second find was in reality not a valuable one, for it was a mere repetition of the first, with only the variation of another and distant locality. Yet I gained something; for in the second case, as in the first, the tragedy took place in a desolate and lonely country, and so far my theory seemed justified. But the third piece was to me far more decisive. Again, amongst outland hills, far even from a main road of traffic, an old man was found done to death, and the instrument of execution was left beside him. Here, indeed, there were rumour and conjecture, for the deadly tool was a primitive stone axe, bound by gut to the wooden handle, and surmises the most extravagant and improbable were indulged in. Yet, as I thought with a kind of glee, the wildest conjectures went far astray; and I took the pains to enter into correspondence with the local doctor, who was called at the inquest. He, a man of some acuteness, was dumfoundered. “It will not do to speak of these things in country places,” he wrote to me; “but frankly, there is some hideous mystery here. I have obtained possession of the stone axe, and have been so curious as to test its powers. I took it into the back-garden of my house one Sunday afternoon when my family and the servants were all out, and there, sheltered by the poplar hedges, I made my experiments. I found the thing utterly unmanageable; whether there is some peculiar balance, some nice adjustment of weights, which require incessant practice, or whether an effectual blow can be struck only by a certain trick of the muscles, I do not know; but I assure you that I went into the house with but a sorry opinion of my athletic capacities. It was like an inexperienced man trying ‘putting the hammer’; the force exerted seemed to return on oneself, and I found myself hurled backwards with violence, while the axe fell harmless to the ground. On another occasion I tried the experiment with a clever woodman of the place; but this man, who had handled his axe for forty years, could do nothing with the stone implement, and missed every stroke most ludicrously. In short, if it were not so supremely absurd, I should say that for four thousand years no one on earth could have struck an effective blow with the tool that undoubtedly was used to murder the old man.” This, as may be imagined, was to me rare news; and afterwards, when I heard the whole story, and learned that the unfortunate old man had babbled tales of what might be seen at night on a certain wild hillside, hinting at unheard-of wonders, and that he had been found cold one morning on the very hill in question, my exultation was extreme, for I felt I was leaving conjecture far behind me. But the next step was of still greater importance. I had possessed for many years an extraordinary stone seal—a piece of dull black stone, two inches long from the handle to the stamp, and the stamping end a rough hexagon an inch and a quarter in diameter. Altogether, it presented the appearance of an enlarged tobacco stopper of an old-fashioned make. It had been sent to me by an agent in the East, who informed me that it had been found near the site of the ancient Babylon. But the characters engraved on the seal were to me an intolerable puzzle. Somewhat of the cuneiform pattern, there were yet striking differences, which I detected at the first glance, and all efforts to read the inscription on the hypothesis that the rules for deciphering the arrow-headed writing would apply proved futile. A riddle such as this stung my pride, and at odd moments I would take the Black Seal out of the cabinet, and scrutinise it with so much idle perseverance that every letter was familiar to my mind, and I could have drawn the inscription from memory without the slightest error. Judge, then, of my surprise when I one day received from a correspondent in the west of England a letter and an enclosure that positively left me thunderstruck. I saw carefully traced on a large piece of paper the very characters of the Black Seal, without alteration of any kind, and above the inscription my friend had written: Inscription found on a limestone rock on the Grey Hills, Monmouthshire. Done in some red earth, and quite recent. I turned to the letter. My friend wrote: “I send you the enclosed inscription with all due reserve. A shepherd who passed by the stone a week ago swears that there was then no mark of any kind. The characters, as I have noted, are formed by drawing some red earth over the stone, and are of an average height of one inch. They look to me like a kind of cuneiform character, a good deal altered, but this, of course, is impossible. It may be either a hoax, or more probably some scribble of the gipsies, who are plentiful enough in this wild country. They have, as you are aware, many hieroglyphics which they use in communicating with one another. I happened to visit the stone in question two days ago in connection with a rather painful incident which has occurred here.”

As may be supposed, I wrote immediately to my friend, thanking him for the copy of the inscription, and asking him in a casual manner the history of the incident he mentioned. To be brief, I heard that a woman named Cradock, who had lost her husband a day before, had set out to communicate the sad news to a cousin who lived some five miles away. She took a short cut which led by the Grey Hills. Mrs. Cradock, who was then quite a young woman, never arrived at her relative’s house. Late that night a farmer who had lost a couple of sheep, supposed to have wandered from the flock, was walking over the Grey Hills, with a lantern and his dog. His attention was attracted by a noise, which he described as a kind of wailing, mournful and pitiable to hear; and, guided by the sound, he found the unfortunate Mrs. Cradock crouched on the ground by the limestone rock, swaying her body to and fro, and lamenting and crying in so heart-rending a manner that the farmer was, as he says, at first obliged to stop his ears, or he would have run away. The woman allowed herself to be taken home, and a neighbour came to see to her necessities. All the night she never ceased her crying, mixing her lament with words of some unintelligible jargon, and when the doctor arrived he pronounced her insane. She lay on her bed for a week, now wailing, as people said, like one lost and damned for eternity, and now sunk in a heavy coma; it was thought that grief at the loss of her husband had unsettled her mind, and the medical man did not at one time expect her to live. I need not say that I was deeply interested in this story, and I made my friend write to me at intervals with all the particulars of the case. I heard then that in the course of six weeks the woman gradually recovered the use of her faculties, and some months later she gave birth to a son, christened Jervase, who unhappily proved to be of weak intellect. Such were the facts known to the village; but to me, while I whitened at the suggested thought of the hideous enormities that had doubtless been committed, all this was nothing short of conviction, and I incautiously hazarded a hint of something like the truth to some scientific friends. The moment the words had left my lips I bitterly regretted having spoken, and thus given away the great secret of my life, but with a good deal of relief mixed with indignation I found my fears altogether misplaced, for my friends ridiculed me to my face, and I was regarded as a madman; and beneath a natural anger I chuckled to myself, feeling as secure amidst these blockheads as if I had confided what I knew to the desert sands.

But now, knowing so much, I resolved I would know all, and I concentrated my efforts on the task of deciphering the inscription on the Black Seal. For many years I made this puzzle the sole object of my leisure moments; for the greater portion of my time was, of course, devoted to other duties, and it was only now and then that I could snatch a week of clear research. If I were to tell the full history of this curious investigation, this statement would be wearisome in the extreme, for it would contain simply the account of long and tedious failure. By what I knew already of ancient scripts I was well equipped for the chase, as I always termed it to myself. I had correspondents amongst all the scientific men in Europe, and, indeed, in the world, and I could not believe that in these days any character, however ancient and however perplexed, could long resist the search-light I should bring to bear upon it. Yet, in point of fact, it was fully fourteen years before I succeeded. With every year my professional duties increased, and my leisure became smaller. This no doubt retarded me a good deal; and yet, when I look back on those years, I am astonished at the vast scope of my investigation of the Black Seal. I made my bureau a centre, and from all the world and from all the ages I gathered transcripts of ancient writing. Nothing, I resolved, should pass me unawares, and the faintest hint should be welcomed and followed up. But as one covert after another was tried and proved empty of result, I began in the course of years to despair, and to wonder whether the Black Seal were the sole relic of some race that had vanished from the world and left no other trace of its existence—had perished, in fine, as Atlantis is said to have done, in some great cataclysm, its secrets perhaps drowned beneath the ocean or moulded into the heart of the hills. The thought chilled my warmth a little, and though I still persevered, it was no longer with the same certainty of faith. A chance came to the rescue. I was staying in a considerable town in the north of England, and took the opportunity of going over the very creditable museum that had for some time been established in the place. The curator was one of my correspondents; and, as we were looking through one of the mineral cases, my attention was struck by a specimen, a piece of black stone some four inches square, the appearance of which reminded me in a measure of the Black Seal. I took it up carelessly, and was turning it over in my hand, when I saw, to my astonishment, that the under side was inscribed. I said, quietly enough, to my friend the curator that the specimen interested me, and that I should be much obliged if he would allow me to take it with me to my hotel for a couple of days. He, of course, made no objection, and I hurried to my rooms and found that my first glance had not deceived me. There were two inscriptions; one in the regular cuneiform character, another in the character of the Black Seal, and I realised that my task was accomplished. I made an exact copy of the two inscriptions; and when I got to my London study, and had the Seal before me, I was able seriously to grapple with the great problem. The interpreting inscription on the museum specimen, though in itself curious enough, did not bear on my quest, but the transliteration made me master of the secret of the Black Seal. Conjecture, of course, had to enter into my calculations; there was here and there uncertainty about a particular ideograph, and one sign recurring again and again on the seal baffled me for many successive nights. But at last the secret stood open before me in plain English, and I read the key of the awful transmutation of the hills. The last word was hardly written, when with fingers all trembling and unsteady I tore the scrap of paper into the minutest fragments, and saw them flame and blacken in the red hollow of the fire, and then I crushed the grey films that remained into finest powder. Never since then have I written those words; never will I write the phrases which tell how man can be reduced to the slime from which he came, and be forced to put on the flesh of the reptile and the snake. There was now but one thing remaining. I knew, but I desired to see, and I was after some time able to take a house in the neighbourhood of the Grey Hills, and not far from the cottage where Mrs. Cradock and her son Jervase resided. I need not go into a full and detailed account of the apparently inexplicable events which have occurred here, where I am writing this. I knew that I should find in Jervase Cradock something of the blood of the “Little People,” and I found later that he had more than once encountered his kinsmen in lonely places in that lonely land. When I was summoned one day to the garden, and found him in a seizure speaking or hissing the ghastly jargon of the Black Seal, I am afraid that exultation prevailed over pity. I heard bursting from his lips the secrets of the underworld, and the word of dread, “Ishakshar,” the signification of which I must be excused from giving.

But there is one incident I cannot pass over unnoticed. In the waste hollow of the night I awoke at the sound of those hissing syllables I knew so well; and on going to the wretched boy’s room, I found him convulsed and foaming at the mouth, struggling on the bed as if he strove to escape the grasp of writhing demons. I took him down to my room and lit the lamp, while he lay twisting on the floor, calling on the power within his flesh to leave him. I saw his body swell and become distended as a bladder, while the face blackened before my eyes; and then at the crisis I did what was necessary according to the directions on the Seal, and putting all scruple on one side, I became a man of science, observant of what was passing. Yet the sight I had to witness was horrible, almost beyond the power of human conception and the most fearful fantasy. Something pushed out from the body there on the floor, and stretched forth, a slimy, wavering tentacle, across the room, grasped the bust upon the cupboard, and laid it down on my desk.

When it was over, and I was left to walk up and down all the rest of the night, white and shuddering, with sweat pouring from my flesh, I vainly tried to reason with myself: I said, truly enough, that I had seen nothing really supernatural, that a snail pushing out his horns and drawing them in was but an instance on a smaller scale of what I had witnessed; and yet horror broke through all such reasonings and left me shattered and loathing myself for the share I had taken in the night’s work.

There is little more to be said. I am going now to the final trial and encounter; for I have determined that there shall be nothing wanting, and I shall meet the “Little People” face to face. I shall have the Black Seal and the knowledge of its secrets to help me, and if I unhappily do not return from my journey, there is no need to conjure up here a picture of the awfulness of my fate.

Pausing a little at the end of Professor Gregg’s statement, Miss Lally continued her tale in the following words:—

Such was the almost incredible story that the professor had left behind him. When I had finished reading it, it was late at night, but the next morning I took Morgan with me, and we proceeded to search the Grey Hills for some trace of the lost professor. I will not weary you with a description of the savage desolation of that tract of country, a tract of utterest loneliness, of bare green hills dotted over with grey limestone boulders, worn by the ravages of time into fantastic semblances of men and beasts. Finally, after many hours of weary searching, we found what I told you—the watch and chain, the purse, and the ring—wrapped in a piece of coarse parchment. When Morgan cut the gut that bound the parcel together, and I saw the professor’s property, I burst into tears, but the sight of the dreaded characters of the Black Seal repeated on the parchment froze me to silent horror, and I think I understood for the first time the awful fate that had come upon my late employer.

I have only to add that Professor Gregg’s lawyer treated my account of what had happened as a fairy tale, and refused even to glance at the documents I laid before him. It was he who was responsible for the statement that appeared in the public press, to the effect that Professor Gregg had been drowned, and that his body must have been swept into the open sea.

Miss Lally stopped speaking, and looked at Mr. Phillipps, with a glance of some inquiry. He, for his part, was sunken in a deep reverie of thought; and when he looked up and saw the bustle of the evening gathering in the square, men and women hurrying to partake of dinner, and crowds already besetting the music-halls, all the hum and press of actual life seemed unreal and visionary, a dream in the morning after an awakening.

NOVEL OF THE WHITE POWDER

My name is Leicester; my father, Major-General Wyn Leicester, a distinguished officer of artillery, succumbed five years ago to a complicated liver complaint acquired in the deadly climate of India. A year later my only brother, Francis, came home after an exceptionally brilliant career at the University, and settled down with the resolution of a hermit to master what has been well called the great legend of the law. He was a man who seemed to live in utter indifference to everything that is called pleasure; and though he was handsomer than most men, and could talk as merrily and wittily as if he were a mere vagabond, he avoided society, and shut himself up in a large room at the top of the house to make himself a lawyer. Ten hours a day of hard reading was at first his allotted portion; from the first light in the east to the late afternoon he remained shut up with his books, taking a hasty half-hour’s lunch with me as if he grudged the wasting of the moments, and going out for a short walk when it began to grow dusk. I thought that such relentless application must be injurious, and tried to cajole him from the crabbed textbooks, but his ardour seemed to grow rather than diminish, and his daily tale of hours increased. I spoke to him seriously, suggesting some occasional relaxation, if it were but an idle afternoon with a harmless novel; but he laughed, and said that he read about feudal tenures when he felt in need of amusement, and scoffed at the notion of theatres, or a month’s fresh air. I confessed that he looked well, and seemed not to suffer from his labours, but I knew that such unnatural toil would take revenge at last, and I was not mistaken. A look of anxiety began to lurk about his eyes, and he seemed languid, and at last he avowed that he was no longer in perfect health; he was troubled, he said, with a sensation of dizziness, and awoke now and then of nights from fearful dreams, terrified and cold with icy sweats. “I am taking care of myself,” he said, “so you must not trouble; I passed the whole of yesterday afternoon in idleness, leaning back in that comfortable chair you gave me, and scribbling nonsense on a sheet of paper. No, no; I will not overdo my work; I shall be well enough in a week or two, depend upon it.”

Yet in spite of his assurances I could see that he grew no better, but rather worse; he would enter the drawing-room with a face all miserably wrinkled and despondent, and endeavour to look gaily when my eyes fell on him, and I thought such symptoms of evil omen, and was frightened sometimes at the nervous irritation of his movements, and at glances which I could not decipher. Much against his will, I prevailed on him to have medical advice, and with an ill grace he called in our old doctor.

Dr. Haberden cheered me after examination of his patient.

“There is nothing really much amiss,” he said to me. “No doubt he reads too hard, and eats hastily, and then goes back again to his books in too great a hurry, and the natural consequence is some digestive trouble and a little mischief in the nervous system. But I think—I do indeed, Miss Leicester—that we shall be able to set this all right. I have written him a prescription which ought to do great things. So you have no cause for anxiety.”

My brother insisted on having the prescription made up by a chemist in the neighbourhood. It was an odd, old-fashioned shop, devoid of the studied coquetry and calculated glitter that make so gay a show on the counters and shelves of the modern apothecary; but Francis liked the old chemist, and believed in the scrupulous purity of his drugs. The medicine was sent in due course, and I saw that my brother took it regularly after lunch and dinner. It was an innocent-looking white powder, of which a little was dissolved in a glass of cold water; I stirred it in, and it seemed to disappear, leaving the water clear and colourless. At first Francis seemed to benefit greatly; the weariness vanished from his face, and he became more cheerful than he had ever been since the time when he left school; he talked gaily of reforming himself, and avowed to me that he had wasted his time.

“I have given too many hours to law,” he said, laughing; “I think you have saved me in the nick of time. Come, I shall be Lord Chancellor yet, but I must not forget life. You and I will have a holiday together before long; we will go to Paris and enjoy ourselves, and keep away from the Bibliothèque Nationale.”

I confessed myself delighted with the prospect.

“When shall we go?” I said. “I can start the day after to-morrow if you like.”

“Ah! that is perhaps a little too soon; after all, I do not know London yet, and I suppose a man ought to give the pleasures of his own country the first choice. But we will go off together in a week or two, so try and furbish up your French. I only know law French myself, and I am afraid that wouldn’t do.”

We were just finishing dinner, and he quaffed off his medicine with a parade of carousal as if it had been wine from some choicest bin.

“Has it any particular taste?” I said.

“No; I should not know I was not drinking water,” and he got up from his chair and began to pace up and down the room as if he were undecided as to what he should do next.

“Shall we have coffee in the drawing-room?” I said; “or would you like to smoke?”

“No, I think I will take a turn; it seems a pleasant evening. Look at the afterglow; why, it is as if a great city were burning in flames, and down there between the dark houses it is raining blood fast, fast. Yes, I will go out; I may be in soon, but I shall take my key; so good-night, dear, if I don’t see you again.”

The door slammed behind him, and I saw him walk lightly down the street, swinging his malacca cane, and I felt grateful to Dr. Haberden for such an improvement.

I believe my brother came home very late that night, but he was in a merry mood the next morning.

“I walked on without thinking where I was going,” he said, “enjoying the freshness of the air, and livened by the crowds as I reached more frequented quarters. And then I met an old college friend, Orford, in the press of the pavement, and then—well, we enjoyed ourselves. I have felt what it is to be young and a man; I find I have blood in my veins, as other men have. I made an appointment with Orford for to-night; there will be a little party of us at the restaurant. Yes; I shall enjoy myself for a week or two, and hear the chimes at midnight, and then we will go for our little trip together.”

Such was the transmutation of my brother’s character that in a few days he became a lover of pleasure, a careless and merry idler of western pavements, a hunter out of snug restaurants, and a fine critic of fantastic dancing; he grew fat before my eyes, and said no more of Paris, for he had clearly found his paradise in London. I rejoiced, and yet wondered a little; for there was, I thought, something in his gaiety that indefinitely displeased me, though I could not have defined my feeling. But by degrees there came a change; he returned still in the cold hours of the morning, but I heard no more about his pleasures, and one morning as we sat at breakfast together I looked suddenly into his eyes and saw a stranger before me.

“Oh, Francis!” I cried. “Oh, Francis, Francis, what have you done?” and rending sobs cut the words short. I went weeping out of the room; for though I knew nothing, yet I knew all, and by some odd play of thought I remembered the evening when he first went abroad, and the picture of the sunset sky glowed before me; the clouds like a city in burning flames, and the rain of blood. Yet I did battle with such thoughts, resolving that perhaps, after all, no great harm had been done, and in the evening at dinner I resolved to press him to fix a day for our holiday in Paris. We had talked easily enough, and my brother had just taken his medicine, which he had continued all the while. I was about to begin my topic when the words forming in my mind vanished, and I wondered for a second what icy and intolerable weight oppressed my heart and suffocated me as with the unutterable horror of the coffin-lid nailed down on the living.

We had dined without candles; the room had slowly grown from twilight to gloom, and the walls and corners were indistinct in the shadow. But from where I sat I looked out into the street; and as I thought of what I would say to Francis, the sky began to flush and shine, as it had done on a well-remembered evening, and in the gap between two dark masses that were houses an awful pageantry of flame appeared—lurid whorls of writhed cloud, and utter depths burning, grey masses like the fume blown from a smoking city, and an evil glory blazing far above shot with tongues of more ardent fire, and below as if there were a deep pool of blood. I looked down to where my brother sat facing me, and the words were shaped on my lips, when I saw his hand resting on the table. Between the thumb and forefinger of the closed hand there was a mark, a small patch about the size of a sixpence, and somewhat of the colour of a bad bruise. Yet, by some sense I cannot define, I knew that what I saw was no bruise at all; oh! if human flesh could burn with flame, and if flame could be black as pitch, such was that before me. Without thought or fashioning of words grey horror shaped within me at the sight, and in an inner cell it was known to be a brand. For a moment the stained sky became dark as midnight, and when the light returned to me I was alone in the silent room, and soon after I heard my brother go out.

Late as it was, I put on my hat and went to Dr. Haberden, and in his great consulting room, ill lighted by a candle which the doctor brought in with him, with stammering lips, and a voice that would break in spite of my resolve, I told him all, from the day on which my brother began to take the medicine down to the dreadful thing I had seen scarcely half an hour before.

When I had done, the doctor looked at me for a minute with an expression of great pity on his face.

“My dear Miss Leicester,” he said, “you have evidently been anxious about your brother; you have been worrying over him, I am sure. Come, now, is it not so?”

“I have certainly been anxious,” I said. “For the last week or two I have not felt at ease.”

“Quite so; you know, of course, what a queer thing the brain is?”

“I understand what you mean; but I was not deceived. I saw what I have told you with my own eyes.”

“Yes, yes, of course. But your eyes had been staring at that very curious sunset we had to-night. That is the only explanation. You will see it in the proper light to-morrow, I am sure. But, remember, I am always ready to give any help that is in my power; do not scruple to come to me, or to send for me if you are in any distress.”

I went away but little comforted, all confusion and terror and sorrow, not knowing where to turn. When my brother and I met the next day, I looked quickly at him, and noticed, with a sickening at heart, that the right hand, the hand on which I had clearly seen the patch as of a black fire, was wrapped up with a handkerchief.

“What is the matter with your hand, Francis?” I said in a steady voice.

“Nothing of consequence. I cut a finger last night, and it bled rather awkwardly. So I did it up roughly to the best of my ability.”

“I will do it neatly for you, if you like.”

“No, thank you, dear; this will answer very well. Suppose we have breakfast; I am quite hungry.”

We sat down, and I watched him. He scarcely ate or drank at all, but tossed his meat to the dog when he thought my eyes were turned away; there was a look in his eyes that I had never yet seen, and the thought flashed across my mind that it was a look that was scarcely human. I was firmly convinced that awful and incredible as was the thing I had seen the night before, yet it was no illusion, no glamour of bewildered sense, and in the course of the morning I went again to the doctor’s house.

He shook his head with an air puzzled and incredulous, and seemed to reflect for a few minutes.

“And you say he still keeps up the medicine? But why? As I understand, all the symptoms he complained of have disappeared long ago; why should he go on taking the stuff when he is quite well? And by the by, where did he get it made up? At Sayce’s? I never send any one there; the old man is getting careless. Suppose you come with me to the chemist’s; I should like to have some talk with him.”

We walked together to the shop; old Sayce knew Dr. Haberden, and was quite ready to give any information.

“You have been sending that in to Mr. Leicester for some weeks, I think, on my prescription,” said the doctor, giving the old man a pencilled scrap of paper.

The chemist put on his great spectacles with trembling uncertainty, and held up the paper with a shaking hand.

“Oh, yes,” he said, “I have very little of it left; it is rather an uncommon drug, and I have had it in stock some time. I must get in some more, if Mr. Leicester goes on with it.”

“Kindly let me have a look at the stuff,” said Haberden, and the chemist gave him a glass bottle. He took out the stopper and smelt the contents, and looked strangely at the old man.

“Where did you get this?” he said, “and what is it? For one thing, Mr. Sayce, it is not what I prescribed. Yes, yes, I see the label is right enough, but I tell you this is not the drug.”

“I have had it a long time,” said the old man in feeble terror; “I got it from Burbage’s in the usual way. It is not prescribed often, and I have had it on the shelf for some years. You see there is very little left.”

“You had better give it to me,” said Haberden. “I am afraid something wrong has happened.”

We went out of the shop in silence, the doctor carrying the bottle neatly wrapped in paper under his arm.

“Dr. Haberden,” I said, when we had walked a little way—“Dr. Haberden.”

“Yes,” he said, looking at me gloomily enough.

“I should like you to tell me what my brother has been taking twice a day for the last month or so.”

“Frankly, Miss Leicester, I don’t know. We will speak of this when we get to my house.”

We walked on quickly without another word till we reached Dr. Haberden’s. He asked me to sit down, and began pacing up and down the room, his face clouded over, as I could see, with no common fears.

“Well,” he said at length, “this is all very strange; it is only natural that you should feel alarmed, and I must confess that my mind is far from easy. We will put aside, if you please, what you told me last night and this morning, but the fact remains that for the last few weeks Mr. Leicester has been impregnating his system with a drug which is completely unknown to me. I tell you, it is not what I ordered; and what that stuff in the bottle really is remains to be seen.”

He undid the wrapper, and cautiously tilted a few grains of the white powder on to a piece of paper, and peered curiously at it.

“Yes,” he said, “it is like the sulphate of quinine, as you say; it is flaky. But smell it.”

He held the bottle to me, and I bent over it. It was a strange, sickly smell, vaporous and overpowering, like some strong anæsthetic.

“I shall have it analysed,” said Haberden; “I have a friend who has devoted his whole life to chemistry as a science. Then we shall have something to go upon. No, no; say no more about that other matter; I cannot listen to that; and take my advice and think no more about it yourself.”

That evening my brother did not go out as usual after dinner.

“I have had my fling,” he said with a queer laugh, “and I must go back to my old ways. A little law will be quite a relaxation after so sharp a dose of pleasure,” and he grinned to himself, and soon after went up to his room. His hand was still all bandaged.

Dr. Haberden called a few days later.

“I have no special news to give you,” he said. “Chambers is out of town, so I know no more about that stuff than you do. But I should like to see Mr. Leicester, if he is in.”

“He is in his room,” I said; “I will tell him you are here.”

“No, no, I will go up to him; we will have a little quiet talk together. I dare say that we have made a good deal of fuss about very little; for, after all, whatever the white powder may be, it seems to have done him good.”

The doctor went upstairs, and standing in the hall I heard his knock, and the opening and shutting of the door; and then I waited in the silent house for an hour, and the stillness grew more and more intense as the hands of the clock crept round. Then there sounded from above the noise of a door shut sharply, and the doctor was coming down the stairs. His footsteps crossed the hall, and there was a pause at the door; I drew a long, sick breath with difficulty, and saw my face white in a little mirror, and he came in and stood at the door. There was an unutterable horror shining in his eyes; he steadied himself by holding the back of a chair with one hand, his lower lip trembled like a horse’s, and he gulped and stammered unintelligible sounds before he spoke.

“I have seen that man,” he began in a dry whisper. “I have been sitting in his presence for the last hour. My God! And I am alive and in my senses! I, who have dealt with death all my life, and have dabbled with the melting ruins of the earthly tabernacle. But not this, oh! not this,” and he covered his face with his hands as if to shut out the sight of something before him.

“Do not send for me again, Miss Leicester,” he said with more composure. “I can do nothing in this house, Good-bye.”

As I watched him totter down the steps, and along the pavement towards his house, it seemed to me that he had aged by ten years since the morning.

My brother remained in his room. He called out to me in a voice I hardly recognised that he was very busy, and would like his meals brought to his door and left there, and I gave the order to the servants. From that day it seemed as if the arbitrary conception we call time had been annihilated for me; I lived in an ever-present sense of horror, going through the routine of the house mechanically, and only speaking a few necessary words to the servants. Now and then I went out and paced the streets for an hour or two and came home again; but whether I were without or within, my spirit delayed before the closed door of the upper room, and, shuddering, waited for it to open. I have said that I scarcely reckoned time; but I suppose it must have been a fortnight after Dr. Haberden’s visit that I came home from my stroll a little refreshed and lightened. The air was sweet and pleasant, and the hazy form of green leaves, floating cloud-like in the square, and the smell of blossoms, had charmed my senses, and I felt happier and walked more briskly. As I delayed a moment at the verge of the pavement, waiting for a van to pass by before crossing over to the house, I happened to look up at the windows, and instantly there was the rush and swirl of deep cold waters in my ears, my heart leapt up, and fell down, down as into a deep hollow, and I was amazed with a dread and terror without form or shape. I stretched out a hand blindly through folds of thick darkness, from the black and shadowy valley, and held myself from falling, while the stones beneath my feet rocked and swayed and tilted, and the sense of solid things seemed to sink away from under me. I had glanced up at the window of my brother’s study, and at that moment the blind was drawn aside, and something that had life stared out into the world. Nay, I cannot say I saw a face or any human likeness; a living thing, two eyes of burning flame glared at me, and they were in the midst of something as formless as my fear, the symbol and presence of all evil and all hideous corruption. I stood shuddering and quaking as with the grip of ague, sick with unspeakable agonies of fear and loathing, and for five minutes I could not summon force or motion to my limbs. When I was within the door, I ran up the stairs to my brother’s room and knocked.

“Francis, Francis,” I cried, “for Heaven’s sake, answer me. What is the horrible thing in your room? Cast it out, Francis; cast it from you.”

I heard a noise as of feet shuffling slowly and awkwardly, and a choking, gurgling sound, as if some one was struggling to find utterance, and then the noise of a voice, broken and stifled, and words that I could scarcely understand.

“There is nothing here,” the voice said. “Pray do not disturb me. I am not very well to-day.”

I turned away, horrified, and yet helpless. I could do nothing, and I wondered why Francis had lied to me, for I had seen the appearance beyond the glass too plainly to be deceived, though it was but the sight of a moment. And I sat still, conscious that there had been something else, something I had seen in the first flash of terror, before those burning eyes had looked at me. Suddenly I remembered; as I lifted my face the blind was being drawn back, and I had had an instant’s glance of the thing that was moving it, and in my recollection I knew that a hideous image was engraved for ever on my brain. It was not a hand; there were no fingers that held the blind, but a black stump pushed it aside, the mouldering outline and the clumsy movement as of a beast’s paw had glowed into my senses before the darkling waves of terror had overwhelmed me as I went down quick into the pit. My mind was aghast at the thought of this, and of the awful presence that dwelt with my brother in his room; I went to his door and cried to him again, but no answer came. That night one of the servants came up to me and told me in a whisper that for three days food had been regularly placed at the door and left untouched; the maid had knocked but had received no answer; she had heard the noise of shuffling feet that I had noticed. Day after day went by, and still my brother’s meals were brought to his door and left untouched; and though I knocked and called again and again, I could get no answer. The servants began to talk to me; it appeared they were as alarmed as I; the cook said that when my brother first shut himself up in his room she used to hear him come out at night and go about the house; and once, she said, the hall door had opened and closed again, but for several nights she had heard no sound. The climax came at last; it was in the dusk of the evening, and I was sitting in the darkening dreary room when a terrible shriek jarred and rang harshly out of the silence, and I heard a frightened scurry of feet dashing down the stairs. I waited, and the servant-maid staggered into the room and faced me, white and trembling.

“Oh, Miss Helen!” she whispered; “oh! for the Lord’s sake, Miss Helen, what has happened? Look at my hand, miss; look at that hand!”

I drew her to the window, and saw there was a black wet stain upon her hand.

“I do not understand you,” I said. “Will you explain to me?”

“I was doing your room just now,” she began. “I was turning down the bed-clothes, and all of a sudden there was something fell upon my hand, wet, and I looked up, and the ceiling was black and dripping on me.”

I looked hard at her and bit my lip.

“Come with me,” I said. “Bring your candle with you.”

The room I slept in was beneath my brother’s, and as I went in I felt I was trembling. I looked up at the ceiling, and saw a patch, all black and wet, and a dew of black drops upon it, and a pool of horrible liquor soaking into the white bed-clothes.

I ran upstairs, and knocked loudly.

“Oh, Francis, Francis, my dear brother,” I cried, “what has happened to you?”

And I listened. There was a sound of choking, and a noise like water bubbling and regurgitating, but nothing else, and I called louder, but no answer came.

In spite of what Dr. Haberden had said, I went to him; with tears streaming down my cheeks I told him of all that had happened, and he listened to me with a face set hard and grim.

“For your father’s sake,” he said at last, “I will go with you, though I can do nothing.”

We went out together; the streets were dark and silent, and heavy with heat and a drought of many weeks. I saw the doctor’s face white under the gas-lamps, and when we reached the house his hand was shaking.

We did not hesitate, but went upstairs directly. I held the lamp, and he called out in a loud, determined voice—

“Mr. Leicester, do you hear me? I insist on seeing you. Answer me at once.”

There was no answer, but we both heard that choking noise I have mentioned.

“Mr. Leicester, I am waiting for you. Open the door this instant, or I shall break it down.” And he called a third time in a voice that rang and echoed from the walls—

“Mr. Leicester! For the last time I order you to open the door.”

“Ah!” he said, after a pause of heavy silence, “we are wasting time here. Will you be so kind as to get me a poker, or something of the kind?”

I ran into a little room at the back where odd articles were kept, and found a heavy adze-like tool that I thought might serve the doctor’s purpose.

“Very good,” he said, “that will do, I dare say. I give you notice, Mr. Leicester,” he cried loudly at the keyhole, “that I am now about to break into your room.”

Then I heard the wrench of the adze, and the woodwork split and cracked under it; with a loud crash the door suddenly burst open, and for a moment we started back aghast at a fearful screaming cry, no human voice, but as the roar of a monster, that burst forth inarticulate and struck at us out of the darkness.

“Hold the lamp,” said the doctor, and we went in and glanced quickly round the room.

“There it is,” said Dr. Haberden, drawing a quick breath; “look, in that corner.”

I looked, and a pang of horror seized my heart as with a whitehot iron. There upon the floor was a dark and putrid mass, seething with corruption and hideous rottenness, neither liquid nor solid, but melting and changing before our eyes, and bubbling with unctuous oily bubbles like boiling pitch. And out of the midst of it shone two burning points like eyes, and I saw a writhing and stirring as of limbs, and something moved and lifted up what might have been an arm. The doctor took a step forward, raised the iron bar and struck at the burning points; he drove in the weapon, and struck again and again in a fury of loathing.

A week or two later, when I had recovered to some extent from the terrible shock, Dr. Haberden came to see me.

“I have sold my practice,” he began, “and to-morrow I am sailing on a long voyage. I do not know whether I shall ever return to England; in all probability I shall buy a little land in California, and settle there for the remainder of my life. I have brought you this packet, which you may open and read when you feel able to do so. It contains the report of Dr. Chambers on what I submitted to him. Good-bye, Miss Leicester, good-bye.”

When he was gone I opened the envelope; I could not wait, and proceeded to read the papers within. Here is the manuscript, and if you will allow me, I will read you the astounding story it contains.

“My dear Haberden,” the letter began, “I have delayed inexcusably in answering your questions as to the white substance you sent me. To tell you the truth, I have hesitated for some time as to what course I should adopt, for there is a bigotry and an orthodox standard in physical science as in theology, and I knew that if I told you the truth I should offend rooted prejudices which I once held dear myself. However, I have determined to be plain with you, and first I must enter into a short personal explanation.

“You have known me, Haberden, for many years as a scientific man; you and I have often talked of our profession together, and discussed the hopeless gulf that opens before the feet of those who think to attain to truth by any means whatsoever except the beaten way of experiment and observation in the sphere of material things. I remember the scorn with which you have spoken to me of men of science who have dabbled a little in the unseen, and have timidly hinted that perhaps the senses are not, after all, the eternal, impenetrable bounds of all knowledge, the everlasting walls beyond which no human being has ever passed. We have laughed together heartily, and I think justly, at the “occult” follies of the day, disguised under various names—the mesmerisms, spiritualisms, materialisations, theosophies, all the rabble rout of imposture, with their machinery of poor tricks and feeble conjuring, the true back-parlour magic of shabby London streets. Yet, in spite of what I have said, I must confess to you that I am no materialist, taking the word of course in its usual signification. It is now many years since I have convinced myself—convinced myself, a sceptic, remember—that the old ironbound theory is utterly and entirely false. Perhaps this confession will not wound you so sharply as it would have done twenty years ago; for I think you cannot have failed to notice that for some time hypotheses have been advanced by men of pure science which are nothing less than transcendental, and I suspect that most modern chemists and biologists of repute would not hesitate to subscribe the dictum of the old Schoolman, Omnia exeunt in mysterium,[1] which means, I take it, that every branch of human knowledge if traced up to its source and final principles vanishes into mystery. I need not trouble you now with a detailed account of the painful steps which led me to my conclusions; a few simple experiments suggested a doubt as to my then standpoint, and a train of thought that rose from circumstances comparatively trifling brought me far; my old conception of the universe has been swept away, and I stand in a world that seems as strange and awful to me as the endless waves of the ocean seen for the first time, shining, from a peak in Darien.[2] Now I know that the walls of sense that seemed so impenetrable, that seemed to loom up above the heavens and to be founded below the depths, and to shut us in for evermore, are no such everlasting impassable barriers as we fancied, but thinnest and most airy veils that melt away before the seeker, and dissolve as the early mist of the morning about the brooks. I know that you never adopted the extreme materialistic position; you did not go about trying to prove a universal negative, for your logical sense withheld you from that crowning absurdity; but I am sure that you will find all that I am saying strange and repellent to your habits of thought. Yet, Haberden, what I tell you is the truth, nay, to adopt our common language, the sole and scientific truth, verified by experience; and the universe is verily more splendid and more awful than we used to dream. The whole universe, my friend, is a tremendous sacrament; a mystic, ineffable force and energy, veiled by an outward form of matter; and man, and the sun and the other stars, and the flower of the grass, and the crystal in the test-tube, are each and every one as spiritual, as material, and subject to an inner working.

“You will perhaps wonder, Haberden, whence all this tends; but I think a little thought will make it clear. You will understand that from such a standpoint the whole view of things is changed, and what we thought incredible and absurd may be possible enough. In short, we must look at legend and belief with other eyes, and be prepared to accept tales that had become mere fables. Indeed, this is no such great demand. After all, modern science will concede as much, in a hypocritical manner; you must not, it is true, believe in witchcraft, but you may credit hypnotism; ghosts are out of date, but there is a good deal to be said for the theory of telepathy. Give a superstition a Greek name, and believe in it, should almost be a proverb.

“So much for my personal explanation. You sent me, Haberden, a phial, stoppered and sealed, containing a small quantity of a flaky white powder, obtained from a chemist who has been dispensing it to one of your patients. I am not surprised to hear that this powder refused to yield any results to your analysis. It is a substance which was known to a few many hundred years ago, but which I never expected to have submitted to me from the shop of a modern apothecary. There seems no reason to doubt the truth of the man’s tale; he no doubt got, as he says, the rather uncommon salt you prescribed from the wholesale chemist’s; and it has probably remained on his shelf for twenty years, or perhaps longer. Here what we call chance and coincidence begin to work; during all these years the salt in the bottle was exposed to certain recurring variations of temperature, variations probably ranging from 40° to 80°. And, as it happens, such changes, recurring year after year at irregular intervals, and with varying degrees of intensity and duration, have constituted a process, and a process so complicated and so delicate, that I question whether modern scientific apparatus directed with the utmost precision could produce the same result. The white powder you sent me is something very different from the drug you prescribed; it is the powder from which the wine of the Sabbath, the Vinum Sabbati, was prepared. No doubt you have read of the Witches’ Sabbath, and have laughed at the tales which terrified our ancestors; the black cats, and the broomsticks, and dooms pronounced against some old woman’s cow. Since I have known the truth I have often reflected that it is on the whole a happy thing that such burlesque as this is believed, for it serves to conceal much that it is better should not be known generally. However, if you care to read the appendix to Payne Knight’s monograph,[3] you will find that the true Sabbath was something very different, though the writer has very nicely refrained from printing all he knew. The secrets of the true Sabbath were the secrets of remote times surviving into the Middle Ages, secrets of an evil science which existed long before Aryan man entered Europe. Men and women, seduced from their homes on specious pretences, were met by beings well qualified to assume, as they did assume, the part of devils, and taken by their guides to some desolate and lonely place, known to the initiate by long tradition, and unknown to all else. Perhaps it was a cave in some bare and wind-swept hill, perhaps some inmost recess of a great forest, and there the Sabbath was held. There, in the blackest hour of night, the Vinum Sabbati was prepared, and this evil graal was poured forth and offered to the neophytes, and they partook of an infernal sacrament; sumentes calicem principis in ferorum,[4] as an old author well expresses it. And suddenly, each one that had drunk found himself attended by a companion, a shape of glamour and unearthly allurement, beckoning him apart, to share in joys more exquisite, more piercing than the thrill of any dream, to the consummation of the marriage of the Sabbath. It is hard to write of such things as these, and chiefly because that shape that allured with loveliness was no hallucination, but, awful as it is to express, the man himself. By the power of that Sabbath wine, a few grains of white powder thrown into a glass of water, the house of life was riven asunder and the human trinity dissolved, and the worm which never dies, that which lies sleeping within us all, was made tangible and an external thing, and clothed with a garment of flesh. And then, in the hour of midnight, the primal fall was repeated and re-presented, and the awful thing veiled in the mythos of the Tree in the Garden was done anew. Such was the nuptiæ Sabbati.

“I prefer to say no more; you, Haberden, know as well as I do that the most trivial laws of life are not to be broken with impunity; and for so terrible an act as this, in which the very inmost place of the temple was broken open and defiled, a terrible vengeance followed. What began with corruption ended also with corruption.”

Underneath is the following in Dr. Haberden’s writing:—

“The whole of the above is unfortunately strictly and entirely true. Your brother confessed all to me on that morning when I saw him in his room. My attention was first attracted to the bandaged hand, and I forced him to show it me. What I saw made me, a medical man of many years’ standing, grow sick with loathing, and the story I was forced to listen to was infinitely more frightful than I could have believed possible. It has tempted me to doubt the Eternal Goodness which can permit nature to offer such hideous possibilities; and if you had not with your own eyes seen the end, I should have said to you—disbelieve it all. I have not, I think, many more weeks to live, but you are young, and may forget all this.

“JOSEPH HABERDEN, M.D.”

In the course of two or three months I heard that Dr. Haberden had died at sea shortly after the ship left England.

THE RED HAND

THE PROBLEM OF THE FISH-HOOKS

“There can be no doubt whatever,” said Mr. Phillipps, “that my theory is the true one; these flints are prehistoric fish-hooks.”

“I dare say; but you know that in all probability the things were forged the other day with a door-key.”

“Stuff!” said Phillipps; “I have some respect, Dyson, for your literary abilities, but your knowledge of ethnology is insignificant, or rather non-existent. These fish-hooks satisfy every test; they are perfectly genuine.”

“Possibly, but as I said just now, you go to work at the wrong end. You neglect the opportunities that confront you and await you, obvious, at every corner; you positively shrink from the chance of encountering primitive man in this whirling and mysterious city, and you pass the weary hours in your agreeable retirement of Red Lion Square fumbling with bits of flint, which are, as I said, in all probability, rank forgeries.”

Phillipps took one of the little objects, and held it up in exasperation.

“Look at that ridge,” he said. “Did you ever see such a ridge as that on a forgery?”

Dyson merely grunted and lit his pipe, and the two sat smoking in rich silence, watching through the open window the children in the square as they flitted to and fro in the twilight of the lamps, as elusive as bats flying on the verge of a dark wood.

“Well,” said Phillipps at last, “it is really a long time since you have been round. I suppose you have been working at your old task.”

“Yes,” said Dyson, “always the chase of the phrase. I shall grow old in the hunt. But it is a great consolation to meditate on the fact that there are not a dozen people in England who know what style means.”

“I suppose not; for the matter of that, the study of ethnology is far from popular. And the difficulties! Primitive man stands dim and very far off across the great bridge of years.”

“By the way,” he went on after a pause, “what was that stuff you were talking just now about shrinking from the chance of encountering primitive man at the corner, or something of the kind? There are certainly people about here whose ideas are very primitive.”

“I wish, Phillipps, you would not rationalise my remarks. If I recollect the phrase correctly, I hinted that you shrank from the chance of encountering primitive man in this whirling and mysterious city, and I meant exactly what I said. Who can limit the age of survival? The troglodyte and the lake-dweller, perhaps representatives of yet darker races, may very probably be lurking in our midst, rubbing shoulders with frock-coated and finely-draped humanity, ravening like wolves at heart and boiling with the foul passions of the swamp and the black cave. Now and then as I walk in Holborn or Fleet Street I see a face which I pronounce abhorred, and yet I could not give a reason for the thrill of loathing that stirs within me.”

“My dear Dyson, I refuse to enter myself in your literary ‘trying-on’ department. I know that survivals do exist, but all things have a limit, and your speculations are absurd. You must catch me your troglodyte before I will believe in him.”

“I agree to that with all my heart,” said Dyson, chuckling at the ease with which he had succeeded in “drawing” Phillipps. “Nothing could be better. It’s a fine night for a walk,” he added, taking up his hat.

“What nonsense you are talking, Dyson!” said Phillipps. “However, I have no objection to taking a walk with you: as you say, it is a pleasant night.”

“Come along then,” said Dyson, grinning, “but remember our bargain.”

The two men went out into the square, and threading one of the narrow passages that serve as exits, struck towards the northeast. As they passed along a flaring causeway they could hear at intervals between the clamour of the children and the triumphant Gloria played on a piano-organ the long deep hum and roll of the traffic in Holborn, a sound so persistent that it echoed like the turning of everlasting wheels. Dyson looked to right and left and conned the way, and presently they were passing through a more peaceful quarter, touching on deserted squares and silent streets black as midnight. Phillipps had lost all count of direction, and as by degrees the region of faded respectability gave place to the squalid, and dirty stucco offended the eye of the artistic observer, he merely ventured the remark that he had never seen a neighbourhood more unpleasant or more commonplace.

“More mysterious, you mean,” said Dyson. “I warn you, Phillipps, we are now hot upon the scent.”

They dived yet deeper into the maze of brickwork; some time before they had crossed a noisy thoroughfare running east and west, and now the quarter seemed all amorphous, without character; here a decent house with sufficient garden, here a faded square, and here factories surrounded by high, blank walls, with blind passages and dark corners; but all ill-lighted and unfrequented and heavy with silence.

Presently, as they paced down a forlorn street of two-story houses, Dyson caught sight of a dark and obscure turning.

“I like the look of that,” he said; “it seems to me promising.” There was a street lamp at the entrance, and another, a mere glimmer, at the further end. Beneath the lamp, on the pavement, an artist had evidently established his academy in the daytime, for the stones were all a blur of crude colours rubbed into each other, and a few broken fragments of chalk lay in a little heap beneath the wall.

“You see people do occasionally pass this way,” said Dyson, pointing to the ruins of the screever’s work. “I confess I should not have thought it possible. Come, let us explore.”

On one side of this by-way of communication was a great timberyard, with vague piles of wood looming shapeless above the enclosing wall; and on the other side of the road a wall still higher seemed to enclose a garden, for there were shadows like trees, and a faint murmur of rustling leaves broke the silence. It was a moonless night, and clouds that had gathered after sunset had blackened, and midway between the feeble lamps the passage lay all dark and formless, and when one stopped and listened, and the sharp echo of reverberant footsteps ceased, there came from far away, as from beyond the hills, a faint roll of the noise of London. Phillipps was bolstering up his courage to declare that he had had enough of the excursion, when a loud cry from Dyson broke in upon his thoughts.

“Stop, stop, for Heaven’s sake, or you will tread on it! There! almost under your feet!” Phillipps looked down, and saw a vague shape, dark, and framed in surrounding darkness, dropped strangely on the pavement, and then a white cuff glimmered for a moment as Dyson lit a match, which went out directly.

“It’s a drunken man,” said Phillipps very coolly.

“It’s a murdered man,” said Dyson, and he began to call for police with all his might, and soon from the distance running footsteps echoed and grew louder, and cries sounded.

A policeman was the first to come up.

“What’s the matter?” he said, as he drew to a stand, panting. “Anything amiss here?” for he had not seen what was on the pavement.

“Look!” said Dyson, speaking out of the gloom. “Look there! My friend and I came down this place three minutes ago, and that is what we found.”

The man flashed his light on the dark shape and cried out.

“Why, it’s murder,” he said; “there’s blood all about him, and a puddle of it in the gutter there. He’s not dead long, either. Ah! there’s the wound! It’s in the neck.”

Dyson bent over what was lying there. He saw a prosperous gentleman, dressed in smooth, well-cut clothes. The neat whiskers were beginning to grizzle a little; he might have been fortyfive an hour before; and a handsome gold watch had half slipped out of his waistcoat pocket. And there in the flesh of the neck, between chin and ear, gaped a great wound, clean cut, but all clotted with drying blood, and the white of the cheeks shone like a lighted lamp above the red.

Dyson turned, and looked curiously about him; the dead man lay across the path with his head inclined towards the wall, and the blood from the wound streamed away across the pavement, and lay a dark puddle, as the policeman had said, in the gutter. Two more policemen had come up, the crowd gathered, humming from all quarters, and the officers had as much as they could do to keep the curious at a distance. The three lanterns were flashing here and there, searching for more evidence, and in the gleam of one of them Dyson caught sight of an object in the road, to which he called the attention of the policeman nearest to him.

“Look, Phillipps,” he said, when the man had secured it and held it up. “Look, that should be something in your way!”

It was a dark flinty stone, gleaming like obsidian, and shaped to a broad edge something after the manner of an adze. One end was rough, and easily grasped in the hand, and the whole thing was hardly five inches long. The edge was thick with blood.

“What is that, Phillipps?” said Dyson; and Phillipps looked hard at it.

“It’s a primitive flint knife,” he said. “It was made about ten thousand years ago. One exactly like this was found near Abury, in Wiltshire,[1] and all the authorities gave it that age.”

The policeman stared astonished at such a development of the case; and Phillipps himself was all aghast at his own words. But Mr. Dyson did not notice him. An inspector who had just come up and was listening to the outlines of the case, was holding a lantern to the dead man’s head. Dyson, for his part, was staring with a white heat of curiosity at something he saw on the wall, just above where the man was lying; there were a few rude marks done in red chalk.

“This is a black business,” said the inspector at length; “does anybody know who it is?”

A man stepped forward from the crowd. “I do, governor,” he said, “he’s a big doctor, his name’s Sir Thomas Vivian; I was in the ’orspital abart six months ago, and he used to come round; he was a very kind man.”

“Lord,” cried the inspector, “this is a bad job indeed. Why, Sir Thomas Vivian goes to the Royal Family. And there’s a watch worth a hundred guineas in his pocket, so it isn’t robbery.”

Dyson and Phillipps gave their cards to the authority, and moved off, pushing with difficulty through the crowd that was still gathering, gathering fast; and the alley that had been lonely and desolate now swarmed with white staring faces and hummed with the buzz of rumour and horror, and rang with the commands of the officers of police. The two men, once free from this swarming curiosity, stepped out briskly, but for twenty minutes neither spoke a word.

“Phillipps,” said Dyson, as they came into a small but cheerful street, clean and brightly lit, “Phillipps, I owe you an apology. I was wrong to have spoken as I did to-night. Such infernal jesting,” he went on, with heat, “as if there were no wholesome subjects for a joke. I feel as if I had raised an evil spirit.”

“For Heaven’s sake say nothing more,” said Phillipps, choking down horror with visible effort. “You told the truth to me in my room; the troglodyte, as you said, is still lurking about the earth, and in these very streets around us, slaying for mere lust of blood.”

“I will come up for a moment,” said Dyson when they reached Red Lion Square, “I have something to ask you. I think there should be nothing hidden between us at all events.”

Phillipps nodded gloomily, and they went up to the room, where everything hovered indistinct in the uncertain glimmer of the light from without. When the candle was lighted and the two men sat facing each other, Dyson spoke.

“Perhaps,” he began, “you did not notice me peering at the wall just above the place where the head lay. The light from the inspector’s lantern was shining full on it, and I saw something that looked queer to me, and I examined it closely. I found that some one had drawn in red chalk a rough outline of a hand—a human hand—upon the wall. But it was the curious position of the fingers that struck me; it was like this”; and he took a pencil and a piece of paper and drew rapidly, and then handed what he had done to Phillipps. It was a rough sketch of a hand seen from the back, with the fingers clenched, and the top of the thumb protruded between the first and second fingers, and pointed downwards, as if to something below.

“It was just like that,” said Dyson, as he saw Phillipps’s face grow still whiter. “The thumb pointed down as if to the body; it seemed almost a live hand in ghastly gesture. And just beneath there was a small mark with the powder of the chalk lying on it—as if some one had commenced a stroke and had broken the chalk in his hand. I saw the bit of chalk lying on the ground. But what do you make of it?”

“It’s a horrible old sign,” said Phillipps—“one of the most horrible signs connected with the theory of the evil eye. It is used still in Italy, but there can be no doubt that it has been known for ages. It is one of the survivals; you must look for the origin of it in the black swamp whence man first came.”

Dyson took up his hat to go.

“I think, jesting apart,” said he, “that I kept my promise, and that we were and are hot on the scent, as I said. It seems as if I had really shown you primitive man, or his handiwork at all events.”

INCIDENT OF THE LETTER

About a month after the extraordinary and mysterious murder of Sir Thomas Vivian, the well-known and universally respected specialist in heart disease, Mr. Dyson called again on his friend Mr. Phillipps, whom he found, not as usual, sunk deep in painful study, but reclining in his easy-chair in an attitude of relaxation. He welcomed Dyson with cordiality.

“I am very glad you have come,” he began; “I was thinking of looking you up. There is no longer the shadow of a doubt about the matter.”

“You mean the case of Sir Thomas Vivian?”

“Oh, no, not at all. I was referring to the problem of the fish-hooks. Between ourselves, I was a little too confident when you were here last, but since then other facts have turned up; and only yesterday I had a letter from a distinguished F.R.S.[2] which quite settles the affair. I have been thinking what I should tackle next; and I am inclined to believe that there is a good deal to be done in the way of so-called undecipherable inscriptions.”

“Your line of study pleases me,” said Dyson. “I think it may prove useful. But in the meantime, there was surely something extremely mysterious about the case of Sir Thomas Vivian.”

“Hardly, I think. I allowed myself to be frightened that night; but there can be no doubt that the facts are patient of a comparatively commonplace explanation.”

“Really! What is your theory then?”

“Well, I imagine that Vivian must have been mixed up at some period of his life in an adventure of a not very creditable description, and that he was murdered out of revenge by some Italian whom he had wronged.”

“Why Italian?”

“Because of the hand, the sign of the mano in fica.[3] That gesture is now only used by Italians. So you see that what appeared the most obscure feature in the case turns out to be illuminant.”

“Yes, quite so. And the flint knife?”

“That is very simple. The man found the thing in Italy, or possibly stole it from some museum. Follow the line of least resistance, my dear fellow, and you will see there is no need to bring up primitive man from his secular grave beneath the hills.”

“There is some justice in what you say,” said Dyson. “As I understand you, then, you think that your Italian, having murdered Vivian, kindly chalked up that hand as a guide to Scotland Yard?”

“Why not? Remember a murderer is always a madman. He may plot and contrive nine-tenths of his scheme with the acuteness and the grasp of a chess-player or a pure mathematician; but somewhere or other his wits leave him and he behaves like a fool. Then you must take into account the insane pride or vanity of the criminal; he likes to leave his mark, as it were, upon his handiwork.”

“Yes, it is all very ingenious; but have you read the reports of the inquest?”

“No, not a word. I simply gave my evidence, left the court, and dismissed the subject from my mind.”

“Quite so. Then if you don’t object I should like to give you an account of the case. I have studied it rather deeply, and I confess it interests me extremely.”

“Very good. But I warn you I have done with mystery. We are to deal with facts now.”

“Yes, it is fact that I wish to put before you. And this is fact the first. When the police moved Sir Thomas Vivian’s body they found an open knife beneath him. It was an ugly-looking thing such as sailors carry, with a blade that the mere opening rendered rigid, and there the blade was all ready, bare and gleaming, but without a trace of blood on it, and the knife was found to be quite new; it had never been used. Now, at the first glance it looks as if your imaginary Italian were just the man to have such a tool. But consider a moment. Would he be likely to buy a new knife expressly to commit murder? And, secondly, if he had such a knife, why didn’t he use it, instead of that very odd flint instrument?

“And I want to put this to you. You think the murderer chalked up the hand after the murder as a sort of ‘melodramatic Italian assassin his mark’ touch. Passing over the question as to whether the real criminal ever does such a thing, I would point out that, on the medical evidence, Sir Thomas Vivian hadn’t been dead for more than an hour. That would place the stroke at about a quarter to ten, and you know it was perfectly dark when we went out at 9:30. And that passage was singularly gloomy and ill-lighted, and the hand was drawn roughly, it is true, but correctly and without the bungling of strokes and the bad shots that are inevitable when one tries to draw in the dark or with shut eyes. Just try to draw such a simple figure as a square without looking at the paper, and then ask me to conceive that your Italian, with the rope waiting for his neck, could draw the hand on the wall so firmly and truly, in the black shadow of that alley. It is absurd. By consequence, then, the hand was drawn early in the evening, long before any murder was committed; or else—mark this, Phillipps—it was drawn by some one to whom darkness and gloom were familiar and habitual; by some one to whom the common dread of the rope was unknown!

“Again: a curious note was found in Sir Thomas Vivian’s pocket. Envelope and paper were of a common make, and the stamp bore the West Central postmark. I will come to the nature of the contents later on, but it is the question of the handwriting that is so remarkable. The address on the outside was neatly written in a small clear hand, but the letter itself might have been written by a Persian who had learnt the English script. It was upright, and the letters were curiously contorted, with an affectation of dashes and backward curves which really reminded me of an Oriental manuscript, though it was all perfectly legible. But—and here comes the poser—on searching the dead man’s waistcoat pockets a small memorandum book was found; it was almost filled with pencil jottings. These memoranda related chiefly to matters of a private as distinct from a professional nature; there were appointments to meet friends, notes of theatrical first-nights, the address of a good hotel in Tours, and the title of a new novel—nothing in any way intimate. And the whole of these jottings were written in a hand nearly identical with the writing of the note found in the dead man’s coat pocket! There was just enough difference between them to enable the expert to swear that the two were not written by the same person. I will just read you so much of Lady Vivian’s evidence as bears on this point of the writing; I have the printed slip with me. Here you see she says: ‘I was married to my late husband seven years ago; I never saw any letter addressed to him in a hand at all resembling that on the envelope produced, nor have I ever seen writing like that in the letter before me. I never saw my late husband using the memorandum book, but I am sure he did write everything in it; I am certain of that because we stayed last May at the Hotel du Faisan, Rue Royale, Tours, the address of which is given in the book; I remember his getting the novel “A Sentinel” about six weeks ago. Sir Thomas Vivian never liked to miss the first-nights at the theatres. His usual hand was perfectly different from that used in the notebook.’

“And now, last of all, we come back to the note itself. Here it is in facsimile. My possession of it is due to the kindness of Inspector Cleeve, who is pleased to be amused at my amateur inquisitiveness. Read it, Phillipps; you tell me you are interested in obscure inscriptions; here is something for you to decipher.”

Mr. Phillipps, absorbed in spite of himself in the strange circumstances Dyson had related, took the piece of paper, and scrutinised it closely. The handwriting was indeed bizarre in the extreme, and, as Dyson had noted, not unlike the Persian character in its general effect, but it was perfectly legible.

“Read it loud,” said Dyson, and Phillipps obeyed.

“‘Hand did not point in vain. The meaning of the stars is no longer obscure. Strangely enough, the black heaven vanished, or was stolen yesterday, but that does not matter in the least, as I have a celestial globe. Our old orbit remains unchanged; you have not forgotten the number of my sign, or will you appoint some other house? I have been on the other side of the moon, and can bring something to show you.’”

“And what do you make of that?” said Dyson.

“It seems to me mere gibberish,” said Phillipps; “you suppose it has a meaning?”

“Oh, surely; it was posted three days before the murder; it was found in the murdered man’s pocket; it is written in a fantastic hand which the murdered man himself used for his private memoranda. There must be purpose under all this, and to my mind there is something ugly enough hidden under the circumstances of this case of Sir Thomas Vivian.”

“But what theory have you formed?”

“Oh, as to theories, I am still in a very early stage; it is too soon to state conclusions. But I think I have demolished your Italian. I tell you, Phillipps, again, the whole thing has an ugly look to my eyes. I cannot do as you do, and fortify myself with cast-iron propositions to the effect that this or that doesn’t happen, and never has happened. You note that the first word in the letter is ‘hand.’ That seems to me, taken with what we know about the hand on the wall, significant enough, and what you yourself told me of the history and meaning of the symbol, its connection with a world-old belief and faiths of dim far-off years, all this speaks of mischief, for me at all events. No; I stand pretty well to what I said to you half in joke that night before we went out. There are sacraments of evil as well as of good about us, and we live and move to my belief in an unknown world, a place where there are caves and shadows and dwellers in twilight. It is possible that man may sometimes return on the track of evolution, and it is my belief that an awful lore is not yet dead.”

“I cannot follow you in all this,” said Phillipps; “it seems to interest you strangely. What do you propose to do?”

“My dear Phillipps,” replied Dyson, speaking in a lighter tone, “I am afraid I shall have to go down a little in the world. I have a prospect of visits to the pawnbrokers before me, and the publicans must not be neglected. I must cultivate a taste for four ale; shag tobacco I already love and esteem with all my heart.”

SEARCH FOR THE VANISHED HEAVEN

For many days after the discussion with Phillipps, Mr. Dyson was resolute in the line of research he had marked out for himself. A fervent curiosity and an innate liking for the obscure were great incentives, but especially in this case of Sir Thomas Vivian’s death (for Dyson began to boggle a little at the word “murder”) there seemed to him an element that was more than curious. The sign of the red hand upon the wall, the tool of flint that had given death, the almost identity between the handwriting of the note and the fantastic script reserved religiously, as it appeared, by the doctor for trifling jottings, all these diverse and variegated threads joined to weave in his mind a strange and shadowy picture, with ghastly shapes dominant and deadly, and yet illdefined, like the giant figures wavering in an ancient tapestry. He thought he had a clue to the meaning of the note, and in his resolute search for the “black heaven,” which had vanished, he beat furiously about the alleys and obscure streets of central London, making himself a familiar figure to the pawnbroker, and a frequent guest at the more squalid pothouses.

For a long time he was unsuccessful, and he trembled at the thought that the “black heaven” might be hid in the coy retirements of Peckham, or lurk perchance in distant Willesden,[4] but finally, improbability, in which he put his trust, came to the rescue. It was a dark and rainy night, with something in the unquiet and stirring gusts that savoured of approaching winter, and Dyson, beating up a narrow street not far from the Gray’s Inn Road, took shelter in an extremely dirty “public,” and called for beer, forgetting for the moment his preoccupations, and only thinking of the sweep of the wind about the tiles and the hissing of the rain through the black and troubled air. At the bar there gathered the usual company: the frowsy women and the men in shiny black, those who appeared to mumble secretly together, others who wrangled in interminable argument, and a few shy drinkers who stood apart, each relishing his dose, and the rank and biting flavour of cheap spirit. Dyson was wondering at the enjoyment of it all, when suddenly there came a sharper accent. The folding-doors swayed open, and a middle-aged woman staggered towards the bar, and clutched the pewter rim as if she stepped a deck in a roaring gale. Dyson glanced at her attentively as a pleasing specimen of her class; she was decently dressed in black, and carried a black bag of somewhat rusty leather, and her intoxication was apparent and far advanced. As she swayed at the bar, it was evidently all she could do to stand upright, and the barman, who had looked at her with disfavour, shook his head in reply to her thick-voiced demand for a drink. The woman glared at him, transformed in a moment to a fury, with bloodshot eyes, and poured forth a torrent of execration, a stream of blasphemies and early English phraseology.

“Get out of this,” said the man; “shut up and be off, or I’ll send for the police.”

“Police, you—,” bawled the woman, “I’ll—well give you something to fetch the police for!” and with a rapid dive into her bag she pulled out some object which she hurled furiously at the barman’s head.

The man ducked down, and the missile flew over his head and smashed a bottle to fragments, while the woman with a peal of horrible laughter rushed to the door, and they could hear her steps pattering fast over the wet stones.

The barman looked ruefully about him.

“Not much good going after her,” he said, “and I’m afraid what she’s left won’t pay for that bottle of whisky.” He fumbled amongst the fragments of broken glass, and drew out something dark, a kind of square stone it seemed, which he held up.

“Valuable cur’osity,” he said, “any gent like to bid?”

The habitués had scarcely turned from their pots and glasses during these exciting incidents; they gazed a moment, fishily, when the bottle smashed, and that was all, and the mumble of the confidential was resumed and the jangle of the quarrelsome, and the shy and solitary sucked in their lips and relished again the rank flavour of the spirit.

Dyson looked quickly at what the barman held before him.

“Would you mind letting me see it?” he said; “it’s a queerlooking old thing, isn’t it?”

It was a small black tablet, apparently of stone, about four inches long by two and a half broad, and as Dyson took it he felt rather than saw that he touched the secular with his flesh. There was some kind of carving on the surface, and, most conspicuous, a sign that made Dyson’s heart leap.

“I don’t mind taking it,” he said quietly. “Would two shillings be enough?”

“Say half a dollar,”[5] said the man, and the bargain was concluded. Dyson drained his pot of beer, finding it delicious, and lit his pipe, and went out deliberately soon after. When he reached his apartment he locked the door, and placed the tablet on his desk, and then fixed himself in his chair, as resolute as an army in its trenches before a beleaguered city. The tablet was full under the light of the shaded candle, and scrutinizing it closely, Dyson saw first the sign of the hand with the thumb protruding between the fingers; it was cut finely and firmly on the dull black surface of the stone, and the thumb pointed downward to what was beneath.

“It is mere ornament,” said Dyson to himself, “perhaps symbolical ornament, but surely not an inscription, or the signs of any words ever spoken.”

The hand pointed at a series of fantastic figures, spirals and whorls of the finest, most delicate lines, spaced at intervals over the remaining surface of the tablet. The marks were as intricate and seemed almost as much without design as the pattern of a thumb impressed upon a pane of glass.

“Is it some natural marking?” thought Dyson; “there have been queer designs, likenesses of beasts and flowers, in stones with which man’s hand had nothing to do”; and he bent over the stone with a magnifier, only to be convinced that no hazard of nature could have delineated these varied labyrinths of line. The whorls were of different sizes; some were less than the twelfth of an inch in diameter, and the largest was a little smaller than a sixpence, and under the glass the regularity and accuracy of the cutting were evident, and in the smaller spirals the lines were graduated at intervals of a hundredth of an inch. The whole thing had a marvellous and fantastic look, and gazing at the mystic whorls beneath the hand, Dyson became subdued with an impression of vast and far-off ages, and of a living being that had touched the stone with enigmas before the hills were formed, when the hard rocks still boiled with fervent heat.

“The ‘black heaven’ is found again,” he said, “but the meaning of the stars is likely to be obscure for everlasting so far as I am concerned.”

London stilled without, and a chill breath came into the room as Dyson sat gazing at the tablet shining duskily under the candlelight; and at last, as he closed the desk over the ancient stone, all his wonder at the case of Sir Thomas Vivian increased tenfold, and he thought of the well-dressed prosperous gentleman lying dead mystically beneath the sign of the hand, and the insupportable conviction seized him that between the death of this fashionable West-end doctor and the weird spirals of the tablet there were most secret and unimaginable links.

For days he sat before his desk gazing at the tablet, unable to resist its loadstone fascination, and yet quite helpless, without even the hope of solving the symbols so secretly inscribed. At last, desperate, he called in Mr. Phillipps in consultation, and told in brief the story of the finding the stone.

“Dear me!” said Phillipps, “this is extremely curious; you have had a find indeed. Why it looks to me even more ancient than the Hittite seal.[6] I confess the character, if it is a character, is entirely strange to me. These whorls are really very quaint.”

“Yes, but I want to know what they mean. You must remember this tablet is the ‘black heaven’ of the letter found in Sir Thomas Vivian’s pocket; it bears directly on his death.”

“Oh, no, that is nonsense! This is, no doubt, an extremely ancient tablet, which has been stolen from some collection. Yes, the hand makes an odd coincidence, but only a coincidence after all.”

“My dear Phillipps, you are a living example of the truth of the axiom that extreme scepticism is mere credulity. But can you decipher the inscription?”

“I undertake to decipher anything,” said Phillipps. “I do not believe in the insoluble. These characters are curious, but I cannot fancy them to be inscrutable.”

“Then take the thing away with you and make what you can of it. It has begun to haunt me; I feel as if I had gazed too long into the eyes of the Sphinx.”

Phillipps departed with the tablet in an inner pocket. He had not much doubt of success, for he had evolved thirty-seven rules for the solution of inscriptions. Yet when a week had passed and he called to see Dyson there was no vestige of triumph on his features. He found his friend in a state of extreme irritation, pacing up and down in the room like a man in a passion. He turned with a start as the door opened.

“Well,” said Dyson, “you have got it? What is it all about?”

“My dear fellow, I am sorry to say I have completely failed. I have tried every known device in vain. I have even been so officious as to submit it to a friend at the Museum, but he, though a man of prime authority on the subject, tells me he is quite at fault. It must be some wreckage of a vanished race, almost, I think—a fragment of another world than ours. I am not a superstitious man, Dyson, and you know that I have no truck with even the noble delusions, but I confess I yearn to be rid of this small square of blackish stone. Frankly, it has given me an ill week; it seems to me troglodytic and abhorred.”

Phillipps drew out the tablet and laid it on the desk before Dyson.

“By the way,” he went on, “I was right at all events in one particular; it has formed part of some collection. There is a piece of grimy paper on the back that must have been a label.”

“Yes, I noticed that,” said Dyson, who had fallen into deepest disappointment; “no doubt the paper is a label. But as I don’t much care where the tablet originally came from, and only wish to know what the inscription means, I paid no attention to the paper. The thing is a hopeless riddle, I suppose, and yet it must surely be of the greatest importance.”

Phillipps left soon after, and Dyson, still despondent, took the tablet in his hand and carelessly turned it over. The label had so grimed that it seemed merely a dull stain, but as Dyson looked at it idly, and yet attentively, he could see pencil-marks, and he bent over it eagerly, with his glass to his eye. To his annoyance, he found that part of the paper had been torn away, and he could only with difficulty make out odd words and pieces of words. First he read something that looked like “inroad,” and then beneath, “stony-hearted step—” and a tear cut off the rest. But in an instant a solution suggested itself, and he chuckled with huge delight.

“Certainly,” he said out loud, “this is not only the most charming but the most convenient quarter in all London; here I am, allowing for the accidents of side streets, perched on a tower of observation.”

He glanced triumphant out of the window across the street to the gate of the British Museum. Sheltered by the boundary wall of that agreeable institution, a “screever,” or artist in chalks, displayed his brilliant impressions on the pavement, soliciting the approval and the coppers of the gay and serious.

“This,” said Dyson, “is more than delightful! An artist is provided to my hand.”

THE ARTIST OF THE PAVEMENT

Mr. Phillipps, in spite of all disavowals—in spite of the wall of sense of whose enclosure and limit he was wont to make his boast—yet felt in his heart profoundly curious as to the case of Sir Thomas Vivian. Though he kept a brave face for his friend, his reason could not decently resist the conclusion that Dyson had enunciated, namely, that the whole affair had a look both ugly and mysterious. There was the weapon of a vanished race that had pierced the great arteries; the red hand, the symbol of a hideous faith, that pointed to the slain man; and then the tablet which Dyson declared he had expected to find, and had certainly found, bearing the ancient impress of the hand of malediction, and a legend written beneath in a character compared with which the most antique cuneiform was a thing of yesterday. Besides all this, there were other points that tortured and perplexed. How to account for the bare knife found unstained beneath the body? And the hint that the red hand upon the wall must have been drawn by some one whose life was passed in darkness thrilled him with a suggestion of dim and infinite horror. Hence he was in truth not a little curious as to what was to come, and some ten days after he had returned the tablet he again visited the “mystery-man,” as he privately named his friend.

Arrived in the grave and airy chambers in Great Russell Street, he found the moral atmosphere of the place had been transformed. All Dyson’s irritation had disappeared, his brow was smoothed with complacency, and he sat at a table by the window gazing out into the street with an expression of grim enjoyment, a pile of books and papers lying unheeded before him.

“My dear Phillipps, I am delighted to see you! Pray excuse my moving. Draw your chair up here to the table, and try this admirable shag tobacco.”

“Thank you,” said Phillipps, “judging by the flavour of the smoke, I should think it is a little strong. But what on earth is all this? What are you looking at?”

“I am on my watch-tower. I assure you that the time seems short while I contemplate this agreeable street and the classic grace of the Museum portico.”

“Your capacity for nonsense is amazing,” replied Phillipps, “but have you succeeded in deciphering the tablet? It interests me.”

“I have not paid much attention to the tablet recently,” said Dyson. “I believe the spiral character may wait.”

“Really! And how about the Vivian murder?”

“Ah, you do take an interest in that case? Well, after all, we cannot deny that it was a queer business. But is not ‘murder’ rather a coarse word? It smacks a little, surely, of the police poster. Perhaps I am a trifle decadent, but I cannot help believing in the splendid word; ‘sacrifice,’ for example, is surely far finer than ‘murder.’ ”

“I am all in the dark,” said Phillipps. “I cannot even imagine by what track you are moving in this labyrinth.”

“I think that before very long the whole matter will be a good deal clearer for us both, but I doubt whether you will like hearing the story.”

Dyson lit his pipe afresh and leant back, not relaxing, however, in his scrutiny of the street. After a somewhat lengthy pause, he startled Phillipps by a loud breath of relief as he rose from the chair by the window and began to pace the floor.

“It’s over for the day,” he said, “and, after all, one gets a little tired.”

Phillipps looked with inquiry into the street. The evening was darkening, and the pile of the Museum was beginning to loom indistinct before the lighting of the lamps, but the pavements were thronged and busy. The artist in chalks across the way was gathering together his materials, and blurring all the brilliance of his designs, and a little lower down there was the clang of shutters being placed in position. Phillipps could see nothing to justify Mr. Dyson’s sudden abandonment of his attitude of surveillance, and grew a little irritated by all these thorny enigmas.

“Do you know, Phillipps,” said Dyson, as he strolled at ease up and down the room, “I will tell you how I work. I go upon the theory of improbability. The theory is unknown to you? I will explain. Suppose I stand on the steps of St. Paul’s and look out for a blind man lame of the left leg to pass me, it is evidently highly improbable that I shall see such a person by waiting for an hour. If I wait two hours the improbability is diminished, but is still enormous, and a watch of a whole day would give little expectation of success. But suppose I take up the same position day after day, and week after week, don’t you perceive that the improbability is lessening constantly—growing smaller day after day? Don’t you see that two lines which are not parallel are gradually approaching one another, drawing nearer and nearer to a point of meeting, till at last they do meet, and improbability has vanished altogether? That is how I found the black tablet: I acted on the theory of improbability. It is the only scientific principle I know of which can enable one to pick out an unknown man from amongst five million.”

“And you expect to find the interpreter of the black tablet by this method?”

“Certainly.”

“And the murderer of Sir Thomas Vivian also?”

“Yes, I expect to lay my hands on the person concerned in the death of Sir Thomas Vivian in exactly the same way.”

The rest of the evening, after Phillipps had left, was devoted by Dyson to sauntering in the streets, and afterwards, when the night grew late, to his literary labours, or the chase of the phrase, as he called it. The next morning the station by the window was again resumed. His meals were brought to him at the table, and he ate with his eyes on the street. With briefest intervals, snatched reluctantly from time to time, he persisted in his survey throughout the day, and only at dusk, when the shutters were put up and the “screever” ruthlessly deleted all his labour of the day, just before the gas-lamps began to star the shadows, did he feel at liberty to quit his post. Day after day this ceaseless glance upon the street continued, till the landlady grew puzzled and aghast at such a profitless pertinacity.

But at last, one evening, when the play of lights and shadows was scarce beginning, and the clear cloudless air left all distinct and shining, there came the moment. A man of middle age, bearded and bowed, with a touch of grey about the ears, was strolling slowly along the northern pavement of Great Russell Street from the eastern end. He looked up at the Museum as he went by, and then glanced involuntarily at the art of the “screever,” and at the artist himself, who sat beside his pictures, hat in hand. The man with the beard stood still an instant, swaying slightly to and fro as if in thought, and Dyson saw his fists shut tight, and his back quivering, and the one side of his face in view twitched and grew contorted with the indescribable torment of approaching epilepsy. Dyson drew a soft hat from his pocket, and dashed the door open, taking the stair with a run.

When he reached the street the person he had seen so agitated had turned about, and, regardless of observation, was racing wildly towards Bloomsbury Square, with his back to his former course.

Mr. Dyson went up to the artist of the pavement and gave him some money, observing quietly, “You needn’t trouble to draw that thing again.” Then he too turned about, and strolled idly down the street in the opposite direction to that taken by the fugitive. So the distance between Dyson and the man with the bowed head grew steadily greater.

STORY OF THE TREASURE HOUSE

“There are many reasons why I chose your rooms for the meeting in preference to my own. Chiefly, perhaps, because I thought the man would be more at his ease on neutral ground.”

“I confess, Dyson,” said Phillipps, “that I feel both impatient and uneasy. You know my standpoint: hard matter of fact, materialism if you like, in its crudest form. But there is something about all this affair of Vivian that makes me a little restless. And how did you induce the man to come?”

“He has an exaggerated opinion of my powers. You remember what I said about the doctrine of improbability? When it does work out, it gives results which seem very amazing to a person who is not in the secret. That is eight striking, isn’t it? And there goes the bell.”

They heard footsteps on the stair, and presently the door opened, and a middle-aged man, with a bowed head, bearded, and with a good deal of grizzling hair about his ears, came into the room. Phillipps glanced at his features, and recognised the lineaments of terror.

“Come in, Mr. Selby,” said Dyson. “This is Mr. Phillipps, my intimate friend and our host for this evening. Will you take anything? Then perhaps we had better hear your story—a very singular one, I am sure.”

The man spoke in a voice hollow and a little quavering, and a fixed stare that never left his eyes seemed directed to something awful that was to remain before him by day and night for the rest of his life.

“You will, I am sure, excuse preliminaries,” he began; “what I have to tell is best told quickly. I will say, then, that I was born in a remote part of the west of England, where the very outlines of the woods and hills, and the winding of the streams in the valleys, are apt to suggest the mystical to any one strongly gifted with imagination. When I was quite a boy there were certain huge and rounded hills, certain depths of hanging wood, and secret valleys bastioned round on every side that filled me with fancies beyond the bourne of rational expression, and as I grew older and began to dip into my father’s books, I went by instinct, like the bee, to all that would nourish fantasy. Thus, from a course of obsolete and occult reading, and from listening to certain wild legends in which the older people still secretly believed, I grew firmly convinced of the existence of treasure, the hoard of a race extinct for ages, still hidden beneath the hills, and my every thought was directed to the discovery of the golden heaps that lay, as I fancied, within a few feet of the green turf. To one spot, in especial, I was drawn as if by enchantment; it was a tumulus, the domed memorial of some forgotten people, crowning the crest of a vast mountain range; and I have often lingered there on summer evenings, sitting on the great block of limestone at the summit, and looking out far over the yellow sea towards the Devonshire coast. One day as I dug heedlessly with the ferrule of my stick at the mosses and lichens which grew rank over the stone, my eye was caught by what seemed a pattern beneath the growth of green; there was a curving line, and marks that did not look altogether the work of nature. At first I thought I had bared some rare fossil, and I took out my knife and scraped away at the moss till a square foot was uncovered. Then I saw two signs which startled me; first, a closed hand, pointing downwards, the thumb protruding between the fingers, and beneath the hand a whorl or spiral, traced with exquisite accuracy in the hard surface of the rock. Here, I persuaded myself, was an index to the great secret, but I chilled at the recollection of the fact that some antiquarians had tunnelled the tumulus through and through, and had been a good deal surprised at not finding so much as an arrowhead within. Clearly, then, the signs on the limestone had no local significance; and I made up my mind that I must search abroad. By sheer accident I was in a measure successful in my quest. Strolling by a cottage, I saw some children playing by the roadside; one was holding up some object in his hand, and the rest were going through one of the many forms of elaborate pretence which make up a great part of the mystery of a child’s life. Something in the object held by the little boy attracted me, and I asked him to let me see it. The plaything of these children consisted of an oblong tablet of black stone; and on it was inscribed the hand pointing downwards, just as I had seen it on the rock, while beneath, spaced over the tablet, were a number of whorls and spirals, cut, as it seemed to me, with the utmost care and nicety. I bought the toy for a couple of shillings; the woman of the house told me it had been lying about for years; she thought her husband had found it one day in the brook which ran in front of the cottage: it was a very hot summer, and the stream was almost dry, and he saw it amongst the stones. That day I tracked the brook to a well of water gushing up cold and clear at the head of a lonely glen in the mountain. That was twenty years ago, and I only succeeded in deciphering the mysterious inscription last August. I must not trouble you with irrelevant details of my life; it is enough for me to say that I was forced, like many another man, to leave my old home and come to London. Of money I had very little, and I was glad to find a cheap room in a squalid street off the Gray’s Inn Road. The late Sir Thomas Vivian, then far poorer and more wretched than myself, had a garret in the same house, and before many months we became intimate friends, and I had confided to him the object of my life. I had at first great difficulty in persuading him that I was not giving my days and my nights to an inquiry altogether hopeless and chimerical; but when he was convinced he grew keener than myself, and glowed at the thought of the riches which were to be the prize of some ingenuity and patience. I liked the man intensely, and pitied his case; he had a strong desire to enter the medical profession, but he lacked the means to pay the smallest fees, and indeed he was, not once or twice, but often reduced to the very verge of starvation. I freely and solemnly promised that, under whatever chances, he should share in my heaped fortune when it came, and this promise to one who had always been poor, and yet thirsted for wealth and pleasure in a manner unknown to me, was the strongest incentive. He threw himself into the task with eager interest, and applied a very acute intellect and unwearied patience to the solution of the characters on the tablet. I, like other ingenious young men, was curious in the matter of handwriting, and I had invented or adapted a fantastic script which I used occasionally, and which took Vivian so strongly that he was at the pains to imitate it. It was arranged between us that if we were ever parted, and had occasion to write on the affair that was so close to our hearts, this queer hand of my invention was to be used, and we also contrived a semi-cypher for the same purpose. Meanwhile we exhausted ourselves in efforts to get at the heart of the mystery, and after a couple of years had gone by I could see that Vivian began to sicken a little of the adventure, and one night he told me with some emotion that he feared both our lives were being passed away in idle and hopeless endeavour. Not many months afterwards he was so happy as to receive a considerable legacy from an aged and distant relative whose very existence had been almost forgotten by him; and with money at the bank, he became at once a stranger to me. He had passed his preliminary examination many years before, and he forthwith decided to enter at St. Thomas’s Hospital,[7] and he told me that he must look out for a more convenient lodging. As we said good-bye, I reminded him of the promise I had given, and solemnly renewed it; but Vivian laughed with something between pity and contempt in his voice and expression as he thanked me. I need not dwell on the long struggle and misery of my existence, now doubly lonely; I never wearied or despaired of final success, and every day saw me at work, the tablet before me, and only at dusk would I go out and take my daily walk along Oxford Street, which attracted me I think by the noise and motion and glitter of lamps.

“This walk grew with me to a habit; every night, and in all weathers, I crossed the Gray’s Inn Road and struck westward, sometimes choosing a northern track, by the Euston Road and Tottenham Court Road, sometimes I went by Holborn, and sometimes by way of Great Russell Street. Every night I walked for an hour to and fro on the northern pavement of Oxford Street, and the tale of De Quincey and his name for the Street, ‘Stony-hearted step-mother,’[8] often recurred to my memory. Then I would return to my grimy den and spend hours more in endless analysis of the riddle before me.

“The answer came to me one night a few weeks ago; it flashed into my brain in a moment, and I read the inscription, and saw that after all I had not wasted my days. ‘The place of the treasure house of them that dwell below,’ were the first words I read, and then followed minute indications of the spot in my own country where the great works of gold were to be kept for ever. Such a track was to be followed, such a pitfall avoided; here the way narrowed almost to a fox’s hole, and there it broadened, and so at last the chamber would be reached. I determined to lose no time in verifying my discovery—not that I doubted at that great moment, but I would not risk even the smallest chance of disappointing my old friend Vivian, now a rich and prosperous man. I took the train for the West, and one night, with chart in hand, traced out the passage of the hills, and went so far that I saw the gleam of gold before me. I would not go on; I resolved that Vivian must be with me; and I only brought away a strange knife of flint which lay on the path, as confirmation of what I had to tell. I returned to London, and was a good deal vexed to find the stone tablet had disappeared from my rooms. My landlady, an inveterate drunkard, denied all knowledge of the fact, but I have little doubt she had stolen the thing for the sake of the glass of whisky it might fetch. However, I knew what was written on the tablet by heart, and I had also made an exact facsimile of the characters, so the loss was not severe. Only one thing annoyed me: when I first came into possession of the stone, I had pasted a piece of paper on the back and had written down the date and place of finding, and later on I had scribbled a word or two, a trivial sentiment, the name of my street, and such-like idle pencillings on the paper; and these memories of days that had seemed so hopeless were dear to me: I had thought they would help to remind me in the future of the hours when I had hoped against despair. However, I wrote at once to Sir Thomas Vivian, using the handwriting I have mentioned and also the quasi-cypher. I told him of my success, and after mentioning the loss of the tablet and the fact that I had a copy of the inscription, I reminded him once more of my promise, and asked him either to write or call. He replied that he would see me in a certain obscure passage in Clerkenwell well known to us both in the old days, and at seven o’clock one evening I went to meet him. At the corner of this by-way, as I was walking to and fro, I noticed the blurred pictures of some street artist, and I picked up a piece of chalk he had left behind him, not much thinking what I was doing. I paced up and down the passage, wondering a good deal, as you may imagine, as to what manner of man I was to meet after so many years of parting, and the thoughts of the buried time coming thick upon me, I walked mechanically without raising my eyes from the ground. I was startled out of my reverie by an angry voice and a rough inquiry why I didn’t keep to the right side of the pavement, and looking up I found I had confronted a prosperous and important gentleman, who eyed my poor appearance with a look of great dislike and contempt. I knew directly it was my old comrade, and when I recalled myself to him, he apologised with some show of regret, and began to thank me for my kindness, doubtfully, as if he hesitated to commit himself, and, as I could see, with the hint of a suspicion as to my sanity. I would have engaged him at first in reminiscences of our friendship, but I found Sir Thomas viewed those days with a good deal of distaste, and replying politely to my remarks, continually edged in ‘business matters,’ as he called them. I changed my topics, and told him in greater detail what I have told you. Then I saw his manner suddenly change; as I pulled out the flint knife to prove my journey ‘to the other side of the moon,’ as we called it in our jargon, there came over him a kind of choking eagerness, his features were somewhat discomposed, and I thought I detected a shuddering horror, a clenched resolution, and the effort to keep quiet succeed one another in a manner that puzzled me. I had occasion to be a little precise in my particulars, and it being still light enough, I remembered the red chalk in my pocket, and drew the hand on the wall. ‘Here, you see, is the hand,’ I said, as I explained its true meaning, ‘note where the thumb issues from between the first and second fingers,’ and I would have gone on, and had applied the chalk to the wall to continue my diagram, when he struck my hand down, much to my surprise. ‘No, no,’ he said, ‘I do not want all that. And this place is not retired enough; let us walk on, and do you explain everything to me minutely.’ I complied readily enough, and he led me away, choosing the most unfrequented by-ways, while I drove in the plan of the hidden house word by word. Once or twice as I raised my eyes I caught Vivian looking strangely about him; he seemed to give a quick glint up and down, and glance at the houses; and there was a furtive and anxious air about him that displeased me. ‘Let us walk on to the north,’ he said at length, ‘we shall come to some pleasant lanes where we can discuss these matters, quietly; my night’s rest is at your service.’ I declined, on the pretext that I could not dispense with my visit to Oxford Street, and went on till he understood every turning and winding and the minutest detail as well as myself. We had returned on our footsteps, and stood again in the dark passage, just where I had drawn the red hand on the wall, for I recognised the vague shape of the trees whose branches hung above us. ‘We have come back to our starting-point,’ I said; ‘I almost think I could put my finger on the wall where I drew the hand. And I am sure you could put your finger on the mystic hand in the hills as well as I. Remember between stream and stone.’

“I was bending down, peering at what I thought must be my drawing, when I heard a sharp hiss of breath, and started up, and saw Vivian with his arm uplifted and a bare blade in his hand, and death threatening in his eyes. In sheer self-defence I caught at the flint weapon in my pocket, and dashed at him in blind fear of my life, and the next instant he lay dead upon the stones.

“I think that is all,” Mr. Selby continued after a pause, “and it only remains for me to say to you, Mr. Dyson, that I cannot conceive what means enabled you to run me down.”

“I followed many indications,” said Dyson, “and I am bound to disclaim all credit for acuteness, as I have made several gross blunders. Your celestial cypher did not, I confess, give me much trouble; I saw at once that terms of astronomy were substituted for common words and phrases. You had lost something black, or something black had been stolen from you; a celestial globe is a copy of the heavens, so I knew you meant you had a copy of what you had lost. Obviously, then, I came to the conclusion that you had lost a black object with characters or symbols written or inscribed on it, since the object in question certainly contained valuable information, and all information must be written or pictured. ‘Our old orbit remains unchanged’; evidently our old course or arrangement. ‘The number of my sign’ must mean the number of my house, the allusion being to the signs of the zodiac. I need not say that ‘the other side of the moon’ can stand for nothing but some place where no one else has been; and ‘some other house’ is some other place of meeting, the ‘house’ being the old term ‘house of the heavens.’ Then my next step was to find the ‘black heaven’ that had been stolen, and by a process of exhaustion I did so.”

“You have got the tablet?”

“Certainly. And on the back of it, on the slip of paper you have mentioned, I read ‘inroad,’ which puzzled me a good deal, till I thought of Gray’s Inn Road; you forgot the second n. ‘Stony-hearted step—’ immediately suggested the phrase of De Quincey you have alluded to; and I made the wild but correct shot, that you were a man who lived in or near the Gray’s Inn Road, and had the habit of walking in Oxford Street, for you remember how the opium-eater dwells on his wearying promenades along that thoroughfare? On the theory of improbability, which I have explained to my friend here, I concluded that occasionally, at all events, you would choose the way by Guilford Street, Russell Square, and Great Russell Street, and I knew that if I watched long enough I should see you. But how was I to recognise my man? I noticed the screever opposite my rooms, and got him to draw every day a large hand, in the gesture so familiar to us all, upon the wall behind him. I thought that when the unknown person did pass he would certainly betray some emotion at the sudden vision of the sign, to him the most terrible of symbols. You know the rest. Ah, as to catching you an hour later, that was, I confess, a refinement. From the fact of your having occupied the same rooms for so many years, in a neighbourhood moreover where lodgers are migratory to excess, I drew the conclusion that you were a man of fixed habit, and I was sure that after you had got over your fright you would return for the walk down Oxford Street. You did, by way of New Oxford Street, and I was waiting at the corner.”

“Your conclusions are admirable,” said Mr. Selby. “I may tell you that I had my stroll down Oxford Street the night Sir Thomas Vivian died. And I think that is all I have to say.”

“Scarcely,” said Dyson. “How about the treasure?”

“I had rather we did not speak of that,” said Mr. Selby, with a whitening of the skin about the temples.

“Oh, nonsense, sir, we are not blackmailers. Besides, you know you are in our power.”

“Then, as you put it like that, Mr. Dyson, I must tell you I returned to the place. I went on a little farther than before.”

The man stopped short; his mouth began to twitch, his lips moved apart, and he drew in quick breaths, sobbing.

“Well, well,” said Dyson, “I dare say you have done comfortably.”

“Comfortably,” Selby went on, constraining himself with an effort, “yes, so comfortably that hell burns hot within me for ever. I only brought one thing away from that awful house within the hills; it was lying just beyond the spot where I found the flint knife.”

“Why did you not bring more?”

The whole bodily frame of the wretched man visibly shrank and wasted; his face grew yellow as tallow, and the sweat dropped from his brows. The spectacle was both revolting and terrible, and when the voice came, it sounded like the hissing of a snake.

“Because the keepers are still there, and I saw them, and because of this,” and he pulled out a small piece of curious gold-work and held it up.

“There,” he said, “that is the Pain of the Goat.”

Phillipps and Dyson cried out together in horror at the revolting obscenity of the thing.

“Put it away, man; hide it, for Heaven’s sake, hide it!”

“I brought that with me; that is all,” he said. “You do not wonder that I did not stay long in a place where those who live are a little higher than the beasts, and where what you have seen is surpassed a thousandfold?”

“Take this,” said Dyson, “I brought it with me in case it might be useful”; and he drew out the black tablet, and handed it to the shaking, horrible man.

“And now,” said Dyson, “will you go out?”

The two friends sat silent a little while, facing one another with restless eyes and lips that quivered.

“I wish to say that I believe him,” said Phillipps.

“My dear Phillipps,” said Dyson as he threw the windows wide open, “I do not know that, after all, my blunders in this queer case were so very absurd.”

THE WHITE PEOPLE

PROLOGUE

“Sorcery and sanctity,” said Ambrose, “these are the only realities. Each is an ecstasy, a withdrawal from the common life.”

Cotgrave listened, interested. He had been brought by a friend to this mouldering house in a northern suburb, through an old garden to the room where Ambrose the recluse dozed and dreamed over his books.

“Yes,” he went on, “magic is justified of her children. There are many, I think, who eat dry crusts and drink water, with a joy infinitely sharper than anything within the experience of the ‘practical’ epicure.”

“You are speaking of the saints?”

“Yes, and of the sinners, too. I think you are falling into the very general error of confining the spiritual world to the supremely good; but the supremely wicked, necessarily, have their portion in it. The merely carnal, sensual man can no more be a great sinner than he can be a great saint. Most of us are just indifferent, mixed-up creatures; we muddle through the world without realizing the meaning and the inner sense of things, and, consequently, our wickedness and our goodness are alike second-rate, unimportant.”

“And you think the great sinner, then, will be an ascetic, as well as the great saint?”

“Great people of all kinds forsake the imperfect copies and go to the perfect originals. I have no doubt but that many of the very highest among the saints have never done a ‘good action’ (using the words in their ordinary sense). And, on the other hand, there have been those who have sounded the very depths of sin, who all their lives have never done an ‘ill deed.’”

He went out of the room for a moment, and Cotgrave, in high delight, turned to his friend and thanked him for the introduction.

“He’s grand,” he said. “I never saw that kind of lunatic before.”

Ambrose returned with more whisky and helped the two men in a liberal manner. He abused the teetotal sect with ferocity, as he handed the seltzer, and pouring out a glass of water for himself, was about to resume his monologue, when Cotgrave broke in—

“I can’t stand it, you know,” he said, “your paradoxes are too monstrous. A man may be a great sinner and yet never do anything sinful! Come!”

“You’re quite wrong,” said Ambrose. “I never make paradoxes; I wish I could. I merely said that a man may have an exquisite taste in Romanée Conti,[1] and yet never have even smelt four ale. That’s all, and it’s more like a truism than a paradox, isn’t it? Your surprise at my remark is due to the fact that you haven’t realised what sin is. Oh, yes, there is a sort of connexion between Sin with the capital letter, and actions which are commonly called sinful: with murder, theft, adultery, and so forth. Much the same connexion that there is between the A, B, C and fine literature. But I believe that the misconception—it is all but universal—arises in great measure from our looking at the matter through social spectacles. We think that a man who does evil to us and to his neighbours must be very evil. So he is, from a social standpoint; but can’t you realise that Evil in its essence is a lonely thing, a passion of the solitary, individual soul? Really, the average murderer, quâ murderer, is not by any means a sinner in the true sense of the word. He is simply a wild beast that we have to get rid of to save our own necks from his knife. I should class him rather with tigers than with sinners.”

“It seems a little strange.”

“I think not. The murderer murders not from positive qualities, but from negative ones; he lacks something which non-murderers possess. Evil, of course, is wholly positive—only it is on the wrong side. You may believe me that sin in its proper sense is very rare; it is probable that there have been far fewer sinners than saints. Yes, your standpoint is all very well for practical, social purposes; we are naturally inclined to think that a person who is very disagreeable to us must be a very great sinner! It is very disagreeable to have one’s pocket picked, and we pronounce the thief to be a very great sinner. In truth, he is merely an undeveloped man. He cannot be a saint, of course; but he may be, and often is, an infinitely better creature than thousands who have never broken a single commandment. He is a great nuisance to us, I admit, and we very properly lock him up if we catch him; but between his troublesome and unsocial action and evil—Oh, the connexion is of the weakest.”

It was getting very late. The man who had brought Cotgrave had probably heard all this before, since he assisted with a bland and judicious smile, but Cotgrave began to think that his “lunatic” was turning into a sage.

“Do you know,” he said, “you interest me immensely? You think, then, that we do not understand the real nature of evil?”

“No, I don’t think we do. We over-estimate it and we underestimate it. We take the very numerous infractions of our social ‘bye-laws’—the very necessary and very proper regulations which keep the human company together—and we get frightened at the prevalence of ‘sin’ and ‘evil.’ But this is really nonsense. Take theft, for example. Have you any horror at the thought of Robin Hood, of the Highland caterans[2] of the seventeenth century, of the moss-troopers, of the company promoters of our day?

“Then, on the other hand, we underrate evil. We attach such an enormous importance to the ‘sin’ of meddling with our pockets (and our wives) that we have quite forgotten the awfulness of real sin.”

“And what is sin?” said Cotgrave.

“I think I must reply to your question by another. What would your feelings be, seriously, if your cat or your dog began to talk to you, and to dispute with you in human accents? You would be overwhelmed with horror. I am sure of it. And if the roses in your garden sang a weird song, you would go mad. And suppose the stones in the road began to swell and grow before your eyes, and if the pebble that you noticed at night had shot out stony blossoms in the morning?

“Well, these examples may give you some notion of what sin really is.”

“Look here,” said the third man, hitherto placid, “you two seem pretty well wound up. But I’m going home. I’ve missed my tram, and I shall have to walk.”

Ambrose and Cotgrave seemed to settle down more profoundly when the other had gone out into the early misty morning and the pale light of the lamps.

“You astonish me,” said Cotgrave. “I had never thought of that. If that is really so, one must turn everything upside down. Then the essence of sin really is—”

“In the taking of heaven by storm, it seems to me,” said Ambrose. “It appears to me that it is simply an attempt to penetrate into another and a higher sphere in a forbidden manner. You can understand why it is so rare. They are few, indeed, who wish to penetrate into other spheres, higher or lower, in ways allowed or forbidden. Men, in the mass, are amply content with life as they find it. Therefore there are few saints, and sinners (in the proper sense) are fewer still, and men of genius, who partake sometimes of each character, are rare also. Yes; on the whole, it is, perhaps, harder to be a great sinner than a great saint.”

“There is something profoundly unnatural about sin? Is that what you mean?”

“Exactly. Holiness requires as great, or almost as great, an effort; but holiness works on lines that were natural once; it is an effort to recover the ecstasy that was before the Fall. But sin is an effort to gain the ecstasy and the knowledge that pertain alone to angels, and in making this effort man becomes a demon. I told you that the mere murderer is not therefore a sinner; that is true, but the sinner is sometimes a murderer. Gilles de Raiz is an instance.[3] So you see that while the good and the evil are unnatural to man as he now is—to man the social, civilised being—evil is unnatural in a much deeper sense than good. The saint endeavours to recover a gift which he has lost; the sinner tries to obtain something which was never his. In brief, he repeats the Fall.”

“But are you a Catholic?” said Cotgrave.

“Yes; I am a member of the persecuted Anglican Church.”

“Then, how about those texts which seem to reckon as sin that which you would set down as a mere trivial dereliction?”

“Yes; but in one place the word ‘sorcerers’ comes in the same sentence, doesn’t it? That seems to me to give the key-note. Consider: can you imagine for a moment that a false statement which saves an innocent man’s life is a sin? No; very good, then, it is not the mere liar who is excluded by those words; it is, above all, the ‘sorcerers’ who use the material life, who use the failings incidental to material life as instruments to obtain their infinitely wicked ends. And let me tell you this: our higher senses are so blunted, we are so drenched with materialism, that we should probably fail to recognise real wickedness if we encountered it.”

“But shouldn’t we experience a certain horror—a terror such as you hinted we would experience if a rose tree sang—in the mere presence of an evil man?”

“We should if we were natural: children and women feel this horror you speak of, even animals experience it. But with most of us convention and civilization and education have blinded and deafened and obscured the natural reason. No, sometimes we may recognise evil by its hatred of the good—one doesn’t need much penetration to guess at the influence which dictated, quite unconsciously, the ‘Blackwood’ review of Keats[4]—but this is purely incidental; and, as a rule, I suspect that the Hierarchs of Tophet [5] pas squite unnoticed, or, perhaps, in certain cases, as good but mistaken men.”

“But you used the word ‘unconscious’ just now, of Keats’ reviewers. Is wickedness ever unconscious?”

“Always. It must be so. It is like holiness and genius in this as in other points; it is a certain rapture or ecstasy of the soul; a transcendent effort to surpass the ordinary bounds. So, surpassing these, it surpasses also the understanding, the faculty that takes note of that which comes before it. No, a man may be infinitely and horribly wicked and never suspect it. But I tell you, evil in this, its certain and true sense, is rare, and I think it is growing rarer.”

“I am trying to get hold of it all,” said Cotgrave. “From what you say, I gather that the true evil differs generically from that which we call evil?”

“Quite so. There is, no doubt, an analogy between the two; a resemblance such as enables us to use, quite legitimately, such terms as the ‘foot of the mountain’ and the ‘leg of the table.’ And, sometimes, of course, the two speak, as it were, in the same language. The rough miner, or ‘puddler,’ the untrained, undeveloped ‘tiger-man,’ heated by a quart or two above his usual measure, comes home and kicks his irritating and injudicious wife to death. He is a murderer. And Gilles de Raiz was a murderer. But you see the gulf that separates the two? The ‘word,’ if I may so speak, is accidentally the same in each case, but the ‘meaning’ is utterly different. It is flagrant ‘Hobson Jobson’ to confuse the two, or rather, it is as if one supposed that Juggernaut and the Argonauts had something to do etymologically with one another.[6] And no doubt the same weak likeness, or analogy, runs between all the ‘social’ sins and the real spiritual sins, and in some cases, perhaps, the lesser may be ‘schoolmasters’ to lead one on to the greater—from the shadow to the reality. If you are anything of a Theologian, you will see the importance of all this.”

“I am sorry to say,” remarked Cotgrave, “that I have devoted very little of my time to theology. Indeed, I have often wondered on what grounds theologians have claimed the title of Science of Sciences for their favourite study; since the ‘theological’ books I have looked into have always seemed to me to be concerned with feeble and obvious pieties, or with the kings of Israel and Judah: I do not care to hear about those kings.”

Ambrose grinned.

“We must try to avoid theological discussion,” he said. “I perceive that you would be a bitter disputant. But perhaps the ‘dates of the kings’ have as much to do with theology as the hobnails of the murderous puddler with evil.”

“Then, to return to our main subject, you think that sin is an esoteric, occult thing?”

“Yes. It is the infernal miracle as holiness is the supernal. Now and then it is raised to such a pitch that we entirely fail to suspect its existence; it is like the note of the great pedal pipes of the organ, which is so deep that we cannot hear it. In other cases it may lead to the lunatic asylum, or to still stranger issues. But you must never confuse it with mere social misdoing. Remember how the Apostle, speaking of the ‘other side,’ distinguishes between ‘charitable’ actions and charity.[7] And as one may give all one’s goods to the poor, and yet lack charity; so, remember, one may avoid every crime and yet be a sinner.”

“Your psychology is very strange to me,” said Cotgrave, “but I confess I like it, and I suppose that one might fairly deduce from your premisses the conclusion that the real sinner might very possibly strike the observer as a harmless personage enough?”

“Certainly; because the true evil has nothing to do with social life or social laws, or if it has, only incidentally and accidentally. It is a lonely passion of the soul—or a passion of the lonely soul—whichever you like. If, by chance, we understand it, and grasp its full significance, then, indeed, it will fill us with horror and with awe. But this emotion is widely distinguished from the fear and the disgust with which we regard the ordinary criminal, since this latter is largely or entirely founded on the regard which we have for our own skins or purses. We hate a murderer, because we know that we should hate to be murdered, or to have any one that we like murdered. So, on the ‘other side,’ we venerate the saints, but we don’t ‘like’ them as we like our friends. Can you persuade yourself that you would have ‘enjoyed’ St. Paul’s company? Do you think that you and I would have ‘got on’ with Sir Galahad?

“So with the sinners, as with the saints. If you met a very evil man, and recognised his evil; he would, no doubt, fill you with horror and awe; but there is no reason why you should ‘dislike’ him. On the contrary, it is quite possible that if you could succeed in putting the sin out of your mind you might find the sinner capital company, and in a little while you might have to reason yourself back into horror. Still, how awful it is. If the roses and the lilies suddenly sang on this coming morning; if the furniture began to move in procession, as in De Maupassant’s tale!”[8]

“I am glad you have come back to that comparison,” said Cotgrave, “because I wanted to ask you what it is that corresponds in humanity to these imaginary feats of inanimate things. In a word—what is sin? You have given me, I know, an abstract definition, but I should like a concrete example.”

“I told you it was very rare,” said Ambrose, who appeared willing to avoid the giving of a direct answer. “The materialism of the age, which has done a good deal to suppress sanctity, has done perhaps more to suppress evil. We find the earth so very comfortable that we have no inclination either for ascents or descents. It would seem as if the scholar who decided to ‘specialise’ in Tophet, would be reduced to purely antiquarian researches. No palæontologist could show you a live pterodactyl.”

“And yet you, I think, have ‘specialised,’ and I believe that your researches have descended to our modern times.”

“You are really interested, I see. Well, I confess, that I have dabbled a little, and if you like I can show you something that bears on the very curious subject we have been discussing.”

Ambrose took a candle and went away to a far, dim corner of the room. Cotgrave saw him open a venerable bureau that stood there, and from some secret recess he drew out a parcel, and came back to the window where they had been sitting.

Ambrose undid a wrapping of paper, and produced a green pocket-book.

“You will take care of it?” he said. “Don’t leave it lying about. It is one of the choicer pieces in my collection, and I should be very sorry if it were lost.”

He fondled the faded binding.

“I knew the girl who wrote this,” he said. “When you read it, you will see how it illustrates the talk we have had to-night. There is a sequel, too, but I won’t talk of that.”

“There was an odd article in one of the reviews some months ago,” he began again, with the air of a man who changes the subject. “It was written by a doctor—Dr. Coryn, I think, was the name. He says that a lady, watching her little girl playing at the drawing-room window, suddenly saw the heavy sash give way and fall on the child’s fingers. The lady fainted, I think, but at any rate the doctor was summoned, and when he had dressed the child’s wounded and maimed fingers he was summoned to the mother. She was groaning with pain, and it was found that three fingers of her hand, corresponding with those that had been injured on the child’s hand, were swollen and inflamed, and later, in the doctor’s language, purulent sloughing set in.”

Ambrose still handled delicately the green volume.

“Well, here it is,” he said at last, parting with difficulty, it seemed, from his treasure.

“You will bring it back as soon as you have read it,” he said, as they went out into the hall, into the old garden, faint with the odour of white lilies.

There was a broad red band in the east as Cotgrave turned to go, and from the high ground where he stood he saw that awful spectacle of London in a dream.

THE GREEN BOOK

The morocco binding of the book was faded, and the colour had grown faint, but there were no stains nor bruises nor marks of usage. The book looked as if it had been bought “on a visit to London” some seventy or eighty years ago, and had somehow been forgotten and suffered to lie away out of sight. There was an old, delicate, lingering odour about it, such an odour as sometimes haunts an ancient piece of furniture for a century or more. The end-papers, inside the binding, were oddly decorated with coloured patterns and faded gold. It looked small, but the paper was fine, and there were many leaves, closely covered with minute, painfully formed characters.

I found this book (the manuscript began) in a drawer in the old bureau that stands on the landing. It was a very rainy day and I could not go out, so in the afternoon I got a candle and rummaged in the bureau. Nearly all the drawers were full of old dresses, but one of the small ones looked empty, and I found this book hidden right at the back. I wanted a book like this, so I took it to write in. It is full of secrets. I have a great many other books of secrets I have written, hidden in a safe place, and I am going to write here many of the old secrets and some new ones; but there are some I shall not put down at all. I must not write down the real names of the days and months which I found out a year ago, nor the way to make the Aklo letters, or the Chian language, or the great beautiful Circles, nor the Mao Games, nor the chief songs. I may write something about all these things but not the way to do them, for peculiar reasons. And I must not say who the Nymphs are, or the Dôls, or Jeelo, or what voolas mean. All these are most secret secrets, and I am glad when I remember what they are, and how many wonderful languages I know, but there are some things that I call the secrets of the secrets of the secrets that I dare not think of unless I am quite alone, and then I shut my eyes, and put my hands over them and whisper the word, and the Alala comes.[9] I only do this at night in my room or in certain woods that I know, but I must not describe them, as they are secret woods. Then there are the Ceremonies, which are all of them important, but some are more delightful than others—there are the White Ceremonies, and the Green Ceremonies, and the Scarlet Ceremonies. The Scarlet Ceremonies are the best, but there is only one place where they can be performed properly, though there is a very nice imitation which I have done in other places. Besides these, I have the dances, and the Comedy, and I have done the Comedy sometimes when the others were looking, and they didn’t understand anything about it. I was very little when I first knew about these things.

When I was very small, and mother was alive, I can remember remembering things before that, only it has all got confused. But I remember when I was five or six I heard them talking about me when they thought I was not noticing. They were saying how queer I was a year or two before, and how nurse had called my mother to come and listen to me talking all to myself, and I was saying words that nobody could understand. I was speaking the Xu language, but I only remember a very few of the words, as it was about the little white faces that used to look at me when I was lying in my cradle. They used to talk to me, and I learnt their language and talked to them in it about some great white place where they lived, where the trees and the grass were all white, and there were white hills as high up as the moon, and a cold wind. I have often dreamed of it afterwards, but the faces went away when I was very little. But a wonderful thing happened when I was about five. My nurse was carrying me on her shoulder; there was a field of yellow corn, and we went through it, it was very hot. Then we came to a path through a wood, and a tall man came after us, and went with us till we came to a place where there was a deep pool, and it was very dark and shady. Nurse put me down on the soft moss under a tree, and she said: “She can’t get to the pond now.” So they left me there, and I sat quite still and watched, and out of the water and out of the wood came two wonderful white people, and they began to play and dance and sing. They were a kind of creamy white like the old ivory figure in the drawing-room; one was a beautiful lady with kind dark eyes, and a grave face, and long black hair, and she smiled such a strange sad smile at the other, who laughed and came to her. They played together, and danced round and round the pool, and they sang a song till I fell asleep. Nurse woke me up when she came back, and she was looking something like the lady had looked, so I told her all about it, and asked her why she looked like that. At first she cried, and then she looked very frightened, and turned quite pale. She put me down on the grass and stared at me, and I could see she was shaking all over. Then she said I had been dreaming, but I knew I hadn’t. Then she made me promise not to say a word about it to anybody, and if I did I should be thrown into the black pit. I was not frightened at all, though nurse was, and I never forgot about it, because when I shut my eyes and it was quite quiet, and I was all alone, I could see them again, very faint and far away, but very splendid; and little bits of the song they sang came into my head, but I couldn’t sing it.

I was thirteen, nearly fourteen, when I had a very singular adventure, so strange that the day on which it happened is always called the White Day. My mother had been dead for more than a year, and in the morning I had lessons, but they let me go out for walks in the afternoon. And this afternoon I walked a new way, and a little brook led me into a new country, but I tore my frock getting through some of the difficult places, as the way was through many bushes, and beneath the low branches of trees, and up thorny thickets on the hills, and by dark woods full of creeping thorns. And it was a long, long way. It seemed as if I was going on for ever and ever, and I had to creep by a place like a tunnel where a brook must have been, but all the water had dried up, and the floor was rocky, and the bushes had grown overhead till they met, so that it was quite dark. And I went on and on through that dark place; it was a long, long way. And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little twisted, stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping, horrible animals, putting out their tongues, and others were like words that I could not say, and others like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn’t frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him. And so I went on and on through the rocks till I came to a round mound in the middle of them. It was higher than a mound, it was nearly as high as our house, and it was like a great basin turned upside down, all smooth and round and green, with one stone, like a post, sticking up at the top. I climbed up the sides, but they were so steep I had to stop or I should have rolled all the way down again, and I should have knocked against the stones at the bottom, and perhaps been killed. But I wanted to get up to the very top of the big round mound, so I lay down flat on my face, and took hold of the grass with my hands and drew myself up, bit by bit, till I was at the top. Then I sat down on the stone in the middle, and looked all round about. I felt I had come such a long, long way, just as if I were a hundred miles from home, or in some other country, or in one of the strange places I had read about in the “Tales of the Genie” and the “Arabian Nights,”[10] or as if I had gone across the sea, far away, for years and I had found another world that nobody had ever seen or heard of before, or as if I had somehow flown through the sky and fallen on one of the stars I had read about where everything is dead and cold and grey, and there is no air, and the wind doesn’t blow. I sat on the stone and looked all round and down and round about me. It was just as if I was sitting on a tower in the middle of a great empty town, because I could see nothing all around but the grey rocks on the ground. I couldn’t make out their shapes any more, but I could see them on and on for a long way, and I looked at them, and they seemed as if they had been arranged into patterns, and shapes, and figures. I knew they couldn’t be, because I had seen a lot of them coming right out of the earth, joined to the deep rocks below, so I looked again, but still I saw nothing but circles, and small circles inside big ones, and pyramids, and domes, and spires, and they seemed all to go round and round the place where I was sitting, and the more I looked, the more I saw great big rings of rocks, getting bigger and bigger, and I stared so long that it felt as if they were all moving and turning, like a great wheel, and I was turning, too, in the middle. I got quite dizzy and queer in the head, and everything began to be hazy and not clear, and I saw little sparks of blue light, and the stones looked as if they were springing and dancing and twisting as they went round and round and round. I was frightened again, and I cried out loud, and jumped up from the stone I was sitting on, and fell down. When I got up I was so glad they all looked still, and I sat down on the top and slid down the mound, and went on again. I danced as I went in the peculiar way the rocks had danced when I got giddy, and I was so glad I could do it quite well, and I danced and danced along, and sang extraordinary songs that came into my head. At last I came to the edge of that great flat hill, and there were no more rocks, and the way went again through a dark thicket in a hollow. It was just as bad as the other one I went through climbing up, but I didn’t mind this one, because I was so glad I had seen those singular dances and could imitate them. I went down, creeping through the bushes, and a tall nettle stung me on my leg, and made me burn, but I didn’t mind it, and I tingled with the boughs and the thorns, but I only laughed and sang. Then I got out of the thicket into a close valley, a little secret place like a dark passage that nobody ever knows of, because it was so narrow and deep and the woods were so thick round it. There is a steep bank with trees hanging over it, and there the ferns keep green all through the winter, when they are dead and brown upon the hill, and the ferns there have a sweet, rich smell like what oozes out of fir trees. There was a little stream of water running down this valley, so small that I could easily step across it. I drank the water with my hand, and it tasted like bright, yellow wine, and it sparkled and bubbled as it ran down over beautiful red and yellow and green stones, so that it seemed alive and all colours at once. I drank it, and I drank more with my hand, but I couldn’t drink enough, so I lay down and bent my head and sucked the water up with my lips. It tasted much better, drinking it that way, and a ripple would come up to my mouth and give me a kiss, and I laughed, and drank again, and pretended there was a nymph, like the one in the old picture at home, who lived in the water and was kissing me. So I bent low down to the water, and put my lips softly to it, and whispered to the nymph that I would come again. I felt sure it could not be common water, I was so glad when I got up and went on; and I danced again and went up and up the valley, under hanging hills. And when I came to the top, the ground rose up in front of me, tall and steep as a wall, and there was nothing but the green wall and the sky. I thought of “for ever and for ever, world without end, Amen”;[11] and I thought I must have really found the end of the world, because it was like the end of everything, as if there could be nothing at all beyond, except the kingdom of Voor, where the light goes when it is put out, and the water goes when the sun takes it away. I began to think of all the long, long way I had journeyed, how I had found a brook and followed it, and followed it on, and gone through bushes and thorny thickets, and dark woods full of creeping thorns. Then I had crept up a tunnel under trees, and climbed a thicket, and seen all the grey rocks, and sat in the middle of them when they turned round, and then I had gone on through the grey rocks and come down the hill through the stinging thicket and up the dark valley, all a long, long way. I wondered how I should get home again, if I could ever find the way, and if my home was there any more, or if it were turned and everybody in it into grey rocks, as in the “Arabian Nights.” So I sat down on the grass and thought what I should do next. I was tired, and my feet were hot with walking, and as I looked about I saw there was a wonderful well just under the high, steep wall of grass. All the ground round it was covered with bright, green, dripping moss; there was every kind of moss there, moss like beautiful little ferns, and like palms and fir trees, and it was all green as jewellery, and drops of water hung on it like diamonds. And in the middle was the great well, deep and shining and beautiful, so clear that it looked as if I could touch the red sand at the bottom, but it was far below. I stood by it and looked in, as if I were looking in a glass. At the bottom of the well, in the middle of it, the red grains of sand were moving and stirring all the time, and I saw how the water bubbled up, but at the top it was quite smooth, and full and brimming. It was a great well, large like a bath, and with the shining, glittering green moss about it, it looked like a great white jewel, with green jewels all round. My feet were so hot and tired that I took off my boots and stockings, and let my feet down into the water, and the water was soft and cold, and when I got up I wasn’t tired any more, and I felt I must go on, farther and farther, and see what was on the other side of the wall. I climbed up it very slowly, going sideways all the time, and when I got to the top and looked over, I was in the queerest country I had seen, stranger even than the hill of the grey rocks. It looked as if earth-children had been playing there with their spades, as it was all hills and hollows, and castles and walls made of earth and covered with grass. There were two mounds like big beehives, round and great and solemn, and then hollow basins, and then a steep mounting wall like the ones I saw once by the seaside where the big guns and the soldiers were. I nearly fell into one of the round hollows, it went away from under my feet so suddenly, and I ran fast down the side and stood at the bottom and looked up. It was strange and solemn to look up. There was nothing but the grey, heavy sky and the sides of the hollow; everything else had gone away, and the hollow was the whole world, and I thought that at night it must be full of ghosts and moving shadows and pale things when the moon shone down to the bottom at the dead of the night, and the wind wailed up above. It was so strange and solemn and lonely, like a hollow temple of dead heathen gods. It reminded me of a tale my nurse had told me when I was quite little; it was the same nurse that took me into the wood where I saw the beautiful white people. And I remembered how nurse had told me the story one winter night, when the wind was beating the trees against the wall, and crying and moaning in the nursery chimney. She said there was, somewhere or other, a hollow pit, just like the one I was standing in, everybody was afraid to go into it or near it, it was such a bad place. But once upon a time there was a poor girl who said she would go into the hollow pit, and everybody tried to stop her, but she would go. And she went down into the pit and came back laughing, and said there was nothing there at all, except green grass and red stones, and white stones and yellow flowers. And soon after people saw she had most beautiful emerald earrings, and they asked how she got them, as she and her mother were quite poor. But she laughed, and said her earrings were not made of emeralds at all, but only of green grass. Then, one day, she wore on her breast the reddest ruby that any one had ever seen, and it was as big as a hen’s egg, and glowed and sparkled like a hot burning coal of fire. And they asked how she got it, as she and her mother were quite poor. But she laughed, and said it was not a ruby at all, but only a red stone. Then one day she wore round her neck the loveliest necklace that any one had ever seen, much finer than the queen’s finest, and it was made of great bright diamonds, hundreds of them, and they shone like all the stars on a night in June. So they asked her how she got it, as she and her mother were quite poor. But she laughed, and said they were not diamonds at all, but only white stones. And one day she went to the Court, and she wore on her head a crown of pure angelgold, so nurse said, and it shone like the sun, and it was much more splendid than the crown the king was wearing himself, and in her ears she wore the emeralds, and the big ruby was the brooch on her breast, and the great diamond necklace was sparkling on her neck. And the king and queen thought she was some great princess from a long way off, and got down from their thrones and went to meet her, but somebody told the king and queen who she was, and that she was quite poor. So the king asked why she wore a gold crown, and how she got it, as she and her mother were so poor. And she laughed, and said it wasn’t a gold crown at all, but only some yellow flowers she had put in her hair. And the king thought it was very strange, and said she should stay at the Court, and they would see what would happen next. And she was so lovely that everybody said that her eyes were greener than the emeralds, that her lips were redder than the ruby, that her skin was whiter than the diamonds, and that her hair was brighter than the golden crown. So the king’s son said he would marry her, and the king said he might. And the bishop married them, and there was a great supper, and afterwards the king’s son went to his wife’s room. But just when he had his hand on the door, he saw a tall, black man, with a dreadful face, standing in front of the door, and a voice said—

Venture not upon your life,
This is mine own wedded wife.

Then the king’s son fell down on the ground in a fit. And they came and tried to get into the room, but they couldn’t, and they hacked at the door with hatchets, but the wood had turned hard as iron, and at last everybody ran away, they were so frightened at the screaming and laughing and shrieking and crying that came out of the room. But next day they went in, and found there was nothing in the room but thick black smoke, because the black man had come and taken her away. And on the bed there were two knots of faded grass and a red stone, and some white stones, and some faded yellow flowers. I remembered this tale of nurse’s while I was standing at the bottom of the deep hollow; it was so strange and solitary there, and I felt afraid. I could not see any stones or flowers, but I was afraid of bringing them away without knowing, and I thought I would do a charm that came into my head to keep the black man away. So I stood right in the very middle of the hollow, and I made sure that I had none of those things on me, and then I walked round the place, and touched my eyes, and my lips, and my hair in a peculiar manner, and whispered some queer words that nurse taught me to keep bad things away. Then I felt safe and climbed up out of the hollow, and went on through all those mounds and hollows and walls, till I came to the end, which was high above all the rest, and I could see that all the different shapes of the earth were arranged in patterns, something like the grey rocks, only the pattern was different. It was getting late, and the air was indistinct, but it looked from where I was standing something like two great figures of people lying on the grass. And I went on, and at last I found a certain wood, which is too secret to be described, and nobody knows of the passage into it, which I found out in a very curious manner, by seeing some little animal run into the wood through it. So I went after the animal by a very narrow dark way, under thorns and bushes, and it was almost dark when I came to a kind of open place in the middle. And there I saw the most wonderful sight I have ever seen, but it was only for a minute, as I ran away directly, and crept out of the wood by the passage I had come by, and ran and ran as fast as ever I could, because I was afraid, what I had seen was so wonderful and so strange and beautiful. But I wanted to get home and think of it, and I did not know what might not happen if I stayed by the wood. I was hot all over and trembling, and my heart was beating, and strange cries that I could not help came from me as I ran from the wood. I was glad that a great white moon came up from over a round hill and showed me the way, so I went back through the mounds and hollows and down the close valley, and up through the thicket over the place of the grey rocks, and so at last I got home again. My father was busy in his study, and the servants had not told about my not coming home, though they were frightened, and wondered what they ought to do, so I told them I had lost my way, but I did not let them find out the real way I had been. I went to bed and lay awake all through the night, thinking of what I had seen. When I came out of the narrow way, and it looked all shining, though the air was dark, it seemed so certain, and all the way home I was quite sure that I had seen it, and I wanted to be alone in my room, and be glad over it all to myself, and shut my eyes and pretend it was there, and do all the things I would have done if I had not been so afraid. But when I shut my eyes the sight would not come, and I began to think about my adventures all over again, and I remembered how dusky and queer it was at the end, and I was afraid it must be all a mistake, because it seemed impossible it could happen. It seemed like one of nurse’s tales, which I didn’t really believe in, though I was frightened at the bottom of the hollow; and the stories she told me when I was little came back into my head, and I wondered whether it was really there what I thought I had seen, or whether any of her tales could have happened a long time ago. It was so queer; I lay awake there in my room at the back of the house, and the moon was shining on the other side towards the river, so the bright light did not fall upon the wall. And the house was quite still. I had heard my father come upstairs, and just after the clock struck twelve, and after the house was still and empty, as if there was nobody alive in it. And though it was all dark and indistinct in my room, a pale glimmering kind of light shone in through the white blind, and once I got up and looked out, and there was a great black shadow of the house covering the garden, looking like a prison where men are hanged; and then beyond it was all white; and the wood shone white with black gulfs between the trees. It was still and clear, and there were no clouds on the sky. I wanted to think of what I had seen but I couldn’t, and I began to think of all the tales that nurse had told me so long ago that I thought I had forgotten, but they all came back, and mixed up with the thickets and the grey rocks and the hollows in the earth and the secret wood, till I hardly knew what was new and what was old, or whether it was not all dreaming. And then I remembered that hot summer afternoon, so long ago, when nurse left me by myself in the shade, and the white people came out of the water and out of the wood, and played, and danced, and sang, and I began to fancy that nurse told me about something like it before I saw them, only I couldn’t recollect exactly what she told me. Then I wondered whether she had been the white lady, as I remembered she was just as white and beautiful, and had the same dark eyes and black hair; and sometimes she smiled and looked like the lady had looked, when she was telling me some of her stories, beginning with “Once on a time,” or “In the time of the fairies.” But I thought she couldn’t be the lady, as she seemed to have gone a different way into the wood, and I didn’t think the man who came after us could be the other, or I couldn’t have seen that wonderful secret in the secret wood. I thought of the moon: but it was afterwards when I was in the middle of the wild land, where the earth was made into the shape of great figures, and it was all walls, and mysterious hollows, and smooth round mounds, that I saw the great white moon come up over a round hill. I was wondering about all these things, till at last I got quite frightened, because I was afraid something had happened to me, and I remembered nurse’s tale of the poor girl who went into the hollow pit, and was carried away at last by the black man. I knew I had gone into a hollow pit too, and perhaps it was the same, and I had done something dreadful. So I did the charm over again, and touched my eyes and my lips and my hair in a peculiar manner, and said the old words from the fairy language, so that I might be sure I had not been carried away. I tried again to see the secret wood, and to creep up the passage and see what I had seen there, but somehow I couldn’t, and I kept on thinking of nurse’s stories. There was one I remembered about a young man who once upon a time went hunting, and all the day he and his hounds hunted everywhere, and they crossed the rivers and went into all the woods, and went round the marshes, but they couldn’t find anything at all, and they hunted all day till the sun sank down and began to set behind the mountain. And the young man was angry because he couldn’t find anything, and he was going to turn back, when just as the sun touched the mountain, he saw come out of a brake in front of him a beautiful white stag. And he cheered to his hounds, but they whined and would not follow, and he cheered to his horse, but it shivered and stood stock still, and the young man jumped off the horse and left the hounds and began to follow the white stag all alone. And soon it was quite dark, and the sky was black, without a single star shining in it, and the stag went away into the darkness. And though the man had brought his gun with him he never shot at the stag, because he wanted to catch it, and he was afraid he would lose it in the night. But he never lost it once, though the sky was so black and the air was so dark, and the stag went on and on till the young man didn’t know a bit where he was. And they went through enormous woods where the air was full of whispers and a pale, dead light came out from the rotten trunks that were lying on the ground, and just as the man thought he had lost the stag, he would see it all white and shining in front of him, and he would run fast to catch it, but the stag always ran faster, so he did not catch it. And they went through the enormous woods, and they swam across rivers, and they waded through black marshes where the ground bubbled, and the air was full of will-o’-thewisps, and the stag fled away down into rocky narrow valleys, where the air was like the smell of a vault, and the man went after it. And they went over the great mountains and the man heard the wind come down from the sky, and the stag went on and the man went after. At last the sun rose and the young man found he was in a country that he had never seen before; it was a beautiful valley with a bright stream running through it, and a great, big round hill in the middle. And the stag went down the valley, towards the hill, and it seemed to be getting tired and went slower and slower, and though the man was tired, too, he began to run faster, and he was sure he would catch the stag at last. But just as they got to the bottom of the hill, and the man stretched out his hand to catch the stag, it vanished into the earth, and the man began to cry; he was so sorry that he had lost it after all his long hunting. But as he was crying he saw there was a door in the hill, just in front of him, and he went in, and it was quite dark, but he went on, as he thought he would find the white stag. And all of a sudden it got light, and there was the sky, and the sun shining, and birds singing in the trees, and there was a beautiful fountain. And by the fountain a lovely lady was sitting, who was the queen of the fairies, and she told the man that she had changed herself into a stag to bring him there because she loved him so much. Then she brought out a great gold cup, covered with jewels, from her fairy palace, and she offered him wine in the cup to drink. And he drank, and the more he drank the more he longed to drink, because the wine was enchanted. So he kissed the lovely lady, and she became his wife, and he stayed all that day and all that night in the hill where she lived, and when he woke he found he was lying on the ground, close to where he had seen the stag first, and his horse was there and his hounds were there waiting, and he looked up, and the sun sank behind the mountain. And he went home and lived a long time, but he would never kiss any other lady because he had kissed the queen of the fairies, and he would never drink common wine any more, because he had drunk enchanted wine. And sometimes nurse told me tales that she had heard from her great-grandmother, who was very old, and lived in a cottage on the mountain all alone, and most of these tales were about a hill where people used to meet at night long ago, and they used to play all sorts of strange games and do queer things that nurse told me of, but I couldn’t understand, and now, she said, everybody but her great-grandmother had forgotten all about it, and nobody knew where the hill was, not even her great-grandmother. But she told me one very strange story about the hill, and I trembled when I remembered it. She said that people always went there in summer, when it was very hot, and they had to dance a good deal. It would be all dark at first, and there were trees there, which made it much darker, and people would come, one by one, from all directions, by a secret path which nobody else knew, and two persons would keep the gate, and every one as they came up had to give a very curious sign, which nurse showed me as well as she could, but she said she couldn’t show me properly. And all kinds of people would come; there would be gentle folks and village folks, and some old people and boys and girls, and quite small children, who sat and watched. And it would all be dark as they came in, except in one corner where some one was burning something that smelt strong and sweet, and made them laugh, and there one would see a glaring of coals, and the smoke mounting up red. So they would all come in, and when the last had come there was no door any more, so that no one else could get in, even if they knew there was anything beyond. And once a gentleman who was a stranger and had ridden a long way, lost his path at night, and his horse took him into the very middle of the wild country, where everything was upside down, and there were dreadful marshes and great stones everywhere, and holes underfoot, and the trees looked like gibbet-posts, because they had great black arms that stretched out across the way. And this strange gentleman was very frightened, and his horse began to shiver all over, and at last it stopped and wouldn’t go any farther, and the gentleman got down and tried to lead the horse, but it wouldn’t move, and it was all covered with a sweat, like death. So the gentleman went on all alone, going farther and farther into the wild country, till at last he came to a dark place, where he heard shouting and singing and crying, like nothing he had ever heard before. It all sounded quite close to him, but he couldn’t get in, and so he began to call, and while he was calling, something came behind him, and in a minute his mouth and arms and legs were all bound up, and he fell into a swoon. And when he came to himself, he was lying by the roadside, just where he had first lost his way, under a blasted oak with a black trunk, and his horse was tied beside him. So he rode on to the town and told the people there what had happened, and some of them were amazed; but others knew. So when once everybody had come, there was no door at all for anybody else to pass in by. And when they were all inside, round in a ring, touching each other, some one began to sing in the darkness, and some one else would make a noise like thunder with a thing they had on purpose, and on still nights people would hear the thundering noise far, far away beyond the wild land, and some of them, who thought they knew what it was, used to make a sign on their breasts when they woke up in their beds at dead of night and heard that terrible deep noise, like thunder on the mountains. And the noise and the singing would go on and on for a long time, and the people who were in a ring swayed a little to and fro; and the song was in an old, old language that nobody knows now, and the tune was queer. Nurse said her great-grandmother had known some one who remembered a little of it, when she was quite a little girl, and nurse tried to sing some of it to me, and it was so strange a tune that I turned all cold and my flesh crept as if I had put my hand on something dead. Sometimes it was a man that sang and sometimes it was a woman, and sometimes the one who sang it did it so well that two or three of the people who were there fell to the ground shrieking and tearing with their hands. The singing went on, and the people in the ring kept swaying to and fro for a long time, and at last the moon would rise over a place they called the Tole Deol, and came up and showed them swinging and swaying from side to side, with the sweet thick smoke curling up from the burning coals, and floating in circles all around them. Then they had their supper. A boy and a girl brought it to them; the boy carried a great cup of wine, and the girl carried a cake of bread, and they passed the bread and the wine round and round, but they tasted quite different from common bread and common wine, and changed everybody that tasted them. Then they all rose up and danced, and secret things were brought out of some hiding place, and they played extraordinary games, and danced round and round and round in the moonlight, and sometimes people would suddenly disappear and never be heard of afterwards, and nobody knew what had happened to them. And they drank more of that curious wine, and they made images and worshipped them, and nurse showed me how the images were made one day when we were out for a walk, and we passed by a place where there was a lot of wet clay. So nurse asked me if I would like to know what those things were like that they made on the hill, and I said yes. Then she asked me if I would promise never to tell a living soul a word about it, and if I did I was to be thrown into the black pit with the dead people, and I said I wouldn’t tell anybody, and she said the same thing again and again, and I promised. So she took my wooden spade and dug a big lump of clay and put it in my tin bucket, and told me to say if any one met us that I was going to make pies when I went home. Then we went on a little way till we came to a little brake growing right down into the road, and nurse stopped, and looked up the road and down it, and then peeped through the hedge into the field on the other side, and then she said, “Quick!” and we ran into the brake, and crept in and out among the bushes till we had gone a good way from the road. Then we sat down under a bush, and I wanted so much to know what nurse was going to make with the clay, but before she would begin she made me promise again not to say a word about it, and she went again and peeped through the bushes on every side, though the lane was so small and deep that hardly anybody ever went there. So we sat down, and nurse took the clay out of the bucket, and began to knead it with her hands, and do queer things with it, and turn it about. And she hid it under a big dock-leaf for a minute or two and then she brought it out again, and then she stood up and sat down, and walked round the clay in a peculiar manner, and all the time she was softly singing a sort of rhyme, and her face got very red. Then she sat down again, and took the clay in her hands and began to shape it into a doll, but not like the dolls I have at home, and she made the queerest doll I had ever seen, all out of the wet clay, and hid it under a bush to get dry and hard, and all the time she was making it she was singing these rhymes to herself, and her face got redder and redder. So we left the doll there, hidden away in the bushes where nobody would ever find it. And a few days later we went the same walk, and when we came to that narrow, dark part of the lane where the brake runs down to the bank, nurse made me promise all over again, and she looked about, just as she had done before, and we crept into the bushes till we got to the green place where the little clay man was hidden. I remember it all so well, though I was only eight, and it is eight years ago now as I am writing it down, but the sky was a deep violet blue, and in the middle of the brake where we were sitting there was a great elder tree covered with blossoms, and on the other side there was a clump of meadowsweet, and when I think of that day the smell of the meadowsweet and elder blossom seems to fill the room, and if I shut my eyes I can see the glaring blue sky, with little clouds very white floating across it, and nurse who went away long ago sitting opposite me and looking like the beautiful white lady in the wood. So we sat down and nurse took out the clay doll from the secret place where she had hidden it, and she said we must “pay our respects,” and she would show me what to do, and I must watch her all the time. So she did all sorts of queer things with the little clay man, and I noticed she was all streaming with perspiration, though we had walked so slowly, and then she told me to “pay my respects,” and I did everything she did because I liked her, and it was such an odd game. And she said that if one loved very much, the clay man was very good, if one did certain things with it, and if one hated very much, it was just as good, only one had to do different things, and we played with it a long time, and pretended all sorts of things. Nurse said her great-grandmother had told her all about these images, but what we did was no harm at all, only a game. But she told me a story about these images that frightened me very much, and that was what I remembered that night when I was lying awake in my room in the pale, empty darkness, thinking of what I had seen and the secret wood. Nurse said there was once a young lady of the high gentry, who lived in a great castle. And she was so beautiful that all the gentlemen wanted to marry her, because she was the loveliest lady that anybody had ever seen, and she was kind to everybody, and everybody thought she was very good. But though she was polite to all the gentlemen who wished to marry her, she put them off, and said she couldn’t make up her mind, and she wasn’t sure she wanted to marry anybody at all. And her father, who was a very great lord, was angry, though he was so fond of her, and he asked her why she wouldn’t choose a bachelor out of all the handsome young men who came to the castle. But she only said she didn’t love any of them very much, and she must wait, and if they pestered her, she said she would go and be a nun in a nunnery. So all the gentlemen said they would go away and wait for a year and a day, and when a year and a day were gone, they would come back again and ask her to say which one she would marry. So the day was appointed and they all went away; and the lady had promised that in a year and a day it would be her wedding day with one of them. But the truth was, that she was the queen of the people who danced on the hill on summer nights, and on the proper nights she would lock the door of her room, and she and her maid would steal out of the castle by a secret passage that only they knew of, and go away up to the hill in the wild land. And she knew more of the secret things than any one else, and more than any one knew before or after, because she would not tell anybody the most secret secrets. She knew how to do all the awful things, how to destroy young men, and how to put a curse on people, and other things that I could not understand. And her real name was the Lady Avelin, but the dancing people called her Cassap, which meant somebody very wise, in the old language. And she was whiter than any of them and taller, and her eyes shone in the dark like burning rubies; and she could sing songs that none of the others could sing, and when she sang they all fell down on their faces and worshipped her. And she could do what they called shib-show, which was a very wonderful enchantment. She would tell the great lord, her father, that she wanted to go into the woods to gather flowers, so he let her go, and she and her maid went into the woods where nobody came, and the maid would keep watch. Then the lady would lie down under the trees and begin to sing a particular song, and she stretched out her arms, and from every part of the wood great serpents would come, hissing and gliding in and out among the trees, and shooting out their forked tongues as they crawled up to the lady. And they all came to her, and twisted round her, round her body, and her arms, and her neck, till she was covered with writhing serpents, and there was only her head to be seen. And she whispered to them, and she sang to them, and they writhed round and round, faster and faster, till she told them to go. And they all went away directly, back to their holes, and on the lady’s breast there would be a most curious, beautiful stone, shaped something like an egg, and coloured dark blue and yellow, and red, and green, marked like a serpent’s scales. It was called a glame stone, and with it one could do all sorts of wonderful things, and nurse said her great-grandmother had seen a glame stone with her own eyes, and it was for all the world shiny and scaly like a snake. And the lady could do a lot of other things as well, but she was quite fixed that she would not be married. And there were a great many gentlemen who wanted to marry her, but there were five of them who were chief, and their names were Sir Simon, Sir John, Sir Oliver, Sir Richard, and Sir Rowland. All the others believed she spoke the truth, and that she would choose one of them to be her man when a year and a day was done; it was only Sir Simon, who was very crafty, who thought she was deceiving them all, and he vowed he would watch and try if he could find out anything. And though he was very wise he was very young, and he had a smooth, soft face like a girl’s, and he pretended, as the rest did, that he would not come to the castle for a year and a day, and he said he was going away beyond the sea to foreign parts. But he really only went a very little way, and came back dressed like a servant girl, and so he got a place in the castle to wash the dishes. And he waited and watched, and he listened and said nothing, and he hid in dark places, and woke up at night and looked out, and he heard things and he saw things that he thought were very strange. And he was so sly that he told the girl that waited on the lady that he was really a young man, and that he had dressed up as a girl because he loved her so very much and wanted to be in the same house with her, and the girl was so pleased that she told him many things, and he was more than ever certain that the Lady Avelin was deceiving him and the others. And he was so clever, and told the servant so many lies, that one night he managed to hide in the Lady Avelin’s room behind the curtains. And he stayed quite still and never moved, and at last the lady came. And she bent down under the bed, and raised up a stone, and there was a hollow place underneath, and out of it she took a waxen image, just like the clay one that I and nurse had made in the brake. And all the time her eyes were burning like rubies. And she took the little wax doll up in her arms and held it to her breast, and she whispered and she murmured, and she took it up and she laid it down again, and she held it high, and she held it low, and she laid it down again. And she said, “Happy is he that begat the bishop, that ordered the clerk, that married the man, that had the wife, that fashioned the hive, that harboured the bee, that gathered the wax that my own true love was made of.” And she brought out of an aumbry[12] a great golden bowl, and she brought out of a closet a great jar of wine, and she poured some of the wine into the bowl, and she laid her mannikin very gently in the wine, and washed it in the wine all over. Then she went to a cupboard and took a small round cake and laid it on the image’s mouth, and then she bore it softly and covered it up. And Sir Simon, who was watching all the time, though he was terribly frightened, saw the lady bend down and stretch out her arms and whisper and sing, and then Sir Simon saw beside her a handsome young man, who kissed her on the lips. And they drank wine out of the golden bowl together, and they ate the cake together. But when the sun rose there was only the little wax doll, and the lady hid it again under the bed in the hollow place. So Sir Simon knew quite well what the lady was, and he waited and he watched, till the time she had said was nearly over, and in a week the year and a day would be done. And one night, when he was watching behind the curtains in her room, he saw her making more wax dolls. And she made five, and hid them away. And the next night she took one out, and held it up, and filled the golden bowl with water, and took the doll by the neck and held it under the water. Then she said—

Sir Dickon, Sir Dickon, your day is done,
You shall be drowned in the water wan.

And the next day news came to the castle that Sir Richard had been drowned at the ford. And at night she took another doll and tied a violet cord round its neck and hung it up on a nail. Then she said—

Sir Rowland, your life has ended its span,
High on a tree I see you hang.

And the next day news came to the castle that Sir Rowland had been hanged by robbers in the wood. And at night she took another doll, and drove her bodkin right into its heart. Then she said—

Sir Noll, Sir Noll, so cease your life,
Your heart is piercèd with the knife.

And the next day news came to the castle that Sir Oliver had fought in a tavern, and a stranger had stabbed him to the heart. And at night she took another doll, and held it to a fire of charcoal till it was melted. Then she said—

Sir John, return, and turn to clay,
In fire of fever you waste away.

And the next day news came to the castle that Sir John had died in a burning fever. So then Sir Simon went out of the castle and mounted his horse and rode away to the bishop and told him everything. And the bishop sent his men, and they took the Lady Avelin, and everything she had done was found out. So on the day after the year and a day, when she was to have been married, they carried her through the town in her smock, and they tied her to a great stake in the market-place, and burned her alive before the bishop with her wax image hung round her neck. And people said the wax man screamed in the burning of the flames. And I thought of this story again and again as I was lying awake in my bed, and I seemed to see the Lady Avelin in the market-place, with the yellow flames eating up her beautiful white body. And I thought of it so much that I seemed to get into the story myself, and I fancied I was the lady, and that they were coming to take me to be burnt with fire, with all the people in the town looking at me. And I wondered whether she cared, after all the strange things she had done, and whether it hurt very much to be burned at the stake. I tried again and again to forget nurse’s stories, and to remember the secret I had seen that afternoon, and what was in the secret wood, but I could only see the dark and a glimmering in the dark, and then it went away, and I only saw myself running, and then a great moon came up white over a dark round hill. Then all the old stories came back again, and the queer rhymes that nurse used to sing to me; and there was one beginning “Halsy cumsy Helen musty,” that she used to sing very softly when she wanted me to go to sleep. And I began to sing it to myself inside of my head, and I went to sleep.

The next morning I was very tired and sleepy, and could hardly do my lessons, and I was very glad when they were over and I had had my dinner, as I wanted to go out and be alone. It was a warm day, and I went to a nice turfy hill by the river, and sat down on my mother’s old shawl that I had brought with me on purpose. The sky was grey, like the day before, but there was a kind of white gleam behind it, and from where I was sitting I could look down on the town, and it was all still and quiet and white, like a picture. I remembered that it was on that hill that nurse taught me to play an old game called “Troy Town,”[13] in which one had to dance, and wind in and out on a pattern in the grass, and then when one had danced and turned long enough the other person asks you questions, and you can’t help answering whether you want to or not, and whatever you are told to do you feel you have to do it. Nurse said there used to be a lot of games like that that some people knew of, and there was one by which people could be turned into anything you liked, and an old man her great-grandmother had seen had known a girl who had been turned into a large snake. And there was another very ancient game of dancing and winding and turning, by which you could take a person out of himself and hide him away as long as you liked, and his body went walking about quite empty, without any sense in it. But I came to that hill because I wanted to think of what had happened the day before, and of the secret of the wood. From the place where I was sitting I could see beyond the town, into the opening I had found, where a little brook had led me into an unknown country. And I pretended I was following the brook over again, and I went all the way in my mind, and at last I found the wood, and crept into it under the bushes, and then in the dusk I saw something that made me feel as if I were filled with fire, as if I wanted to dance and sing and fly up into the air, because I was changed and wonderful. But what I saw was not changed at all, and had not grown old, and I wondered again and again how such things could happen, and whether nurse’s stories were really true, because in the daytime in the open air everything seemed quite different from what it was at night, when I was frightened, and thought I was to be burned alive. I once told my father one of her little tales, which was about a ghost, and asked him if it was true, and he told me it was not true at all, and that only common, ignorant people believed in such rubbish. He was very angry with nurse for telling me the story, and scolded her, and after that I promised her I would never whisper a word of what she told me, and if I did I should be bitten by the great black snake that lived in the pool in the wood. And all alone on the hill I wondered what was true. I had seen something very amazing and very lovely, and I knew a story, and if I had really seen it, and not made it up out of the dark, and the black bough, and the bright shining that was mounting up to the sky from over the great round hill, but had really seen it in truth, then there were all kinds of wonderful and lovely and terrible things to think of, so I longed and trembled, and I burned and got cold. And I looked down on the town, so quiet and still, like a little white picture, and I thought over and over if it could be true. I was a long time before I could make up my mind to anything; there was such a strange fluttering at my heart that seemed to whisper to me all the time that I had not made it up out of my head, and yet it seemed quite impossible, and I knew my father and everybody would say it was dreadful rubbish. I never dreamed of telling him or anybody else a word about it, because I knew it would be of no use, and I should only get laughed at or scolded, so for a long time I was very quiet, and went about thinking and wondering; and at night I used to dream of amazing things, and sometimes I woke up in the early morning and held out my arms with a cry. And I was frightened, too, because there were dangers, and some awful thing would happen to me, unless I took great care, if the story were true. These old tales were always in my head, night and morning, and I went over them and told them to myself over and over again, and went for walks in the places where nurse had told them to me; and when I sat in the nursery by the fire in the evenings I used to fancy nurse was sitting in the other chair, and telling me some wonderful story in a low voice, for fear anybody should be listening. But she used to like best to tell me about things when we were right out in the country, far from the house, because she said she was telling me such secrets, and walls have ears. And if it was something more than ever secret, we had to hide in brakes or woods; and I used to think it was such fun creeping along a hedge, and going very softly, and then we would get behind the bushes or run into the wood all of a sudden, when we were sure that none was watching us; so we knew that we had our secrets quite all to ourselves, and nobody else at all knew anything about them. Now and then, when we had hidden ourselves as I have described, she used to show me all sorts of odd things. One day, I remember, we were in a hazel brake, overlooking the brook, and we were so snug and warm, as though it was April; the sun was quite hot, and the leaves were just coming out. Nurse said she would show me something funny that would make me laugh, and then she showed me, as she said, how one could turn a whole house upside down, without anybody being able to find out, and the pots and pans would jump about, and the china would be broken, and the chairs would tumble over of themselves. I tried it one day in the kitchen, and I found I could do it quite well, and a whole row of plates on the dresser fell off it, and cook’s little work-table tilted up and turned right over “before her eyes,” as she said, but she was so frightened and turned so white that I didn’t do it again, as I liked her. And afterwards, in the hazel copse, when she had shown me how to make things tumble about, she showed me how to make rapping noises, and I learnt how to do that, too. Then she taught me rhymes to say on certain occasions, and peculiar marks to make on other occasions, and other things that her great-grandmother had taught her when she was a little girl herself. And these were all the things I was thinking about in those days after the strange walk when I thought I had seen a great secret, and I wished nurse were there for me to ask her about it, but she had gone away more than two years before, and nobody seemed to know what had become of her, or where she had gone. But I shall always remember those days if I live to be quite old, because all the time I felt so strange, wondering and doubting, and feeling quite sure at one time, and making up my mind, and then I would feel quite sure that such things couldn’t happen really, and it began all over again. But I took great care not to do certain things that might be very dangerous. So I waited and wondered for a long time, and though I was not sure at all, I never dared to try to find out. But one day I became sure that all that nurse said was quite true, and I was all alone when I found it out. I trembled all over with joy and terror, and as fast as I could I ran into one of the old brakes where we used to go—it was the one by the lane, where nurse made the little clay man—and I ran into it, and I crept into it; and when I came to the place where the elder was, I covered up my face with my hands and lay down flat on the grass, and I stayed there for two hours without moving, whispering to myself delicious, terrible things, and saying some words over and over again. It was all true and wonderful and splendid, and when I remembered the story I knew and thought of what I had really seen, I got hot and I got cold, and the air seemed full of scent, and flowers, and singing. And first I wanted to make a little clay man, like the one nurse had made so long ago, and I had to invent plans and stratagems, and to look about, and to think of things beforehand, because nobody must dream of anything that I was doing or going to do, and I was too old to carry clay about in a tin bucket. At last I thought of a plan, and I brought the wet clay to the brake, and did everything that nurse had done, only I made a much finer image than the one she had made; and when it was finished I did everything that I could imagine and much more than she did, because it was the likeness of something far better. And a few days later, when I had done my lessons early, I went for the second time by the way of the little brook that had led me into a strange country. And I followed the brook, and went through the bushes, and beneath the low branches of trees, and up thorny thickets on the hill, and by dark woods full of creeping thorns, a long, long way. Then I crept through the dark tunnel where the brook had been and the ground was stony, till at last I came to the thicket that climbed up the hill, and though the leaves were coming out upon the trees, everything looked almost as black as it was on the first day that I went there. And the thicket was just the same, and I went up slowly till I came out on the big bare hill, and began to walk among the wonderful rocks. I saw the terrible voor again on everything, for though the sky was brighter, the ring of wild hills all around was still dark, and the hanging woods looked dark and dreadful, and the strange rocks were as grey as ever; and when I looked down on them from the great mound, sitting on the stone, I saw all their amazing circles and rounds within rounds, and I had to sit quite still and watch them as they began to turn about me, and each stone danced in its place, and they seemed to go round and round in a great whirl, as if one were in the middle of all the stars and heard them rushing through the air. So I went down among the rocks to dance with them and to sing extraordinary songs; and I went down through the other thicket, and drank from the bright stream in the close and secret valley, putting my lips down to the bubbling water; and then I went on till I came to the deep, brimming well among the glittering moss, and I sat down. I looked before me into the secret darkness of the valley, and behind me was the great high wall of grass, and all around me there were the hanging woods that made the valley such a secret place. I knew there was nobody here at all besides myself, and that no one could see me. So I took off my boots and stockings, and let my feet down into the water, saying the words that I knew. And it was not cold at all, as I expected, but warm and very pleasant, and when my feet were in it I felt as if they were in silk, or as if the nymph were kissing them. So when I had done, I said the other words and made the signs, and then I dried my feet with a towel I had brought on purpose, and put on my stockings and boots. Then I climbed up the steep wall, and went into the place where there are the hollows, and the two beautiful mounds, and the round ridges of land, and all the strange shapes. I did not go down into the hollow this time, but I turned at the end, and made out the figures quite plainly, as it was lighter, and I had remembered the story I had quite forgotten before, and in the story the two figures are called Adam and Eve, and only those who know the story understand what they mean. So I went on and on till I came to the secret wood which must not be described, and I crept into it by the way I had found. And when I had gone about halfway I stopped, and turned round, and got ready, and I bound the handkerchief tightly round my eyes, and made quite sure that I could not see at all, not a twig, nor the end of a leaf, nor the light of the sky, as it was an old red silk handkerchief with large yellow spots, that went round twice and covered my eyes, so that I could see nothing. Then I began to go on, step by step, very slowly. My heart beat faster and faster, and something rose in my throat that choked me and made me want to cry out, but I shut my lips, and went on. Boughs caught in my hair as I went, and great thorns tore me; but I went on to the end of the path. Then I stopped, and held out my arms and bowed, and I went round the first time, feeling with my hands, and there was nothing. I went round the second time, feeling with my hands, and there was nothing. Then I went round the third time, feeling with my hands, and the story was all true, and I wished that the years were gone by, and that I had not so long a time to wait before I was happy for ever and ever.

Nurse must have been a prophet like those we read of in the Bible. Everything that she said began to come true, and since then other things that she told me of have happened. That was how I came to know that her stories were true and that I had not made up the secret myself out of my own head. But there was another thing that happened that day. I went a second time to the secret place. It was at the deep brimming well, and when I was standing on the moss I bent over and looked in, and then I knew who the white lady was that I had seen come out of the water in the wood long ago when I was quite little. And I trembled all over, because that told me other things. Then I remembered how sometime after I had seen the white people in the wood, nurse asked me more about them, and I told her all over again, and she listened, and said nothing for a long, long time, and at last she said, “You will see her again.” So I understood what had happened and what was to happen. And I understood about the nymphs; how I might meet them in all kinds of places, and they would always help me, and I must always look for them, and find them in all sorts of strange shapes and appearances. And without the nymphs I could never have found the secret, and without them none of the other things could happen. Nurse had told me all about them long ago, but she called them by another name, and I did not know what she meant, or what her tales of them were about, only that they were very queer. And there were two kinds, the bright and the dark, and both were very lovely and very wonderful, and some people saw only one kind, and some only the other, but some saw them both. But usually the dark appeared first, and the bright ones came afterwards, and there were extraordinary tales about them. It was a day or two after I had come home from the secret place that I first really knew the nymphs. Nurse had shown me how to call them, and I had tried, but I did not know what she meant, and so I thought it was all nonsense. But I made up my mind I would try again, so I went to the wood where the pool was, where I saw the white people, and I tried again. The dark nymph, Alanna, came, and she turned the pool of water into a pool of fire....

EPILOGUE

“That’s a very queer story,” said Cotgrave, handing back the green book to the recluse, Ambrose. “I see the drift of a good deal, but there are many things that I do not grasp at all. On the last page, for example, what does she mean by ‘nymphs’?”

“Well, I think there are references throughout the manuscript to certain ‘processes’ which have been handed down by tradition from age to age. Some of these processes are just beginning to come within the purview of science, which has arrived at them—or rather at the steps which lead to them—by quite different paths. I have interpreted the reference to ‘nymphs’ as a reference to one of these processes.”

“And you believe that there are such things?”

“Oh, I think so. Yes, I believe I could give you convincing evidence on that point. I am afraid you have neglected the study of alchemy? It is a pity, for the symbolism, at all events, is very beautiful, and moreover if you were acquainted with certain books on the subject, I could recall to your mind phrases which might explain a good deal in the manuscript that you have been reading.”

“Yes; but I want to know whether you seriously think that there is any foundation of fact beneath these fancies. Is it not all a department of poetry; a curious dream with which man has indulged himself?”

“I can only say that it is no doubt better for the great mass of people to dismiss it all as a dream. But if you ask my veritable belief—that goes quite the other way. No; I should not say belief, but rather knowledge. I may tell you that I have known cases in which men have stumbled quite by accident on certain of these ‘processes,’ and have been astonished by wholly unexpected results. In the cases I am thinking of there could have been no possibility of ‘suggestion’ or sub-conscious action of any kind. One might as well suppose a schoolboy ‘suggesting’ the existence of Æschylus to himself, while he plods mechanically through the declensions.

“But you have noticed the obscurity,” Ambrose went on, “and in this particular case it must have been dictated by instinct, since the writer never thought that her manuscripts would fall into other hands. But the practice is universal, and for most excellent reasons. Powerful and sovereign medicines, which are, of necessity, virulent poisons also, are kept in a locked cabinet. The child may find the key by chance, and drink herself dead; but in most cases the search is educational, and the phials contain precious elixirs for him who has patiently fashioned the key for himself.”

“You do not care to go into details?”

“No, frankly, I do not. No, you must remain unconvinced. But you saw how the manuscript illustrates the talk we had last week?”

“Is this girl still alive?”

“No. I was one of those who found her. I knew the father well; he was a lawyer, and had always left her very much to herself. He thought of nothing but deeds and leases, and the news came to him as an awful surprise. She was missing one morning; I suppose it was about a year after she had written what you have read. The servants were called, and they told things, and put the only natural interpretation on them—a perfectly erroneous one.

“They discovered that green book somewhere in her room, and I found her in the place that she described with so much dread, lying on the ground before the image.”

“It was an image?”

“Yes, it was hidden by the thorns and the thick undergrowth that had surrounded it. It was a wild, lonely country; but you know what it was like by her description, though of course you will understand that the colours have been heightened. A child’s imagination always makes the heights higher and the depths deeper than they really are; and she had, unfortunately for herself, something more than imagination. One might say, perhaps, that the picture in her mind which she succeeded in a measure in putting into words, was the scene as it would have appeared to an imaginative artist. But it is a strange, desolate land.”

“And she was dead?”

“Yes. She had poisoned herself—in time. No; there was not a word to be said against her in the ordinary sense. You may recollect a story I told you the other night about a lady who saw her child’s fingers crushed by a window?”

“And what was this statue?”

“Well, it was of Roman workmanship, of a stone that with the centuries had not blackened, but had become white and luminous. The thicket had grown up about it and concealed it, and in the Middle Ages the followers of a very old tradition had known how to use it for their own purposes. In fact it had been incorporated into the monstrous mythology of the Sabbath. You will have noted that those to whom a sight of that shining whiteness had been vouchsafed by chance, or rather, perhaps, by apparent chance, were required to blindfold themselves on their second approach. That is very significant.”

“And is it there still?”

“I sent for tools, and we hammered it into dust and fragments.”

“The persistence of tradition never surprises me,” Ambrose went on after a pause. “I could name many an English parish where such traditions as that girl had listened to in her childhood are still existent in occult but unabated vigour. No, for me, it is the ‘story’ not the ‘sequel,’ which is strange and awful, for I have always believed that wonder is of the soul.”

A FRAGMENT OF LIFE

I

Edward Darnell awoke from a dream of an ancient wood, and of a clear well rising into grey film and vapour beneath a misty, glimmering heat; and as his eyes opened he saw the sunlight bright in the room, sparkling on the varnish of the new furniture. He turned and found his wife’s place vacant, and with some confusion and wonder of the dream still lingering in his mind, he rose also, and began hurriedly to set about his dressing, for he had overslept a little, and the ’bus passed the corner at 9:15. He was a tall, thin man, dark-haired and dark-eyed, and in spite of the routine of the City, the counting of coupons, and all the mechanical drudgery that had lasted for ten years, there still remained about him the curious hint of a wild grace, as if he had been born a creature of the antique wood, and had seen the fountain rising from the green moss and the grey rocks.

The breakfast was laid in the room on the ground floor, the back room with the French windows looking on the garden, and before he sat down to his fried bacon he kissed his wife seriously and dutifully. She had brown hair and brown eyes, and though her lovely face was grave and quiet, one would have said that she might have awaited her husband under the old trees, and bathed in the pool hollowed out of the rocks.

They had a good deal to talk over while the coffee was poured out and the bacon eaten, and Darnell’s egg brought in by the stupid, staring servant-girl of the dusty face. They had been married for a year, and they had got on excellently, rarely sitting silent for more than an hour, but for the past few weeks Aunt Marian’s present had afforded a subject for conversation which seemed inexhaustible. Mrs. Darnell had been Miss Mary Reynolds, the daughter of an auctioneer and estate agent in Notting Hill, and Aunt Marian was her mother’s sister, who was supposed rather to have lowered herself by marrying a coal merchant, in a small way, at Turnham Green. Marian had felt the family attitude a good deal, and the Reynoldses were sorry for many things that had been said, when the coal merchant saved money and took up land on building leases in the neighbourhood of Crouch End, greatly to his advantage, as it appeared. Nobody had thought that Nixon could ever do very much; but he and his wife had been living for years in a beautiful house at Barnet, with bow-windows, shrubs, and a paddock, and the two families saw but little of each other, for Mr. Reynolds was not very prosperous. Of course, Aunt Marian and her husband had been asked to Mary’s wedding, but they had sent excuses with a nice little set of silver apostle spoons, and it was feared that nothing more was to be looked for. However, on Mary’s birthday her aunt had written a most affectionate letter, enclosing a cheque for a hundred pounds from “Robert” and herself, and ever since the receipt of the money the Darnells had discussed the question of its judicious disposal. Mrs. Darnell had wished to invest the whole sum in Government securities, but Mr. Darnell had pointed out that the rate of interest was absurdly low, and after a good deal of talk he had persuaded his wife to put ninety pounds of the money in a safe mine, which was paying five per cent. This was very well, but the remaining ten pounds, which Mrs. Darnell had insisted on reserving, gave rise to legends and discourses as interminable as the disputes of the schools.

At first Mr. Darnell had proposed that they should furnish the “spare” room. There were four bedrooms in the house: their own room, the small one for the servant, and two others overlooking the garden, one of which had been used for storing boxes, ends of rope, and odd numbers of “Quiet Days” and “Sunday Evenings,” besides some worn suits belonging to Mr. Darnell which had been carefully wrapped up and laid by, as he scarcely knew what to do with them. The other room was frankly waste and vacant, and one Saturday afternoon, as he was coming home in the ’bus, and while he revolved that difficult question of the ten pounds, the unseemly emptiness of the spare room suddenly came into his mind, and he glowed with the idea that now, thanks to Aunt Marian, it could be furnished. He was busied with this delightful thought all the way home, but when he let himself in, he said nothing to his wife, since he felt that his idea must be matured. He told Mrs. Darnell that, having important business, he was obliged to go out again directly, but that he should be back without fail for tea at half-past six; and Mary, on her side, was not sorry to be alone, as she was a little behind-hand with the household books. The fact was, that Darnell, full of the design of furnishing the spare bedroom, wished to consult his friend Wilson, who lived at Fulham, and had often given him judicious advice as to the laying out of money to the very best advantage. Wilson was connected with the Bordeaux wine trade, and Darnell’s only anxiety was lest he should not be at home.

However, it was all right; Darnell took a tram along the Goldhawk Road, and walked the rest of the way, and was delighted to see Wilson in the front garden of his house, busy amongst his flower-beds.

“Haven’t seen you for an age,” he said cheerily, when he heard Darnell’s hand on the gate; “come in. Oh, I forgot,” he added, as Darnell still fumbled with the handle, and vainly attempted to enter. “Of course you can’t get in; I haven’t shown it you.”

It was a hot day in June, and Wilson appeared in a costume which he had put on in haste as soon as he arrived from the City. He wore a straw hat with a neat pugaree protecting the back of his neck, and his dress was a Norfolk jacket and knickers in heather mixture.

“See,” he said, as he let Darnell in; “see the dodge. You don’t turn the handle at all. First of all push hard, and then pull. It’s a trick of my own, and I shall have it patented. You see, it keeps undesirable characters at a distance—such a great thing in the suburbs. I feel I can leave Mrs. Wilson alone now; and, formerly, you have no idea how she used to be pestered.”

“But how about visitors?” said Darnell. “How do they get in?”

“Oh, we put them up to it. Besides,” he said vaguely, “there is sure to be somebody looking out. Mrs. Wilson is nearly always at the window. She’s out now; gone to call on some friends. The Bennetts’ At Home day, I think it is. This is the first Saturday, isn’t it? You know J. W. Bennett, don’t you? Ah, he’s in the House; doing very well, I believe. He put me on to a very good thing the other day.”

“But, I say,” said Wilson, as they turned and strolled towards the front door, “what do you wear those black things for? You look hot. Look at me. Well, I’ve been gardening, you know, but I feel as cool as a cucumber. I dare say you don’t know where to get these things? Very few men do. Where do you suppose I got ’em?”

“In the West End, I suppose,” said Darnell, wishing to be polite.

“Yes, that’s what everybody says. And it is a good cut. Well, I’ll tell you, but you needn’t pass it on to everybody. I got the tip from Jameson—you know him, ‘Jim-Jams,’ in the China trade, 39 Eastbrook—and he said he didn’t want everybody in the City to know about it. But just go to Jennings, in Old Wall, and mention my name, and you’ll be all right. And what d’you think they cost?”

“I haven’t a notion,” said Darnell, who had never bought such a suit in his life.

“Well, have a guess.”

Darnell regarded Wilson gravely.

The jacket hung about his body like a sack, the knickerbockers drooped lamentably over his calves, and in prominent positions the bloom of the heather seemed about to fade and disappear.

“Three pounds, I suppose, at least,” he said at length.

“Well, I asked Dench, in our place, the other day, and he guessed four ten, and his father’s got something to do with a big business in Conduit Street. But I only gave thirty-five and six. To measure? Of course; look at the cut, man.”

Darnell was astonished at so low a price.

“And, by the way,” Wilson went on, pointing to his new brown boots, “you know where to go for shoe-leather? Oh, I thought everybody was up to that! There’s only one place. ‘Mr. Bill,’ in Gunning Street,—nine and six.”

They were walking round and round the garden, and Wilson pointed out the flowers in the beds and borders. There were hardly any blossoms, but everything was neatly arranged.

“Here are the tuberous-rooted Glasgownias,” he said, showing a rigid row of stunted plants; “those are Squintaceæ; this is a new introduction, Moldavia Semperflorida Andersonii; and this is Prattsia.”

“When do they come out?” said Darnell.

“Most of them in the end of August or beginning of September,” said Wilson briefly. He was slightly annoyed with himself for having talked so much about his plants, since he saw that Darnell cared nothing for flowers; and, indeed, the visitor could hardly dissemble vague recollections that came to him; thoughts of an old, wild garden, full of odours, beneath grey walls, of the fragrance of the meadowsweet beside the brook.

“I wanted to consult you about some furniture,” Darnell said at last. “You know we’ve got a spare room, and I’m thinking of putting a few things into it. I haven’t exactly made up my mind, but I thought you might advise me.”

“Come into my den,” said Wilson. “No; this way, by the back”; and he showed Darnell another ingenious arrangement at the side door whereby a violent high-toned bell was set pealing in the house if one did but touch the latch. Indeed, Wilson handled it so briskly that the bell rang a wild alarm, and the servant, who was trying on her mistress’s things in the bedroom, jumped madly to the window and then danced a hysteric dance. There was plaster found on the drawing-room table on Sunday afternoon, and Wilson wrote a letter to the “Fulham Chronicle,” ascribing the phenomenon “to some disturbance of a seismic nature.”

For the moment he knew nothing of the great results of his contrivance, and solemnly led the way towards the back of the house. Here there was a patch of turf, beginning to look a little brown, with a background of shrubs. In the middle of the turf, a boy of nine or ten was standing all alone, with something of an air.

“The eldest,” said Wilson. “Havelock. Well, Lockie, what are ye doing now? And where are your brother and sister?”

The boy was not at all shy. Indeed, he seemed eager to explain the course of events.

“I’m playing at being Gawd,” he said, with an engaging frankness. “And I’ve sent Fergus and Janet to the bad place. That’s in the shrubbery. And they’re never to come out any more. And they’re burning for ever and ever.”

“What d’you think of that?” said Wilson admiringly. “Not bad for a youngster of nine, is it? They think a lot of him at the Sunday-school. But come into my den.”

The den was an apartment projecting from the back of the house. It had been designed as a back kitchen and washhouse, but Wilson had draped the “copper” in art muslin and had boarded over the sink, so that it served as a workman’s bench.

“Snug, isn’t it?” he said, as he pushed forward one of the two wicker chairs. “I think out things here, you know; it’s quiet. And what about this furnishing? Do you want to do the thing on a grand scale?”

“Oh, not at all. Quite the reverse. In fact, I don’t know whether the sum at our disposal will be sufficient. You see the spare room is ten feet by twelve, with a western exposure, and I thought if we could manage it, that it would seem more cheerful furnished. Besides, it’s pleasant to be able to ask a visitor; our aunt, Mrs. Nixon, for example. But she is accustomed to have everything very nice.”

“And how much do you want to spend?”

“Well, I hardly think we should be justified in going much beyond ten pounds. That isn’t enough, eh?”

Wilson got up and shut the door of the back kitchen impressively.

“Look here,” he said, “I’m glad you came to me in the first place. Now you’ll just tell me where you thought of going yourself.”

“Well, I had thought of the Hampstead Road,” said Darnell in a hesitating manner.

“I just thought you’d say that. But I’ll ask you, what is the good of going to those expensive shops in the West End? You don’t get a better article for your money. You’re merely paying for fashion.”

“I’ve seen some nice things in Samuel’s, though. They get a brilliant polish on their goods in those superior shops. We went there when we were married.”

“Exactly, and paid ten per cent more than you need have paid. It’s throwing money away. And how much did you say you had to spend? Ten pounds. Well, I can tell you where to get a beautiful bedroom suite, in the very highest finish, for six pound ten. What d’you think of that? China included, mind you; and a square of carpet, brilliant colours, will only cost you fifteen and six. Look here, go any Saturday afternoon to Dick’s, in the Seven Sisters Road, mention my name, and ask for Mr. Johnston. The suite’s in ash, ‘Elizabethan’ they call it. Six pound ten, including the china, with one of their ‘Orient’ carpets, nine by nine, for fifteen and six. Dick’s.”

Wilson spoke with some eloquence on the subject of furnishing. He pointed out that the times were changed, and that the old heavy style was quite out of date.

“You know,” he said, “it isn’t like it was in the old days, when people used to buy things to last hundreds of years. Why, just before the wife and I were married, an uncle of mine died up in the North and left me his furniture. I was thinking of furnishing at the time, and I thought the things might come in handy; but I assure you there wasn’t a single article that I cared to give house-room to. All dingy, old mahogany; big bookcases and bureaus, and claw-legged chairs and tables. As I said to the wife (as she was soon afterwards), ‘We don’t exactly want to set up a chamber of horrors, do we?’ So I sold off the lot for what I could get. I must confess I like a cheerful room.”

Darnell said he had heard that artists liked the old-fashioned furniture.

“Oh, I dare say. The ‘unclean cult of the sunflower,’ eh? You saw that piece in the ‘Daily Post’? I hate all that rot myself. It isn’t healthy, you know, and I don’t believe the English people will stand it. But talking of curiosities, I’ve got something here that’s worth a bit of money.”

He dived into some dusty receptacle in a corner of the room, and showed Darnell a small, worm-eaten Bible, wanting the first five chapters of Genesis and the last leaf of the Apocalypse. It bore the date of 1753.

“It’s my belief that’s worth a lot,” said Wilson. “Look at the worm-holes. And you see it’s ‘imperfect,’ as they call it. You’ve noticed that some of the most valuable books are ‘imperfect’ at the sales?”

The interview came to an end soon after, and Darnell went home to his tea. He thought seriously of taking Wilson’s advice, and after tea he told Mary of his idea and of what Wilson had said about Dick’s.

Mary was a good deal taken by the plan when she had heard all the details. The prices struck her as very moderate. They were sitting one on each side of the grate (which was concealed by a pretty cardboard screen, painted with landscapes), and she rested her cheek on her hand, and her beautiful dark eyes seemed to dream and behold strange visions. In reality she was thinking of Darnell’s plan.

“It would be very nice in some ways,” she said at last. “But we must talk it over. What I am afraid of is that it will come to much more than ten pounds in the long run. There are so many things to be considered. There’s the bed. It would look shabby if we got a common bed without brass mounts. Then the bedding, the mattress, and blankets, and sheets, and counterpane would all cost something.”

She dreamed again, calculating the cost of all the necessaries, and Darnell stared anxiously; reckoning with her, and wondering what her conclusion would be. For a moment the delicate colouring of her face, the grace of her form, and the brown hair, drooping over her ears and clustering in little curls about her neck, seemed to hint at a language which he had not yet learned; but she spoke again.

“The bedding would come to a great deal, I am afraid. Even if Dicks are considerably cheaper than Boons or Samuels. And, my dear, we must have some ornaments on the mantelpiece. I saw some very nice vases at eleven-three the other day at Wilkin and Dodd’s. We should want six at least, and there ought to be a centrepiece. You see how it mounts up.”

Darnell was silent. He saw that his wife was summing up against his scheme, and though he had set his heart on it, he could not resist her arguments.

“It would be nearer twelve pounds than ten,” she said.

“The floor would have to be stained round the carpet (nine by nine, you said?), and we should want a piece of linoleum to go under the washstand. And the walls would look very bare without any pictures.”

“I thought about the pictures,” said Darnell; and he spoke quite eagerly. He felt that here, at least, he was unassailable. “You know there’s the ‘Derby Day’ and the ‘Railway Station,’ ready framed, standing in the corner of the box-room already. They’re a bit old-fashioned, perhaps, but that doesn’t matter in a bedroom. And couldn’t we use some photographs? I saw a very neat frame in natural oak in the City, to hold half a dozen, for one and six. We might put in your father, and your brother James, and Aunt Marian, and your grandmother, in her widow’s cap—and any of the others in the album. And then there’s that old family picture in the hair-trunk[1]—that might do over the mantelpiece.”

“You mean your great-grandfather in the gilt frame? But that’s very old-fashioned, isn’t it? He looks so queer in his wig. I don’t think it would quite go with the room, somehow.”

Darnell thought a moment. The portrait was a “kitcat”[2] of a young gentleman, bravely dressed in the fashion of 1750, and he very faintly remembered some old tales that his father had told him about this ancestor—tales of the woods and fields, of the deep sunken lanes, and the forgotten country in the west.

“No,” he said. “I suppose it is rather out of date. But I saw some very nice prints in the City, framed and quite cheap.”

“Yes, but everything counts. Well, we will talk it over, as you say. You know we must be careful.”

The servant came in with the supper, a tin of biscuits, a glass of milk for the mistress, and a modest pint of beer for the master, with a little cheese and butter. Afterwards Edward smoked two pipes of honeydew, and they went quietly to bed; Mary going first, and her husband following a quarter of an hour later, according to the ritual established from the first days of their marriage. Front and back doors were locked, the gas was turned off at the meter, and when Darnell got upstairs he found his wife already in bed, her face turned round on the pillow.

She spoke softly to him as he came into the room.

“It would be impossible to buy a presentable bed at anything under one pound eleven, and good sheets are dear, anywhere.”

He slipped off his clothes and slid gently into bed, putting out the candle on the table. The blinds were all evenly and duly drawn, but it was a June night, and beyond the walls, beyond that desolate world and wilderness of grey Shepherd’s Bush, a great golden moon had floated up through magic films of cloud, above the hill, and the earth was filled with a wonderful light between red sunset lingering over the mountain and that marvellous glory that shone into the woods from the summit of the hill. Darnell seemed to see some reflection of that wizard brightness in the room; the pale walls and the white bed and his wife’s face lying amidst brown hair upon the pillow were illuminated, and listening he could almost hear the corncrake in the fields, the fern-owl sounding his strange note from the quiet of the rugged place where the bracken grew, and, like the echo of a magic song, the melody of the nightingale that sang all night in the alder by the little brook. There was nothing that he could say, but he slowly stole his arm under his wife’s neck, and played with the ringlets of brown hair. She never moved, she lay there gently breathing, looking up to the blank ceiling of the room with her beautiful eyes, thinking also, no doubt, thoughts that she could not utter, kissing her husband obediently when he asked her to do so, and he stammered and hesitated as he spoke.

They were nearly asleep, indeed Darnell was on the very eve of dreaming, when she said very softly—

“I am afraid, darling, that we could never afford it.” And he heard her words through the murmur of the water, dripping from the grey rock, and falling into the clear pool beneath.

Sunday morning was always an occasion of idleness. Indeed, they would never have got breakfast if Mrs. Darnell, who had the instincts of the housewife, had not awoke and seen the bright sunshine, and felt that the house was too still. She lay quiet for five minutes, while her husband slept beside her, and listened intently, waiting for the sound of Alice stirring down below. A golden tube of sunlight shone through some opening in the Venetian blinds, and it shone on the brown hair that lay about her head on the pillow, and she looked steadily into the room at the “duchesse” toilet-table, the coloured ware of the washstand, and the two photogravures in oak frames, “The Meeting” and “The Parting,” that hung upon the wall. She was half dreaming as she listened for the servant’s footsteps, and the faint shadow of a shade of a thought came over her, and she imagined dimly, for the quick moment of a dream, another world where rapture was wine, where one wandered in a deep and happy valley, and the moon was always rising red above the trees. She was thinking of Hampstead, which represented to her the vision of the world beyond the walls, and the thought of the heath led her away to Bank Holidays, and then to Alice. There was not a sound in the house; it might have been midnight for the stillness if the drawling cry of the Sunday paper had not suddenly echoed round the corner of Edna Road, and with it came the warning clank and shriek of the milkman with his pails.

Mrs. Darnell sat up, and wide awake, listened more intently. The girl was evidently fast asleep, and must be roused, or all the work of the day would be out of joint, and she remembered how Edward hated any fuss or discussion about household matters, more especially on a Sunday, after his long week’s work in the City. She gave her husband an affectionate glance as he slept on, for she was very fond of him, and so she gently rose from the bed and went in her nightgown to call the maid.

The servant’s room was small and stuffy, the night had been very hot, and Mrs. Darnell paused for a moment at the door, wondering whether the girl on the bed was really the dusty-faced servant who bustled day by day about the house, or even the strangely bedizened creature, dressed in purple, with a shiny face, who would appear on the Sunday afternoon, bringing in an early tea, because it was her “evening out.” Alice’s hair was black and her skin was pale, almost of the olive tinge, and she lay asleep, her head resting on one arm, reminding Mrs. Darnell of a queer print of a “Tired Bacchante” that she had seen long ago in a shop window in Upper Street, Islington. And a cracked bell was ringing; that meant five minutes to eight, and nothing done.

She touched the girl gently on the shoulder, and only smiled when her eyes opened, and waking with a start, she got up in sudden confusion. Mrs. Darnell went back to her room and dressed slowly while her husband still slept, and it was only at the last moment, as she fastened her cherry-coloured bodice, that she roused him, telling him that the bacon would be overdone unless he hurried over his dressing.

Over the breakfast they discussed the question of the spare room all over again. Mrs. Darnell still admitted that the plan of furnishing it attracted her, but she could not see how it could be done for the ten pounds, and as they were prudent people they did not care to encroach on their savings. Edward was highly paid, having (with allowances for extra work in busy weeks) a hundred and forty pounds a year, and Mary had inherited from an old uncle, her godfather, three hundred pounds, which had been judiciously laid out in mortgage at 4½ percent. Their total income, then, counting in Aunt Marian’s present, was a hundred and fifty-eight pounds a year, and they were clear of debt, since Darnell had bought the furniture for the house out of money which he had saved for five or six years before. In the first few years of his life in the City his income had, of course, been smaller, and at first he had lived very freely, without a thought of laying by. The theatres and music-halls had attracted him, and scarcely a week passed without his going (in the pit) to one or the other; and he had occasionally bought photographs of actresses who pleased him. These he had solemnly burnt when he became engaged to Mary; he remembered the evening well; his heart had been so full of joy and wonder, and the landlady had complained bitterly of the mess in the grate when he came home from the City the next night. Still, the money was lost, as far as he could recollect, ten or twelve shillings; and it annoyed him all the more to reflect that if he had put it by, it would have gone far towards the purchase of an “Orient” carpet in brilliant colours. Then there had been other expenses of his youth: he had purchased threepenny and even fourpenny cigars, the latter rarely, but the former frequently, sometimes singly, and sometimes in bundles of twelve for half-a-crown. Once a meerschaum pipe had haunted him for six weeks; the tobacconist had drawn it out of a drawer with some air of secrecy as he was buying a packet of “Lone Star.” Here was another useless expense, these American-manufactured tobaccos; his “Lone Star,” “Long Judge,” “Old Hank,” “Sultry Clime,” and the rest of them cost from a shilling to one and six the two-ounce packet; whereas now he got excellent loose honeydew for threepence halfpenny an ounce.[3] But the crafty tradesman, who had marked him down as a buyer of expensive fancy goods, nodded with his air of mystery, and, snapping open the case, displayed the meerschaum before the dazzled eyes of Darnell. The bowl was carved in the likeness of a female figure, showing the head and torso, and the mouthpiece was of the very best amber—only twelve and six, the man said, and the amber alone, he declared, was worth more than that. He explained that he felt some delicacy about showing the pipe to any but a regular customer, and was willing to take a little under cost price and “cut the loss.” Darnell resisted for the time, but the pipe troubled him, and at last he bought it. He was pleased to show it to the younger men in the office for a while, but it never smoked very well, and he gave it away just before his marriage, as from the nature of the carving it would have been impossible to use it in his wife’s presence. Once, while he was taking his holidays at Hastings, he had purchased a malacca cane—a useless thing that had cost seven shillings—and he reflected with sorrow on the innumerable evenings on which he had rejected his landlady’s plain fried chop, and had gone out to flaner[4] among the Italian restaurants in Upper Street, Islington (he lodged in Holloway), pampering himself with expensive delicacies: cutlets and green peas, braised beef with tomato sauce, fillet steak and chipped potatoes, ending the banquet very often with a small wedge of Gruyère, which cost twopence. One night, after receiving a rise in his salary, he had actually drunk a quarter-flask of Chianti and had added the enormities of Benedictine, coffee, and cigarettes to an expenditure already disgraceful, and sixpence to the waiter made the bill amount to four shillings instead of the shilling that would have provided him with a wholesome and sufficient repast at home. Oh, there were many other items in this account of extravagance, and Darnell had often regretted his way of life, thinking that if he had been more careful, five or six pounds a year might have been added to their income.

And the question of the spare room brought back these regrets in an exaggerated degree. He persuaded himself that the extra five pounds would have given a sufficient margin for the outlay that he desired to make; though this was, no doubt, a mistake on his part. But he saw quite clearly that, under the present conditions, there must be no levies made on the very small sum of money that they had saved. The rent of the house was thirty-five, and rates and taxes added another ten pounds—nearly a quarter of their income for house-room. Mary kept down the housekeeping bills to the very best of her ability, but meat was always dear, and she suspected the maid of cutting surreptitious slices from the joint and eating them in her bedroom with bread and treacle in the dead of night, for the girl had disordered and eccentric appetites. Mr. Darnell thought no more of restaurants, cheap or dear; he took his lunch with him to the City, and joined his wife in the evening at high tea—chops, a bit of steak, or cold meat from the Sunday’s dinner. Mrs. Darnell ate bread and jam and drank a little milk in the middle of the day; but, with the utmost economy, the effort to live within their means and to save for future contingencies was a very hard one. They had determined to do without change of air for at least three years, as the honeymoon at Walton-on-the-Naze[5] had cost a good deal; and it was on this ground that they had, somewhat illogically, reserved the ten pounds, declaring that as they were not to have any holiday they would spend the money on something useful.

And it was this consideration of utility that was finally fatal to Darnell’s scheme. They had calculated and recalculated the expense of the bed and bedding, the linoleum, and the ornaments, and by a great deal of exertion the total expenditure had been made to assume the shape of “something very little over ten pounds,” when Mary said quite suddenly—

“But, after all, Edward, we don’t really want to furnish the room at all. I mean it isn’t necessary. And if we did so it might lead to no end of expense. People would hear of it and be sure to fish for invitations. You know we have relatives in the country, and they would be almost certain, the Mallings, at any rate, to give hints.”

Darnell saw the force of the argument and gave way. But he was bitterly disappointed.

“It would have been very nice, wouldn’t it?” he said with a sigh.

“Never mind, dear,” said Mary, who saw that he was a good deal cast down. “We must think of some other plan that will be nice and useful too.”

She often spoke to him in that tone of a kind mother, though she was by three years the younger.

“And now,” she said, “I must get ready for church. Are you coming?”

Darnell said that he thought not. He usually accompanied his wife to morning service, but that day he felt some bitterness in his heart, and preferred to lounge under the shade of the big mulberry tree that stood in the middle of their patch of garden—relic of the spacious lawns that had once lain smooth and green and sweet, where the dismal streets now swarmed in a hopeless labyrinth.

So Mary went quietly and alone to church. St. Paul’s stood in a neighbouring street, and its Gothic design would have interested a curious inquirer into the history of a strange revival. Obviously, mechanically, there was nothing amiss. The style chosen was “geometrical decorated,” and the tracery of the windows seemed correct. The nave, the aisles, the spacious chancel, were reasonably proportioned; and, to be quite serious, the only feature obviously wrong was the substitution of a low “chancel wall” with iron gates for the rood screen with the loft and rood. But this, it might plausibly be contended, was merely an adaptation of the old idea to modern requirements, and it would have been quite difficult to explain why the whole building, from the mere mortar setting between the stones to the Gothic gas standards, was a mysterious and elaborate blasphemy. The canticles were sung to Joll in B flat, the chants were “Anglican,” and the sermon was the gospel for the day, amplified and rendered into the more modern and graceful English of the preacher. And Mary came away.

After their dinner (an excellent piece of Australian mutton, bought in the “World Wide” Stores, in Hammersmith), they sat for some time in the garden, partly sheltered by the big mulberry tree from the observation of their neighbours. Edward smoked his honeydew, and Mary looked at him with placid affection.

“You never tell me about the men in your office,” she said at length. “Some of them are nice fellows, aren’t they?”

“Oh, yes, they’re very decent. I must bring some of them round, one of these days.”

He remembered with a pang that it would be necessary to provide whisky. One couldn’t ask the guest to drink table beer at tenpence the gallon.

“Who are they, though?” said Mary. “I think they might have given you a wedding present.”

“Well, I don’t know. We never have gone in for that sort of thing. But they’re very decent chaps. Well, there’s Harvey; ‘Sauce’ they call him behind his back. He’s mad on bicycling. He went in last year for the Two Miles Amateur Record. He’d have made it, too, if he could have got into better training.

“Then there’s James, a sporting man. You wouldn’t care for him. I always think he smells of the stable.”

“How horrid!” said Mrs. Darnell, finding her husband a little frank, lowering her eyes as she spoke.

“Dickenson might amuse you,” Darnell went on. “He’s always got a joke. A terrible liar, though. When he tells a tale we never know how much to believe. He swore the other day he’d seen one of the governors buying cockles off a barrow near London Bridge, and Jones, who’s just come, believed every word of it.”

Darnell laughed at the humorous recollection of the jest.

“And that wasn’t a bad yarn about Salter’s wife,” he went on. “Salter is the manager, you know. Dickenson lives close by, in Notting Hill, and he said one morning that he had seen Mrs. Salter, in the Portobello Road, in red stockings, dancing to a piano organ.”

“He’s a little coarse, isn’t he?” said Mrs. Darnell. “I don’t see much fun in that.”

“Well, you know, amongst men it’s different. You might like Wallis; he’s a tremendous photographer. He often shows us photos he’s taken of his children—one, a little girl of three, in her bath. I asked him how he thought she’d like it when she was twenty-three.”

Mrs. Darnell looked down and made no answer.

There was silence for some minutes while Darnell smoked his pipe. “I say, Mary,” he said at length, “what do you say to our taking a paying guest?”

“A paying guest! I never thought of it. Where should we put him?”

“Why, I was thinking of the spare room. The plan would obviate your objection, wouldn’t it? Lots of men in the City take them, and make money of it too. I dare say it would add ten pounds a year to our income. Redgrave, the cashier, finds it worth his while to take a large house on purpose. They have a regular lawn for tennis and a billiard-room.”

Mary considered gravely, always with the dream in her eyes. “I don’t think we could manage it, Edward,” she said; “it would be inconvenient in many ways.” She hesitated for a moment. “And I don’t think I should care to have a young man in the house. It is so very small, and our accommodation, as you know, is so limited.”

She blushed slightly, and Edward, a little disappointed as he was, looked at her with a singular longing, as if he were a scholar confronted with a doubtful hieroglyph, either wholly wonderful or altogether commonplace. Next door children were playing in the garden, playing shrilly, laughing, crying, quarrelling, racing to and fro. Suddenly a clear, pleasant voice sounded from an upper window.

“Enid! Charles! Come up to my room at once!”

There was an instant sudden hush. The children’s voices died away.

“Mrs. Parker is supposed to keep her children in great order,” said Mary. “Alice was telling me about it the other day. She had been talking to Mrs. Parker’s servant, I listened to her without any remark, as I don’t think it right to encourage servants’ gossip; they always exaggerate everything. And I dare say children often require to be corrected.”

The children were struck silent as if some ghastly terror had seized them.

Darnell fancied that he heard a queer sort of cry from the house, but could not be quite sure. He turned to the other side, where an elderly, ordinary man with a grey moustache was strolling up and down on the further side of his garden. He caught Darnell’s eye, and Mrs. Darnell looking towards him at the same moment, he very politely raised his tweed cap. Darnell was surprised to see his wife blushing fiercely.

“Sayce and I often go into the City by the same ’bus,” he said, “and as it happens we’ve sat next to each other two or three times lately. I believe he’s a traveller for a leather firm in Bermondsey. He struck me as a pleasant man. Haven’t they got rather a goodlooking servant?”

“Alice has spoken to me about her—and the Sayces,” said Mrs. Darnell. “I understand that they are not very well thought of in the neighbourhood. But I must go in and see whether the tea is ready. Alice will be wanting to go out directly.”

Darnell looked after his wife as she walked quickly away. He only dimly understood, but he could see the charm of her figure, the delight of the brown curls clustering about her neck, and he again felt that sense of the scholar confronted by the hieroglyphic. He could not have expressed his emotion, but he wondered whether he would ever find the key, and something told him that before she could speak to him his own lips must be unclosed. She had gone into the house by the back kitchen door, leaving it open, and he heard her speaking to the girl about the water being “really boiling.” He was amazed, almost indignant with himself; but the sound of the words came to his ears as strange, heartpiercing music, tones from another, wonderful sphere. And yet he was her husband, and they had been married nearly a year; and yet, whenever she spoke, he had to listen to the sense of what she said, constraining himself, lest he should believe she was a magic creature, knowing the secrets of immeasurable delight.

He looked out through the leaves of the mulberry tree. Mr. Sayce had disappeared from his view, but he saw the light-blue fume of the cigar that he was smoking floating slowly across the shadowed air. He was wondering at his wife’s manner when Sayce’s name was mentioned, puzzling his head as to what could be amiss in the household of a most respectable personage, when his wife appeared at the dining-room window and called him in to tea. She smiled as he looked up, and he rose hastily and walked in, wondering whether he were not a little “queer,” so strange were the dim emotions and the dimmer impulses that rose within him.

Alice was all shining purple and strong scent, as she brought in the teapot and the jug of hot water. It seemed that a visit to the kitchen had inspired Mrs. Darnell in her turn with a novel plan for disposing of the famous ten pounds. The range had always been a trouble to her, and when sometimes she went into the kitchen, and found, as she said, the fire “roaring halfway up the chimney,” it was in vain that she reproved the maid on the ground of extravagance and waste of coal. Alice was ready to admit the absurdity of making up such an enormous fire merely to bake (they called it “roast”) a bit of beef or mutton, and to boil the potatoes and the cabbage; but she was able to show Mrs. Darnell that the fault lay in the defective contrivance of the range, in an oven which “would not get hot.” Even with a chop or a steak it was almost as bad; the heat seemed to escape up the chimney or into the room, and Mary had spoken several times to her husband on the shocking waste of coal, and the cheapest coal procurable was never less than eighteen shillings the ton. Mr. Darnell had written to the landlord, a builder, who had replied in an illiterate but offensive communication, maintaining the excellence of the stove and charging all the faults to the account of “your good lady,” which really implied that the Darnells kept no servant, and that Mrs. Darnell did everything. The range, then, remained, a standing annoyance and expense. Every morning, Alice said, she had the greatest difficulty in getting the fire to light at all, and once lighted it “seemed as if it fled right up the chimney.” Only a few nights before Mrs. Darnell had spoken seriously to her husband about it; she had got Alice to weigh the coals expended in cooking a cottage pie, the dish of the evening, and deducting what remained in the scuttle after the pie was done, it appeared that the wretched thing had consumed nearly twice the proper quantity of fuel.

“You remember what I said the other night about the range?” said Mrs. Darnell, as she poured out the tea and watered the leaves. She thought the introduction a good one, for though her husband was a most amiable man, she guessed that he had been just a little hurt by her decision against his furnishing scheme.

“The range?” said Darnell. He paused as he helped himself to the marmalade and considered for a moment. “No, I don’t recollect. What night was it?”

“Tuesday. Don’t you remember? You had ‘overtime,’ and didn’t get home till quite late.”

She paused for a moment, blushing slightly; and then began to recapitulate the misdeeds of the range, and the outrageous outlay of coal in the preparation of the cottage pie.

“Oh, I recollect now. That was the night I thought I heard the nightingale (people say there are nightingales in Bedford Park), and the sky was such a wonderful deep blue.”

He remembered how he had walked from Uxbridge Road Station, where the green ’bus stopped, and in spite of the fuming kilns under Acton, a delicate odour of the woods and summer fields was mysteriously in the air, and he had fancied that he smelt the red wild roses, drooping from the hedge. As he came to his gate he saw his wife standing in the doorway, with a light in her hand, and he threw his arms violently about her as she welcomed him, and whispered something in her ear, kissing her scented hair. He had felt quite abashed a moment afterwards, and he was afraid that he had frightened her by his nonsense; she seemed trembling and confused. And then she had told him how they had weighed the coal.

“Yes, I remember now,” he said. “It is a great nuisance, isn’t it? I hate to throw away money like that.”

“Well, what do you think? Suppose we bought a really good range with aunt’s money? It would save us a lot, and I expect the things would taste much nicer.”

Darnell passed the marmalade, and confessed that the idea was brilliant.

“It’s much better than mine, Mary,” he said quite frankly. “I am so glad you thought of it. But we must talk it over; it doesn’t do to buy in a hurry. There are so many makes.”

Each had seen ranges which looked miraculous inventions; he in the neighbourhood of the City; she in Oxford Street and Regent Street, on visits to the dentist. They discussed the matter at tea, and afterwards they discussed it walking round and round the garden, in the sweet cool of the evening.

“They say the ‘Newcastle’ will burn anything, coke even,” said Mary.

“But the ‘Glow’ got the gold medal at the Paris Exhibition,”[6] said Edward.

“But what about the ‘Eutopia’ Kitchener? Have you seen it at work in Oxford Street?” said Mary. “They say their plan of ventilating the oven is quite unique.”

“I was in Fleet Street the other day,” answered Edward, “and I was looking at the ‘Bliss’ Patent Stoves. They burn less fuel than any in the market—so the makers declare.”

He put his arm gently round her waist. She did not repel him; she whispered quite softly—

“I think Mrs. Parker is at her window,” and he drew his arm back slowly.

“But we will talk it over,” he said. “There is no hurry, I might call at some of the places near the City, and you might do the same thing in Oxford Street and Regent Street and Piccadilly, and we could compare notes.”

Mary was quite pleased with her husband’s good temper. It was so nice of him not to find fault with her plan; “He’s so good to me,” she thought, and that was what she often said to her brother, who did not care much for Darnell. They sat down on the seat under the mulberry, close together, and she let Darnell take her hand, and as she felt his shy, hesitating fingers touch her in the shadow, she pressed them ever so softly, and as he fondled her hand, his breath was on her neck, and she heard his passionate, hesitating voice whisper, “My dear, my dear,” as his lips touched her cheek. She trembled a little, and waited. Darnell kissed her gently on the cheek and drew away his hand, and when he spoke he was almost breathless.

“We had better go in now,” he said. “There is a heavy dew, and you might catch cold.”

A warm, scented gale came to them from beyond the walls. He longed to ask her to stay out with him all night beneath the tree, that they might whisper to one another, that the scent of her hair might inebriate him, that he might feel her dress still brushing against his ankles. But he could not find the words, and it was absurd, and she was so gentle that she would do whatever he asked, however foolish it might be, just because he asked her. He was not worthy to kiss her lips; he bent down and kissed her silk bodice, and again he felt that she trembled, and he was ashamed, fearing that he had frightened her.

They went slowly into the house, side by side, and Darnell lit the gas in the drawing-room, where they always sat on Sunday evenings. Mrs. Darnell felt a little tired and lay down on the sofa, and Darnell took the arm-chair opposite. For a while they were silent, and then Darnell said suddenly—

“What’s wrong with the Sayces? You seemed to think there was something a little strange about them. Their maid looks quite quiet.”

“Oh, I don’t know that one ought to pay any attention to servants’ gossip. They’re not always very truthful.”

“It was Alice told you, wasn’t it?”

“Yes. She was speaking to me the other day, when I was in the kitchen in the afternoon.”

“But what was it?”

“Oh, I’d rather not tell you, Edward. It’s not pleasant. I scolded Alice for repeating it to me.”

Darnell got up and took a small, frail chair near the sofa.

“Tell me,” he said again, with an odd perversity. He did not really care to hear about the household next door, but he remembered how his wife’s cheeks flushed in the afternoon, and now he was looking at her eyes.

“Oh, I really couldn’t tell you, dear. I should feel ashamed.”

“But you’re my wife.”

“Yes, but it doesn’t make any difference. A woman doesn’t like to talk about such things.”

Darnell bent his head down. His heart was beating; he put his ear to her mouth and said, “Whisper.”

Mary drew his head down still lower with her gentle hand, and her cheeks burned as she whispered—

“Alice says that—upstairs—they have only—one room furnished. The maid told her—herself.”

With an unconscious gesture she pressed his head to her breast, and he in turn was bending her red lips to his own, when a violent jangle clamoured through the silent house. They sat up, and Mrs. Darnell went hurriedly to the door.

“That’s Alice,” she said. “She is always in in time. It has only just struck ten.”

Darnell shivered with annoyance. His lips, he knew, had almost been opened. Mary’s pretty handkerchief, delicately scented from a little flagon that a school friend had given her, lay on the floor, and he picked it up, and kissed it, and hid it away.

The question of the range occupied them all through June and far into July. Mrs. Darnell took every opportunity of going to the West End and investigating the capacity of the latest makes, gravely viewing the new improvements and hearing what the shopmen had to say; while Darnell, as he said, “kept his eyes open” about the City. They accumulated quite a literature of the subject, bringing away illustrated pamphlets, and in the evenings it was an amusement to look at the pictures. They viewed with reverence and interest the drawings of great ranges for hotels and public institutions, mighty contrivances furnished with a series of ovens each for a different use, with wonderful apparatus for grilling, with batteries of accessories which seemed to invest the cook almost with the dignity of a chief engineer. But when, in one of the lists, they encountered the images of little toy “cottage” ranges, for four pounds, and even for three pounds ten, they grew scornful, on the strength of the eight or ten pound article which they meant to purchase—when the merits of the divers patents had been thoroughly thrashed out.

The “Raven” was for a long time Mary’s favourite. It promised the utmost economy with the highest efficiency, and many times they were on the point of giving the order. But the “Glow” seemed equally seductive, and it was only £8. 5s. as compared with £9. 7s, 6d., and though the “Raven” was supplied to the Royal Kitchen, the “Glow” could show more fervent testimonials from continental potentates.

It seemed a debate without end, and it endured day after day till that morning, when Darnell woke from the dream of the ancient wood, of the fountains rising into grey vapour beneath the heat of the sun. As he dressed, an idea struck him, and he brought it as a shock to the hurried breakfast, disturbed by the thought of the City ’bus which passed the corner of the street at 9.15.

“I’ve got an improvement on your plan, Mary,” he said, with triumph. “Look at that,” and he flung a little book on the table.

He laughed. “It beats your notion all to fits. After all, the great expense is the coal. It’s not the stove—at least that’s not the real mischief. It’s the coal is so dear. And here you are. Look at those oil stoves. They don’t burn any coal, but the cheapest fuel in the world—oil; and for two pounds ten you can get a range that will do everything you want.”

“Give me the book,” said Mary, “and we will talk it over in the evening, when you come home. Must you be going?”

Darnell cast an anxious glance at the clock.

“Good-bye,” and they kissed each other seriously and dutifully, and Mary’s eyes made Darnell think of those lonely water-pools, hidden in the shadow of the ancient woods.

So, day after day, he lived in the grey phantasmal world, akin to death, that has, somehow, with most of us, made good its claim to be called life. To Darnell the true life would have seemed madness, and when, now and again, the shadows and vague images reflected from its splendour fell across his path, he was afraid, and took refuge in what he would have called the sane “reality” of common and usual incidents and interests. His absurdity was, perhaps, the more evident, inasmuch as “reality” for him was a matter of kitchen ranges, of saving a few shillings; but in truth the folly would have been greater if it had been concerned with racing stables, steam yachts, and the spending of many thousand pounds.

But so went forth Darnell, day by day, strangely mistaking death for life, madness for sanity, and purposeless and wandering phantoms for true beings. He was sincerely of opinion that he was a City clerk, living in Shepherd’s Bush—having forgotten the mysteries and the far-shining glories of the kingdom which was his by legitimate inheritance.

II

All day long a fierce and heavy heat had brooded over the City, and as Darnell neared home he saw the mist lying on all the damp lowlands, wreathed in coils about Bedford Park to the south, and mounting to the west, so that the tower of Acton Church loomed out of a grey lake. The grass in the squares and on the lawns which he overlooked as the ’bus lumbered wearily along was burnt to the colour of dust. Shepherd’s Bush Green was a wretched desert, trampled brown, bordered with monotonous poplars, whose leaves hung motionless in air that was still, hot smoke. The foot passengers struggled wearily along the pavements, and the reek of the summer’s end mingled with the breath of the brick-fields made Darnell gasp, as if he were inhaling the poison of some foul sick-room.

He made but a slight inroad into the cold mutton that adorned the tea-table, and confessed that he felt rather “done up” by the weather and the day’s work.

“I have had a trying day, too,” said Mary. “Alice has been very queer and troublesome all day, and I have had to speak to her quite seriously. You know I think her Sunday evenings out have a rather unsettling influence on the girl. But what is one to do?”

“Has she got a young man?”

“Of course: a grocer’s assistant from the Goldhawk Road—Wilkin’s, you know. I tried them when we settled here, but they were not very satisfactory.”

“What do they do with themselves all the evening? They have from five to ten, haven’t they?”

“Yes; five, or sometimes half-past, when the water won’t boil. Well, I believe they go for walks usually. Once or twice he has taken her to the City Temple,[7] and the Sunday before last they walked up and down Oxford Street, and then sat in the Park. But it seems that last Sunday they went to tea with his mother at Putney. I should like to tell the old woman what I really think of her.”

“Why? What happened? Was she nasty to the girl?”

“No; that’s just it. Before this, she has been very unpleasant on several occasions. When the young man first took Alice to see her—that was in March—the girl came away crying; she told me so herself. Indeed, she said she never wanted to see old Mrs. Murry again; and I told Alice that, if she had not exaggerated things, I could hardly blame her for feeling like that.”

“Why? What did she cry for?”

“Well, it seems that the old lady—she lives in quite a small cottage in some Putney back street—was so stately that she would hardly speak. She had borrowed a little girl from some neighbour’s family, and had managed to dress her up to imitate a servant, and Alice said nothing could be sillier than to see that mite opening the door, with her black dress and her white cap and apron, and she hardly able to turn the handle, as Alice said. George (that’s the young man’s name) had told Alice that it was a little bit of a house; but he said the kitchen was comfortable, though very plain and old-fashioned. But, instead of going straight to the back, and sitting by a big fire on the old settle that they had brought up from the country, that child asked for their names (did you ever hear such nonsense?) and showed them into a little poky parlour, where old Mrs. Murry was sitting ‘like a duchess,’ by a fire-place full of coloured paper, and the room as cold as ice. And she was so grand that she would hardly speak to Alice.”

“That must have been very unpleasant.”

“Oh, the poor girl had a dreadful time. She began with: ‘Very pleased to make your acquaintance, Miss Dill. I know so very few persons in service.’ Alice imitates her mincing way of talking, but I can’t do it. And then she went on to talk about her family, how they had farmed their own land for five hundred years—such stuff! George had told Alice all about it: they had had an old cottage with a good strip of garden and two fields somewhere in Essex, and that old woman talked almost as if they had been country gentry, and boasted about the Rector, Dr. Somebody, coming to see them so often, and of Squire Somebody Else always looking them up, as if they didn’t visit them out of kindness. Alice told me it was as much as she could do to keep from laughing in Mrs. Murry’s face, her young man having told her all about the place, and how small it was, and how the Squire had been so kind about buying it when old Murry died and George was a little boy, and his mother not able to keep things going. However, that silly old woman ‘laid it on thick,’ as you say, and the young man got more and more uncomfortable, especially when she went on to speak about marrying in one’s own class, and how unhappy she had known young men to be who had married beneath them, giving some very pointed looks at Alice as she talked. And then such an amusing thing happened: Alice had noticed George looking about him in a puzzled sort of way, as if he couldn’t make out something or other, and at last he burst out and asked his mother if she had been buying up the neighbours’ ornaments, as he remembered the two green cut-glass vases on the mantelpiece at Mrs. Ellis’s, and the wax flowers at Miss Turvey’s. He was going on, but his mother scowled at him, and upset some books, which he had to pick up; but Alice quite understood she had been borrowing things from her neighbours, just as she had borrowed the little girl, so as to look grander. And then they had tea—water bewitched, Alice calls it—and very thin bread and butter, and rubbishy foreign pastry from the Swiss shop in the High Street—all sour froth and rancid fat, Alice declares. And then Mrs. Murry began boasting again about her family, and snubbing Alice and talking at her, till the girl came away quite furious, and very unhappy, too. I don’t wonder at it, do you?”

“It doesn’t sound very enjoyable, certainly,” said Darnell, looking dreamily at his wife. He had not been attending very carefully to the subject-matter of her story, but he loved to hear a voice that was incantation in his ears, tones that summoned before him the vision of a magic world.

“And has the young man’s mother always been like this?” he said after a long pause, desiring that the music should continue.

“Always, till quite lately, till last Sunday in fact. Of course Alice spoke to George Murry at once, and said, like a sensible girl, that she didn’t think it ever answered for a married couple to live with the man’s mother, ‘especially,’ she went on, ‘as I can see your mother hasn’t taken much of a fancy to me.’ He told her, in the usual style, it was only his mother’s way, that she didn’t really mean anything, and so on; but Alice kept away for a long time, and rather hinted, I think, that it might come to having to choose between her and his mother. And so affairs went on all through the spring and summer, and then, just before the August Bank Holiday, George spoke to Alice again about it, and told her how sorry the thought of any unpleasantness made him, and how he wanted his mother and her to get on with each other, and how she was only a bit old-fashioned and queer in her ways, and had spoken very nicely to him about her when there was nobody by. So the long and the short of it was that Alice said she might come with them on the Monday, when they had settled to go to Hampton Court—the girl was always talking about Hampton Court, and wanting to see it. You remember what a beautiful day it was, don’t you?”

“Let me see,” said Darnell dreamily. “Oh yes, of course—I sat out under the mulberry tree all day, and we had our meals there: it was quite a picnic. The caterpillars were a nuisance, but I enjoyed the day very much.” His ears were charmed, ravished with the grave, supernal melody, as of antique song, rather of the first made world in which all speech was descant, and all words were sacraments of might, speaking not to the mind but to the soul. He lay back in his chair, and said—

“Well, what happened to them?”

“My dear, would you believe it; but that wretched old woman behaved worse than ever. They met as had been arranged, at Kew Bridge, and got places, with a good deal of difficulty, in one of those char-à-banc[8] things, and Alice thought she was going to enjoy herself tremendously. Nothing of the kind. They had hardly said ‘Good morning,’ when old Mrs. Murry began to talk about Kew Gardens, and how beautiful it must be there, and how much more convenient it was than Hampton, and no expense at all; just the trouble of walking over the bridge. Then she went on to say, as they were waiting for the char-à-banc, that she had always heard there was nothing to see at Hampton, except a lot of nasty, grimy old pictures, and some of them not fit for any decent woman, let alone girl, to look at, and she wondered why the Queen allowed such things to be shown, putting all kinds of notions into girls’ heads that were light enough already; and as she said that she looked at Alice so nastily—horrid old thing—that, as she told me afterwards, Alice would have slapped her face if she hadn’t been an elderly woman, and George’s mother. Then she talked about Kew again, saying how wonderful the hothouses were, with palms and all sorts of wonderful things, and a lily as big as a parlour table, and the view over the river. George was very good, Alice told me. He was quite taken aback at first, as the old woman had promised faithfully to be as nice as ever she could be; but then he said, gently but firmly, ‘Well, mother, we must go to Kew some other day, as Alice has set her heart on Hampton for to-day, and I want to see it myself!’ All Mrs. Murry did was to snort, and look at the girl like vinegar, and just then the char-à-banc came up, and they had to scramble for their seats. Mrs. Murry grumbled to herself in an indistinct sort of voice all the way to Hampton Court. Alice couldn’t very well make out what she said, but now and then she seemed to hear bits of sentences, like: Pity to grow old, if sons grow bold; and Honour thy father and mother;[9] and Lie on the shelf, said the housewife to the old shoe, and the wicked son to his mother; and I gave you milk and you give me the go-by. Alice thought they must be proverbs (except the Commandment, of course), as George was always saying how old-fashioned his mother is; but she says there were so many of them, and all pointed at her and George, that she thinks now Mrs. Murry must have made them up as they drove along. She says it would be just like her to do it, being old-fashioned, and ill-natured too, and fuller of talk than a butcher on Saturday night. Well, they got to Hampton at last, and Alice thought the place would please her, perhaps, and they might have some enjoyment. But she did nothing but grumble, and out loud too, so that people looked at them, and a woman said, so that they could hear, ‘Ah well, they’ll be old themselves some day,’ which made Alice very angry, for, as she said, they weren’t doing anything. When they showed her the chestnut avenue in Bushey Park, she said it was so long and straight that it made her quite dull to look at it, and she thought the deer (you know how pretty they are, really) looked thin and miserable, as if they would be all the better for a good feed of hog-wash, with plenty of meal in it. She said she knew they weren’t happy by the look in their eyes, which seemed to tell her that their keepers beat them. It was the same with everything; she said she remembered market-gardens in Hammersmith and Gunnersbury that had a better show of flowers, and when they took her to the place where the water is, under the trees, she burst out with its being rather hard to tramp her off her legs to show her a common canal, with not so much as a barge on it to liven it up a bit. She went on like that the whole day, and Alice told me she was only too thankful to get home and get rid of her. Wasn’t it wretched for the girl?”

“It must have been, indeed. But what happened last Sunday?”

“That’s the most extraordinary thing of all. I noticed that Alice was rather queer in her manner this morning; she was a longer time washing up the breakfast things, and she answered me quite sharply when I called to her to ask when she would be ready to help me with the wash; and when I went into the kitchen to see about something, I noticed that she was going about her work in a sulky sort of way. So I asked her what was the matter, and then it all came out. I could scarcely believe my own ears when she mumbled out something about Mrs. Murry thinking she could do very much better for herself; but I asked her one question after another till I had it all out of her. It just shows one how foolish and empty-headed these girls are. I told her she was no better than a weather-cock. If you will believe me, that horrid old woman was quite another person when Alice went to see her the other night. Why, I can’t think, but so she was. She told the girl how pretty she was; what a neat figure she had; how well she walked; and how she’d known many a girl not half so clever or well-looking earning her twenty-five or thirty pounds a year, and with good families. She seems to have gone into all sorts of details, and made elaborate calculations as to what she would be able to save, ‘with decent folks, who don’t screw, and pinch, and lock up everything in the house,’ and then she went off into a lot of hypocritical nonsense about how fond she was of Alice, and how she could go to her grave in peace, knowing how happy her dear George would be with such a good wife, and about her savings from good wages helping to set up a little home, ending up with ‘And, if you take an old woman’s advice, deary, it won’t be long before you hear the marriage bells.’”

“I see,” said Darnell; “and the upshot of it all is, I suppose, that the girl is thoroughly dissatisfied?”

“Yes, she is so young and silly. I talked to her, and reminded her of how nasty old Mrs. Murry had been, and told her that she might change her place and change for the worse. I think I have persuaded her to think it over quietly, at all events. Do you know what it is, Edward? I have an idea. I believe that wicked old woman is trying to get Alice to leave us, that she may tell her son how changeable she is; and I suppose she would make up some of her stupid old proverbs: ‘A changeable wife, a troublesome life,’ or some nonsense of the kind. Horrid old thing!”

“Well, well,” said Darnell, “I hope she won’t go, for your sake. It would be such a bother for you, hunting for a fresh servant.”

He refilled his pipe and smoked placidly, refreshed somewhat after the emptiness and the burden of the day. The French window was wide open, and now at last there came a breath of quickening air, distilled by the night from such trees as still wore green in that arid valley. The song to which Darnell had listened in rapture, and now the breeze, which even in that dry, grim suburb still bore the word of the woodland, had summoned the dream to his eyes, and he meditated over matters that his lips could not express.

“She must, indeed, be a villainous old woman,” he said at length.

“Old Mrs. Murry? Of course she is; the mischievous old thing! Trying to take the girl from a comfortable place where she is happy.”

“Yes; and not to like Hampton Court! That shows how bad she must be, more than anything.”

“It is beautiful, isn’t it?”

“I shall never forget the first time I saw it. It was soon after I went into the City; the first year. I had my holidays in July, and I was getting such a small salary that I couldn’t think of going away to the seaside, or anything like that. I remember one of the other men wanted me to come with him on a walking tour in Kent. I should have liked that, but the money wouldn’t run to it. And do you know what I did? I lived in Great College Street then, and the first day I was off, I stayed in bed till past dinnertime, and lounged about in an arm-chair with a pipe all the afternoon. I had got a new kind of tobacco—one and four for the two-ounce packet—much dearer than I could afford to smoke, and I was enjoying it immensely. It was awfully hot, and when I shut the window and drew down the red blind it grew hotter; at five o’clock the room was like an oven. But I was so pleased at not having to go into the City, that I didn’t mind anything, and now and again I read bits from a queer old book that had belonged to my poor dad. I couldn’t make out what a lot of it meant, but it fitted in somehow, and I read and smoked till tea-time. Then I went out for a walk, thinking I should be better for a little fresh air before I went to bed; and I went wandering away, not much noticing where I was going, turning here and there as the fancy took me. I must have gone miles and miles, and a good many of them round and round, as they say they do in Australia if they lose their way in the bush; and I am sure I couldn’t have gone exactly the same way all over again for any money. Anyhow, I was still in the streets when the twilight came on, and the lamplighters were trotting round from one lamp to another. It was a wonderful night: I wish you had been there, my dear.”

“I was quite a little girl then.”

“Yes, I suppose you were. Well, it was a wonderful night. I remember, I was walking in a little street of little grey houses all alike, with stucco copings and stucco door-posts; there were brass plates on a lot of the doors, and one had ‘Maker of Shell Boxes’ on it, and I was quite pleased, as I had often wondered where those boxes and things that you buy at the seaside came from. A few children were playing about in the road with some rubbish or other, and men were singing in a small public-house at the corner, and I happened to look up, and I noticed what a wonderful colour the sky had turned. I have seen it since, but I don’t think it has ever been quite what it was that night, a dark blue, glowing like a violet, just as they say the sky looks in foreign countries. I don’t know why, but the sky or something made me feel quite queer; everything seemed changed in a way I couldn’t understand. I remember, I told an old gentleman I knew then—a friend of my poor father’s, he’s been dead for five years, if not more—about how I felt, and he looked at me and said something about fairyland; I don’t know what he meant, and I dare say I didn’t explain myself properly. But, do you know, for a moment or two I felt as if that little back street was beautiful, and the noise of the children and the men in the public-house seemed to fit in with the sky and become part of it. You know that old saying about ‘treading on air’ when one is glad! Well, I really felt like that as I walked, not exactly like air, you know, but as if the pavement was velvet or some very soft carpet. And then—I suppose it was all my fancy—the air seemed to smell sweet, like the incense in Catholic churches, and my breath came queer and catchy, as it does when one gets very excited about anything. I felt altogether stranger than I’ve ever felt before or since.”

Darnell stopped suddenly and looked up at his wife. She was watching him with parted lips, with eager, wondering eyes.

“I hope I’m not tiring you, dear, with all this story about nothing. You have had a worrying day with that stupid girl; hadn’t you better go to bed?”

“Oh, no, please, Edward. I’m not a bit tired now. I love to hear you talk like that. Please go on.”

“Well, after I had walked a bit further, that queer sort of feeling seemed to fade away. I said a bit further, and I really thought I had been walking about five minutes, but I had looked at my watch just before I got into that little street, and when I looked at it again it was eleven o’clock. I must have done about eight miles. I could scarcely believe my own eyes, and I thought my watch must have gone mad; but I found out afterwards it was perfectly right. I couldn’t make it out, and I can’t now; I assure you the time passed as if I walked up one side of Edna Road and down the other. But there I was, right in the open country, with a cool wind blowing on me from a wood, and the air full of soft rustling sounds, and notes of birds from the bushes, and the singing noise of a little brook that ran under the road. I was standing on the bridge when I took out my watch and struck a wax light to see the time; and it came upon me suddenly what a strange evening it had been. It was all so different, you see, to what I had been doing all my life, particularly for the year before, and it almost seemed as if I couldn’t be the man who had been going into the City every day in the morning and coming back from it every evening after writing a lot of uninteresting letters. It was like being pitched all of a sudden from one world into another. Well, I found my way back somehow or other, and as I went along I made up my mind how I’d spend my holiday. I said to myself, ‘I’ll have a walking tour as well as Ferrars, only mine is to be a tour of London and its environs,’ and I had got it all settled when I let myself into the house about four o’clock in the morning, and the sun was shining, and the street almost as still as the wood at midnight!”

“I think that was a capital idea of yours. Did you have your tour? Did you buy a map of London?”

“I had the tour all right. I didn’t buy a map; that would have spoilt it, somehow; to see everything plotted out, and named, and measured. What I wanted was to feel that I was going where nobody had been before. That’s nonsense, isn’t it? as if there could be any such places in London, or England either, for the matter of that.”

“I know what you mean; you wanted to feel as if you were going on a sort of voyage of discovery. Isn’t that it?”

“Exactly, that’s what I was trying to tell you. Besides, I didn’t want to buy a map. I made a map.”

“How do you mean? Did you make a map out of your head?”

“I’ll tell you about it afterwards. But do you really want to hear about my grand tour?”

“Of course I do; it must have been delightful. I call it a most original idea.”

“Well, I was quite full of it, and what you said just now about a voyage of discovery reminds me of how I felt then. When I was a boy I was awfully fond of reading of great travellers—I suppose all boys are—and of sailors who were driven out of their course and found themselves in latitudes where no ship had ever sailed before, and of people who discovered wonderful cities in strange countries; and all the second day of my holidays I was feeling just as I used to when I read these books. I didn’t get up till pretty late. I was tired to death after all those miles I had walked; but when I had finished my breakfast and filled my pipe, I had a grand time of it. It was such nonsense, you know; as if there could be anything strange or wonderful in London.”

“Why shouldn’t there be?”

“Well, I don’t know; but I have thought afterwards what a silly lad I must have been. Anyhow, I had a great day of it, planning what I would do, half making-believe—just like a kid—that I didn’t know where I might find myself, or what might happen to me. And I was enormously pleased to think it was all my secret, that nobody else knew anything about it, and that, whatever I might see, I would keep to myself. I had always felt like that about the books. Of course, I loved reading them, but it seemed to me that, if I had been a discoverer, I would have kept my discoveries a secret. If I had been Columbus, and, if it could possibly have been managed, I would have found America all by myself, and never have said a word about it to anybody. Fancy! how beautiful it would be to be walking about in one’s own town, and talking to people, and all the while to have the thought that one knew of a great world beyond the seas, that nobody else dreamed of. I should have loved that!

“And that is exactly what I felt about the tour I was going to make. I made up my mind that nobody should know; and so, from that day to this, nobody has heard a word of it.”

“But you are going to tell me?”

“You are different. But I don’t think even you will hear everything; not because I won’t, but because I can’t tell many of the things I saw.”

“Things you saw? Then you really did see wonderful, strange things in London?”

“Well, I did and I didn’t. Everything, or pretty nearly everything, that I saw is standing still, and hundreds of thousands of people have looked at the same sights—there were many places that the fellows in the office knew quite well, I found out afterwards. And then I read a book called ‘London and its Surroundings.’ But (I don’t know how it is) neither the men at the office nor the writers of the book seem to have seen the things that I did. That’s why I stopped reading the book; it seemed to take the life, the real heart, out of everything, making it as dry and stupid as the stuffed birds in a museum.

“I thought about what I was going to do all that day, and went to bed early, so as to be fresh. I knew wonderfully little about London, really; though, except for an odd week now and then, I had spent all my life in town. Of course I knew the main streets—the Strand, Regent Street, Oxford Street, and so on—and I knew the way to the school I used to go to when I was a boy, and the way into the City. But I had just kept to a few tracks, as they say the sheep do on the mountains; and that made it all the easier for me to imagine that I was going to discover a new world.”

Darnell paused in the stream of his talk. He looked keenly at his wife to see if he were wearying her, but her eyes gazed at him with unabated interest—one would have almost said that they were the eyes of one who longed and half expected to be initiated into the mysteries, who knew not what great wonder was to be revealed. She sat with her back to the open window, framed in the sweet dusk of the night, as if a painter had made a curtain of heavy velvet behind her; and the work that she had been doing had fallen to the floor. She supported her head with her two hands placed on each side of her brow, and her eyes were as the wells in the wood of which Darnell dreamed in the night-time and in the day.

“And all the strange tales I had ever heard were in my head that morning,” he went on, as if continuing the thoughts that had filled his mind while his lips were silent. “I had gone to bed early, as I told you, to get a thorough rest, and I had set my alarum clock to wake me at three, so that I might set out at an hour that was quite strange for the beginning of a journey. There was a hush in the world when I awoke, before the clock had rung to arouse me, and then a bird began to sing and twitter in the elm tree that grew in the next garden, and I looked out of the window, and everything was still, and the morning air breathed in pure and sweet, as I had never known it before. My room was at the back of the house, and most of the gardens had trees in them, and beyond these trees I could see the backs of the houses of the next street rising like the wall of an old city; and as I looked the sun rose, and the great light came in at my window, and the day began.

“And I found that when I was once out of the streets just about me that I knew, some of the queer feeling that had come to me two days before came back again. It was not nearly so strong, the streets no longer smelt of incense, but still there was enough of it to show me what a strange world I passed by. There were things that one may see again and again in many London streets: a vine or a fig tree on a wall, a lark singing in a cage, a curious shrub blossoming in a garden, an odd shape of a roof, or a balcony with an uncommon-looking trellis-work in iron. There’s scarcely a street, perhaps, where you won’t see one or other of such things as these; but that morning they rose to my eyes in a new light, as if I had on the magic spectacles in the fairy tale, and just like the man in the fairy tale, I went on and on in the new light. I remember going through wild land on a high place; there were pools of water shining in the sun, and great white houses in the middle of dark, rocking pines, and then on the turn of the height I came to a little lane that went aside from the main road, a lane that led to a wood, and in the lane was a little old shadowed house, with a bell turret in the roof, and a porch of trellis-work all dim and faded into the colour of the sea; and in the garden there were growing tall, white lilies, just as we saw them that day we went to look at the old pictures; they were shining like silver, and they filled the air with their sweet scent. It was from near that house I saw the valley and high places far away in the sun. So, as I say, I went ‘on and on,’ by woods and fields, till I came to a little town on the top of a hill, a town full of old houses bowing to the ground beneath their years, and the morning was so still that the blue smoke rose up straight into the sky from all the roof-tops, so still that I heard far down in the valley the song of a boy who was singing an old song through the streets as he went to school, and as I passed through the awakening town, beneath the old, grave houses, the church bells began to ring.

“It was soon after I had left this town behind me that I found the Strange Road.[10] I saw it branching off from the dusty high road, and it looked so green that I turned aside into it, and soon I felt as if I had really come into a new country. I don’t know whether it was one of the roads the old Romans made that my father used to tell me about; but it was covered with deep, soft turf, and the great tall hedges on each side looked as if they had not been touched for a hundred years; they had grown so broad and high and wild that they met overhead, and I could only get glimpses here and there of the country through which I was passing, as one passes in a dream. The Strange Road led me on and on, up and down hill; sometimes the rose bushes had grown so thick that I could scarcely make my way between them, and sometimes the road broadened out into a green, and in one valley a brook, spanned by an old wooden bridge, ran across it. I was tired, and I found a soft and shady place beneath an ash tree, where I must have slept for many hours, for when I woke up it was late in the afternoon. So I went on again, and at last the green road came out into the highway, and I looked up and saw another town on a high place with a great church in the middle of it, and when I went up to it there was a great organ sounding from within, and the choir was singing.”

There was a rapture in Darnell’s voice as he spoke, that made his story well-nigh swell into a song, and he drew a long breath as the words ended, filled with the thought of that far-off summer day, when some enchantment had informed all common things, transmuting them into a great sacrament, causing earthly works to glow with the fire and the glory of the everlasting light.

And some splendour of that light shone on the face of Mary as she sat still against the sweet gloom of the night, her dark hair making her face more radiant. She was silent for a little while, and then she spoke—

“Oh, my dear, why have you waited so long to tell me these wonderful things? I think it is beautiful. Please go on.”

“I have always been afraid it was all nonsense,” said Darnell. “And I don’t know how to explain what I feel. I didn’t think I could say so much as I have to-night.”

“And did you find it the same day after day?”

“All through the tour? Yes, I think every journey was a success. Of course, I didn’t go so far afield every day; I was too tired. Often I rested all day long, and went out in the evening, after the lamps were lit, and then only for a mile or two. I would roam about old, dim squares, and hear the wind from the hills whispering in the trees; and when I knew I was within call of some great glittering street, I was sunk in the silence of ways where I was almost the only passenger, and the lamps were so few and faint that they seemed to give out shadows instead of light. And I would walk slowly, to and fro, perhaps for an hour at a time, in such dark streets, and all the time I felt what I told you about its being my secret—that the shadow, and the dim lights, and the cool of the evening, and trees that were like dark low clouds were all mine, and mine alone, that I was living in a world that nobody else knew of, into which no one could enter.

“I remembered one night I had gone farther. It was somewhere in the far west, where there are orchards and gardens, and great broad lawns that slope down to trees by the river. A great red moon rose that night through mists of sunset, and thin, filmy clouds, and I wandered by a road that passed through the orchards, till I came to a little hill, with the moon showing above it glowing like a great rose. Then I saw figures pass between me and the moon, one by one, in a long line, each bent double, with great packs upon their shoulders. One of them was singing, and then in the middle of the song I heard a horrible shrill laugh, in the thin cracked voice of a very old woman, and they disappeared into the shadow of the trees. I suppose they were people going to work, or coming from work in the gardens; but how like it was to a nightmare!

“I can’t tell you about Hampton; I should never finish talking. I was there one evening, not long before they closed the gates, and there were very few people about. But the grey-red, silent, echoing courts, and the flowers falling into dreamland as the night came on, and the dark yews and shadowy-looking statues, and the far, still stretches of water beneath the avenues; and all melting into a blue mist, all being hidden from one’s eyes, slowly, surely, as if veils were dropped, one by one, on a great ceremony! Oh! my dear, what could it mean? Far away, across the river, I heard a soft bell ring three times, and three times, and again three times, and I turned away, and my eyes were full of tears.

“I didn’t know what it was when I came to it; I only found out afterwards that it must have been Hampton Court. One of the men in the office told me he had taken an A.B.C. girl[11] there, and they had great fun. They got into the maze and couldn’t get out again, and then they went on the river and were nearly drowned. He told me there were some spicy pictures in the galleries; his girl shrieked with laughter, so he said.”

Mary quite disregarded this interlude.

“But you told me you had made a map. What was it like?”

“I’ll show it you some day, if you want to see it. I marked down all the places I had gone to, and made signs—things like queer letters—to remind me of what I had seen. Nobody but myself could understand it. I wanted to draw pictures, but I never learnt how to draw, so when I tried nothing was like what I wanted it to be. I tried to draw a picture of that town on the hill that I came to on the evening of the first day; I wanted to make a steep hill with houses on top, and in the middle, but high above them, the great church, all spires and pinnacles, and above it, in the air, a cup with rays coming from it. But it wasn’t a success. I made a very strange sign for Hampton Court, and gave it a name that I made up out of my head.”

The Darnells avoided one another’s eyes as they sat at breakfast the next morning. The air had lightened in the night, for rain had fallen at dawn; and there was a bright blue sky, with vast white clouds rolling across it from the south-west, and a fresh and joyous wind blew in at the open window; the mists had vanished. And with the mists there seemed to have vanished also the sense of strange things that had possessed Mary and her husband the night before; and as they looked out into the clear light they could scarcely believe that the one had spoken and the other had listened a few hours before to histories very far removed from the usual current of their thoughts and of their lives. They glanced shyly at one another, and spoke of common things, of the question whether Alice would be corrupted by the insidious Mrs. Murry, or whether Mrs. Darnell would be able to persuade the girl that the old woman must be actuated by the worst motives.

“And I think, if I were you,” said Darnell, as he went out, “I should step over to the stores and complain of their meat. That last piece of beef was very far from being up to the mark—full of sinew.”

III

It might have been different in the evening, and Darnell had matured a plan by which he hoped to gain much. He intended to ask his wife if she would mind having only one gas, and that a good deal lowered, on the pretext that his eyes were tired with work; he thought many things might happen if the room were dimly lit, and the window opened, so that they could sit and watch the night, and listen to the rustling murmur of the tree on the lawn. But his plans were made in vain, for when he got to the garden gate his wife, in tears, came forth to meet him.

“Oh, Edward,” she began, “such a dreadful thing has happened! I never liked him much, but I didn’t think he would ever do such awful things.”

“What do you mean? Who are you talking about? What has happened? Is it Alice’s young man?”

“No, no. But come in, dear. I can see that woman opposite watching us: she’s always on the look out.”

“Now, what is it?” said Darnell, as they sat down to tea. “Tell me, quick! You’ve quite frightened me.”

“I don’t know how to begin, or where to start. Aunt Marian has thought that there was something queer for weeks. And then she found—oh, well, the long and short of it is that Uncle Robert has been carrying on dreadfully with some horrid girl, and aunt has found out everything!”

“Lord! you don’t say so! The old rascal! Why, he must be nearer seventy than sixty!”

“He’s just sixty-five; and the money he has given her—”

The first shock of surprise over, Darnell turned resolutely to his mince.

“We’ll have it all out after tea,” he said; “I am not going to have my meals spoilt by that old fool of a Nixon. Fill up my cup, will you, dear?”

“Excellent mince this,” he went on, calmly. “A little lemon juice and a bit of ham in it? I thought there was something extra. Alice all right to-day? That’s good. I expect she’s getting over all that nonsense.”

He went on calmly chattering in a manner that astonished Mrs. Darnell, who felt that by the fall of Uncle Robert the natural order had been inverted, and had scarcely touched food since the intelligence had arrived by the second post. She had started out to keep the appointment her aunt had made early in the morning, and had spent most of the day in a first-class waiting-room at Victoria Station, where she had heard all the story.

“Now,” said Darnell, when the table had been cleared, “tell us all about it. How long has it been going on?”

“Aunt thinks now, from little things she remembers, that it must have been going on for a year at least. She says there has been a horrid kind of mystery about uncle’s behaviour for a long time, and her nerves were quite shaken, as she thought he must be involved with Anarchists, or something dreadful of the sort.”

“What on earth made her think that?”

“Well, you see, once or twice when she was out walking with her husband, she has been startled by whistles, which seemed to follow them everywhere. You know there are some nice country walks at Barnet, and one in particular, in the fields near Totteridge, that uncle and aunt rather made a point of going to on fine Sunday evenings. Of course, this was not the first thing she noticed, but, at the time, it made a great impression on her mind; she could hardly get a wink of sleep for weeks and weeks.”

“Whistling?” said Darnell. “I don’t quite understand. Why should she be frightened by whistling?”

“I’ll tell you. The first time it happened was one Sunday in last May. Aunt had a fancy they were being followed a Sunday or two before, but she didn’t see or hear anything, except a sort of crackling noise in the hedge. But this particular Sunday they had hardly got through the stile into the fields, when she heard a peculiar kind of low whistle. She took no notice, thinking it was no concern of hers or her husband’s, but as they went on she heard it again, and then again, and it followed them the whole walk, and it made her so uncomfortable, because she didn’t know where it was coming from or who was doing it, or why. Then, just as they got out of the fields into the lane, uncle said he felt quite faint, and he thought he would try a little brandy at the ‘Turpin’s Head,’ a small public-house there is there. And she looked at him and saw his face was quite purple—more like apoplexy, as she says, than fainting fits which make people look a sort of greenish-white. But she said nothing, and thought perhaps uncle had a peculiar way of fainting of his own, as he always was a man to have his own way of doing everything. So she just waited in the road, and he went ahead and slipped into the public, and aunt says she thought she saw a little figure rise out of the dusk and slip in after him, but she couldn’t be sure. And when uncle came out he looked red instead of purple, and said he felt much better; and so they went home quietly together, and nothing more was said. You see, uncle had said nothing about the whistling, and aunt had been so frightened that she didn’t dare speak, for fear they might be both shot.

“She wasn’t thinking anything more about it, when two Sundays afterwards the very same thing happened just as it had before. This time aunt plucked up a spirit, and asked uncle what it could be. And what do you think he said? ‘Birds, my dear, birds.’ Of course aunt said to him that no bird that ever flew with wings made a noise like that: sly, and low, with pauses in between; and then he said that many rare sorts of birds lived in North Middlesex and Hertfordshire. ‘Nonsense, Robert,’ said aunt, ‘how can you talk so, considering it has followed us all the way, for a mile or more?’ And then uncle told her that some birds were so attached to man that they would follow one about for miles sometimes; he said he had just been reading about a bird like that in a book of travels. And do you know that when they got home he actually showed her a piece in the ‘Hertfordshire Naturalist’[12] which they took in to a oblige a friend of theirs, all about rare birds found in the neighbourhood, all the most outlandish names, aunt says, that she had never heard or thought of, and uncle had the impudence to say that it must have been a Purple Sandpiper, which, the paper said, had ‘a low shrill note, constantly repeated.’ And then he took down a book of Siberian Travels from the bookcase and showed her a page which told how a man was followed by a bird all day long through a forest. And that’s what Aunt Marian says vexes her more than anything almost; to think that he should be so artful and ready with those books, twisting them to his own wicked ends. But, at the time, when she was out walking, she simply couldn’t make out what he meant by talking about birds in that random, silly sort of way, so unlike him, and they went on, that horrible whistling following them, she looking straight ahead and walking fast, really feeling more huffy and put out than frightened. And when they got to the next stile, she got over and turned round, and ‘lo and behold,’ as she says, there was no Uncle Robert to be seen! She felt herself go quite white with alarm, thinking of that whistle, and making sure he’d been spirited away or snatched in some way or another, and she had just screamed out ‘Robert’ like a mad woman, when he came quite slowly round the corner, as cool as a cucumber, holding something in his hand. He said there were some flowers he could never pass, and when aunt saw that he had got a dandelion torn up by the roots, she felt as if her head were going round.”

Mary’s story was suddenly interrupted. For ten minutes Darnell had been writhing in his chair, suffering tortures in his anxiety to avoid wounding his wife’s feelings, but the episode of the dandelion was too much for him, and he burst into a long, wild shriek of laughter, aggravated by suppression into the semblance of a Red Indian’s war-whoop. Alice, who was washing-up in the scullery, dropped some three shillings’ worth of china, and the neighbours ran out into their gardens wondering if it were murder. Mary gazed reproachfully at her husband.

“How can you be so unfeeling, Edward?” she said, at length, when Darnell had passed into the feebleness of exhaustion. “If you had seen the tears rolling down poor Aunt Marian’s cheeks as she told me, I don’t think you would have laughed. I didn’t think you were so hard-hearted.”

“My dear Mary,” said Darnell, faintly, through sobs and catching of the breath, “I am awfully sorry. I know it’s very sad, really, and I’m not unfeeling; but it is such an odd tale, now, isn’t it? The Sandpiper, you know, and then the dandelion!”

His face twitched and he ground his teeth together. Mary looked gravely at him for a moment, and then she put her hands to her face, and Darnell could see that she also shook with merriment.

“I am as bad as you,” she said, at last. “I never thought of it in that way. I’m glad I didn’t, or I should have laughed in Aunt Marian’s face, and I wouldn’t have done that for the world. Poor old thing; she cried as if her heart would break. I met her at Victoria, as she asked me, and we had some soup at a confectioner’s. I could scarcely touch it; her tears kept dropping into the plate all the time; and then we went to the waiting-room at the station, and she cried there terribly.”

“Well,” said Darnell, “what happened next? I won’t laugh any more.”

“No, we mustn’t; it’s much too horrible for a joke. Well, of course aunt went home and wondered and wondered what could be the matter, and tried to think it out, but, as she says, she could make nothing of it. She began to be afraid that uncle’s brain was giving way through overwork, as he had stopped in the City (as he said) up to all hours lately, and he had to go to Yorkshire (wicked old story-teller!), about some very tiresome business connected with his leases. But then she reflected that however queer he might be getting, even his queerness couldn’t make whistles in the air, though, as she said, he was always a wonderful man. So she had to give that up; and then she wondered if there were anything the matter with her, as she had read about people who heard noises when there was really nothing at all. But that wouldn’t do either, because though it might account for the whistling, it wouldn’t account for the dandelion or the Sandpiper, or for fainting fits that turned purple, or any of uncle’s queerness. So aunt said she could think of nothing but to read the Bible every day from the beginning, and by the time she got into Chronicles she felt rather better, especially as nothing had happened for three or four Sundays. She noticed uncle seemed absentminded, and not as nice to her as he might be, but she put that down to too much work, as he never came home before the last train, and had a hansom twice all the way, getting there between three and four in the morning. Still, she felt it was no good bothering her head over what couldn’t be made out or explained anyway, and she was just settling down, when one Sunday evening it began all over again, and worse things happened. The whistling followed them just as it did before, and poor aunt set her teeth and said nothing to uncle, as she knew he would only tell her stories, and they were walking on, not saying a word, when something made her look back, and there was a horrible boy with red hair, peeping through the hedge just behind, and grinning. She said it was a dreadful face, with something unnatural about it, as if it had been a dwarf, and before she had time to have a good look, it popped back like lightning, and aunt all but fainted away.”

“A red-headed boy?” said Darnell. “I thought—What an extraordinary story this is. I’ve never heard of anything so queer. Who was the boy?”

“You will know in good time,” said Mrs. Darnell. “It is very strange, isn’t it?”

“Strange!” Darnell ruminated for a while.

“I know what I think, Mary,” he said at length. “I don’t believe a word of it. I believe your aunt is going mad, or has gone mad, and that she has delusions. The whole thing sounds to me like the invention of a lunatic.”

“You are quite wrong. Every word is true, and if you will let me go on, you will understand how it all happened.”

“Very good, go ahead.”

“Let me see, where was I? Oh, I know, aunt saw the boy grinning in the hedge. Yes, well, she was dreadfully frightened for a minute or two; there was something so queer about the face, but then she plucked up a spirit and said to herself, ‘After all, better a boy with red hair than a big man with a gun,’ and she made up her mind to watch Uncle Robert closely, as she could see by his look he knew all about it; he seemed as if he were thinking hard and puzzling over something, as if he didn’t know what to do next, and his mouth kept opening and shutting, like a fish’s. So she kept her face straight, and didn’t say a word, and when he said something to her about the fine sunset, she took no notice. ‘Don’t you hear what I say, Marian?’ he said, speaking quite crossly, and bellowing as if it were to somebody in the next field. So aunt said she was very sorry, but her cold made her so deaf, she couldn’t hear much. She noticed uncle looked quite pleased, and relieved too, and she knew he thought she hadn’t heard the whistling. Suddenly uncle pretended to see a beautiful spray of honeysuckle high up in the hedge, and he said he must get it for aunt, only she must go on ahead, as it made him nervous to be watched. She said she would, but she just stepped aside behind a bush where there was a sort of cover in the hedge, and found she could see him quite well, though she scratched her face terribly with poking it into a rose bush. And in a minute or two out came the boy from behind the hedge, and she saw uncle and him talking, and she knew it was the same boy, as it wasn’t dark enough to hide his flaming red head. And uncle put out his hand as if to catch him, but he just darted into the bushes and vanished. Aunt never said a word at the time, but that night when they got home she charged uncle with what she’d seen and asked him what it all meant. He was quite taken aback at first, and stammered and stuttered and said a spy wasn’t his notion of a good wife, but at last he made her swear secrecy, and told her that he was a very high Freemason, and that the boy was an emissary of the order, who brought him messages of the greatest importance. But aunt didn’t believe a word of it, as an uncle of hers was a mason, and he never behaved like that. It was then she began to be afraid that it was really Anarchists, or something of the kind, and every time the bell rang she thought that uncle had been found out, and the police had come for him.”

“What nonsense! As if a man with house property would be an Anarchist.”

“Well, she could see there must be some horrible secret, and she didn’t know what else to think. And then she began to have the things through the post.”

“Things through the post! What do you mean by that?”

“All sorts of things; bits of broken bottle-glass, packed carefully as if it were jewelry; parcels that unrolled and unrolled worse than Chinese boxes, and then had ‘cat’ in large letters when you came to the middle; old artificial teeth, a cake of red paint, and at last cockroaches.”

“Cockroaches by post! Stuff and nonsense; your aunt’s mad.”

“Edward, she showed me the box; it was made to hold cigarettes, and there were three dead cockroaches inside. And when she found a box of exactly the same kind, half-full of cigarettes, in uncle’s great-coat pocket, then her head began to turn again.”

Darnell groaned, and stirred uneasily in his chair, feeling that the tale of Aunt Marian’s domestic troubles was putting on the semblance of an evil dream.

“Anything else?” he asked.

“My dear, I haven’t repeated half the things poor aunt told me this afternoon. There was the night she thought she saw a ghost in the shrubbery. She was anxious about some chickens that were just due to hatch out, so she went out after dark with some egg and bread-crumbs, in case they might be out. And just before her she saw a figure gliding by the rhododendrons. It looked like a short, slim man dressed as they used to be hundreds of years ago; she saw the sword by his side, and the feather in his cap. She thought she should have died, she said, and though it was gone in a minute, and she tried to make out it was all her fancy, she fainted when she got into the house. Uncle was at home that night, and when she came to and told him he ran out, and stayed out for half-an-hour or more, and then came in and said he could find nothing; and the next minute aunt heard that low whistle just outside the window, and uncle ran out again.”

“My dear Mary, do let us come to the point. What on earth does it all lead to?”

“Haven’t you guessed? Why, of course it was that girl all the time.”

“Girl? I thought you said it was a boy with a red head?”

“Don’t you see? She’s an actress, and she dressed up. She won’t leave uncle alone. It wasn’t enough that he was with her nearly every evening in the week, but she must be after him on Sundays too. Aunt found a letter the horrid thing had written, and so it has all come out. Enid Vivian she calls herself, though I don’t suppose she has any right to one name or the other. And the question is, what is to be done?”

“Let us talk of that again. I’ll have a pipe, and then we’ll go to bed.”

They were almost asleep when Mary said suddenly—

“Doesn’t it seem queer, Edward? Last night you were telling me such beautiful things, and to-night I have been talking about that disgraceful old man and his goings on.”

“I don’t know,” answered Darnell, dreamily. “On the walls of that great church upon the hill I saw all kinds of strange grinning monsters, carved in stone.”

The misdemeanours of Mr. Robert Nixon brought in their train consequences strange beyond imagination. It was not that they continued to develop on the somewhat fantastic lines of these first adventures which Mrs. Darnell had related; indeed, when “Aunt Marian” came over to Shepherd’s Bush, one Sunday afternoon, Darnell wondered how he had had the heart to laugh at the misfortunes of a broken-hearted woman.

He had never seen his wife’s aunt before, and he was strangely surprised when Alice showed her into the garden where they were sitting on the warm and misty Sunday in September. To him, save during these latter days, she had always been associated with ideas of splendour and success: his wife had always mentioned the Nixons with a tinge of reverence; he had heard, many times, the epic of Mr. Nixon’s struggles and of his slow but triumphant rise. Mary had told the story as she had received it from her parents, beginning with the flight to London from some small, dull, and unprosperous town in the flattest of the Midlands, long ago, when a young man from the country had great chances of fortune. Robert Nixon’s father had been a grocer in the High Street, and in after days the successful coal merchant and builder loved to tell of that dull provincial life, and while he glorified his own victories, he gave his hearers to understand that he came of a race which had also known how to achieve. That had been long ago, he would explain: in the days when that rare citizen who desired to go to London or to York was forced to rise in the dead of night, and make his way, somehow or other, by ten miles of quagmirish, wandering lanes to the Great North Road, there to meet the “Lightning” coach, a vehicle which stood to all the countryside as the visible and tangible embodiment of tremendous speed—“and indeed,” as Nixon would add, “it was always up to time, which is more than can be said of the Dunham Branch Line nowadays!” It was in this ancient Dunham that the Nixons had waged successful trade for perhaps a hundred years, in a shop with bulging bay windows looking on the market-place. There was no competition, and the townsfolk, and well-to-do farmers, the clergy and the country families, looked upon the house of Nixon as an institution fixed as the town hall (which stood on Roman pillars) and the parish church. But the change came: the railway crept nearer and nearer, the farmers and the country gentry became less well-to-do; the tanning, which was the local industry, suffered from a great business which had been established in a larger town, some twenty miles away, and the profits of the Nixons grew less and less. Hence the hegira of Robert, and he would dilate on the poorness of his beginnings, how he saved, by little and little, from his sorry wage of City clerk, and how he and a fellow clerk, “who had come into a hundred pounds,” saw an opening in the coal trade—and filled it. It was at this stage of Robert’s fortunes, still far from magnificent, that Miss Marian Reynolds had encountered him, she being on a visit to friends in Gunnersbury. Afterwards, victory followed victory; Nixon’s wharf became a landmark to bargemen; his power stretched abroad, his dusky fleets went outwards to the sea, and inward by all the far reaches of canals. Lime, cement, and bricks were added to his merchandise, and at last he hit upon the great stroke—that extensive taking up of land in the north of London. Nixon himself ascribed this coup to native sagacity, and the possession of capital; and there were also obscure rumours to the effect that some one or other had been “done” in the course of the transaction. However that might be, the Nixons grew wealthy to excess, and Mary had often told her husband of the state in which they dwelt, of their liveried servants, of the glories of their drawing-room, of their broad lawn, shadowed by a splendid and ancient cedar. And so Darnell had somehow been led into conceiving the lady of this demesne as a personage of no small pomp. He saw her, tall, of dignified port and presence, inclining, it might be, to some measure of obesity, such a measure as was not unbefitting in an elderly lady of position, who lived well and lived at ease. He even imagined a slight ruddiness of complexion, which went very well with hair that was beginning to turn grey, and when he heard the door-bell ring, as he sat under the mulberry on the Sunday afternoon, he bent forward to catch sight of this stately figure, clad, of course, in the richest, blackest silk, girt about with heavy chains of gold.

He started with amazement when he saw the strange presence that followed the servant into the garden. Mrs. Nixon was a little, thin old woman, who bent as she feebly trotted after Alice; her eyes were on the ground, and she did not lift them when the Darnells rose to greet her. She glanced to the right, uneasily, as she shook hands with Darnell, to the left when Mary kissed her, and when she was placed on the garden seat with a cushion at her back, she looked away at the back of the houses in the next street. She was dressed in black, it was true, but even Darnell could see that her gown was old and shabby, that the fur trimming of her cape and the fur boa which was twisted about her neck were dingy and disconsolate, and had all the melancholy air which fur wears when it is seen in a second-hand clothes-shop in a back street. And her gloves—they were black kid, wrinkled with much wear, faded to a bluish hue at the fingertips, which showed signs of painful mending. Her hair, plastered over her forehead, looked dull and colourless, though some greasy matter had evidently been used with a view of producing a becoming gloss, and on it perched an antique bonnet, adorned with black pendants that rattled paralytically one against the other.

And there was nothing in Mrs. Nixon’s face to correspond with the imaginary picture that Darnell had made of her. She was sallow, wrinkled, pinched; her nose ran to a sharp point, and her red-rimmed eyes were a queer water-grey, that seemed to shrink alike from the light and from encounter with the eyes of others. As she sat beside his wife on the green garden-seat, Darnell, who occupied a wicker-chair brought out from the drawing-room, could not help feeling that this shadowy and evasive figure, muttering replies to Mary’s polite questions, was almost impossibly remote from his conceptions of the rich and powerful aunt, who could give away a hundred pounds as a mere birthday gift. She would say little at first; yes, she was feeling rather tired, it had been so hot all the way, and she had been afraid to put on lighter things as one never knew at this time of year what it might be like in the evenings; there were apt to be cold mists when the sun went down, and she didn’t care to risk bronchitis.

“I thought I should never get here,” she went on, raising her voice to an odd querulous pipe. “I’d no notion it was such an out-of-the-way place, it’s so many years since I was in this neighbourhood.”

She wiped her eyes, no doubt thinking of the early days at Turnham Green, when she married Nixon; and when the pocket-handkerchief had done its office she replaced it in a shabby black bag which she clutched rather than carried. Darnell noticed, as he watched her, that the bag seemed full, almost to bursting, and he speculated idly as to the nature of its contents: correspondence, perhaps, he thought, further proofs of Uncle Robert’s treacherous and wicked dealings. He grew quite uncomfortable, as he sat and saw her glancing all the while furtively away from his wife and himself, and presently he got up and strolled away to the other end of the garden, where he lit his pipe and walked to and fro on the gravel walk, still astounded at the gulf between the real and the imagined woman.

Presently he heard a hissing whisper, and he saw Mrs. Nixon’s head inclining to his wife’s. Mary rose and came towards him.

“Would you mind sitting in the drawing-room, Edward?” she murmured. “Aunt says she can’t bring herself to discuss such a delicate matter before you. I dare say it’s quite natural.”

“Very well, but I don’t think I’ll go into the drawing-room. I feel as if a walk would do me good.

“You mustn’t be frightened if I am a little late,” he said; “if I don’t get back before your aunt goes, say good-bye to her for me.”

He strolled into the main road, where the trams were humming to and fro. He was still confused and perplexed, and he tried to account for a certain relief he felt in removing himself from the presence of Mrs. Nixon. He told himself that her grief at her husband’s ruffianly conduct was worthy of all pitiful respect, but at the same time, to his shame, he had felt a certain physical aversion from her as she sat in his garden in her dingy black, dabbing her red-rimmed eyes with a damp pocket-handkerchief. He had been to the Zoo when he was a lad, and he still remembered how he had shrunk with horror at the sight of certain reptiles slowly crawling over one another in their slimy pond. But he was enraged at the similarity between the two sensations, and he walked briskly on that level and monotonous road, looking about him at the unhandsome spectacle of suburban London keeping Sunday.

There was something in the tinge of antiquity which still exists in Acton that soothed his mind and drew it away from those unpleasant contemplations, and when at last he had penetrated rampart after rampart of brick, and heard no more the harsh shrieks and laughter of the people who were enjoying themselves, he found a way into a little sheltered field, and sat down in peace beneath a tree, whence he could look out on a pleasant valley. The sun sank down beneath the hills, the clouds changed into the likeness of blossoming rose-gardens; and he still sat there in the gathering darkness till a cool breeze blew upon him, and he rose with a sigh, and turned back to the brick ramparts and the glimmering streets, and the noisy idlers sauntering to and fro in the procession of their dismal festival. But he was murmuring to himself some words that seemed a magic song, and it was with uplifted heart that he let himself into his house.

Mrs. Nixon had gone an hour and a half before his return, Mary told him. Darnell sighed with relief, and he and his wife strolled out into the garden and sat down side by side.

They kept silence for a time, and at last Mary spoke, not without a nervous tremor in her voice.

“I must tell you, Edward,” she began, “that aunt has made a proposal which you ought to hear. I think we should consider it.”

“A proposal? But how about the whole affair? Is it still going on?”

“Oh, yes! She told me all about it. Uncle is quite unrepentant. It seems he has taken a flat somewhere in town for that woman, and furnished it in the most costly manner. He simply laughs at aunt’s reproaches, and says he means to have some fun at last. You saw how broken she was?”

“Yes; very sad. But won’t he give her any money? Wasn’t she very badly dressed for a woman in her position?”

“Aunt has no end of beautiful things, but I fancy she likes to hoard them; she has a horror of spoiling her dresses. It isn’t for want of money, I assure you, as uncle settled a very large sum on her two years ago, when he was everything that could be desired as a husband. And that brings me to what I want to say. Aunt would like to live with us. She would pay very liberally. What do you say?”

“Would like to live with us?” exclaimed Darnell, and his pipe dropped from his hand on to the grass. He was stupefied by the thought of Aunt Marian as a boarder, and sat staring vacantly before him, wondering what new monster the night would next produce.

“I knew you wouldn’t much like the idea,” his wife went on. “But I do think, dearest, that we ought not to refuse without very serious consideration. I am afraid you did not take to poor aunt very much.”

Darnell shook his head dumbly.

“I thought you didn’t; she was so upset, poor thing, and you didn’t see her at her best. She is really so good. But listen to me, dear. Do you think we have the right to refuse her offer? I told you she has money of her own, and I am sure she would be dreadfully offended if we said we wouldn’t have her. And what would become of me if anything happened to you? You know we have very little saved.”

Darnell groaned.

“It seems to me,” he said, “that it would spoil everything. We are so happy, Mary dear, by ourselves. Of course I am extremely sorry for your aunt. I think she is very much to be pitied. But when it comes to having her always here—”

“I know, dear. Don’t think I am looking forward to the prospect; you know I don’t want anybody but you. Still, we ought to think of the future, and besides we shall be able to live so very much better. I shall be able to give you all sorts of nice things that I know you ought to have after all that hard work in the City. Our income would be doubled.”

“Do you mean she would pay us £150 a year?”

“Certainly. And she would pay for the spare room being furnished, and any extra she might want. She told me, specially, that if a friend or two came now and again to see her, she would gladly bear the cost of a fire in the drawing-room, and give something towards the gas bill, with a few shillings for the girl for any additional trouble. We should certainly be more than twice as well off as we are now. You see, Edward, dear, it’s not the sort of offer we are likely to have again. Besides, we must think of the future, as I said. Do you know aunt took a great fancy to you?”

He shuddered and said nothing, and his wife went on with her argument.

“And, you see, it isn’t as if we should see so very much of her. She will have her breakfast in bed, and she told me she would often go up to her room in the evening directly after dinner. I thought that very nice and considerate. She quite understands that we shouldn’t like to have a third person always with us. Don’t you think, Edward, that, considering everything, we ought to say we will have her?”

“Oh, I suppose so,” he groaned. “As you say, it’s a very good offer, financially, and I am afraid it would be very imprudent to refuse. But I don’t like the notion, I confess.”

“I am so glad you agree with me, dear. Depend upon it, it won’t be half so bad as you think. And putting our own advantage on one side, we shall really be doing poor aunt a very great kindness. Poor old dear, she cried bitterly after you were gone; she said she had made up her mind not to stay any longer in Uncle Robert’s house, and she didn’t know where to go, or what would become of her, if we refused to take her in. She quite broke down.”

“Well, well; we will try it for a year, anyhow. It may be as you say; we shan’t find it quite so bad as it seems now. Shall we go in?”

He stooped for his pipe, which lay as it had fallen, on the grass. He could not find it, and lit a wax match which showed him the pipe, and close beside it, under the seat, something that looked like a page torn from a book. He wondered what it could be, and picked it up.

The gas was lit in the drawing-room, and Mrs. Darnell, who was arranging some notepaper, wished to write at once to Mrs. Nixon, cordially accepting her proposal, when she was startled by an exclamation from her husband.

“What is the matter?” she said, startled by the tone of his voice. “You haven’t hurt yourself?”

“Look at this,” he replied, handing her a small leaflet; “I found it under the garden seat just now.”

Mary glanced with bewilderment at her husband and read as follows:—

THE NEW AND CHOSEN SEED OF ABRAHAM

PROPHECIES TO BE FULFILLED
IN THE PRESENT YEAR

1. The Sailing of a Fleet of One hundred and Forty and Four Vessels for Tarshish and the Isles.

2. Destruction of the Power of the Dog, including all the instruments of anti-Abrahamic legislation.

3. Return of the Fleet from Tarshish, bearing with it the gold of Arabia, destined to be the Foundation of the New City of Abraham.

4. The Search for the Bride, and the bestowing of the Seals on the Seventy and Seven.

5. The Countenance of FATHER to become luminous, but with a greater glory than the face of Moses.

6. The Pope of Rome to be stoned with stones in the valley called Berek-Zittor.

7. FATHER to be acknowledged by Three Great Rulers. Two Great Rulers will deny FATHER, and will immediately perish in the Effluvia of FATHER’S Indignation.

8. Binding of the Beast with the Little Horn, and all Judges cast down.

9. Finding of the Bride in the Land of Egypt, which has been revealed to FATHER as now existing in the western part of London.

10. Bestowal of the New Tongue on the Seventy and Seven, and on the One Hundred and Forty and Four. FATHER proceeds to the Bridal Chamber.

11. Destruction of London and rebuilding of the City called No, which is the New City of Abraham.

12. FATHER united to the Bride, and the present Earth removed to the Sun for the space of half an hour.

Mrs. Darnell’s brow cleared as she read matter which seemed to her harmless if incoherent. From her husband’s voice she had been led to fear something more tangibly unpleasant than a vague catena of prophecies.

“Well,” she said, “what about it?”

“What about it? Don’t you see that your aunt dropped it, and that she must be a raging lunatic?”

“Oh, Edward! don’t say that. In the first place, how do you know that aunt dropped it at all? It might easily have blown over from any of the other gardens. And, if it were hers, I don’t think you should call her a lunatic. I don’t believe, myself, that there are any real prophets now; but there are many good people who think quite differently. I knew an old lady once who, I am sure, was very good, and she took in a paper every week that was full of prophecies and things very like this. Nobody called her mad, and I have heard father say that she had one of the sharpest heads for business he had ever come across.”

“Very good; have it as you like. But I believe we shall both be sorry.”

They sat in silence for some time. Alice came in after her “evening out,” and they sat on, till Mrs. Darnell said she was tired and wanted to go to bed.

Her husband kissed her. “I don’t think I will come up just yet,” he said; “you go to sleep, dearest. I want to think things over. No, no; I am not going to change my mind: your aunt shall come, as I said. But there are one or two things I should like to get settled in my mind.”

He meditated for a long while, pacing up and down the room. Light after light was extinguished in Edna Road, and the people of the suburb slept all around him, but still the gas was alight in Darnell’s drawing-room, and he walked softly up and down the floor. He was thinking that about the life of Mary and himself, which had been so quiet, there seemed to be gathering on all sides grotesque and fantastic shapes, omens of confusion and disorder, threats of madness; a strange company from another world. It was as if into the quiet, sleeping streets of some little ancient town among the hills there had come from afar the sound of drum and pipe, snatches of wild song, and there had burst into the market-place the mad company of the players, strangely bedizened, dancing a furious measure to their hurrying music, drawing forth the citizens from their sheltered homes and peaceful lives, and alluring them to mingle in the significant figures of their dance.

Yet afar and near (for it was hidden in his heart) he beheld the glimmer of a sure and constant star. Beneath, darkness came on, and mists and shadows closed about the town. The red, flickering flame of torches was kindled in the midst of it. The song grew louder, with more insistent, magical tones, surging and falling in unearthly modulations, the very speech of incantation; and the drum beat madly, and the pipe shrilled to a scream, summoning all to issue forth, to leave their peaceful hearths; for a strange rite was preconised in their midst. The streets that were wont to be so still, so hushed with the cool and tranquil veils of darkness, asleep beneath the patronage of the evening star, now danced with glimmering lanterns, resounded with the cries of those who hurried forth, drawn as by a magistral spell; and the songs swelled and triumphed, the reverberant beating of the drum grew louder, and in the midst of the awakened town the players, fantastically arrayed, performed their interlude under the red blaze of torches. He knew not whether they were players, men that would vanish suddenly as they came, disappearing by the track that climbed the hill; or whether they were indeed magicians, workers of great and efficacious spells, who knew the secret word by which the earth may be transformed into the hall of Gehenna, so that they that gazed and listened, as at a passing spectacle, should be entrapped by the sound and the sight presented to them, should be drawn into the elaborated figures of that mystic dance, and so should be whirled away into those unending mazes on the wild hills that were abhorred, there to wander for evermore.

But Darnell was not afraid, because of the Daystar that had risen in his heart. It had dwelt there all his life, and had slowly shone forth with clearer and clearer light, and he began to see that though his earthly steps might be in the ways of the ancient town that was beset by the Enchanters, and resounded with their songs and their processions, yet he dwelt also in that serene and secure world of brightness, and from a great and unutterable height looked on the confusion of the mortal pageant, beholding mysteries in which he was no true actor, hearing magic songs that could by no means draw him down from the battlements of the high and holy city.

His heart was filled with a great joy and a great peace as he lay down beside his wife and fell asleep, and in the morning, when he woke up, he was glad.

IV

In a haze as of a dream Darnell’s thoughts seemed to move through the opening days of the next week. Perhaps nature had not intended that he should be practical or much given to that which is usually called “sound common sense,” but his training had made him desirous of good, plain qualities of the mind, and he uneasily strove to account to himself for his strange mood of the Sunday night, as he had often endeavoured to interpret the fancies of his boyhood and early manhood. At first he was annoyed by his want of success; the morning paper, which he always secured as the ’bus delayed at Uxbridge Road Station, fell from his hands unread, while he vainly reasoned, assuring himself that the threatened incursion of a whimsical old woman, though tiresome enough, was no rational excuse for those curious hours of meditation in which his thoughts seemed to have dressed themselves in unfamiliar, fantastic habits, and to parley with him in a strange speech, and yet a speech that he had understood.

With such arguments he perplexed his mind on the long, accustomed ride up the steep ascent of Holland Park, past the incongruous hustle of Notting Hill Gate, where in one direction a road shows the way to the snug, somewhat faded bowers and retreats of Bayswater, and in another one sees the portal of the murky region of the slums. The customary companions of his morning’s journey were in the seats about him; he heard the hum of their talk, as they disputed concerning politics, and the man next to him, who came from Acton, asked him what he thought of the Government now. There was a discussion, and a loud and excited one, just in front, as to whether rhubarb was a fruit or vegetable, and in his ear he heard Redman, who was a near neighbour, praising the economy of “the wife.”

“I don’t know how she does it. Look here; what do you think we had yesterday? Breakfast: fish-cakes, beautifully fried—rich, you know, lots of herbs, it’s a receipt of her aunt’s; you should just taste ’em. Coffee, bread, butter, marmalade, and, of course, all the usual etceteras. Dinner: roast beef, Yorkshire, potatoes, greens, and horse-radish sauce, plum tart, cheese. And where will you get a better dinner than that? Well, I call it wonderful, I really do.”

But in spite of these distractions he fell into a dream as the ’bus rolled and tossed on its way Citywards, and still he strove to solve the enigma of his vigil of the night before, and as the shapes of trees and green lawns and houses passed before his eyes, and as he saw the procession moving on the pavement, and while the murmur of the streets sounded in his ears, all was to him strange and unaccustomed, as if he moved through the avenues of some city in a foreign land. It was, perhaps, on these mornings, as he rode to his mechanical work, that vague and floating fancies that must have long haunted his brain began to shape themselves, and to put on the form of definite conclusions, from which he could no longer escape, even if he had wished it. Darnell had received what is called a sound commercial education, and would therefore have found very great difficulty in putting into articulate speech any thought that was worth thinking; but he grew certain on these mornings that the “common sense” which he had always heard exalted as man’s supremest faculty was, in all probability, the smallest and least-considered item in the equipment of an ant of average intelligence. And with this, as an almost necessary corollary, came a firm belief that the whole fabric of life in which he moved was sunken, past all thinking, in the grossest absurdity; that he and all his friends and acquaintances and fellow-workers were interested in matters in which men were never meant to be interested, were pursuing aims which they were never meant to pursue, were, indeed, much like fair stones of an altar serving as a pigsty wall. Life, it seemed to him, was a great search for—he knew not what; and in the process of the ages one by one the true marks upon the ways had been shattered, or buried, or the meaning of the words had been slowly forgotten; one by one the signs had been turned awry, the true entrances had been thickly overgrown, the very way itself had been diverted from the heights to the depths, till at last the race of pilgrims had become hereditary stone-breakers and ditchscourers on a track that led to destruction—if it led anywhere at all. Darnell’s heart thrilled with a strange and trembling joy, with a sense that was all new, when it came to his mind that this great loss might not be a hopeless one, that perhaps the difficulties were by no means insuperable. It might be, he considered, that the stone-breaker had merely to throw down his hammer and set out, and the way would be plain before him; and a single step would free the delver in rubbish from the foul slime of the ditch.

It was, of course, with difficulty and slowly that these things became clear to him. He was an English City clerk, “flourishing” towards the end of the nineteenth century, and the rubbish heap that had been accumulating for some centuries could not be cleared away in an instant. Again and again the spirit of nonsense that had been implanted in him as in his fellows assured him that the true world was the visible and tangible world, the world in which good and faithful letter-copying was exchangeable for a certain quantum of bread, beef, and house-room, and that the man who copied letters well, did not beat his wife, nor lose money foolishly, was a good man, fulfilling the end for which he had been made. But in spite of these arguments, in spite of their acceptance by all who were about him, he had the grace to perceive the utter falsity and absurdity of the whole position. He was fortunate in his entire ignorance of sixpenny “science,” but if the whole library had been projected into his brain it would not have moved him to “deny in the darkness that which he had known in the light.”[13] Darnell knew by experience that man is made a mystery for mysteries and visions, for the realization in his consciousness of ineffable bliss, for a great joy that transmutes the whole world, for a joy that surpasses all joys and overcomes all sorrows. He knew this certainly, though he knew it dimly; and he was apart from other men, preparing himself for a great experiment.

With such thoughts as these for his secret and concealed treasure, he was able to bear the threatened invasion of Mrs. Nixon with something approaching indifference. He knew, indeed, that her presence between his wife and himself would be unwelcome to him, and he was not without grave doubts as to the woman’s sanity; but after all, what did it matter? Besides, already a faint glimmering light had risen within him that showed the profit of self-negation, and in this matter he had preferred his wife’s will to his own. Et non sua poma;[14] to his astonishment he found a delight in denying himself his own wish, a process that he had always regarded as thoroughly detestable. This was a state of things which he could not in the least understand; but, again, though a member of a most hopeless class, living in the most hopeless surroundings that the world has ever seen, though he knew as much of the askesis[15] as of Chinese metaphysics; again, he had the grace not to deny the light that had begun to glimmer in his soul.

And he found a present reward in the eyes of Mary, when she welcomed him home after his foolish labours in the cool of the evening. They sat together, hand in hand, under the mulberry tree, at the coming of the dusk, and as the ugly walls about them became obscure and vanished into the formless world of shadows, they seemed to be freed from the bondage of Shepherd’s Bush, freed to wander in that undisfigured, undefiled world that lies beyond the walls. Of this region Mary knew little or nothing by experience, since her relations had always been of one mind with the modern world, which has for the true country an instinctive and most significant horror and dread. Mr. Reynolds had also shared in another odd superstition of these later days—that it is necessary to leave London at least once a year; consequently Mary had some knowledge of various seaside resorts on the south and east coasts, where Londoners gather in hordes, turn the sands into one vast, bad music-hall, and derive, as they say, enormous benefit from the change. But experiences such as these give but little knowledge of the country in its true and occult sense; and yet Mary, as she sat in the dusk beneath the whispering tree, knew something of the secret of the wood, of the valley shut in by high hills, where the sound of pouring water always echoes from the clear brook. And to Darnell these were nights of great dreams; for it was the hour of the work, the time of transmutation, and he who could not understand the miracle, who could scarcely believe in it, yet knew, secretly and half consciously, that the water was being changed into the wine of a new life. This was ever the inner music of his dreams, and to it he added on these still and sacred nights the far-off memory of that time long ago when, a child, before the world had overwhelmed him, he journeyed down to the old grey house in the west, and for a whole month heard the murmur of the forest through his bedroom window, and when the wind was hushed, the washing of the tides about the reeds; and sometimes awaking very early he had heard the strange cry of a bird as it rose from its nest among the reeds, and had looked out and had seen the valley whiten to the dawn, and the winding river whiten as it swam down to the sea. The memory of all this had faded and become shadowy as he grew older and the chains of common life were riveted firmly about his soul; all the atmosphere by which he was surrounded was well-nigh fatal to such thoughts, and only now and again in half-conscious moments or in sleep he had revisited that valley in the far-off west, where the breath of the wind was an incantation, and every leaf and stream and hill spoke of great and ineffable mysteries. But now the broken vision was in great part restored to him, and looking with love in his wife’s eyes he saw the gleam of water-pools in the still forest, saw the mists rising in the evening, and heard the music of the winding river.

They were sitting thus together on the Friday evening of the week that had begun with that odd and half-forgotten visit of Mrs. Nixon, when, to Darnell’s annoyance, the door-bell gave a discordant peal, and Alice with some disturbance of manner came out and announced that a gentleman wished to see the master. Darnell went into the drawing-room, where Alice had lit one gas so that it flared and burnt with a rushing sound, and in this distorting light there waited a stout, elderly gentleman, whose countenance was altogether unknown to him. He stared blankly, and hesitated, about to speak, but the visitor began.

“You don’t know who I am, but I expect you’ll know my name. It’s Nixon.”

He did not wait to be interrupted. He sat down and plunged into narrative, and after the first few words, Darnell, whose mind was not altogether unprepared, listened without much astonishment.

“And the long and the short of it is,” Mr. Nixon said at last, “she’s gone stark, staring mad, and we had to put her away today—poor thing.”

His voice broke a little, and he wiped his eyes hastily, for though stout and successful he was not unfeeling, and he was fond of his wife. He had spoken quickly, and had gone lightly over many details which might have interested specialists in certain kinds of mania, and Darnell was sorry for his evident distress.

“I came here,” he went on after a brief pause, “because I found out she had been to see you last Sunday, and I knew the sort of story she must have told.”

Darnell showed him the prophetic leaflet which Mrs. Nixon had dropped in the garden. “Did you know about this?” he said.

“Oh, him,” said the old man, with some approach to cheerfulness; “oh yes, I thrashed him black and blue the day before yesterday.”

“Isn’t he mad? Who is the man?”

“He’s not mad, he’s bad. He’s a little Welsh skunk named Richards. He’s been running some sort of chapel over at New Barnet for the last few years, and my poor wife—she never could find the parish church good enough for her—had been going to his damned schism shop for the last twelve-month. It was all that finished her off. Yes; I thrashed him the day before yesterday, and I’m not afraid of a summons either. I know him, and he knows I know him.”

Old Nixon whispered something in Darnell’s ear, and chuckled faintly as he repeated for the third time his formula—

“I thrashed him black and blue the day before yesterday.”

Darnell could only murmur condolences and express his hope that Mrs. Nixon might recover.

The old man shook his head.

“I’m afraid there’s no hope of that,” he said. “I’ve had the best advice, but they couldn’t do anything, and told me so.”

Presently he asked to see his niece, and Darnell went out and prepared Mary as well as he could. She could scarcely take in the news that her aunt was a hopeless maniac, for Mrs. Nixon, having been extremely stupid all her days, had naturally succeeded in passing with her relations as typically sensible. With the Reynolds family, as with the great majority of us, want of imagination is always equated with sanity, and though many of us have never heard of Lombroso[16] we are his ready-made converts. We have always believed that poets are mad, and if statistics unfortunately show that few poets have really been inhabitants of lunatic asylums, it is soothing to learn that nearly all poets have had whooping-cough, which is doubtless, like intoxication, a minor madness.

“But is it really true?” she asked at length. “Are you certain uncle is not deceiving you? Aunt seemed so sensible always.”

She was helped at last by recollecting that Aunt Marian used to get up very early of mornings, and then they went into the drawing-room and talked to the old man. His evident kindliness and honesty grew upon Mary, in spite of a lingering belief in her aunt’s fables, and when he left, it was with a promise to come to see them again.

Mrs. Darnell said she felt tired, and went to bed; and Darnell returned to the garden and began to pace to and fro, collecting his thoughts. His immeasurable relief at the intelligence that, after all, Mrs. Nixon was not coming to live with them taught him that, despite his submission, his dread of the event had been very great. The weight was removed, and now he was free to consider his life without reference to the grotesque intrusion that he had feared. He sighed for joy, and as he paced to and fro he savoured the scent of the night, which, though it came faintly to him in that brick-bound suburb, summoned to his mind across many years the odour of the world at night as he had known it in that short sojourn of his boyhood; the odour that rose from the earth when the flame of the sun had gone down beyond the mountain, and the afterglow had paled in the sky and on the fields. And as he recovered as best he could these lost dreams of an enchanted land, there came to him other images of his childhood, forgotten and yet not forgotten, dwelling unheeded in dark places of the memory, but ready to be summoned forth. He remembered one fantasy that had long haunted him. As he lay half asleep in the forest on one hot afternoon of that memorable visit to the country, he had “made believe” that a little companion had come to him out of the blue mists and the green light beneath the leaves—a white girl with long black hair, who had played with him and whispered her secrets in his ear, as his father lay sleeping under a tree; and from that summer afternoon, day by day, she had been beside him; she had visited him in the wilderness of London, and even in recent years there had come to him now and again the sense of her presence, in the midst of the heat and turmoil of the City. The last visit he remembered well; it was a few weeks before he married, and from the depths of some futile task he had looked up with puzzled eyes, wondering why the close air suddenly grew scented with green leaves, why the murmur of the trees and the wash of the river on the reeds came to his ears; and then that sudden rapture to which he had given a name and an individuality possessed him utterly. He knew then how the dull flesh of man can be like fire; and now, looking back from a new standpoint on this and other experiences, he realised how all that was real in his life had been unwelcomed, uncherished by him, had come to him, perhaps, in virtue of merely negative qualities on his part. And yet, as he reflected, he saw that there had been a chain of witnesses all through his life: again and again voices had whispered in his ear words in a strange language that he now recognised as his native tongue; the common street had not been lacking in visions of the true land of his birth; and in all the passing and repassing of the world he saw that there had been emissaries ready to guide his feet on the way of the great journey.

A week or two after the visit of Mr. Nixon, Darnell took his annual holiday.

There was no question of Walton-on-the-Naze, or of anything of the kind, as he quite agreed with his wife’s longing for some substantial sum put by against the evil day. But the weather was still fine, and he lounged away the time in his garden beneath the tree, or he sauntered out on long aimless walks in the western purlieus of London, not unvisited by that old sense of some great ineffable beauty, concealed by the dim and dingy veils of grey interminable streets. Once, on a day of heavy rain he went to the “box-room,” and began to turn over the papers in the old hair trunk—scraps and odds and ends of family history, some of them in his father’s handwriting, others in faded ink, and there were a few ancient pocket-books, filled with manuscript of a still earlier time, and in these the ink was glossier and blacker than any writing fluids supplied by stationers of later days. Darnell had hung up the portrait of the ancestor in this room, and had bought a solid kitchen table and a chair; so that Mrs. Darnell, seeing him looking over his old documents, half thought of naming the room “Mr. Darnell’s study.” He had not glanced at these relics of his family for many years, but from the hour when the rainy morning sent him to them, he remained constant to research till the end of the holidays. It was a new interest, and he began to fashion in his mind a faint picture of his forefathers, and of their life in that grey old house in the river valley, in the western land of wells and streams and dark and ancient woods. And there were stranger things than mere notes on family history amongst that odd litter of old disregarded papers, and when he went back to his work in the City some of the men fancied that he was in some vague manner changed in appearance; but he only laughed when they asked him where he had been and what he had been doing with himself. But Mary noticed that every evening he spent at least an hour in the box-room; she was rather sorry at the waste of time involved in reading old papers about dead people. And one afternoon, as they were out together on a somewhat dreary walk towards Acton, Darnell stopped at a hopeless second-hand bookshop, and after scanning the rows of shabby books in the window, went in and purchased two volumes. They proved to be a Latin dictionary and grammar, and she was surprised to hear her husband declare his intention of acquiring the Latin language.

But, indeed, all his conduct impressed her as indefinably altered; and she began to be a little alarmed, though she could scarcely have formed her fears in words. But she knew that in some way that was all indefined and beyond the grasp of her thought their lives had altered since the summer, and no single thing wore quite the same aspect as before. If she looked out into the dull street with its rare loiterers, it was the same and yet it had altered, and if she opened the window in the early morning the wind that entered came with a changed breath that spoke some message that she could not understand. And day by day passed by in the old course, and not even the four walls were altogether familiar, and the voices of men and women sounded with strange notes, with the echo, rather of a music that came over unknown hills. And day by day as she went about her household work, passing from shop to shop in those dull streets that were a network, a fatal labyrinth of grey desolation on every side, there came to her sense half-seen images of some other world, as if she walked in a dream, and every moment must bring her to light and to awakening, when the grey should fade, and regions long desired should appear in glory. Again and again it seemed as if that which was hidden would be shown even to the sluggish testimony of sense; and as she went to and fro from street to street of that dim and weary suburb, and looked on those grey material walls, they seemed as if a light glowed behind them, and again and again the mystic fragrance of incense was blown to her nostrils from across the verge of that world which is not so much impenetrable as ineffable, and to her ears came the dream of a chant that spoke of hidden choirs about all her ways. She struggled against these impressions, refusing her assent to the testimony of them, since all the pressure of credited opinion for three hundred years has been directed towards stamping out real knowledge, and so effectually has this been accomplished that we can only recover the truth through much anguish. And so Mary passed the days in a strange perturbation, clinging to common things and common thoughts, as if she feared that one morning she would wake up in an unknown world to a changed life. And Edward Darnell went day by day to his labour and returned in the evening, always with that shining of light within his eyes and upon his face, with the gaze of wonder that was greater day by day, as if for him the veil grew thin and soon would disappear.

From these great matters both in herself and in her husband Mary shrank back, afraid, perhaps, that if she began the question the answer might be too wonderful. She rather taught herself to be troubled over little things; she asked herself what attraction there could be in the old records over which she supposed Edward to be poring night after night in the cold room upstairs. She had glanced over the papers at Darnell’s invitation, and could see but little interest in them; there were one or two sketches, roughly done in pen and ink, of the old house in the west: it looked a shapeless and fantastic place, furnished with strange pillars and stranger ornaments on the projecting porch; and on one side a roof dipped down almost to the earth, and in the centre there was something that might almost be a tower rising above the rest of the building. Then there were documents that seemed all names and dates, with here and there a coat of arms done in the margin, and she came upon a string of uncouth Welsh names linked together by the word “ap” in a chain that looked endless. There was a paper covered with signs and figures that meant nothing to her, and then there were the pocket-books, full of old-fashioned writing, and much of it in Latin, as her husband told her—it was a collection as void of significance as a treatise on conic sections, so far as Mary was concerned. But night after night Darnell shut himself up with the musty rolls, and more than ever when he rejoined her he bore upon his face the blazonry of some great adventure. And one night she asked him what interested him so much in the papers he had shown her.

He was delighted with the question. Somehow they had not talked much together for the last few weeks, and he began to tell her of the records of the old race from which he came, of the old strange house of grey stone between the forest and the river. The family went back and back, he said, far into the dim past, beyond the Normans, beyond the Saxons, far into the Roman days, and for many hundred years they had been petty kings, with a strong fortress high up on the hill, in the heart of the forest; and even now the great mounds remained, whence one could look through the trees towards the mountain on one side and across the yellow sea on the other. The real name of the family was not Darnell; that was assumed by one Iolo ap Taliesin ap Iorwerth in the sixteenth century—why, Darnell did not seem to understand. And then he told her how the race had dwindled in prosperity, century by century, till at last there was nothing left but the grey house and a few acres of land bordering the river.

“And do you know, Mary,” he said, “I suppose we shall go and live there some day or other. My great-uncle, who has the place now, made money in business when he was a young man, and I believe he will leave it all to me. I know I am the only relation he has. How strange it would be. What a change from the life here.”

“You never told me that. Don’t you think your great-uncle might leave his house and his money to somebody he knows really well? You haven’t seen him since you were a little boy, have you?”

“No; but we write once a year. And from what I have heard my father say, I am sure the old man would never leave the house out of the family. Do you think you would like it?”

“I don’t know. Isn’t it very lonely?”

“I suppose it is. I forget whether there are any other houses in sight, but I don’t think there are any at all near. But what a change! No City, no streets, no people passing to and fro; only the sound of the wind and the sight of the green leaves and the green hills, and the song of the voices of the earth.” . . . He checked himself suddenly, as if he feared that he was about to tell some secret that must not yet be uttered; and indeed, as he spoke of the change from the little street in Shepherd’s Bush to that ancient house in the woods of the far west, a change seemed already to possess himself, and his voice put on the modulation of an antique chant. Mary looked at him steadily and touched his arm, and he drew a long breath before he spoke again.

“It is the old blood calling to the old land,” he said. “I was forgetting that I am a clerk in the City.”

It was, doubtless, the old blood that had suddenly stirred in him; the resurrection of the old spirit that for many centuries had been faithful to secrets that are now disregarded by most of us, that now day by day was quickened more and more in his heart, and grew so strong that it was hard to conceal. He was indeed almost in the position of the man in the tale, who, by a sudden electric shock, lost the vision of the things about him in the London streets, and gazed instead upon the sea and shore of an island in the Antipodes; for Darnell only clung with an effort to the interests and the atmosphere which, till lately, had seemed all the world to him; and the grey house and the wood and the river, symbols of the other sphere, intruded as it were into the landscape of the London suburb.

But he went on, with more restraint, telling his stories of far-off ancestors, how one of them, the most remote of all, was called a saint, and was supposed to possess certain mysterious secrets often alluded to in the papers as the “Hidden Songs of Iolo Sant.” And then with an abrupt transition he recalled memories of his father and of the strange, shiftless life in dingy lodgings in the backwaters of London, of the dim stucco streets that were his first recollections, of forgotten squares in North London, and of the figure of his father, a grave bearded man who seemed always in a dream, as if he too sought for the vision of a land beyond the strong walls, a land where there were deep orchards and many shining hills, and fountains and water-pools gleaming under the leaves of the wood.

“I believe my father earned his living,” he went on, “such a living as he did earn, at the Record Office and the British Museum. He used to hunt up things for lawyers and country parsons who wanted old deeds inspected. He never made much, and we were always moving from one lodging to another—always to out-of-the-way places where everything seemed to have run to seed. We never knew our neighbours—we moved too often for that—but my father had about half a dozen friends, elderly men like himself, who used to come to see us pretty often; and then, if there was any money, the lodging-house servant would go out for beer, and they would sit and smoke far into the night.

“I never knew much about these friends of his, but they all had the same look, the look of longing for something hidden. They talked of mysteries that I never understood, very little of their own lives, and when they did speak of ordinary affairs one could tell that they thought such matters as money and the want of it were unimportant trifles. When I grew up and went into the City, and met other young fellows and heard their way of talking, I wondered whether my father and his friends were not a little queer in their heads; but I know better now.”

So night after night Darnell talked to his wife, seeming to wander aimlessly from the dingy lodging-houses, where he had spent his boyhood in the company of his father and the other seekers, to the old house hidden in that far western valley, and the old race that had so long looked at the setting of the sun over the mountain. But in truth there was one end in all that he spoke, and Mary felt that beneath his words, however indifferent they might seem, there was hidden a purpose, that they were to embark on a great and marvellous adventure.

So day by day the world became more magical; day by day the work of separation was being performed, the gross accidents were being refined away. Darnell neglected no instruments that might be useful in the work; and now he neither lounged at home on Sunday mornings, nor did he accompany his wife to the Gothic blasphemy which pretended to be a church. They had discovered a little church of another fashion in a back street, and Darnell, who had found in one of the old notebooks the maxim Incredibilia sola Credenda,[17] soon perceived how high and glorious a thing was that service at which he assisted. Our stupid ancestors taught us that we could become wise by studying books on “science,” by meddling with test-tubes, geological specimens, microscopic preparations, and the like; but they who have cast off these follies know that they must read not “science” books, but mass-books, and that the soul is made wise by the contemplation of mystic ceremonies and elaborate and curious rites. In such things Darnell found a wonderful mystery language, which spoke at once more secretly and more directly than the formal creeds; and he saw that, in a sense, the whole world is but a great ceremony or sacrament, which teaches under visible forms a hidden and transcendent doctrine. It was thus that he found in the ritual of the church a perfect image of the world; an image purged, exalted, and illuminate, a holy house built up of shining and translucent stones, in which the burning torches were more significant than the wheeling stars, and the fuming incense was a more certain token than the rising of the mist. His soul went forth with the albed procession in its white and solemn order, the mystic dance that signifies rapture and a joy above all joys, and when he beheld Love slain and rise again victorious he knew that he witnessed, in a figure, the consummation of all things, the Bridal of all Bridals, the mystery that is beyond all mysteries, accomplished from the foundation of the world. So day by day the house of his life became more magical.

And at the same time he began to guess that if in the New Life there are new and unheard-of joys, there are also new and unheard-of dangers. In his manuscript books which professed to deliver the outer sense of those mysterious “Hidden Songs of Iolo Sant” there was a little chapter that bore the heading: Fons Sacer non in communem Vsum convertendus est,[18] and by diligence, with much use of the grammar and dictionary, Darnell was able to construe the by no means complex Latin of his ancestor. The special book which contained the chapter in question was one of the most singular in the collection, since it bore the title Terra de Iolo,[19] and on the surface, with an ingenious concealment of its real symbolism, it affected to give an account of the orchards, fields, woods, roads, tenements, and waterways in the possession of Darnell’s ancestors. Here, then, he read of the Holy Well, hidden in the Wistman’s Wood—Sylva Sapientum[20]—“a fountain of abundant water, which no heats of summer can ever dry, which no flood can ever defile, which is as a water of life, to them that thirst for life, a stream of cleansing to them that would be pure, and a medicine of such healing virtue that by it, through the might of God and the intercession of His saints, the most grievous wounds are made whole.” But the water of this well was to be kept sacred perpetually, it was not to be used for any common purpose, nor to satisfy any bodily thirst; but ever to be esteemed as holy, “even as the water which the priest hath hallowed.” And in the margin a comment in a later hand taught Darnell something of the meaning of these prohibitions. He was warned not to use the Well of Life as a mere luxury of mortal life, as a new sensation, as a means of making the insipid cup of everyday existence more palatable. “For,” said the commentator, “we are not called to sit as the spectators in a theatre, there to watch the play performed before us, but we are rather summoned to stand in the very scene itself, and there fervently to enact our parts in a great and wonderful mystery.”

Darnell could quite understand the temptation that was thus indicated. Though he had gone but a little way on the path, and had barely tested the overrunnings of that mystic well, he was already aware of the enchantment that was transmuting all the world about him, informing his life with a strange significance and romance. London seemed a city of the Arabian Nights, and its labyrinths of streets an enchanted maze; its long avenues of lighted lamps were as starry systems, and its immensity became for him an image of the endless universe. He could well imagine how pleasant it might be to linger in such a world as this, to sit apart and dream, beholding the strange pageant played before him; but the Sacred Well was not for common use, it was for the cleansing of the soul, and the healing of the grievous wounds of the spirit. There must be yet another transformation: London had become Bagdad; it must at last be transmuted to Syon, or in the phrase of one of his old documents, the City of the Cup.

And there were yet darker perils which the Iolo MSS. (as his father had named the collection) hinted at more or less obscurely. There were suggestions of an awful region which the soul might enter, of a transmutation that was unto death, of evocations which could summon the utmost forces of evil from their dark places—in a word, of that sphere which is represented to most of us under the crude and somewhat childish symbolism of Black Magic. And here again he was not altogether without a dim comprehension of what was meant. He found himself recalling an odd incident that had happened long ago, which had remained all the years in his mind unheeded, amongst the many insignificant recollections of his childhood, and now rose before him, clear and distinct and full of meaning. It was on that memorable visit to the old house in the west, and the whole scene returned, with its smallest events, and the voices seemed to sound in his ears. It was a grey, still day of heavy heat that he remembered: he had stood on the lawn after breakfast, and wondered at the great peace and silence of the world. Not a leaf stirred in the trees on the lawn, not a whisper came from the myriad leaves of the wood; the flowers gave out sweet and heavy odours as if they breathed the dreams of the summer night; and far down the valley, the winding river was like dim silver under that dim and silvery sky, and the far hills and woods and fields vanished in the mist. The stillness of the air held him as with a charm; he leant all the morning against the rails that parted the lawn from the meadow, breathing the mystic breath of summer, and watching the fields brighten as with a sudden blossoming of shining flowers as the high mist grew thin for a moment before the hidden sun. As he watched thus, a man weary with heat, with some glance of horror in his eyes, passed him on his way to the house; but he stayed at his post till the old bell in the turret rang, and they dined all together, masters and servants, in the dark cool room that looked towards the still leaves of the wood. He could see that his uncle was upset about something, and when they had finished dinner he heard him tell his father that there was trouble at a farm; and it was settled that they should all drive over in the afternoon to some place with a strange name. But when the time came Mr. Darnell was too deep in old books and tobacco smoke to be stirred from his corner, and Edward and his uncle went alone in the dog-cart. They drove swiftly down the narrow lane, into the road that followed the winding river, and crossed the bridge at Caermaen by the mouldering Roman walls, and then, skirting the deserted, echoing village, they came out on a broad white turnpike road, and the limestone dust followed them like a cloud. Then, suddenly, they turned to the north by such a road as Edward had never seen before. It was so narrow that there was barely room for the cart to pass, and the footway was of rock, and the banks rose high above them as they slowly climbed the long, steep way, and the untrimmed hedges on either side shut out the light. And the ferns grew thick and green upon the banks, and hidden wells dripped down upon them; and the old man told him how the lane in winter was a torrent of swirling water, so that no one could pass by it. On they went, ascending and then again descending, always in that deep hollow under the wild woven boughs, and the boy wondered vainly what the country was like on either side. And now the air grew darker, and the hedge on one bank was but the verge of a dark and rustling wood, and the grey limestone rocks had changed to dark-red earth flecked with green patches and veins of marl, and suddenly in the stillness from the depth of the wood a bird began to sing a melody that charmed the heart into another world, that sang to the child’s soul of the blessed faery realm beyond the woods of the earth, where the wounds of man are healed. And so at last, after many turnings and windings, they came to a high bare land where the lane broadened out into a kind of common, and along the edge of this place there were scattered three or four old cottages, and one of them was a little tavern. Here they stopped, and a man came out and tethered the tired horse to a post and gave him water; and old Mr. Darnell took the child’s hand and led him by a path across the fields. The boy could see the country now, but it was all a strange, undiscovered land; they were in the heart of a wilderness of hills and valleys that he had never looked upon, and they were going down a wild, steep hillside, where the narrow path wound in and out amidst gorse and towering bracken, and the sun gleaming out for a moment, there was a gleam of white water far below in a narrow valley, where a little brook poured and rippled from stone to stone. They went down the hill, and through a brake, and then, hidden in dark-green orchards, they came upon a long, low whitewashed house, with a stone roof strangely coloured by the growth of moss and lichens. Mr. Darnell knocked at a heavy oaken door, and they came into a dim room where but little light entered through the thick glass in the deep-set window. There were heavy beams in the ceiling, and a great fire-place sent out an odour of burning wood that Darnell never forgot, and the room seemed to him full of women who talked all together in frightened tones. Mr. Darnell beckoned to a tall, grey old man, who wore corduroy knee-breeches, and the boy, sitting on a high straight-backed chair, could see the old man and his uncle passing to and fro across the window-panes, as they walked together on the garden path. The women stopped their talk for a moment, and one of them brought him a glass of milk and an apple from some cold inner chamber; and then, suddenly, from a room above there rang out a shrill and terrible shriek, and then, in a young girl’s voice, a more terrible song. It was not like anything the child had ever heard, but as the man recalled it to his memory, he knew to what song it might be compared—to a certain chant indeed that summons the angels and archangels to assist in the great Sacrifice. But as this song chants of the heavenly army, so did that seem to summon all the hierarchy of evil, the hosts of Lilith and Samael;[21] and the words that rang out with such awful modulations—neumata inferorum[22]—were in some unknown tongue that few men have ever heard on earth.

The women glared at one another with horror in their eyes, and he saw one or two of the oldest of them clumsily making an old sign upon their breasts. Then they began to speak again, and he remembered fragments of their talk.

“She has been up there,” said one, pointing vaguely over her shoulder.

“She’d never know the way,” answered another. “They be all gone that went there.”

“There be nought there in these days.”

“How can you tell that, Gwenllian? ’Tis not for us to say that.”

“My great-grandmother did know some that had been there,” said a very old woman. “She told me how they was taken afterwards.”

And then his uncle appeared at the door, and they went their way as they had come. Edward Darnell never heard any more of it, nor whether the girl died or recovered from her strange attack; but the scene had haunted his mind in boyhood, and now the recollection of it came to him with a certain note of warning, as a symbol of dangers that might be in the way.

It would be impossible to carry on the history of Edward Darnell and of Mary his wife to a greater length, since from this point their legend is full of impossible events, and seems to put on the semblance of the stories of the Graal. It is certain, indeed, that in this world they changed their lives, like King Arthur, but this is a work which no chronicler has cared to describe with any amplitude of detail. Darnell, it is true, made a little book, partly consisting of queer verse which might have been written by an inspired infant, and partly made up of “notes and exclamations” in an odd dog-Latin which he had picked up from the “Iolo MSS.,” but it is to be feared that this work, even if published in its entirety, would cast but little light on a perplexing story. He called this piece of literature “In Exitu Israel,”[23] and wrote on the title page the motto, doubtless of his own composition, “Nunc certe scio quod omnia legenda; omnes historiæ, omnes fabulæ, omnis Scriptura sint de ME narrata.”[24] It is only too evident that his Latin was not learnt at the feet of Cicero; but in this dialect he relates the great history of the “New Life” as it was manifested to him. The “poems” are even stranger. One, headed (with an odd reminiscence of old-fashioned books) “Lines written on looking down from a Height in London on a Board School suddenly lit up by the Sun” begins thus:—

One day when I was all alone
I found a wondrous little stone,
It lay forgotten on the road
Far from the ways of man’s abode.
When on this stone mine eyes I cast
I saw my Treasure found at last.
I pressed it hard against my face,
I covered it with my embrace,
I hid it in a secret place.
And every day I went to see
This stone that was my ecstasy;
And worshipped it with flowers rare,
And secret words and sayings fair.
O stone, so rare and red and wise
O fragment of far Paradise,
O Star, whose light is life! O Sea,
Whose ocean is infinity!
Thou art a fire that ever burns,
And all the world to wonder turns;
And all the dust of the dull day
By thee is changed and purged away,
So that, where’er I look, I see
A world of a Great Majesty.
The sullen river rolls all gold,
The desert park’s a faery wold,
When on the trees the wind is borne
I hear the sound of Arthur’s horn
I see no town of grim grey ways,
But a great city all ablaze
With burning torches, to light up
The pinnacles that shrine the Cup.
Ever the magic wine is poured,
Ever the Feast shines on the board,
Ever the Song is borne on high
That chants the holy Magistry—
Etc. etc. etc.

From such documents as these it is clearly impossible to gather any very definite information. But on the last page Darnell has written—

“So I awoke from a dream of a London suburb, of daily labour, of weary, useless little things; and as my eyes were opened I saw that I was in an ancient wood, where a clear well rose into grey film and vapour beneath a misty, glimmering heat. And a form came towards me from the hidden places of the wood, and my love and I were united by the well.”

THE BOWMEN

It was during the Retreat of the Eighty Thousand, and the authority of the Censorship is sufficient excuse for not being more explicit. But it was on the most awful day of that awful time, on the day when ruin and disaster came so near that their shadow fell over London far away; and, without any certain news, the hearts of men failed within them and grew faint; as if the agony of the army in the battlefield had entered into their souls.

On this dreadful day, then, when three hundred thousand men in arms with all their artillery swelled like a flood against the little English company, there was one point above all other points in our battle line that was for a time in awful danger, not merely of defeat, but of utter annihilation. With the permission of the Censorship and of the military expert, this corner may, perhaps, be described as a salient, and if this angle were crushed and broken, then the English force as a whole would be shattered, the Allied left would be turned, and Sedan would inevitably follow.[1]

All the morning the German guns had thundered and shrieked against this corner, and against the thousand or so of men who held it. The men joked at the shells, and found funny names for them, and had bets about them, and greeted them with scraps of music-hall songs. But the shells came on and burst, and tore good Englishmen limb from limb, and tore brother from brother, and as the heat of the day increased so did the fury of that terrific cannonade. There was no help, it seemed. The English artillery was good, but there was not nearly enough of it; it was being steadily battered into scrap iron.

There comes a moment in a storm at sea when people say to one another, “It is at its worst; it can blow no harder,” and then there is a blast ten times more fierce than any before it. So it was in these British trenches.

There were no stouter hearts in the whole world than the hearts of these men; but even they were appalled as this seventimes-heated hell of the German cannonade fell upon them and overwhelmed them and destroyed them. And at this very moment they saw from their trenches that a tremendous host was moving against their lines. Five hundred of the thousand remained, and as far as they could see the German infantry was pressing on against them, column upon column, a grey world of men, ten thousand of them, as it appeared afterwards.

There was no hope at all. They shook hands, some of them. One man improvised a new version of the battle-song, “Good-bye, good-bye to Tipperary,” ending with “And we shan’t get there.”[2] And they all went on firing steadily. The officers pointed out that such an opportunity for high-class, fancy shooting might never occur again; the Germans dropped line after line; the Tipperary humorist asked, “What price Sidney Street?”[3] And the few machine guns did their best. But everybody knew it was of no use. The dead grey bodies lay in companies and battalions, as others came on and on and on, and they swarmed and stirred and advanced from beyond and beyond.

“World without end. Amen,” said one of the British soldiers with some irrelevance as he took aim and fired. And then he remembered—he says he cannot think why or wherefore—a queer vegetarian restaurant in London where he had once or twice eaten eccentric dishes of cutlets made of lentils and nuts that pretended to be steak. On all the plates in this restaurant there was printed a figure of St. George in blue, with the motto, Adsit Anglis Sanctus Georgius—May St. George be a present help to the English. This soldier happened to know Latin and other useless things, and now, as he fired at his man in the grey advancing mass—300 yards away—he uttered the pious vegetarian motto. He went on firing to the end, and at last Bill on his right had to clout him cheerfully over the head to make him stop, pointing out as he did so that the King’s ammunition cost money and was not lightly to be wasted in drilling funny patterns into dead Germans.

For as the Latin scholar uttered his invocation he felt something between a shudder and an electric shock pass through his body. The roar of the battle died down in his ears to a gentle murmur; instead of it, he says, he heard a great voice and a shout louder than a thunder-peal crying, “Array, array, array!”

His heart grew hot as a burning coal, it grew cold as ice within him, as it seemed to him that a tumult of voices answered to his summons. He heard, or seemed to hear, thousands shouting: “St. George! St. George!”

“Ha! messire; ha! sweet Saint, grant us good deliverance!”

“St. George for merry England!”

“Harow! Harow! Monseigneur St. George, succour us.”

“Ha! St. George! Ha! St. George! a long bow and a strong bow.”

“Heaven’s Knight, aid us!”

And as the soldier heard these voices he saw before him, beyond the trench, a long line of shapes, with a shining about them. They were like men who drew the bow, and with another shout, their cloud of arrows flew singing and tingling through the air towards the German hosts.

The other men in the trench were firing all the while. They had no hope; but they aimed just as if they had been shooting at Bisley.

Suddenly one of them lifted up his voice in the plainest English.

“Gawd help us!” he bellowed to the man next to him, “but we’re blooming marvels! Look at those grey . . . gentlemen, look at them! D’ye see them? They’re not going down in dozens, nor in’undreds; it’s thousands, it is. Look! look! there’s a regiment gone while I’m talking to ye.”

“Shut it!” the other soldier bellowed, taking aim, “what are ye gassing about?”

But he gulped with astonishment even as he spoke, for, indeed, the grey men were falling by the thousands. The English could hear the guttural scream of the German officers, the crackle of their revolvers as they shot the reluctant; and still line after line crashed to the earth.

All the while the Latin-bred soldier heard the cry:

“Harow! Harow! Monseigneur, dear saint, quick to our aid! St. George help us!”

“High Chevalier, defend us!”

The singing arrows fled so swift and thick that they darkened the air; the heathen horde melted from before them.

“More machine guns!” Bill yelled to Tom.

“Don’t hear them,” Tom yelled back. “But, thank God, anyway; they’ve got it in the neck.”

In fact, there were ten thousand dead German soldiers left before that salient of the English army, and consequently there was no Sedan.[4] In Germany, a country ruled by scientific principles, the Great General Staff decided that the contemptible English must have employed shells containing an unknown gas of a poisonous nature, as no wounds were discernible on the bodies of the dead German soldiers. But the man who knew what nuts tasted like when they called themselves steak knew also that St. George had brought his Agincourt Bowmen to help the English.

THE SOLDIERS’ REST

The soldier with the ugly wound in the head opened his eyes at last, and looked about him with an air of pleasant satisfaction.

He still felt drowsy and dazed with some fierce experience through which he had passed, but so far he could not recollect much about it. But an agreeable glow began to steal about his heart—such a glow as comes to people who have been in a tight place and have come through it better than they had expected. In its mildest form this set of emotions may be observed in passengers who have crossed the Channel on a windy day without being sick. They triumph a little internally, and are suffused with vague, kindly feelings.

The wounded soldier was somewhat of this disposition as he opened his eyes, pulled himself together, and looked about him. He felt a sense of delicious ease and repose in bones that had been racked and weary, and deep in the heart that had so lately been tormented there was an assurance of comfort—of the battle won. The thundering, roaring waves were passed; he had entered into the haven of calm waters. After fatigues and terrors that as yet he could not recollect he seemed now to be resting in the easiest of all easy chairs in a dim, low room.

In the hearth there was a glint of fire and a blue, sweet-scented puff of wood smoke; a great black oak beam roughly hewn crossed the ceiling. Through the leaded panes of the windows he saw a rich glow of sunlight, green lawns, and against the deepest and most radiant of all blue skies the wonderful far-lifted towers of a vast Gothic cathedral—mystic, rich with imagery.

“Good Lord!” he murmured to himself. “I didn’t know they had such places in France. It’s just like Wells.[1] And it might be the other day when I was going past the Swan, just as it might be past that window, and asked the ostler what time it was, and he says, ‘What time? Why, summer-time’; and there outside it looks like summer that would last for ever. If this was an inn they ought to call it ‘The Soldiers’ Rest.’ ”

He dozed off again, and when he opened his eyes once more a kindly looking man in some sort of black robe was standing by him.

“It’s all right now, isn’t it?” he said, speaking in good English.

“Yes, thank you, sir, as right as can be. I hope to be back again soon.”

“Well, well; but how did you come here? Where did you get that?” He pointed to the wound on the soldier’s forehead.

The soldier put his hand up to his brow and looked dazed and puzzled.

“Well, sir,” he said at last, “it was like this, to begin at the beginning. You know how we came over in August, and there we were in the thick of it, as you might say, in a day or two. An awful time it was, and I don’t know how I got through it alive. My best friend was killed dead beside me as we lay in the trenches. By Cambrai, I think it was.[2]

“Then things got a little quieter for a bit, and I was quartered in a village for the best part of a week. She was a very nice lady where I was, and she treated me proper with the best of everything. Her husband he was fighting; but she had the nicest little boy I ever knew, a little fellow of five, or six it might be, and we got on splendid. The amount of their lingo that kid taught me—‘We, we’ and ‘Bong swor’ and ‘Commong voo porty voo,’ and all—and I taught him English. You should have heard that nipper say ‘’Arf a mo’, old un’! It was a treat.

“Then one day we got surprised. There was about a dozen of us in the village, and two or three hundred Germans came down on us early one morning. They got us; no help for it. Before we could shoot.

“Well, there we were. They tied our hands behind our backs, and smacked our faces and kicked us a bit, and we were lined up opposite the house where I’d been staying.

“And then that poor little chap broke away from his mother, and he run out and saw one of the Boshes,[3] as we call them, fetch me one over the jaw with his clenched fist. Oh dear! oh dear! he might have done it a dozen times if only that little child hadn’t seen him.

“He had a poor bit of a toy I’d bought him at the village shop; a toy gun it was. And out he came running, as I say, crying out something in French like ‘Bad man! bad man! don’t hurt my Anglish or I shoot you’; and he pointed that gun at the German soldier. The German, he took his bayonet, and he drove it right through the poor little chap’s throat.”

The soldier’s face worked and twitched and twisted itself into a sort of grin, and he sat grinding his teeth and staring at the man in the black robe. He was silent for a little. And then he found his voice, and the oaths rolled terrible, thundering from him, as he cursed that murderous wretch, and bade him go down and burn for ever in hell. And the tears were raining down his face, and they choked him at last.

“I beg your pardon, sir, I’m sure,” he said, “especially you being a minister of some kind, I suppose; but I can’t help it. He was such a dear little man.”

The man in black murmured something to himself: “Pretiosa in conspectu Domini mors innocentium ejus”[4]—Dear in the sight of the Lord is the death of His innocents. Then he put a kind hand very gently on the soldier’s shoulder.

“Never mind,” said he; “I’ve seen some service in my time, myself. But what about that wound?”

“Oh, that; that’s nothing. But I’ll tell you how I got it. It was just like this. The Germans had us fair, as I tell you, and they shut us up in a barn in the village; just flung us on the ground and left us to starve seemingly. They barred up the big door of the barn, and put a sentry there, and thought we were all right.

“There were sort of slits like very narrow windows in one of the walls, and on the second day it was, I was looking out of these slits down the street, and I could see those German devils were up to mischief. They were planting their machine guns everywhere handy where an ordinary man coming up the street would never see them, but I see them, and I see the infantry lining up behind the garden walls. Then I had a sort of a notion of what was coming; and presently, sure enough, I could hear some of our chaps singing ‘Hullo, hullo, hullo!’ in the distance; and I says to myself, ‘Not this time.’

“So I looked about me, and I found a hole under the wall; a kind of a drain I should think it was, and I found I could just squeeze through. And I got out and crept round, and away I goes running down the street, yelling for all I was worth, just as our chaps were getting round the corner at the bottom. ‘Bang, bang!’ went the guns, behind me and in front of me, and on each side of me, and then—bash! something hit me on the head and over I went; and I don’t remember anything more till I woke up here just now.”

The soldier lay back in his chair and closed his eyes for a moment. When he opened them he saw that there were other people in the room besides the minister in the black robes. One was a man in a big black cloak. He had a grim old face and a great beaky nose. He shook the soldier by the hand.

“By God! sir,” he said, “you’re a credit to the British Army; you’re a damned fine soldier and a good man, and, by God! I’m proud to shake hands with you.”

And then someone came out of the shadow, someone in queer clothes such as the soldier had seen worn by the heralds when he had been on duty at the opening of Parliament by the King.

“Now, by Corpus Domini,” this man said, “of all knights ye be noblest and gentlest, and ye be of fairest report, and now ye be a brother of the noblest brotherhood that ever was since this world’s beginning, since ye have yielded dear life for your friends’ sake.”

The soldier did not understand what the man was saying to him. There were others, too, in strange dresses, who came and spoke to him. Some spoke in what sounded like French. He could not make it out; but he knew that they all spoke kindly and praised him.

“What does it all mean?” he said to the minister. “What are they talking about? They don’t think I’d let down my pals?”

“Drink this,” said the minister, and he handed the soldier a great silver cup, brimming with wine.

The soldier took a deep draught, and in that moment all his sorrows passed from him.

“What is it?” he asked.

“Vin nouveau du Royaume,” said the minister. “New Wine of the Kingdom, you call it.” And then he bent down and murmured in the soldier’s ear.

“What,” said the wounded man, “the place they used to tell us about in Sunday School? With such drink and such joy—”

His voice was hushed. For as he looked at the minister the fashion of his vesture was changed. The black robe seemed to melt away from him. He was all in armour, if armour be made of starlight, of the rose of dawn, and of sunset fires; and he lifted up a great sword of flame.

Full in the midst, his Cross of Red
Triumphant Michael brandished,
And trampled the Apostate’s bride.[5]

THE GREAT RETURN

THE RUMOUR OF THE MARVELLOUS

There are strange things lost and forgotten in obscure corners of the newspaper. I often think that the most extraordinary item of intelligence that I have read in print appeared a few years ago in the London Press. It came from a well-known and most respected news agency; I imagine it was in all the papers. It was astounding.

The circumstances necessary—not to the understanding of this paragraph, for that is out of the question—but, we will say, to the understanding of the events which made it possible, are these. We had invaded Thibet, and there had been trouble in the hierarchy of that country, and a personage known as the Tashai Lama[1] had taken refuge with us in India. He went on pilgrimage from one Buddhist shrine to another, and came at last to a holy mountain of Buddhism, the name of which I have forgotten. And thus the morning paper:

His Holiness the Tashai Lama then ascended the Mountain and was transfigured.—Reuter.[2]

That was all. And from that day to this I have never heard a word of explanation or comment on this amazing statement.

There was no more, it seemed, to be said. “Reuter,” apparently, thought he had made his simple statement of the facts of the case, had thereby done his duty, and so it all ended. Nobody, so far as I know, ever wrote to any paper asking what Reuter meant by it, or what the Tashai Lama meant by it. I suppose the fact was that nobody cared twopence about the matter; and so this strange event—if there were any such event—was exhibited to us for a moment, and the lantern show revolved to other spectacles.

This is an extreme instance of the manner in which the marvellous is flashed out to us and then withdrawn behind its black veils and concealments; but I have known of other cases. Now and again, at intervals of a few years, there appear in the newspapers strange stories of the strange doings of what are technically called poltergeists. Some house, often a lonely farm, is suddenly subjected to an infernal bombardment. Great stones crash through the windows, thunder down the chimneys, impelled by no visible hand. The plates and cups and saucers are whirled from the dresser into the middle of the kitchen, no one can say how or by what agency. Upstairs the big bedstead and an old chest or two are heard bounding on the floor as if in a mad ballet. Now and then such doings as these excite a whole neighbourhood; sometimes a London paper sends a man down to make an investigation. He writes half a column of description on the Monday, a couple of paragraphs on the Tuesday, and then returns to town. Nothing has been explained, the matter vanishes away; and nobody cares. The tale trickles for a day or two through the Press, and then instantly disappears, like an Australian stream, into the bowels of darkness. It is possible, I suppose, that this singular incuriousness as to marvellous events and reports is not wholly unaccountable. It may be that the events in question are, as it were, psychic accidents and misadventures. They are not meant to happen, or, rather, to be manifested. They belong to the world on the other side of the dark curtain; and it is only by some queer mischance that a corner of that curtain is twitched aside for an instant. Then—for an instant—we see; but the personages whom Mr. Kipling calls the Lords of Life and Death[3] take care that we do not see too much. Our business is with things higher and things lower, but with things different, anyhow; and on the whole we are not suffered to distract ourselves with that which does not really concern us. The Transfiguration of the Lama and the tricks of the poltergeist are evidently no affairs of ours; we raise an uninterested eyebrow and pass on—to poetry or to statistics.

Be it noted; I am not professing any fervent personal belief in the reports to which I have alluded. For all I know, the Lama, in spite of Reuter, was not transfigured, and the poltergeist, in spite of the late Mr. Andrew Lang,[4] may in reality be only mischievous Polly, the servant girl at the farm. And to go farther: I do not know that I should be justified in putting either of these cases of the marvellous in line with a chance paragraph that caught my eye last summer; for this had not, on the face of it at all events, anything wildly out of the common. Indeed, I dare say that I should not have read it, should not have seen it, if it had not contained the name of a place which I had once visited which had then moved me in an odd manner that I could not understand. Indeed, I am sure that this particular paragraph deserves to stand alone, for even if the poltergeist be a real poltergeist, it merely reveals the psychic whimsicality of some region that is not our region. There were better things and more relevant things behind the few lines dealing with Llantrisant, the little town by the sea in Arfonshire.[5]

Not on the surface, I must say, for the cutting—I have preserved it—reads as follows:—

LLANTRISANT.—The season promises very favourably: temperature of the sea yesterday at noon, 65 deg. Remarkable occurences are supposed to have taken place during the recent Revival. The lights have not been observed lately. “The Crown.” “The Fisherman’s Rest.”

The style was odd certainly; knowing a little of newspapers, I could see that the figure called, I think, tmesis,[6] or cutting, had been generously employed; the exuberances of the local correspondent had been pruned by a Fleet Street expert. And these poor men are often hurried; but what did those “lights” mean? What strange matters had the vehement blue pencil blotted out and brought to naught?

That was my first thought, and then, thinking still of Llantrisant and how I had first discovered it and found it strange, I read the paragraph again, and was saddened almost to see, as I thought, the obvious explanation. I had forgotten for the moment that it was war-time, that scares and rumours and terrors about traitorous signals and flashing lights were current everywhere by land and sea; someone, no doubt, had been watching innocent farm-house windows and thoughtless fanlights of lodging-houses; these were the “lights” that had not been observed lately.

I found out afterwards that the Llantrisant correspondent had no such treasonous lights in his mind, but something very different. Still; what do we know? He may have been mistaken, “the great rose of fire” that came over the deep may have been the port light of a coasting-ship. Did it shine at last from the old chapel on the headland? Possibly; or possibly it was the doctor’s lamp at Sarnau, some miles away.[7] I have had wonderful opportunities lately of analysing the marvels of lying, conscious and unconscious; and indeed almost incredible feats in this way can be performed. If I incline to the less likely explanation of the “lights” at Llantrisant, it is merely because this explanation seems to me to be altogether congruous with the “remarkable occurrences” of the newspaper paragraph.

After all, if rumour and gossip and hearsay are crazy things to be utterly neglected and laid aside: on the other hand, evidence is evidence, and when a couple of reputable surgeons assert, as they do assert in the case of Olwen Phillips, Croeswen, Llantrisant, that there has been a “kind of resurrection of the body,” it is merely foolish to say that these things don’t happen. The girl was a mass of tuberculosis, she was within a few hours of death; she is now full of life. And so, I do not believe that the rose of fire was merely a ship’s light, magnified and transformed by dreaming Welsh sailors.

But now I am going forward too fast. I have not dated the paragraph, so I cannot give the exact day of its appearance, but I think it was somewhere between the second and third week of June. I cut it out partly because it was about Llantrisant, partly because of the “remarkable occurrences.” I have an appetite for these matters, though I also have this misfortune, that I require evidence before I am ready to credit them, and I have a sort of lingering hope that some day I shall be able to elaborate some scheme or theory of such things.

But in the meantime, as a temporary measure, I hold what I call the doctrine of the jig-saw puzzle. That is: this remarkable occurrence, and that, and the other may be, and usually are, of no significance. Coincidence and chance and unsearchable causes will now and again make clouds that are undeniable fiery dragons, and potatoes that resemble Eminent Statesmen exactly and minutely in every feature, and rocks that are like eagles and lions. All this is nothing; it is when you get your set of odd shapes and find that they fit into one another, and at last that they are but parts of a large design; it is then that research grows interesting and indeed amazing, it is then that one queer form confirms the other, that the whole plan displayed justifies, corroborates, explains each separate piece.

So; it was within a week or ten days after I had read the paragraph about Llantrisant and had cut it out that I got a letter from a friend who was taking an early holiday in those regions.

“You will be interested,” he wrote, “to hear that they have taken to ritualistic practices at Llantrisant. I went into the church the other day, and instead of smelling like a damp vault as usual, it was positively reeking with incense.”

I knew better than that. The old parson was a firm Evangelical; [8] he would rather have burnt sulphur in his church than incense any day. So I could not make out this report at all; and went down to Arfon a few weeks later determined to investigate this and any other remarkable occurrence at Llantrisant.

ODOURS OF PARADISE

I went down to Arfon in the very heat and bloom and fragrance of the wonderful summer that they were enjoying there. In London there was no such weather; it rather seemed as if the horror and fury of the war had mounted to the very skies and were there reigning. In the mornings the sun burnt down upon the city with a heat that scorched and consumed; but then clouds heavy and horrible would roll together from all quarters of the heavens, and early in the afternoon the air would darken, and a storm of thunder and lightning, and furious, hissing rain would fall upon the streets. Indeed, the torment of the world was in the London weather. The city wore a terrible vesture; within our hearts was dread; without we were clothed in black clouds and angry fire.

It is certain that I cannot show in any words the utter peace of that Welsh coast to which I came; one sees, I think, in such a change a figure of the passage from the disquiets and the fears of earth to the peace of paradise. A land that seemed to be in a holy, happy dream, a sea that changed all the while from olivine to emerald, from emerald to sapphire, from sapphire to amethyst, that washed in white foam at the bases of the firm, grey rocks, and about the huge crimson bastions that hid the western bays and inlets of the waters; to this land I came, and to hollows that were purple and odorous with wild thyme, wonderful with many tiny, exquisite flowers. There was benediction in centaury, pardon in eye-bright,[9] joy in lady’s slipper; and so the weary eyes were refreshed, looking now at the little flowers and the happy bees about them, now on the magic mirror of the deep, changing from marvel to marvel with the passing of the great white clouds, with the brightening of the sun. And the ears, torn with jangle and racket and idle, empty noise, were soothed and comforted by the ineffable, unutterable, unceasing murmur, as the tides swam to and fro, uttering mighty, hollow voices in the caverns of the rocks.

For three or four days I rested in the sun and smelt the savour of the blossoms and of the salt water, and then, refreshed, I remembered that there was something queer about Llantrisant that I might as well investigate. It was no great thing that I thought to find, for, it will be remembered, I had ruled out the apparent oddity of the reporter’s—or commissioner’s?—reference to lights, on the ground that he must have been referring to some local panic about signalling to the enemy; who had certainly torpedoed a ship or two off Lundy in the Bristol Channel.[10] All that I had to go upon was the reference to the “remarkable occurrences” at some revival, and then that letter of Jackson’s, which spoke of Llantrisant church as “reeking” with incense, a wholly incredible and impossible state of things. Why, old Mr. Evans, the rector, looked upon coloured stoles as the very robe of Satan and his angels, as things dear to the heart of the Pope of Rome. But as to incense! As I have already familiarly observed, I knew better.

But as a hard matter of fact, this may be worth noting: when I went over to Llantrisant on Monday, August 9th, I visited the church, and it was still fragrant and exquisite with the odour of rare gums that had fumed there.

Now I happened to have a slight acquaintance with the rector. He was a most courteous and delightful old man, and on my last visit he had come across me in the churchyard, as I was admiring the very fine Celtic cross that stands there. Besides the beauty of the interlaced ornament there is an inscription in Ogham[11] on one of the edges, concerning which the learned dispute; it is altogether one of the more famous crosses of Celtdom. Mr. Evans, I say, seeing me looking at the cross, came up and began to give me, the stranger, a résumé—somewhat of a shaky and uncertain résumé, I found afterwards—of the various debates and questions that had arisen as to the exact meaning of the inscription, and I was amused to detect an evident but underlying belief of his own: that the supposed Ogham characters were, in fact, due to boys’ mischief and weather and the passing of the ages. But then I happened to put a question as to the sort of stone of which the cross was made, and the rector brightened amazingly. He began to talk geology, and, I think, demonstrated that the cross or the material for it must have been brought to Llantrisant from the south-west coast of Ireland. This struck me as interesting, because it was curious evidence of the migrations of the Celtic saints, whom the rector, I was delighted to find, looked upon as good Protestants, though shaky on the subject of crosses; and so, with concessions on my part, we got on very well. Thus, with all this to the good, I was emboldened to call upon him.

I found him altered. Not that he was aged; indeed, he was rather made young, with a singular brightening upon his face, and something of joy upon it that I had not seen before, that I have seen on very few faces of men. We talked of the war, of course, since that is not to be avoided; of the farming prospects of the county; of general things, till I ventured to remark that I had been in the church, and had been surprised to find it perfumed with incense.

“You have made some alterations in the service since I was here last? You use incense now?”

The old man looked at me strangely, and hesitated.

“No,” he said, “there has been no change. I use no incense in the church. I should not venture to do so.”

“But,” I was beginning, “the whole church is as if High Mass had just been sung there, and—”

He cut me short, and there was a certain grave solemnity in his manner that struck me almost with awe.

“I know you are a railer,” he said, and the phrase coming from this mild old gentleman astonished me unutterably. “You are a railer and a bitter railer; I have read articles that you have written, and I know your contempt and your hatred for those you call Protestants in your derision;[12] though your grandfather, the vicar of Caerleon-on-Usk, called himself Protestant and was proud of it, and your great-grand-uncle Hezekiah, ffeiriad coch y Castletown—the Red Priest of Castletown—was a great man with the Methodists in his day, and the people flocked by their thousands when he administered the Sacrament. I was born and brought up in Glamorganshire, and old men have wept as they told me of the weeping and contrition that there was when the Red Priest broke the Bread and raised the Cup. But you are a railer, and see nothing but the outside and the show. You are not worthy of this mystery that has been done here.”

I went out from his presence rebuked indeed, and justly rebuked; but rather amazed. It is curiously true that the Welsh are still one people, one family almost, in a manner that the English cannot understand, but I had never thought that this old clergyman would have known anything of my ancestry or their doings. And as for my articles and such-like, I knew that the country clergy sometimes read, but I had fancied my pronouncements sufficiently obscure, even in London, much more in Arfon.

But so it happened, and so I had no explanation from the rector of Llantrisant of the strange circumstance, that his church was full of incense and odours of paradise.

I went up and down the ways of Llantrisant wondering, and came to the harbour, which is a little place, with little quays where some small coasting trade still lingers. A brigantine was at anchor here, and very lazily in the sunshine they were loading it with anthracite; for it is one of the oddities of Llantrisant that there is a small colliery in the heart of the wood on the hillside. I crossed a causeway which parts the outer harbour from the inner harbour, and settled down on a rocky beach hidden under a leafy hill. The tide was going out, and some children were playing on the wet sand, while two ladies—their mothers, I suppose—talked together as they sat comfortably on their rugs at a little distance from me.

At first they talked of the war, and I made myself deaf, for of that talk one gets enough, and more than enough, in London. Then there was a period of silence, and the conversation had passed to quite a different topic when I caught the thread of it again. I was sitting on the further side of a big rock, and I do not think that the two ladies had noticed my approach. However, though they spoke of strange things, they spoke of nothing which made it necessary for me to announce my presence.

“And, after all,” one of them was saying, “what is it all about? I can’t make out what is come to the people.”

This speaker was a Welshwoman; I recognised the clear, overemphasised consonants, and a faint suggestion of an accent. Her friend came from the Midlands, and it turned out that they had only known each other for a few days. Theirs was a friendship of the beach and of bathing; such friendships are common at small seaside places.

“There is certainly something odd about the people here. I have never been to Llantrisant before, you know; indeed, this is the first time we’ve been in Wales for our holidays, and knowing nothing about the ways of the people and not being accustomed to hear Welsh spoken, I thought, perhaps, it must be my imagination. But you think there really is something a little queer?”

“I can tell you this: that I have been in two minds whether I should not write to my husband and ask him to take me and the children away. You know where I am at Mrs. Morgan’s, and the Morgans’ sitting-room is just the other side of the passage, and sometimes they leave the door open, so that I can hear what they say quite plainly. And you see I understand the Welsh, though they don’t know it. And I hear them saying the most alarming things!”

“What sort of things?”

“Well, indeed, it sounds like some kind of a religious service, but it’s not Church of England, I know that. Old Morgan begins it, and the wife and children answer. Something like: ‘Blessed be God for the messengers of Paradise.’ ‘Blessed be His Name for Paradise in the meat and in the drink.’ ‘Thanksgiving for the old offering.’ ‘Thanksgiving for the appearance of the old altar.’ ‘Praise for the joy of the ancient garden.’ ‘Praise for the return of those that have been long absent.’ And all that sort of thing. It is nothing but madness.”

“Depend upon it,” said the lady from the Midlands, “there’s no real harm in it. They’re Dissenters; some new sect, I dare say. You know some Dissenters are very queer in their ways.”

“All that is like no Dissenters that I have ever known in all my life whatever,” replied the Welsh lady somewhat vehemently, with a very distinct intonation of the land. “And have you heard them speak of the bright light that shone at midnight from the church?”

A SECRET IN A SECRET PLACE

Now here was I altogether at a loss and quite bewildered. The children broke into the conversation of the two ladies and cut it all short, just as the midnight lights from the church came on the field, and when the little girls and boys went back again to the sands whooping, the tide of talk had turned, and Mrs. Harland and Mrs. Williams were quite safe and at home with Janey’s measles, and a wonderful treatment for infantile earache, as exemplified in the case of Trevor. There was no more to be got out of them, evidently, so I left the beach, crossed the harbour causeway, and drank beer at the “Fisherman’s Rest” till it was time to climb up two miles of deep lane and catch the train for Penvro,[13] where I was staying. And I went up the lane, as I say, in a kind of amazement; and not so much, I think, because of evidences and hints of things strange to the senses, such as the savour of incense where no incense had smoked for three hundred and fifty years and more, or the story of bright light shining from the dark, closed church at dead of night, as because of that sentence of thanksgiving “for paradise in meat and in drink.”

For the sun went down and the evening fell as I climbed the long hill through the deep woods and the high meadows, and the scent of all the green things rose from the earth and from the heart of the wood, and at a turn of the lane far below was the misty glimmer of the still sea, and from far below its deep murmur sounded as it washed on the little hidden, enclosed bay where Llantrisant stands. And I thought, if there be paradise in meat and in drink, so much the more is there paradise in the scent of the green leaves at evening and in the appearance of the sea and in the redness of the sky; and there came to me a certain vision of a real world about us all the while, of a language that was only secret because we would not take the trouble to listen to it and discern it.

It was almost dark when I got to the station, and here were the few feeble oil lamps lit, glimmering in that lonely land, where the way is long from farm to farm. The train came on its way, and I got into it; and just as we moved from the station I noticed a group under one of those dim lamps. A woman and her child had got out, and they were being welcomed by a man who had been waiting for them. I had not noticed his face as I stood on the platform, but now I saw it as he pointed down the hill towards Llantrisant, and I think I was almost frightened.

He was a young man, a farmer’s son, I would say, dressed in rough brown clothes, and as different from old Mr. Evans, the rector, as one man might be from another. But on his face, as I saw it in the lamplight, there was the like brightening that I had seen on the face of the rector. It was an illuminated face, glowing with an ineffable joy, and I thought it rather gave light to the platform lamp than received light from it. The woman and her child, I inferred, were strangers to the place, and had come to pay a visit to the young man’s family. They had looked about them in bewilderment, half alarmed, before they saw him; and then his face was radiant in their sight, and it was easy to see that all their troubles were ended and over. A wayside station and a darkening country; and it was as if they were welcomed by shining, immortal gladness—even into paradise.

But though there seemed in a sense light all about my ways, I was myself still quite bewildered. I could see, indeed, that something strange had happened or was happening in the little town hidden under the hill, but there was so far no clue to the mystery, or rather, the clue had been offered to me, and I had not taken it, I had not even known that it was there; since we do not so much as see what we have determined, without judging, to be incredible, even though it be held up before our eyes. The dialogue that the Welsh Mrs. Williams had reported to her English friend might have set me on the right way; but the right way was outside all my limits of possibility, outside the circle of my thought. The palæontologist might see monstrous, significant marks in the slime of a river bank, but he would never draw the conclusions that his own peculiar science would seem to suggest to him; he would choose any explanation rather than the obvious, since the obvious would also be the outrageous—according to our established habit of thought, which we deem final.

The next day I took all these strange things with me for consideration to a certain place that I knew of not far from Penvro. I was now in the early stages of the jig-saw process, or rather I had only a few pieces before me, and—to continue the figure—my difficulty was this: that though the markings on each piece seemed to have design and significance, yet I could not make the wildest guess as to the nature of the whole picture, of which these were the parts. I had clearly seen that there was a great secret; I had seen that on the face of the young farmer on the platform of Llantrisant station; and in my mind there was all the while the picture of him going down the dark, steep, winding lane that led to the town and the sea, going down through the heart of the wood, with light about him.

But there was bewilderment in the thought of this, and in the endeavour to match it with the perfumed church and the scraps of talk that I had heard and the rumour of midnight brightness; and though Penvro is by no means populous, I thought I would go to a certain solitary place called the Old Camp Head, which looks towards Cornwall and to the great deeps that roll beyond Cornwall to the far ends of the world; a place where fragments of dreams—they seemed such then—might, perhaps, be gathered into the clearness of vision.

It was some years since I had been to the Head, and I had gone on that last time and on a former visit by the cliffs, a rough and difficult path. Now I chose a landward way, which the county map seemed to justify, though doubtfully, as regarded the last part of the journey. So I went inland and climbed the hot summer by-roads; till I came at last to a lane which gradually turned turfy and grass-grown, and then on high ground, ceased to be. It left me at a gate in a hedge of old thorns; and across the field beyond there seemed to be some faint indications of a track. One would judge that sometimes men did pass by that way, but not often.

It was high ground but not within sight of the sea. But the breath of the sea blew about the hedge of thorns, and came with a keen savour to the nostrils. The ground sloped gently from the gate and then rose again to a ridge, where a white farmhouse stood all alone. I passed by this farmhouse, threading an uncertain way, followed a hedgerow doubtfully; and saw suddenly before me the Old Camp, and beyond it the sapphire plain of waters and the mist where sea and sky met. Steep from my feet the hill fell away, a land of gorse-blossom, red-gold and mellow, of glorious purple heather. It fell into a hollow that went down, shining with rich green bracken, to the glimmering sea; and before me and beyond the hollow rose a height of turf, bastioned at the summit with the awful, age-old walls of the Old Camp; green, rounded circumvallations, wall within wall, tremendous, with their myriad years upon them.

Within these smoothed, green mounds, looking across the shining and changing of the waters in the happy sunlight, I took out the bread and cheese and beer that I had carried in a bag, and ate and drank, and lit my pipe, and set myself to think over the enigmas of Llantrisant. And I had scarcely done so when, a good deal to my annoyance, a man came climbing up over the green ridges, and took up his stand close by, and stared out to sea. He nodded to me, and began with “Fine weather for the harvest” in the approved manner, and so sat down and engaged me in a net of talk. He was of Wales, it seemed, but from a different part of the country, and was staying for a few days with relations—at the white farmhouse which I had passed on my way. His tale of nothing flowed on to his pleasure and my pain, till he fell suddenly on Llantrisant and its doings. I listened then with wonder, and here is his tale condensed. Though it must be clearly understood that the man’s evidence was only second-hand; he had heard it from his cousin, the farmer.

So, to be brief, it appeared that there had been a long feud at Llantrisant between a local solicitor, Lewis Prothero (we will say), and a farmer named James. There had been a quarrel about some trifle, which had grown more and more bitter as the two parties forgot the merits of the original dispute, and by some means or other, which I could not well understand, the lawyer had got the small freeholder “under his thumb.” James, I think, had given a bill of sale in a bad season, and Prothero had bought it up; and the end was that the farmer was turned out of the old house, and was lodging in a cottage. People said he would have to take a place on his own farm as a labourer; he went about in dreadful misery, piteous to see. It was thought by some that he might very well murder the lawyer, if he met him.

They did meet, in the middle of the market-place at Llantrisant one Saturday in June. The farmer was a little black man, and he gave a shout of rage, and the people were rushing at him to keep him off Prothero.

“And then,” said my informant, “I will tell you what happened. This lawyer, as they tell me, he is a great big brawny fellow, with a big jaw and a wide mouth, and a red face and red whiskers. And there he was in his black coat and his high hard hat, and all his money at his back, as you may say. And, indeed, he did fall down on his knees in the dust there in the street in front of Philip James, and every one could see that terror was upon him. And he did beg Philip James’s pardon, and beg of him to have mercy, and he did implore him by God and man and the saints of paradise. And my cousin, John Jenkins, Penmawr, he do tell me that the tears were falling from Lewis Prothero’s eyes like the rain. And he put his hand into his pocket and drew out the deed of Pantyreos, Philip James’s old farm that was, and did give him the farm back and a hundred pounds for the stock that was on it, and two hundred pounds, all in notes of the bank, for amendment and consolation.

“And then, from what they do tell me, all the people did go mad, crying and weeping and calling out all manner of things at the top of their voices. And at last nothing would do but they must all go up to the churchyard, and there Philip James and Lewis Prothero they swear friendship to one another for a long age before the old cross, and everyone sings praises. And my cousin he do declare to me that there were men standing in that crowd that he did never see before in Llantrisant in all his life, and his heart was shaken within him as if it had been in a whirlwind.”

I had listened to all this in silence. I said then:

“What does your cousin mean by that? Men that he had never seen in Llantrisant? What men?”

“The people,” he said very slowly, “call them the Fishermen.”

And suddenly there came into my mind the “Rich Fisherman” who in the old legend guards the holy mystery of the Graal.

THE RINGING OF THE BELL

So far I have not told the story of the things of Llantrisant, but rather the story of how I stumbled upon them and among them, perplexed and wholly astray, seeking, but yet not knowing at all what I sought; bewildered now and again by circumstances which seemed to me wholly inexplicable; devoid, not so much of the key to the enigma, but of the key to the nature of the enigma. You cannot begin to solve a puzzle till you know what the puzzle is about. “Yards divided by minutes,” said the mathematical master to me long ago, “will give neither pigs, sheep, nor oxen.” He was right; though his manner on this and on all other occasions was highly offensive. This is enough of the personal process, as I may call it; and here follows the story of what happened at Llantrisant last summer, the story as I pieced it together at last.

It all began, it appears, on a hot day, early in last June; so far as I can make out, on the first Saturday in the month. There was a deaf old woman, a Mrs. Parry, who lived by herself in a lonely cottage a mile or so from the town. She came into the market-place early on the Saturday morning in a state of some excitement, and as soon as she had taken up her usual place on the pavement by the churchyard, with her ducks and eggs and a few very early potatoes, she began to tell her neighbours about her having heard the sound of a great bell. The good women on each side smiled at one another behind Mrs. Parry’s back, for one had to bawl into her ear before she could make out what one meant; and Mrs. Williams, Penycoed, bent over and yelled: “What bell should that be, Mrs. Parry? There’s no church near you up at Penrhiw. Do you hear what nonsense she talks?” said Mrs. William in a low voice to Mrs. Morgan. “As if she could hear any bell, whatever.”

“What makes you talk nonsense yourself?” said Mrs. Parry, to the amazement of the two women. “I can hear a bell as well as you, Mrs. Williams, and as well as your whispers either.”

And there is the fact, which is not to be disputed; though the deductions from it may be open to endless disputations; this old woman who had been all but stone deaf for twenty years—the defect had always been in her family—could suddenly hear on this June morning as well as anybody else. And her two old friends stared at her, and it was some time before they had appeased her indignation, and induced her to talk about the bell.

It had happened in the early morning, which was very misty. She had been gathering sage in her garden, high on a round hill looking over the sea. And there came in her ears a sort of throbbing and singing and trembling, “as if there were music coming out of the earth,” and then something seemed to break in her head, and all the birds began to sing and make melody together, and the leaves of the poplars round the garden fluttered in the breeze that rose from the sea, and the cock crowed far off at Twyn,[14] and the dog barked down in Kemeys Valley. But above all these sounds, unheard for so many years, there thrilled the deep and chanting note of the bell, “like a bell and a man’s voice singing at once.”

They stared again at her and at one another. “Where did it sound from?” asked one. “It came sailing across the sea,” answered Mrs. Parry quite composedly, “and I did hear it coming nearer and nearer to the land.”

“Well, indeed,” said Mrs. Morgan, “it was a ship’s bell then, though I can’t make out why they would be ringing like that.”

“It was not ringing on any ship, Mrs. Morgan,” said Mrs. Parry.

“Then where do you think it was ringing?”

“Ym Mharadwys,” replied Mrs. Parry. Now that means “in Paradise,” and the two others changed the conversation quickly. They thought that Mrs. Parry had got back her hearing suddenly—such things did happen now and then—and that the shock had made her “a bit queer.” And this explanation would no doubt have stood its ground, if it had not been for other experiences. Indeed, the local doctor who had treated Mrs. Parry for a dozen years, not for her deafness, which he took to be hopeless and beyond cure, but for a tiresome and recurrent winter cough, sent an account of the case to a colleague at Bristol, suppressing, naturally enough, the reference to Paradise. The Bristol physician gave it as his opinion that the symptoms were absolutely what might have been expected. “You have here, in all probability,” he wrote, “the sudden breaking down of an old obstruction in the aural passage, and I should quite expect this process to be accompanied by tinnitus of a pronounced and even violent character.”

But for the other experiences? As the morning wore on and drew to noon, high market, and to the utmost brightness of that summer day, all the stalls and the streets were full of rumours and of awed faces. Now from one lonely farm, now from another, men and women came and told the story of how they had listened in the early morning with thrilling hearts to the thrilling music of a bell that was like no bell ever heard before. And it seemed that many people in the town had been roused, they knew not how, from sleep; waking up, as one of them said, as if bells were ringing and the organ playing, and a choir of sweet voices singing all together: “There were such melodies and songs that my heart was full of joy.”

And a little past noon some fishermen who had been out all night returned, and brought a wonderful story into the town of what they had heard in the mist; and one of them said he had seen something go by at a little distance from his boat. “It was all golden and bright,” he said, “and there was glory about it.” Another fisherman declared “there was a song upon the water that was like heaven.”

And here I would say in parenthesis that on returning to town I sought out a very old friend of mine, a man who has devoted a lifetime to strange and esoteric studies. I thought that I had a tale that would interest him profoundly, but I found that he heard me with a good deal of indifference. And at this very point of the sailors’ stories I remember saying: “Now what do you make of that? Don’t you think it’s extremely curious?” He replied: “I hardly think so. Possibly the sailors were lying; possibly it happened as they say. Well, that sort of thing has always been happening.” I give my friend’s opinion; I make no comment on it.

Let it be noted that there was something remarkable as to the manner in which the sound of the bell was heard—or supposed to be heard. There are, no doubt, mysteries in sound as in all else; indeed, I am informed that during one of the horrible outrages that have been perpetrated on London during this autumn there was an instance of a great block of workmen’s dwellings in which the only person who heard the crash of a particular bomb falling was an old deaf woman, who had been fast asleep till the moment of the explosion. This is strange enough of a sound that was entirely in the natural (and horrible) order; and so it was at Llantrisant, where the sound was either a collective auditory hallucination or a manifestation of what is conveniently, if inaccurately, called the supernatural order.

For the thrill of the bell did not reach to all ears—or hearts. Deaf Mrs. Parry heard it in her lonely cottage garden, high above the misty sea; but then, in a farm on the other or western side of Llantrisant, a little child, scarcely three years old, was the only one out of a household of ten people who heard anything. He called out in stammering baby Welsh something that sounded like “Clychau fawr, clychau fawr”—the great bells, the great bells—and his mother wondered what he was talking about. Of the crews of half a dozen trawlers that were swinging from side to side in the mist, not more than four men had any tale to tell. And so it was that for an hour or two the man who had heard nothing suspected his neighbour who had heard marvels of lying; and it was some time before the mass of evidence coming from all manner of diverse and remote quarters convinced the people that there was a true story here. A might suspect B, his neighbour, of making up a tale; but when C, from some place on the hills five miles away, and D, the fisherman on the waters, each had a like report, then it was clear that something had happened.

And even then, as they told me, the signs to be seen upon the people were stranger than the tales told by them and among them. It has struck me that many people in reading some of the phrases that I have reported will dismiss them with laughter as very poor and fantastic inventions; fishermen, they will say, do not speak of “a song like heaven” or of “a glory about it.” And I dare say this would be a just enough criticism if I were reporting English fishermen; but, odd though it may be, Wales has not yet lost the last shreds of the grand manner. And let it be remembered also that in most cases such phrases are translated from another language, that is, from the Welsh.

So, they come trailing, let us say, fragments of the cloud of glory in their common speech;[15] and so, on this Saturday, they began to display, uneasily enough in many cases, their consciousness that the things that were reported were of their ancient rite and former custom. The comparison is not quite fair; but conceive Hardy’s old Durbeyfield suddenly waking from long slumber to find himself in a noble thirteenth-century hall, waited on by kneeling pages, smiled on by sweet ladies in silken côtehardies.[16]

So by evening time there had come to the old people the recollection of stories that their fathers had told them as they sat round the hearth of winter nights, fifty, sixty, seventy years ago; stories of the wonderful bell of Teilo Sant,[17] that had sailed across the glassy seas from Syon, that was called a portion of Paradise, “and the sound of its ringing was like the perpetual choir of the angels.”

Such things were remembered by the old and told to the young that evening, in the streets of the town and in the deep lanes that climbed far hills. The sun went down to the mountain red with fire like a burnt offering, the sky turned violet, the sea was purple, as one told another of the wonder that had returned to the land after long ages.

THE ROSE OF FIRE

It was during the next nine days, counting from that Saturday early in June—the first Saturday in June, as I believe—that Llantrisant and all the regions about became possessed either by an extraordinary set of hallucinations or by a visitation of great marvels.

This is not the place to strike the balance between the two possibilities. The evidence is, no doubt, readily available; the matter is open to systematic investigation.

But this may be said: The ordinary man, in the ordinary passages of his life, accepts in the main the evidence of his senses, and is entirely right in doing so. He says that he sees a cow, that he sees a stone wall, and that the cow and the stone wall are “there.” This is very well for all the practical purposes of life, but I believe that the metaphysicians are by no means so easily satisfied as to the reality of the stone wall and the cow. Perhaps they might allow that both objects are “there” in the sense that one’s reflection is in a glass; there is an actuality, but is there a reality external to oneself? In any event, it is solidly agreed that, supposing a real existence, this much is certain—it is not in the least like our conception of it. The ant and the microscope will quickly convince us that we do not see things as they really are, even supposing that we see them at all. If we could “see” the real cow she would appear utterly incredible, as incredible as the things I am to relate.

Now, there is nothing that I know much more unconvincing than the stories of the red light on the sea. Several sailors, men on small coasting ships, who were working up or down the Channel on that Saturday night spoke of “seeing” the red light, and it must be said that there is a very tolerable agreement in their tales. All make the time as between midnight of the Saturday and one o’clock on the Sunday morning. Two of those sailormen are precise as to the time of the apparition; they fix it by elaborate calculations of their own as occurring at 12:20 a.m. And the story?

A red light, a burning spark seen far away in the darkness, taken at the first moment of seeing for a signal, and probably an enemy signal. Then it approached at a tremendous speed, and one man said he took it to be the port light of some new kind of navy motor-boat which was developing a rate hitherto unheard of, a hundred or a hundred and fifty knots an hour. And then, in the third instant of the sight, it was clear that this was no earthly speed. At first a red spark in the farthest distance; then a rushing lamp; and then, as if in an incredible point of time, it swelled into a vast rose of fire that filled all the sea and all the sky and hid the stars and possessed the land. “I thought the end of the world had come,” one of the sailors said.

And then, an instant more, and it was gone from them, and four of them say that there was a red spark on Chapel Head, where the old grey chapel of St. Teilo stands, high above the water, in a cleft of the limestone rocks.

And thus the sailors; and thus their tales are incredible; but they are not incredible. I believe that men of the highest eminence in physical science have testified to the occurrence of phenomena every whit as marvellous, to things as absolutely opposed to all natural order, as we conceive it; and it may be said that nobody minds them. “That sort of thing has always been happening,” as my friend remarked to me. But the men, whether or no the fire had ever been without them, there was no doubt that it was now within them, for it burned in their eyes. They were purged as if they had passed through the Furnace of the Sages, governed with Wisdom, that the alchemists know. They spoke without much difficulty of what they had seen, or had seemed to see, with their eyes, but hardly at all of what their hearts had known when for a moment the glory of the fiery rose had been about them.

For some weeks afterwards they were still, as it were, amazed; almost, I would say, incredulous. If there had been nothing more than the splendid and fiery appearance, showing and vanishing, I do believe that they themselves would have discredited their own senses and denied the truth of their own tales. And one does not dare to say whether they would not have been right. Men like Sir William Crookes and Sir Oliver Lodge[18] are certainly to be heard with respect, and they bear witness to all manner of apparent eversions of laws which we, or most of us, consider far more deeply founded than the ancient hills. They may be justified; but in our hearts we doubt. We cannot wholly believe in inner sincerity that the solid table did rise, without mechanical reason or cause, into the air, and so defy that which we name the “law of gravitation.” I know what may be said on the other side; I know that there is no true question of “law” in the case; that the law of gravitation really means just this: that I have never seen a table rising without mechanical aid, or an apple, detached from the bough, soaring to the skies instead of falling to the ground. The so-called law is just the sum of common observation and nothing more; yet I say, in our hearts we do not believe that the tables rise; much less do we believe in the rose of fire that for a moment swallowed up the skies and seas and shores of the Welsh coast last June.

And the men who saw it would have invented fairy tales to account for it, I say again, if it had not been for that which was within them.

They said, all of them, and it was certain now that they spoke the truth, that in the moment of the vision, every pain and ache and malady in their bodies had passed away. One man had been vilely drunk on venomous spirit, procured at “Jobson’s Hole” down by the Cardiff Docks. He was horribly ill; he had crawled up from his bunk for a little fresh air; and in an instant his horrors and his deadly nausea had left him. Another man was almost desperate with the raging hammering pain of an abscess on a tooth; he says that when the red flame came near he felt as if a dull, heavy blow had fallen on his jaw, and then the pain was quite gone; he could scarcely believe that there had been any pain there.

And they all bear witness to an extraordinary exaltation of the senses. It is indescribable, this; for they cannot describe it. They are amazed, again; they do not in the least profess to know what happened; but there is no more possibility of shaking their evidence than there is a possibility of shaking the evidence of a man who says that water is wet and fire hot.

“I felt a bit queer afterwards,” said one of them, “and I steadied myself by the mast, and I can’t tell how I felt as I touched it. I didn’t know that touching a thing like a mast could be better than a big drink when you’re thirsty, or a soft pillow when you’re sleepy.”

I heard other instances of this state of things, as I must vaguely call it, since I do not know what else to call it. But I suppose we can all agree that to the man in average health, the average impact of the external world on his senses is a matter of indifference. The average impact; a harsh scream, the bursting of a motor tyre, any violent assault on the aural nerves will annoy him, and he may say “damn.” Then, on the other hand, the man who is not “fit” will easily be annoyed and irritated by someone pushing past him in a crowd, by the sound of a bell, by the closing of a book.

But so far as I could judge from the talk of these sailors, the average impact of the external world had become to them a fountain of pleasure. Their nerves were on edge, but an edge to receive exquisite sensuous impressions. The touch of the rough mast, for example; that was a joy far greater than is the joy of fine silk to some luxurious skins; they drank water and stared as if they had been fins gourmets tasting an amazing wine; the creak and whine of their ship on its slow way were as exquisite as the rhythm and song of a Bach fugue to an amateur of music.

And then, within; these rough fellows have their quarrels and strifes and variances and envyings like the rest of us; but that was all over between them that had seen the rosy light; old enemies shook hands heartily, and roared with laughter as they confessed one to another what fools they had been.

“I can’t exactly say how it has happened or what has happened at all,” said one, “but if you have all the world and the glory of it, how can you fight for fivepence?”

The church of Llantrisant is a typical example of a Welsh parish church, before the evil and horrible period of “restoration.”

This lower world is a palace of lies, and of all foolish lies there is none more insane than a certain vague fable about the mediæval freemasons, a fable which somehow imposed itself upon the cold intellect of Hallam the historian.[19] The story is, in brief, that throughout the Gothic period, at any rate, the art and craft of church building were executed by wandering guilds of “free-masons” possessed of various secrets of building and adornment, which they employed wherever they went. If this nonsense were true, the Gothic of Cologne would be as the Gothic of Colne, and the Gothic of Arles like to the Gothic of Abingdon.[20] It is so grotesquely untrue that almost every county, let alone every country, has its distinctive style in Gothic architecture. Arfon is in the west of Wales; its churches have marks and features which distinguish them from the churches in the east of Wales.

The Llantrisant church[21] has that primitive division between nave and chancel which only very foolish people decline to recognise as equivalent to the Oriental iconostasis and as the origin of the Western rood-screen. A solid wall divided the church into two portions; in the centre was a narrow opening with a rounded arch, through which those who sat towards the middle of the church could see the small, red-carpeted altar and the three roughly shaped lancet windows above it.

The “reading pew” was on the outer side of this wall of partition, and here the rector did his service, the choir being grouped in seats about him. On the inner side were the pews of certain privileged houses of the town and district.

On the Sunday morning the people were all in their accustomed places, not without a certain exultation in their eyes, not without a certain expectation of they knew not what. The bells stopped ringing, the rector, in his old-fashioned, ample surplice, entered the reading-desk, and gave out the hymn: “My God, and is Thy Table spread.”[22]

And, as the singing began, all the people who were in the pews within the wall came out of them and streamed through the archway into the nave. They took what places they could find up and down the church, and the rest of the congregation looked at them in amazement.

Nobody knew what had happened. Those whose seats were next to the aisle tried to peer into the chancel, to see what had happened or what was going on there. But somehow the light flamed so brightly from the windows above the altar, those being the only windows in the chancel, one small lancet in the south wall excepted, that no one could see anything at all.

“It was as if a veil of gold adorned with jewels was hanging there,” one man said; and indeed there are a few odds and scraps of old painted glass left in the eastern lancets.

But there were few in the church who did not hear now and again voices speaking beyond the veil.

OLWEN’S DREAM

The well-to-do and dignified personages who left their pews in the chancel of Llantrisant Church and came hurrying into the nave could give no explanation of what they had done. They felt, they said, that they “had to go,” and to go quickly; they were driven out, as it were, by a secret, irresistible command. But all who were present in the church that morning were amazed, though all exulted in their hearts; for they, like the sailors who saw the rose of fire on the waters, were filled with a joy that was literally ineffable, since they could not utter it or interpret it to themselves.

And they too, like the sailors, were transmuted, or the world was transmuted for them. They experienced what the doctors call a sense of bien être, but a bien être raised to the highest power. Old men felt young again, eyes that had been growing dim now saw clearly, and saw a world that was like Paradise, the same world, it is true, but a world rectified and glowing, as if an inner flame shone in all things, and behind all things.

And the difficulty in recording this state is this, that it is so rare an experience that no set language to express it is in existence. A shadow of its raptures and ecstasies is found in the highest poetry; there are phrases in ancient books telling of the Celtic saints that dimly hint at it; some of the old Italian masters of painting had known it, for the light of it shines in their skies and about the battlements of their cities that are founded on magic hills. But these are but broken hints.

It is not poetic to go to Apothecaries’ Hall for similes. But for many years I kept by me an article from the Lancet or the British Medical Journal—I forget which—in which a doctor gave an account of certain experiments he had conducted with a drug called the Mescal Button, or Anhelonium Lewinii.[23] He said that while under the influence of the drug he had but to shut his eyes, and immediately before him there would rise incredible Gothic cathedrals, of such majesty and splendour and glory as no heart had even conceived. They seemed to surge from the depths to the very heights of heaven, their spires swayed amongst the clouds and the stars, they were fretted with admirable imagery. And as he gazed, he would presently become aware that all the stones were living stones, that they were quickening and palpitating, and then that they were glowing jewels, say, emeralds, sapphires, rubies, opals, but of hues that the mortal eye had never seen.

That description gives, I think, some faint notion of the nature of the transmuted world into which these people by the sea had entered, a world quickened and glorified and full of pleasures. Joy and wonder were on all faces; but the deepest joy and the greatest wonder were on the face of the rector. For he had heard through the veil the Greek word for “holy,” three times repeated. And he, who had once been a horrified assistant at High Mass in a foreign church, recognised the perfume of incense that filled the place from end to end.

It was on that Sunday night that Olwen Phillips of Croeswen dreamed her wonderful dream. She was a girl of sixteen, the daughter of small farming people, and for many months she had been doomed to certain death. Consumption, which flourishes in that damp, warm climate, had laid hold of her; not only her lungs but her whole system was a mass of tuberculosis. As is common enough, she had enjoyed many fallacious brief recoveries in the early stages of the disease, but all hope had long been over, and now for the last few weeks she had seemed to rush vehemently to death. The doctor had come on the Saturday morning, bringing with him a colleague. They had both agreed that the girl’s case was in its last stages. “She cannot possibly last more than a day or two,” said the local doctor to her mother. He came again on the Sunday morning and found his patient perceptibly worse, and soon afterwards she sank into a heavy sleep, and her mother thought that she would never wake from it.

The girl slept in an inner room communicating with the room occupied by her father and mother. The door between was kept open, so that Mrs. Phillips could hear her daughter if she called to her in the night. And Olwen called to her mother that night, just as the dawn was breaking. It was no faint summons from a dying bed that came to the mother’s ears, but a loud cry that rang through the house, a cry of great gladness. Mrs. Phillips started up from sleep in wild amazement, wondering what could have happened. And then she saw Olwen, who had not been able to rise from her bed for many weeks past, standing in the doorway in the faint light of the growing day. The girl called to her mother: “Mam! mam! It is all over. I am quite well again.”

Mrs. Phillips roused her husband, and they sat up in bed staring, not knowing on earth, as they said afterwards, what had been done with the world. Here was their poor girl wasted to a shadow, lying on her death-bed, and the life sighing from her with every breath, and her voice, when she last uttered it, so weak that one had to put one’s ear to her mouth. And here in a few hours she stood up before them; and even in that faint light they could see that she was changed almost beyond knowing. And, indeed, Mrs. Phillips said that for a moment or two she fancied that the Germans must have come and killed them in their sleep, and so they were all dead together. But Olwen called out again, so the mother lit a candle and got up and went tottering across the room, and there was Olwen all gay and plump again, smiling with shining eyes. Her mother led her into her own room, and set down the candle there, and felt her daughter’s flesh, and burst into prayers and tears of wonder and delight, and thanksgivings, and held the girl again to be sure that she was not deceived. And then Olwen told her dream, though she thought it was not a dream.

She said she woke up in the deep darkness, and she knew the life was fast going from her. She could not move so much as a finger, she tried to cry out, but no sound came from her lips. She felt that in another instant the whole world would fall from her; the anguish of death was bitter upon her. And as the last breath was passing her lips, she heard a very faint, sweet sound, like the tinkling of a silver bell. It came from far away, from over by Tynewydd. [24] She forgot her agony and listened, and even then, she says, she felt the swirl of the world as it came back to her. And the sound of the bell swelled and grew louder, and it thrilled all through her body, and the life was in it. And as the bell rang and trembled in her ears, a faint light touched the wall of her room and reddened, till the whole room was full of rosy fire. And then she saw standing before her bed three men in blood-coloured robes with shining faces. And one man held a golden bell in his hand. And the second man held up something shaped like the top of a table. It was like a great jewel, and it was of a blue colour, and there were rivers of silver and of gold running through it and flowing as quick streams flow, and there were pools in it as if violets had been poured out into water, and then it was green as the sea near the shore, and then it was the sky at night with all the stars shining, and then the sun and the moon came down and washed in it. And the third man held up high above this a cup that was like a rose on fire; “there was a great burning in it, and a dropping of blood in it, and a red cloud above it, and I saw a great secret. And I heard a voice that sang nine times, ‘Glory and praise to the Conqueror of Death, to the Fountain of Life immortal.’ Then the red light went from the wall, and it was all darkness, and the bell rang faint again by Capel Teilo, and then I got up and called to you.”

The doctor came on the Monday morning with the death certificate in his pocket-book, and Olwen ran out to meet him. I have quoted his phrase in the first chapter of this record: “A kind of resurrection of the body.” He made a most careful examination of the girl; he has stated that he found that every trace of disease had disappeared. He left on the Sunday morning a patient entering into the coma that precedes death, a body condemned utterly and ready for the grave. He met at the garden gate on the Monday morning a young woman in whom life sprang up like a fountain, in whose body life laughed and rejoiced as if it had been a river flowing from an unending well.

Now this is the place to ask one of those questions—there are many such—which cannot be answered. The question is as to the continuance of tradition; more especially as to the continuance of tradition among the Welsh Celts of to-day. On the one hand, such waves and storms have gone over them. The wave of the heathen Saxons went over them, then the wave of Latin mediævalism, then the waters of Anglicanism; last of all the flood of their queer Calvinistic Methodism, half Puritan, half pagan. It may well be asked whether any memory can possibly have survived such a series of deluges. I have said that the old people of Llantrisant had their tales of the Bell of Teilo Sant; but these were but vague and broken recollections. And then there is the name by which the “strangers” who were seen in the market-place were known; that is more precise. Students of the Graal legend know that the keeper of the Graal in the romances is the “King Fisherman,” or the “Rich Fisherman”; students of Celtic hagiology know that it was prophesied before the birth of Dewi (or David) that he should be “a man of aquatic life,” that another legend tells how a little child, destined to be a saint, was discovered on a stone in the river, how through his childhood a fish for his nourishment was found on that stone every day, while another saint, Ilar, if I remember, was expressly known as “The Fisherman.” But has the memory of all this persisted in the church-going and chapel-going people of Wales at the present day? It is difficult to say. There is the affair of the Healing Cup of Nant Eos, or Tregaron Healing Cup, as it is also called.[25] It is only a few years ago since it was shown to a wandering harper, who treated it lightly, and then spent a wretched night, as he said, and came back penitently and was left alone with the sacred vessel to pray over it, till “his mind was at rest.” That was in 1887.

Then for my part—I only know modern Wales on the surface, I am sorry to say—I remember three or four years ago speaking to my temporary landlord of certain relics of Saint Teilo, which are supposed to be in the keeping of a particular family in that country. The landlord is a very jovial, merry fellow, and I observed with some astonishment that his ordinary, easy manner was completely altered as he said, gravely, “That will be over there, up by the mountain,” pointing vaguely to the north. And he changed the subject, as a Freemason changes the subject.

There the matter lies, and its appositeness to the story of Llantrisant is this: that the dream of Olwen Phillips was, in fact, the Vision of the Holy Graal.

THE MASS OF THE SANGRAAL

“Ffeiriadwyr Melcisidec! Ffeiriadwyr Melcisidec!” shouted the old Calvinistic Methodist deacon with the grey beard. “Priesthood of Melchizedek! Priesthood of Melchizedek!”

And he went on:

“The Bell that is like y glwys yr angel ym mharadwys—the joy of the angels in Paradise—is returned; the Altar that is of a colour that no man can discern is returned, the Cup that came from Syon is returned, the ancient Offering is restored, the Three Saints have come back to the church of the tri sant, the Three Holy Fishermen are amongst us, and their net is full. Gogoniant, gogoniant—glory, glory!”

Then another Methodist began to recite a verse from Wesley’s hymn.

God still respects Thy sacrifice,
Its savour sweet doth always please;
The Offering smokes through earth and skies,
Diffusing life and joy and peace;
To these Thy lower courts it comes
And fills them with Divine perfumes.[26]

The whole church was full, as the old books tell, of the odour of the rarest spiceries. There were lights shining withing the sanctuary, through the narrow archway.

This was the beginning of the end of what befell at Llantrisant. For it was the Sunday after that night on which Olwen Phillips had been restored from death to life. There was not a single chapel of the Dissenters open in the town that day. The Methodists with their minister and their deacons and all the Nonconformists had returned on this Sunday morning to “the old hive.” One would have said, a church of the Middle Ages, a church in Ireland to-day. Every seat—save those in the chancel—was full, all the aisles were full, the churchyard was full; everyone on his knees, and the old rector kneeling before the door into the holy place.

Yet they can say but very little of what was done beyond the veil. There was no attempt to perform the usual service; when the bells had stopped the old deacon raised his cry, and priest and people fell down on their knees as they thought they heard a choir within singing “Alleluya, alleluya, alleluya.” And as the bells in the tower ceased ringing, there sounded the thrill of the bell from Syon, and the golden veil of sunlight fell across the door into the altar, and the heavenly voices began their melodies.

A voice like a trumpet cried from within the brightness:

Agyos, Agyos, Agyos.[27]

And the people, as if an age-old memory stirred in them, replied:

Agyos yr Tâd, agyos yr Mab, agyos yr Yspryd Glan. Sant, sant, sant, Drindod sant fendigeid. Sanctus Arglwydd Dduw Sabaoth, Dominus Deus.[28]

There was a voice that cried and sang from within the altar; most of the people had heard some faint echo of it in the chapels; a voice rising and falling and soaring in awful modulations that rang like the trumpet of the Last Angel. The people beat upon their breasts, the tears were like rain of the mountains on their cheeks; those that were able fell down flat on their faces before the glory of the veil. They said afterwards that men of the hills, twenty miles away, heard that cry and that singing, roaring upon them on the wind, and they fell down on their faces, and cried, “The Offering is accomplished,” knowing nothing of what they said.

There were a few who saw three come out of the door of the sanctuary, and stand for a moment on the pace before the door. These three were in dyed vesture, red as blood. One stood before two, looking to the west, and he rang the bell. And they say that all the birds of the wood, and all the waters of the sea, and all the leaves of the trees, and all the winds of the high rocks uttered their voices with the ringing of the bell. And the second and the third; they turned their faces one to another. The second held up the lost altar that they once called Sapphirus, which was like the changing of the sea and of the sky, and like the immixture of gold and silver. And the third heaved up high over the altar a cup that was red with burning and the blood of the offering.

And the old rector cried aloud then before the entrance:

Bendigeid yr Offeren yn oes oesoedd—blessed be the Offering unto the age of ages.

And then the Mass of the Sangraal was ended, and then began the passing out of that land of the holy persons and holy things that had returned to it after the long years. It seemed, indeed, to many that the thrilling sound of the bell was in their ears for days, even for weeks after that Sunday morning. But thenceforth neither bell not altar nor cup was seen by anyone; not openly, that is, but only in dreams by day and by night. Nor did the people see Strangers again in the market of Llantrisant, nor in the lonely places where certain persons oppressed by great affliction and sorrow had once or twice encountered them.

But that time of visitation will never be forgotten by the people. Many things happened in the nine days that have not been set down in this record—or legend. Some of them were trifling matters, though strange enough in other times. Thus a man in the town who had a fierce dog that was always kept chained up found one day that the beast had become mild and gentle.

And this is odder: Edward Davies, of Lanafon,[29] a farmer, was roused from sleep one night by a queer yelping and barking in his yard. He looked out of the window and saw his sheep-dog playing with a big fox; they were chasing each other by turns, rolling over and over one another, “cutting such capers as I did never see the like,” as the astonished farmer put it. And some of the people said that during this season of wonder the corn shot up, and the grass thickened, and the fruit was multiplied on the trees in a very marvellous manner.

More important, it seemed, was the case of Williams, the grocer; though this may have been a purely natural deliverance. Mr. Williams was to marry his daughter Mary to a smart young fellow from Carmarthen, and he was in great distress over it. Not over the marriage itself, but because things had been going very badly with him for some time, and he could not see his way to giving anything like the wedding entertainment that would be expected of him. The wedding was to be on the Saturday—that was the day on which the lawyer, Lewis Prothero, and the farmer, Philip James, were reconciled—and this John Williams, without money or credit, could not think how shame would not be on him for the meagreness and poverty of the wedding feast. And then on the Tuesday came a letter from his brother, David Williams, Australia, from whom he had not heard for fifteen years. And David, it seemed, had been making a great deal of money, and was a bachelor, and here was with his letter a paper good for a thousand pounds: “You may as well enjoy it now as wait till I am dead.” This was enough, indeed, one might say; but hardly an hour after the letter had come the lady from the big house drove up in all her grandeur, and went into the shop and said, “Mr. Williams, your daughter Mary has always been a very good girl, and my husband and I feel that we must give her some little thing on her wedding, and we hope she’ll be very happy.” It was a gold watch worth fifteen pounds. And after Lady Watcyn, advances the old doctor with a dozen of port, forty years upon it, and a long sermon on how to decant it. And the rector’s wife brings to the beautiful girl two yards of creamy lace, like an enchantment, for her wedding veil, and tells Mary how she wore it for her own wedding fifty years ago; and the squire, Sir Watcyn, as if his wife had not been already with a fine gift, calls from his horse, and brings out Williams and barks like a dog at him, “Goin’ to have a weddin’, eh, Williams? Can’t have a weddin’ without champagne, y’ know; wouldn’t be legal, don’t y’ know. So look out for a couple of cases.” So Williams tells the story of the gifts; and certainly there was never so famous a wedding in Llantrisant before.

All this, of course, may have been altogether in the natural order; the “glow,” as they call it, seems more difficult to explain. For they say that all through the nine days, and indeed after the time had ended, there never was a man weary or sick at heart in Llantrisant, or in the country round it. For if a man felt that his work of the body or the mind was going to be too much for his strength, then there would come to him of a sudden a warm glow and a thrilling all over him, and he felt as strong as a giant, and happier than he had ever been in his life before, so that lawyer and hedger each rejoiced in the task that was before him, as if it were sport and play.

And much more wonderful than this or any other wonders was forgiveness, with love to follow it. There were meetings of old enemies in the market-place and in the street that made the people lift up their hands and declare that it was as if one walked the miraculous streets of Syon.

But as to the “phenomena,” the occurrences for which, in ordinary talk, we should reserve the word “miraculous”? Well, what do we know? The question that I have already stated comes up again, as to the possible survival of old tradition in a kind of dormant, or torpid, semi-conscious state. In other words, did the people “see” and “hear” what they expected to see and hear? This point, or one similar to it, occurred in a debate between Andrew Lang and Anatole France as to the visions of Joan of Arc.[30] M. France stated that when Joan saw St. Michael, she saw the traditional archangel of the religious art of her day, but to the best of my belief Andrew Lang proved that the visionary figure Joan described was not in the least like the fifteenth-century conception of St. Michael. So, in the case of Llantrisant, I have stated that there was a sort of tradition about the Holy Bell of Teilo Sant; and it is, of course, barely possible that some vague notion of the Graal Cup may have reached even Welsh country folks through Tennyson’s “Idylls.”[31] But so far I see no reason to suppose that these people had ever heard of the portable altar (called Sapphirus in William of Malmesbury) or of its changing colours “that no man could discern.”[32]

And then there are the other questions of the distinction between hallucination and vision, of the average duration of one and the other, and of the possibility of collective hallucination. If a number of people all see (or think they see) the same appearances, can this be merely hallucination? I believe there is a leading case on the matter, which concerns a number of people seeing the same appearance on a church wall in Ireland; but there is, of course, this difficulty, that one may be hallucinated and communicate his impression to the others, telepathically.

But at the last, what do we know?

OUT OF THE EARTH

There was some sort of confused complaint during last August of the ill-behaviour of the children at certain Welsh watering-places. Such reports and vague rumours are most difficult to trace to their heads and fountains; none has better reason to know that than myself. I need not go over the old ground here, but I am afraid that many people are wishing by this time that they had never heard my name; again, a considerable number of estimable persons are concerning themselves gloomily enough, from my point of view, with my everlasting welfare. They write me letters, some in kindly remonstrance, begging me not to deprive poor, sickhearted souls of what little comfort they possess amidst their sorrows. Others send me tracts and pink leaflets with allusions to “the daughter of a well-known canon”; others again are violently and anonymously abusive. And then in open print, in fair bookform, Mr. Begbie has dealt with me righteously but harshly, as I cannot but think.[1]

Yet, it was all so entirely innocent, nay casual, on my part. A poor linnet of prose, I did but perform my indifferent piping in the Evening News because I wanted to do so, because I felt that the story of “The Bowmen” ought to be told. An inventor of fantasies is a poor creature, heaven knows, when all the world is at war; but I thought that no harm would be done, at any rate, if I bore witness, after the fashion of the fantastic craft, to my belief in the heroic glory of the English host who went back from Mons fighting and triumphing.

And then, somehow or other, it was as if I had touched a button and set in action a terrific, complicated mechanism of rumours that pretended to be sworn truth, of gossip that posed as evidence, of wild tarradiddles that good men most firmly believed. The supposed testimony of that “daughter of a well-known canon” took parish magazines by storm, and equally enjoyed the faith of dissenting divines. The “daughter” denied all knowledge of the matter, but people still quoted her supposed sure word; and the issues were confused with tales, probably true, of painful hallucinations and deliriums of our retreating soldiers, men fatigued and shattered to the very verge of death. It all became worse than the Russian myths, and as in the fable of the Russians, it seemed impossible to follow the streams of delusion to their fountain-head—or heads. Who was it who said that “Miss M. knew two officers who, etc., etc.”? I suppose we shall never know his lying, deluding name.

And so, I dare say, it will be with this strange affair of the troublesome children of the Welsh seaside town, or rather of a group of small towns and villages lying within a certain section or zone, which I am not going to indicate more precisely than I can help, since I love that country, and my recent experiences with “The Bowmen” have taught me that no tale is too idle to be believed. And, of course, to begin with, nobody knew how this odd and malicious piece of gossip originated. So far as I know, it was more akin to the Russian myth than to the tale of “The Angels of Mons.” That is, rumour preceded print; the thing was talked of here and there and passed from letter to letter long before the papers were aware of its existence. And—here it resembles rather the Mons affair—London and Manchester, Leeds and Birmingham were muttering vague unpleasant things while the little villages concerned basked innocently in the sunshine of an unusual prosperity.

In this last circumstance, as some believe, is to be sought the root of the whole matter. It is well known that certain East Coast towns suffered from the dread of air-raids, and that a good many of their usual visitors went westward for the first time. So there is a theory that the East Coast was mean enough to circulate reports against the West Coast out of pure malice and envy. It may be so; I do not pretend to know. But here is a personal experience, such as it is, which illustrated the way in which the rumour was circulated. I was lunching one day at my Fleet Street tavern—this was early in July—and a friend of mine, a solicitor, of Serjeants’ Inn,[2] came in and sat at the same table. We began to talk of holidays and my friend Eddis asked me where I was going. “To the same old place,” I said. “Manavon.[3] You know we always go there.” “Are you really?” said the lawyer; “I thought that coast had gone off a lot. My wife has a friend who’s heard that it’s not at all that it was.”

I was astonished to hear this, not seeing how a little village like Manavon could have “gone off.” I had known it for ten years as having accommodation for about twenty visitors, and I could not believe that rows of lodging houses had sprung up since the August of 1914. Still I put the question to Eddis: “Trippers?” I asked, knowing firstly that trippers hate the solitudes of the country and the sea; secondly, that there are no industrial towns within cheap and easy distance, and thirdly, that the railways were issuing no excursion tickets during the war.

“No, not exactly trippers,” the lawyer replied. “But my wife’s friend knows a clergyman who says that the beach at Tremaen[4] is not at all pleasant now, and Tremaen’s only a few miles from Manavon, isn’t it?”

“In what way not pleasant?” I carried on my examination. “Pierrots[5] and shows, and that sort of thing?” I felt that it could not be so, for the solemn rocks of Tremaen would have turned the liveliest Pierrot to stone. He would have frozen into a crag on the beach, and the seagulls would carry away his song and make it a lament by lonely, booming caverns that look on Avalon.[6] Eddis said he had heard nothing about showmen; but he understood that since the war the children of the whole district had got quite out of hand.

“Bad language, you know,” he said, “and all that sort of thing, worse than London slum children. One doesn’t want one’s wife and children to hear foul talk at any time, much less on their holiday. And they say that Castell Coch[7] is quite impossible; no decent woman would be seen there!”

I said: “Really, that’s a great pity,” and changed the subject. But I could not make it out at all. I knew Castell Coch well—a little bay bastioned by dunes and red sandstone cliffs, rich with greenery. A stream of cold water runs down there to the sea; there is the ruined Norman Castle, the ancient church and the scattered village; it is altogether a place of peace and quiet and great beauty. The people there, children and grown-ups alike, were not merely decent but courteous folk: if one thanked a child for opening a gate, there would come the inevitable response: “And welcome kindly, sir.” I could not make it out at all. I didn’t believe the lawyer’s tales; for the life of me I could not see what he could be driving at. And, for the avoidance of all unnecessary mystery, I may as well say that my wife and child and myself went down to Manavon last August and had a most delightful holiday. At the time we were certainly conscious of no annoyance or unpleasantness of any kind. Afterwards, I confess, I heard a story that puzzled and still puzzles me, and this story, if it be received, might give its own interpretation to one or two circumstances which seemed in themselves quite insignificant.

But all through July I came upon traces of evil rumours affecting this most gracious corner of the earth. Some of these rumours were repetitions of Eddis’s gossip; others amplified his vague story and made it more definite. Of course, no first-hand evidence was available. There never is any first-hand evidence in these cases. But A knew B who had heard from C that her secondcousin’s little girl had been set upon and beaten by a pack of young Welsh savages. Then people quoted “a doctor in large practice in a well-known town in the Midlands,” to the effect that Tremaen was a sink of juvenile depravity. They said that a responsible medical man’s evidence was final and convincing; but they didn’t bother to find out who the doctor was, or whether there was any doctor at all—or any doctor relevant to the issue. Then the thing began to get into the papers in a sort of oblique, by-the-way sort of manner. People cited the case of these imaginary bad children in support of their educational views. One side said that “these unfortunate little ones” would have been quite well-behaved if they had had no education at all; the opposition declared that continuation schools would speedily reform them and make them into admirable citizens. Then the poor Arfonshire children seemed to become involved in quarrels about Welsh Disestablishment[8] and in the question of the miners; and all the while they were going about behaving politely and admirably as they always do behave. I knew all the time that it was all nonsense, but I couldn’t understand in the least what it meant, or who was pulling the wires of rumour, or their purpose in so pulling. I began to wonder whether the pressure and anxiety and suspense of a terrible war had unhinged the public mind, so that it was ready to believe any fable, to debate the reasons for happenings which had never happened. At last, quite incredible things began to be whispered: visitors’ children had not only been beaten, they had been tortured; a little boy had been found impaled on a stake in a lonely field near Manavon; another child had been lured to destruction over the cliffs at Castell Coch. A London paper sent a good man down quietly to Arfon to investigate. He was away for a week, and at the end of that period returned to his office and in his own phrase, “threw the whole story down.” There was not a word of truth, he said, in any of these rumours; no vestige of a foundation for the mildest forms of all this gossip. He had never seen such a beautiful country; he had never met pleasanter men, women or children; there was not a single case of anyone having been annoyed or troubled in any sort or fashion.

Yet all the while the story grew, and grew more monstrous and incredible. I was too much occupied in watching the progress of my own mythological monster to pay much attention. The Town Clerk of Tremaen, to which the legend had at length penetrated, wrote a brief letter to the Press indignantly denying that there was the slightest foundation for “the unsavoury rumours” which, he understood, were being circulated; and about this time we went down to Manavon and, as I say, enjoyed ourselves extremely. The weather was perfect: blues of paradise in the skies, the seas all a shimmering wonder, olive greens and emeralds, rich purples, glassy sapphires changing by the rocks; far away a haze of magic lights and colours at the meeting of sea and sky. Work and anxiety had harried me; I found nothing better than to rest on the thymy banks by the shore, finding an infinite balm and refreshment in the great sea before me, in the tiny flowers beside me. Or we would rest all the summer afternoon on a “shelf” high on the grey cliffs and watch the tide creaming and surging about the rocks, and listen to it booming in the hollows and caverns below. Afterwards, as I say, there were one or two things that struck cold. But at the time those were nothing. You see a man in an odd white hat pass by and think little or nothing about it. Afterwards, when you hear that a man wearing just such a hat had committed murder in the next street five minutes before, then you find in that hat a certain interest and significance. “Funny children,” was the phrase my little boy used; and I began to think they were “funny” indeed.

If there be a key at all to this queer business, I think it is to be found in a talk I had not long ago with a friend of mine named Morgan. He is a Welshman and a dreamer, and some people say he is like a child who has grown up and yet has not grown up like other children of men. Though I did not know it, while I was at Manavon, he was spending his holiday time at Castell Coch. He was a lonely man and he liked lonely places, and when we met in the autumn he told me how, day after day, he would carry his bread and cheese and beer in a basket to a remote headland on that coast known as the Old Camp. Here, far above the waters, are solemn, mighty walls, turf-grown; circumvallations rounded and smooth with the passing of many thousand years. At one end of this most ancient place there is a tumulus, a tower of observation, perhaps, and underneath it slinks the green, deceiving ditch that seems to wind into the heart of the camp, but in reality rushes down to sheer rock and a precipice over the waters.

Here came Morgan daily, as he said, to dream of Avalon, to purge himself from the fuming corruption of the streets.

And so, as he told me, it was with singular horror that one afternoon as he dozed and dreamed and opened his eyes now and again to watch the miracle and magic of the sea, as he listened to the myriad murmurs of the waves, his meditation was broken by a sudden burst of horrible raucous cries—and the cries of children, too, but children of the lowest type. Morgan says that the very tones made him shudder—“They were to the ear what slime is to the touch,” and then the words: every foulness, every filthy abomination of speech; blasphemies that struck like blows at the sky, that sank down into the pure, shining depths, defiling them! He was amazed. He peered over the green wall of the fort, and there in the ditch he saw a swarm of noisome children, horrible little stunted creatures with old men’s faces, with bloated faces, with little sunken eyes, with leering eyes. It was worse than uncovering a brood of snakes or a nest of worms.

No; he would not describe what they were about. “Read about Belgium,” said Morgan, “and think they couldn’t have been more than five or six years old.” There was no infamy, he said, that they did not perpetrate; they spared no horror of cruelty. “I saw blood running in streams, as they shrieked with laughter, but I could not find the mark of it on the grass afterwards.”

Morgan said he watched them and could not utter a word; it was as if a hand held his mouth tight. But at last he found his voice and shrieked at them, and they burst into a yell of obscene laughter and shrieked back at him, and scattered out of sight. He could not trace them; he supposes that they hid in the deep bracken behind the Old Camp.

“Sometimes I can’t understand my landlord at Castell Coch,” Morgan went on. “He’s the village postmaster and has a little farm of his own—a decent, pleasant, ordinary sort of chap. But now and again he will talk oddly. I was telling him about these beastly children and wondering who they could be when he broke into Welsh, something like ‘the battle that is for age unto ages; and the People take delight in it.’ ”

So far Morgan, and it was evident that he did not understand at all. But this strange tale of his brought back an odd circumstance or two that I recollected: a matter of our little boy straying away more than once, and getting lost among the sand dunes and coming back screaming, evidently frightened horribly, and babbling about “funny children.” We took no notice; did not trouble, I think, to look whether there were any children wandering about the dunes or not. We were accustomed to his small imaginations.

But after hearing Morgan’s story I was interested and I wrote an account of the matter to my friend, old Doctor Duthoit, of Hereford. And he:

“They were only visible, only audible to children and the childlike. Hence the explanation of what puzzled you at first; the rumours, how did they arise? They arose from nursery gossip, from scraps and odds and ends of half-articulate children’s talk of horrors that they didn’t understand, of words that shamed their nurses and their mothers.

“These little people of the earth rise up and rejoice in these times of ours. For they are glad, as the Welshman said, when they know that men follow their ways.”

THE TERROR

I

After two years we are turning once more to the morning’s news with a sense of appetite and glad expectation. There were thrills at the beginning of the war; the thrill of horror and of a doom that seemed at once incredible and certain; this was when Namur[1] fell and the German host swelled like a flood over the French fields, and drew very near to the walls of Paris.[2] Then we felt the thrill of exultation when the good news came that the awful tide had been turned back, and that Paris and the world were safe; for a while at all events.

Then for days we hoped for more news as good as this or better. Has Von Kluck been surrounded?[3] Not to-day, but perhaps he will be surrounded to-morrow. But the days became weeks, the weeks drew out to months; the battle in the West seemed frozen. Now and again things were done that seemed hopeful, with promise of events still better. But Neuve Chapelle and Loos[4] dwindled into disappointments as their tale was told fully; the lines in the West remained, for all practical purposes of victory, immobile. Nothing seemed to happen, there was nothing to read save the record of operations that were clearly trifling and insignificant. People speculated as to the reason of this inaction; the hopeful said that Joffre[5] had a plan, that he was “nibbling,” others declared that we were short of munitions, others again that the new levies were not yet ripe for battle. So the months went by, and almost two years of war had been completed before the motionless English line began to stir and quiver as if it awoke from a long sleep, and began to roll onward, overwhelming the enemy.

The secret of the long inaction of the British Armies has been well kept. On the one hand it was rigorously protected by the censorship, which severe, and sometimes severe to the point of absurdity—“the captains and the . . . depart,” for instance—became in this particular matter ferocious. As soon as the real significance of that which was happening, or beginning to happen, was perceived by the authorities, an underlined circular was issued to the newspaper proprietors of Great Britain and Ireland. It warned each proprietor that he might impart the contents of this circular to one other person only, such person being the responsible editor of his paper, who was to keep the communication secret under the severest penalties. The circular forbade any mention of certain events that had taken place, that might take place; it forbade any kind of allusion to these events or any hint of their existence, or of the possibility of their existence, not only in the Press, but in any form whatever. The subject was not to be alluded to in conversation, it was not to be hinted at, however obscurely, in letters; the very existence of the circular, its subject apart, was to be a dead secret.

These measures were successful. A wealthy newspaper proprietor of the North, warmed a little at the end of the Throwsters’ Feast[6] (which was held as usual, it will be remembered), ventured to say to the man next to him: “How awful it would be, wouldn’t it, if . . .” His words were repeated, as proof, one regrets to say, that it was time for “old Arnold” to “pull himself together”; and he was fined a thousand pounds. Then, there was the case of an obscure weekly paper published in the county town of an agricultural district in Wales. The Meiros Observer (we will call it) was issued from a stationer’s back premises, and filled its four pages with accounts of local flower shows, fancy fairs at vicarages, reports of parish councils, and rare bathing fatalities. It also issued a visitors’ list, which has been known to contain six names.

This enlightened organ printed a paragraph, which nobody noticed, which was very like paragraphs that small country newspapers have long been in the habit of printing, which could hardly give so much as a hint to anyone—to anyone, that is, who was not fully instructed in the secret. As a matter of fact, this piece of intelligence got into the paper because the proprietor, who was also the editor, incautiously left the last processes of this particular issue to the staff, who was the Lord-High-Everything-Else of the establishment; and the staff put in a bit of gossip he had heard in the market to fill up two inches on the back page. But the result was that the Meiros Observer ceased to appear, owing to “untoward circumstances” as the proprietor said; and he would say no more. No more, that is, by way of explanation, but a great deal more by way of execration of “damned, prying busybodies.”

Now a censorship that is sufficiently minute and utterly remorseless can do amazing things in the way of hiding . . . what it wants to hide. Before the war, one would have thought otherwise; one would have said that, censor or no censor, the fact of the murder at X or the fact of the bank robbery at Y would certainly become known; if not through the Press, at all events through rumour and the passage of the news from mouth to mouth. And this would be true—of England three hundred years ago, and of savage tribelands of to-day. But we have grown of late to such a reverence for the printed word and such a reliance on it, that the old faculty of disseminating news by word of mouth has become atrophied. Forbid the Press to mention the fact that Jones has been murdered, and it is marvellous how few people will hear of it, and of those who hear how few will credit the story that they have heard. You meet a man in the train who remarks that he has been told something about a murder in Southwark; there is all the difference in the world between the impression you receive from such a chance communication and that given by half a dozen lines of print with name, and street and date and all the facts of the case. People in trains repeat all sorts of tales, many of them false; newspapers do not print accounts of murders that have not been committed.

Then another consideration that has made for secrecy. I may have seemed to say that the old office of rumour no longer exists; I shall be reminded of the strange legend of “the Russians” and the mythology of the “Angels of Mons.” But let me point out, in the first place, that both these absurdities depended on the papers for their wide dissemination. If there had been no newspapers or magazines Russians and Angels would have made but a brief, vague appearance of the most shadowy kind—a few would have heard of them, fewer still would have believed in them, they would have been gossiped about for a bare week or two, and so they would have vanished away.

And, then, again, the very fact of these vain rumours and fantastic tales having been so widely believed for a time was fatal to the credit of any stray mutterings that may have got abroad. People had been taken in twice; they had seen how grave persons, men of credit, had preached and lectured about the shining forms that had saved the British Army at Mons, or had testified to the trains, packed with grey-coated Muscovites, rushing through the land at dead of night; and now there was a hint of something more amazing than either of the discredited legends. But this time there was no word of confirmation to be found in daily paper, or weekly review, or parish magazine, and so the few that heard either laughed, or, being serious, went home and jotted down notes for essays on “War-time Psychology: Collective Delusions.”

I followed neither of these courses. For before the secret circular had been issued my curiosity had somehow been aroused by certain paragraphs concerning a “Fatal Accident to Well-known Airman.” The propeller of the airplane had been shattered, apparently by a collision with a flight of pigeons; the blades had been broken and the machine had fallen like lead to the earth. And soon after I had seen this account, I heard of some very odd circumstances relating to an explosion in a great munition factory in the Midlands. I thought I saw the possibility of a connexion between two very different events.

It has been pointed out to me by friends who have been good enough to read this record, that certain phrases I have used may give the impression that I ascribe all the delays of the war on the Western front to the extraordinary circumstances which occasioned the issue of the Secret Circular. Of course this is not the case; there were many reasons for the immobility of our lines from October 1914 to July 1916. These causes have been evident enough and have been openly discussed and deplored. But behind them was something of infinitely greater moment. We lacked men, but men were pouring into the new army; we were short of shells, but when the shortage was proclaimed the nation set itself to mend this matter with all its energy. We could undertake to supply the defects of our army both in men and munitions—if the new and incredible danger could be overcome. It has been overcome; rather, perhaps, it has ceased to exist; and the secret may now be told.

I have said my attention was attracted by an account of the death of a well-known airman. I have not the habit of preserving cuttings, I am sorry to say, so that I cannot be precise as to the date of this event. To the best of my belief it was either towards the end of May or the beginning of June 1915. The newspaper paragraph announcing the death of Flight-Lieutenant Western-Reynolds was brief enough; accidents, and fatal accidents, to the men who are storming the air for us are, unfortunately, by no means so rare as to demand an elaborated notice. But the manner in which Western-Reynolds met his death struck me as extraordinary, inasmuch as it revealed a new danger in the element that we have lately conquered. He was brought down, as I said, by a flight of birds; of pigeons, as appeared by what was found on the bloodstained and shattered blades of the propeller. An eye-witness of the accident, a fellow-officer, described how Western-Reynolds set out from the aerodrome on a fine afternoon, there being hardly any wind. He was going to France; he had made the journey to and fro half a dozen times or more, and felt perfectly secure and at ease.

“ ‘Wester’ rose to a great height at once, and we could scarcely see the machine. I was turning to go when one of the fellows called out, ‘I say! What’s this?’ He pointed up, and we saw what looked like a black cloud coming from the south at a tremendous rate. I saw at once it wasn’t a cloud; it came with a swirl and a rush quite different from any cloud I’ve ever seen. But for a second I couldn’t make out exactly what it was. It altered its shape and turned into a great crescent, and wheeled and veered about as if it was looking for something. The man who had called out had got his glasses, and was staring for all he was worth. Then he shouted that it was a tremendous flight of birds, ‘thousands of them.’ They went on wheeling and beating about high up in the air, and we were watching them, thinking it was interesting, but not supposing that they would make any difference to ‘Wester,’ who was just about out of sight. His machine was just a speck. Then the two arms of the crescent drew in as quick as lightning, and these thousands of birds shot in a solid mass right up there across the sky, and flew away somewhere about nor’-nor’-west. Then Henley, the man with the glasses, called out, ‘He’s down!’ and started running, and I went after him. We got a car and as we were going along Henley told me that he’d seen the machine drop dead, as if it came out of that cloud of birds. He thought then that they must have mucked up the propeller somehow. That turned out to be the case. We found the propeller blades all broken and covered with blood and pigeon feathers, and carcases of the birds had got wedged in between the blades, and were sticking to them.”

This was the story that the young airman told one evening in a small company. He did not speak “in confidence,” so I have no hesitation in reproducing what he said. Naturally, I did not take a verbatim note of his conversation, but I have something of a knack of remembering talk that interests me, and I think my reproduction is very near to the tale that I heard. And let it be noted that the flying man told his story without any sense or indication of a sense that the incredible, or all but the incredible, had happened. So far as he knew, he said, it was the first accident of the kind. Airmen in France had been bothered once or twice by birds—he thought they were eagles—flying viciously at them, but poor old “Wester” had been the first man to come up against a flight of some thousands of pigeons.

“And perhaps I shall be the next,” he added, “but why look for trouble? Anyhow, I’m going to see Toodle-oo to-morrow afternoon.”

Well, I heard the story, as one hears all the varied marvels and terrors of the air; as one heard some years ago of “air pockets,” strange gulfs or voids in the atmosphere into which airmen fell with great peril;[7] or as one heard of the experience of the airman who flew over the Cumberland mountains in the burning summer of 1911, and as he swam far above the heights was suddenly and vehemently blown upwards, the hot air from the rocks striking his plane as if it had been a blast from a furnace chimney. We have just begun to navigate a strange region; we must expect to encounter strange adventures, strange perils. And here a new chapter in the chronicles of these perils and adventures had been opened by the death of Western-Reynolds; and no doubt invention and contrivance would presently hit on some way of countering the new danger.

It was, I think, about a week or ten days after the airman’s death that my business called me to a northern town, the name of which, perhaps, had better remain unknown. My mission was to inquire into certain charges of extravagance which had been laid against the working people, that is, the munition workers of this especial town. It was said that the men who used to earn £2 10s. a week were now getting from seven to eight pounds, that “bits of girls” were being paid two pounds instead of seven or eight shillings, and that, in consequence, there was an orgie of foolish extravagance. The girls, I was told, were eating chocolates at four, five, and six shillings a pound, the women were ordering thirty-pound pianos which they couldn’t play, and the men bought gold chains at ten and twenty guineas apiece.

I dived into the town in question and found, as usual, that there was a mixture of truth and exaggeration in the stories that I had heard. Gramophones, for example: they cannot be called in strictness necessaries, but they were undoubtedly finding a ready sale, even in the more expensive brands. And I thought that there were a great many very spick and span perambulators to be seen on the pavement; smart perambulators, painted in tender shades of colour and expensively fitted.

“And how can you be surprised if people will have a bit of a fling?” a worker said to me. “We’re seeing money for the first time in our lives, and it’s bright. And we work hard for it, and we risk our lives to get it. You’ve heard of explosion yonder?”

He mentioned certain works on the outskirts of the town. Of course, neither the name of the works nor of the town had been printed; there had been a brief notice of “Explosion at Munition Works in the Northern District: Many Fatalities.” The working man told me about it, and added some dreadful details.

“They wouldn’t let their folks see bodies; screwed them up in coffins as they found them in shop. The gas had done it.”

“Turned their faces black, you mean?”

“Nay. They were all as if they had been bitten to pieces.”

This was a strange gas.

I asked the man in the northern town all sorts of questions about the extraordinary explosion of which he had spoken to me. But he had very little more to say. As I have noted already, secrets that may not be printed are often deeply kept; last summer there were very few people outside high official circles who knew anything about the “Tanks,” of which we have all been talking lately, though these strange instruments of war were being exercised and tested in a park not far from London. So the man who told me of the explosion in the munition factory was most likely genuine in his profession that he knew nothing more of the disaster. I found out that he was a smelter employed at a furnace on the other side of the town to the ruined factory; he didn’t know even what they had been making there; some very dangerous high explosive, he supposed. His information was really nothing more than a bit of gruesome gossip, which he had heard probably at third or fourth or fifth hand. The horrible detail of faces “as if they had been bitten to pieces” had made its violent impression on him, that was all.

I gave him up and took a tram to the district of the disaster; a sort of industrial suburb, five miles from the centre of the town. When I asked for the factory, I was told that it was no good my going to it as there was nobody there. But I found it; a raw and hideous shed with a walled yard about it, and a shut gate. I looked for signs of destruction, but there was nothing. The roof was quite undamaged; and again it struck me that this had been a strange accident. There had been an explosion of sufficient violence to kill workpeople in the building, but the building itself showed no wounds or scars.

A man came out of the gate and locked it behind him. I began to ask him some sort of question, or rather, I began to “open” for a question with “A terrible business here, they tell me,” or some such phrase of convention. I got no farther. The man asked me if I saw a policeman walking down the street. I said I did, and I was given the choice of getting about my business forthwith or of being instantly given in charge as a spy. “Th’ast better be gone and quick about it,” was, I think, his final advice, and I took it.

Well, I had come literally up against a brick wall. Thinking the problem over, I could only suppose that the smelter or his informant had twisted the phrases of the story. The smelter had said the dead men’s faces were “bitten to pieces”; this might be an unconscious perversion of “eaten away.” That phrase might describe well enough the effect of strong acids, and, for all I knew of the processes of munition-making, such acids might be used and might explode with horrible results in some perilous stage of their admixture.

It was a day or two later that the accident to the airman, Western-Reynolds, came into my mind. For one of those instants which are far shorter than any measure of time there flashed out the possibility of a link between the two disasters. But here was a wild impossibility, and I drove it away. And yet I think that the thought, mad as it seemed, never left me; it was the secret light that at last guided me through a sombre grove of enigmas.

It was about this time, so far as the date can be fixed, that a whole district, one might say a whole county, was visited by a series of extraordinary and terrible calamities, which were the more terrible inasmuch as they continued for some time to be inscrutable mysteries. It is, indeed, doubtful whether these awful events do not still remain mysteries to many of those concerned; for before the inhabitants of this part of the country had time to join one link of evidence to another the circular was issued, and thenceforth no one knew how to distinguish undoubted fact from wild and extravagant surmise.

The district in question is in the far west of Wales; I shall call it, for convenience, Meirion. In it there is one seaside town of some repute with holiday-makers for five or six weeks in the summer, and dotted about the county there are three or four small old towns that seem drooping in a slow decay, sleepy and grey with age and forgetfulness. They remind me of what I have read of towns in the west of Ireland. Grass grows between the uneven stones of the pavements, the signs above the shop windows decline, half the letters of these signs are missing, here and there a house has been pulled down, or has been allowed to slide into ruin, and wild greenery springs up through the fallen stones, and there is silence in all the streets. And, it is to be noted, these are not places that were once magnificent. The Celts have never had the art of building, and so far as I can see, such towns as Towy and Merthyr Tegveth and Meiros[8] must have been always much as they are now, clusters of poorish, meanly-built houses, ill-kept and down at heel.

And these few towns are thinly scattered over a wild country where north is divided from south by a wilder mountain range. One of these places is sixteen miles from any station; the others are doubtfully and deviously connected by single-line railways served by rare trains that pause and stagger and hesitate on their slow journey up mountain passes, or stop for half an hour or more at lonely sheds called stations, situated in the midst of desolate marshes. A few years ago I travelled with an Irishman on one of these queer lines, and he looked to right and saw the bog with its yellow and blue grasses and stagnant pools, and he looked to left and saw a ragged hill-side, set with grey stone walls. “I can hardly believe,” he said, “that I’m not still in the wilds of Ireland.”

Here, then, one sees a wild and divided and scattered region, a land of outland hills and secret and hidden valleys. I know white farms on this coast which must be separated by two hours of hard, rough walking from any other habitation, which are invisible from any other house. And inland, again, the farms are often ringed about by thick groves of ash, planted by men of old days to shelter their roof-trees from rude winds of the mountain and stormy winds of the sea; so that these places, too, are hidden away, to be surmised only by the wood smoke that rises from the green surrounding leaves. A Londoner must see them to believe in them; and even then he can scarcely credit their utter isolation.

Such, then, in the main is Meirion, and on this land in the early summer of last year terror descended—a terror without shape, such as no man there had ever known.

It began with the tale of a little child who wandered out into the lanes to pick flowers one sunny afternoon, and never came back to the cottage on the hill.

II

The child who was lost came from a lonely cottage that stands on the slope of a steep hillside called the Allt, or the height. The land about it is wild and ragged; here the growth of gorse and bracken, here a marshy hollow of reeds and rushes, marking the course of the stream from some hidden well, here thickets of dense and tangled undergrowth, the outposts of the wood. Down through this broken and uneven ground a path leads to the lane at the bottom of the valley; then the land rises again and swells up to the cliffs over the sea, about a quarter of a mile away. The little girl, Gertrude Morgan, asked her mother if she might go down to the lane and pick the purple flowers—these were orchids—that grew there, and her mother gave her leave, telling her she must be sure to be back by tea-time, as there was appletart for tea.

She never came back. It was supposed that she must have crossed the road and gone to the cliff’s edge, possibly in order to pick the sea-pinks that were then in full blossom. She must have slipped, they said, and fallen into the sea, two hundred feet below. And, it may be said at once, that there was no doubt some truth in this conjecture, though it stopped very far short of the whole truth. The child’s body must have been carried out by the tide, for it was never found.

The conjecture of a false step or of a fatal slide on the slippery turf that slopes down to the rocks was accepted as being the only explanation possible. People thought the accident a strange one because, as a rule, country children living by the cliffs and the sea become wary at an early age, and Gertrude Morgan was almost ten years old. Still, as the neighbours said, “that’s how it must have happened, and it’s a great pity, to be sure.” But this would not do when in a week’s time a strong young labourer failed to come to his cottage after the day’s work. His body was found on the rocks six or seven miles from the cliffs where the child was supposed to have fallen; he was going home by a path that he had used every night of his life for eight or nine years, that he used of dark nights in perfect security, knowing every inch of it. The police asked if he drank, but he was a teetotaller; if he were subject to fits, but he wasn’t. And he was not murdered for his wealth, since agricultural labourers are not wealthy. It was only possible again to talk of slippery turf and a false step; but people began to be frightened. Then a woman was found with her neck broken at the bottom of a disused quarry near Llanfihangel,[9] in the middle of the county. The “false step” theory was eliminated here, for the quarry was guarded with a natural hedge of gorse bushes. One would have to struggle and fight through sharp thorns to destruction in such a place as this; and indeed the gorse bushes were broken as if some one had rushed furiously through them, just above the place where the woman’s body was found. And this was strange: there was a dead sheep lying beside her in the pit, as if the woman and the sheep together had been chased over the brim of the quarry. But chased by whom, or by what? And then there was a new form of terror.

This was in the region of the marshes under the mountain. A man and his son, a lad of fourteen or fifteen, set out early one morning to work and never reached the farm where they were bound. Their way skirted the marsh, but it was broad, firm and well metalled, and it had been raised about two feet above the bog. But when search was made in the evening of the same day Phillips and his son were found dead in the marsh, covered with black slime and pond-weed. And they lay some ten yards from the path, which, it would seem, they must have left deliberately. It was useless, of course, to look for tracks in the black ooze, for if one threw a big stone into it a few seconds removed all marks of the disturbance. The men who found the two bodies beat about the verges and purlieus of the marsh in hope of finding some trace of the murderers; they went to and fro over the rising ground where the black cattle were grazing, they searched the alder thickets by the brook; but they discovered nothing.

Most horrible of all these horrors, perhaps, was the affair of the Highway, a lonely and unfrequented by-road that winds for many miles on high and lonely land. Here, a mile from any other dwelling, stands a cottage on the edge of a dark wood. It was inhabited by a labourer named Williams, his wife, and their three children. One hot summer’s evening, a man who had been doing a day’s gardening at a rectory three or four miles away, passed the cottage, and stopped for a few minutes to chat with Williams, the labourer, who was pottering about his garden, while the children were playing on the path by the door. The two talked of their neighbours and of the potatoes till Mrs. Williams appeared at the doorway and said supper was ready, and Williams turned to go into the house. This was about eight o’clock, and in the ordinary course the family would have their supper and be in bed by nine, or by half-past nine at latest. At ten o’clock that night the local doctor was driving home along the Highway. His horse shied violently and then stopped dead just opposite the gate to the cottage. The doctor got down, frightened at what he saw; and there on the roadway lay Williams, his wife, and the three children, stone dead, all of them. Their skulls were battered in as if by some heavy iron instrument; their faces were beaten into a pulp.

III

It is not easy to make any picture of the horror that lay dark on the hearts of the people of Meirion. It was no longer possible to believe or to pretend to believe that these men and women and children had met their deaths through strange accidents. The little girl and the young labourer might have slipped and fallen over the cliffs, but the woman who lay dead with the dead sheep at the bottom of the quarry, the two men who had been lured into the ooze of the marsh, the family who were found murdered on the Highway before their own cottage door; in these cases there could be no room for the supposition of accident. It seemed as if it were impossible to frame any conjecture or outline of a conjecture that would account for these hideous and, as it seemed, utterly purposeless crimes. For a time people said that there must be a madman at large, a sort of country variant of Jack the Ripper, some horrible pervert who was possessed by the passion of death, who prowled darkling about that lonely land, hiding in woods and in wild places, always watching and seeking for the victims of his desire.

Indeed, Dr. Lewis, who found poor Williams, his wife and children miserably slaughtered on the Highway, was convinced at first that the presence of a concealed madman in the countryside offered the only possible solution to the difficulty.

“I felt sure,” he said to me afterwards, “that the Williams’s had been killed by a homicidal maniac. It was the nature of the poor creatures’ injuries that convinced me that this was the case. Some years ago—thirty-seven or thirty-eight years ago as a matter of fact—I had something to do with a case which on the face of it had a strong likeness to the Highway murder. At that time I had a practice at Usk, in Monmouthshire. A whole family living in a cottage by the roadside were murdered one evening; it was called, I think, the Llangibby[10] murder; the cottage was near the village of that name. The murderer was caught in Newport; he was a Spanish sailor, named Garcia, and it appeared that he had killed father, mother, and the three children for the sake of the brass works of an old Dutch clock, which were found on him when he was arrested.

“Garcia had been serving a month’s imprisonment in Usk Gaol for some small theft, and on his release he set out to walk to Newport, nine or ten miles away; no doubt to get another ship. He passed the cottage and saw the man working in his garden. Garcia stabbed him with his sailor’s knife. The wife rushed out; he stabbed her. Then he went into the cottage and stabbed the three children, tried to set the place on fire, and made off with the clockworks. That looked like the deed of a madman, but Garcia wasn’t mad—they hanged him, I may say—he was merely a man of a very low type, a degenerate who hadn’t the slightest value for human life. I am not sure, but I think he came from one of the Spanish islands, where the people are said to be degenerates, very likely from too much inter-breeding.

“But my point is that Garcia stabbed to kill and did kill, with one blow in each case. There was no senseless hacking and slashing. Now those poor people on the Highway had their heads smashed to pieces by what must have been a storm of blows. Any one of them would have been fatal, but the murderer must have gone on raining blows with his iron hammer on people who were already stone dead. And that sort of thing is the work of a madman, and nothing but a madman. That’s how I argued the matter out to myself just after the event.

“I was utterly wrong, monstrously wrong. But who could have suspected the truth?”

Thus Dr. Lewis, and I quote him, or the substance of him, as representative of most of the educated opinion of the district at the beginnings of the terror. People seized on this theory largely because it offered at least the comfort of an explanation, and any explanation, even the poorest, is better than an intolerable and terrible mystery. Besides, Dr. Lewis’s theory was plausible; it explained the lack of purpose that seemed to characterise the murders. And yet—there were difficulties even from the first. It was hardly possible that a strange madman should be able to keep hidden in a countryside where any stranger is instantly noted and noticed; sooner or later he would be seen as he prowled along the lanes or across the wild places. Indeed, a drunken, cheerful, and altogether harmless tramp was arrested by a farmer and his man in the fact and act of sleeping off beer under a hedge; but the vagrant was able to prove complete and undoubted alibis, and was soon allowed to go on his wandering way.

Then another theory, or rather a variant of Dr. Lewis’s theory, was started. This was to the effect that the person responsible for the outrages was, indeed, a madman; but a madman only at intervals. It was one of the members of the Porth Club, a certain Mr. Remnant, who was supposed to have originated this more subtle explanation. Mr. Remnant was a middle-aged man, who, having nothing particular to do, read a great many books by way of conquering the hours. He talked to the club—doctors, retired colonels, parsons, lawyers—about “personality,” quoted various psychological text-books in support of his contention that personality was sometimes fluid and unstable, went back to “Dr. Jekyll and Mr. Hyde”[11] as good evidence of this proposition, and laid stress on Dr. Jekyll’s speculation that the human soul, so far from being one and indivisible, might possibly turn out to be a mere polity, a state in which dwelt many strange and incongruous citizens, whose characters were not merely unknown but altogether unsurmised by that form of consciousness which so rashly assumed that it was not only the president of the republic but also its sole citizen.

“The long and the short of it is,” Mr. Remnant concluded, “that any one of us may be the murderer, though he hasn’t the faintest notion of the fact. Take Llewelyn there.”

Mr. Payne Llewelyn was an elderly lawyer, a rural Tulkinghorn. [12] He was the hereditary solicitor to the Morgans of Pentwyn. This does not sound anything tremendous to the Saxons of London; but the style is far more than noble to the Celts of West Wales; it is immemorial; Teilo Sant was of the collaterals of the first known chief of the race. And Mr. Payne Llewelyn did his best to look like the legal adviser of this ancient house. He was weighty, he was cautious, he was sound, he was secure. I have compared him to Mr. Tulkinghorn of Lincoln’s Inn Fields; but Mr. Llewelyn would most certainly never have dreamed of employing his leisure in peering into the cupboards where the family skeletons were hidden. Supposing such cupboards to have existed, Mr. Payne Llewelyn would have risked large out-of-pocket expenses to furnish them with double, triple, impregnable locks. He was a new man, an advena,[13] certainly; for he was partly of the Conquest, being descended on one side from Sir Payne Turberville; but he meant to stand by the old stock.

“Take Llewelyn now,” said Mr. Remnant. “Look here, Llewelyn, can you produce evidence to show where you were on the night those people were murdered on the Highway? I thought not.”

Mr. Llewelyn, an elderly man, as I have said, hesitated before speaking.

“I thought not,” Remnant went on. “Now I say that it is perfectly possible that Llewelyn may be dealing death throughout Meirion, although in his present personality he may not have the faintest suspicion that there is another Llewelyn within him, a Llewelyn who follows murder as a fine art.”[14]

Mr. Payne Llewelyn did not at all relish Mr. Remnant’s suggestion that he might well be a secret murderer, ravening for blood, remorseless as a wild beast. He thought the phrase about his following murder as a fine art was both nonsensical and in the worst taste, and his opinion was not changed when Remnant pointed out that it was used by De Quincey in the title of one of his most famous essays.

“If you had allowed me to speak,” he said with some coldness of manner, “I would have told you that on Tuesday last, the night on which those unfortunate people were murdered on the Highway, I was staying at the Angel Hotel, Cardiff. I had business in Cardiff, and I was detained till Wednesday afternoon.”

Having given this satisfactory alibi, Mr. Payne Llewelyn left the club, and did not go near it for the rest of the week.

Remnant explained to those who stayed in the smoking-room that, of course, he had merely used Mr. Llewelyn as a concrete example of his theory, which, he persisted, had the support of a considerable body of evidence.

“There are several cases of double personality on record,” he declared. “And I say again that it is quite possible that these murders may have been committed by one of us in his secondary personality. Why, I may be the murderer in my Remnant B. state, though Remnant A. knows nothing whatever about it, and is perfectly convinced that he could not kill a fowl, much less a whole family. Isn’t it so, Lewis?”

Dr. Lewis said it was so, in theory, but he thought not in fact.

“Most of the cases of double or multiple personality that have been investigated,” he said, “have been in connexion with the very dubious experiments of hypnotism, or the still more dubious experiments of spiritualism. All that sort of thing, in my opinion, is like tinkering with the works of a clock—amateur tinkering, I mean. You fumble about with the wheels and cogs and bits of mechanism that you don’t really know anything about; and then you find your clock going backwards or striking 240 at tea-time. And I believe it’s just the same thing with these psychical research experiments; the secondary personality is very likely the result of the tinkering and fumbling with a very delicate apparatus that we know nothing about. Mind, I can’t say that it’s impossible for one of us to be the Highway murderer in his B. state, as Remnant puts it. But I think it’s extremely improbable. Probability is the guide of life, you know, Remnant,” said Dr. Lewis, smiling at that gentleman, as if to say that he also had done a little reading in his day. “And it follows, therefore, that improbability is also the guide of life. When you get a very high degree of probability, that is, you are justified in taking it as a certainty; and on the other hand, if a supposition is highly improbable, you are justified in treating it as an impossible one. That is, in nine hundred and ninety-nine cases out of a thousand.”

“How about the thousandth case?” said Remnant. “Supposing these extraordinary crimes constitute the thousandth case?”

The doctor smiled and shrugged his shoulders, being tired of the subject. But for some little time highly respectable members of Porth society would look suspiciously at one another wondering whether, after all, there mightn’t be “something in it.” However, both Mr. Remnant’s somewhat crazy theory and Dr. Lewis’s plausible theory became untenable when two more victims of an awful and mysterious death were offered up in sacrifice, for a man was found dead in the Llanfihangel quarry, where the woman had been discovered. And on the same day a girl of fifteen was found broken on the jagged rocks under the cliffs near

Porth.[15] Now, it appeared that these two deaths must have occurred at about the same time, within an hour of one another, certainly; and the distance between the quarry and the cliffs by Black Rock is certainly twenty miles.

“A motor could do it,” one man said.

But it was pointed out that there was no high road between the two places; indeed, it might be said that there was no road at all between them. There was a network of deep, narrow, and tortuous lanes that wandered into one another at all manner of queer angles for, say seventeen miles; this in the middle, as it were, between Black Rock and the quarry of Llanfihangel. But to get to the high land of the cliffs one had to take a path that went through two miles of fields; and the quarry lay a mile away from the nearest by-road in the midst of gorse and bracken and broken land. And, finally, there was no track of motor-car or motorbicycle in the lanes which must have been followed to pass from one place to the other.

“What about an airplane, then?” said the man of the motor-car theory. Well, there was certainly an aerodrome not far from one of the two places of death; but somehow, nobody believed that the

Flying Corps[16] harboured a homicidal maniac. It seemed clear, therefore, that there must be more than one person concerned in the terror of Meirion. And Dr. Lewis himself abandoned his own theory.

“As I said to Remnant at the Club,” he remarked, “improbability is the guide of life. I can’t believe that there are a pack of madmen or even two madmen at large in the country. I give it up.”

And now a fresh circumstance or set of circumstances became manifest to confound judgment and to awaken new and wild surmises. For at about this time people realised that none of the dreadful events that were happening all about them were so much as mentioned in the Press. I have already spoken of the fate of the Meiros Observer. This paper was suppressed by the authorities because it had inserted a brief paragraph about some person who had been “found dead under mysterious circumstances”; I think that paragraph referred to the first death of Llanfihangel quarry. Thenceforth, horror followed on horror, but no word was printed in any of the local journals. The curious went to the newspaper offices—there were two left in the county—but found nothing save a firm refusal to discuss the matter. And the Cardiff papers were drawn and found blank; and the London Press was apparently ignorant of the fact that crimes that had no parallel were terrorizing a whole country-side. Everybody wondered what could have happened, what was happening; and then it was whispered that the coroner would allow no inquiry to be made as to these deaths of darkness.

“In consequence of instructions received from the Home Office,” one coroner was understood to have said, “I have to tell the jury that their business will be to hear the medical evidence and to bring in a verdict immediately in accordance with that evidence. I shall disallow all questions.”

One jury protested. The foreman refused to bring in any verdict at all.

“Very good,” said the coroner. “Then I beg to inform you, Mr. Foreman and gentlemen of the jury, that under the Defense of the Realm Act[17] I have power to supersede your functions, and to enter a verdict according to the evidence which has been laid before the Court as if it had been the verdict of you all.”

The foreman and jury collapsed and accepted what they could not avoid. But the rumours that got abroad of all this, added to the known fact that the terror was ignored in the Press, no doubt by official command, increased the panic that was now arising, and gave it a new direction. Clearly, people reasoned, these Government restrictions and prohibitions could only refer to the war, to some great danger in connexion with the war. And that being so, it followed that the outrages which must be kept so secret were the work of the enemy, that is of concealed German agents.

IV

It is time, I think, for me to make one point clear. I began this history with certain references to an extraordinary accident to an airman whose machine fell to the ground after collision with a huge flock of pigeons; and then to an explosion in a northern munition factory, an explosion, as I noted, of a very singular kind. Then I deserted the neighbourhood of London, and the northern district, and dwelt on a mysterious and terrible series of events which occurred in the summer of 1915 in a Welsh county, which I have named, for convenience, Meirion.

Well, let it be understood at once that all this detail that I have given about the occurrences in Meirion does not imply that the county in the far west was alone or especially afflicted by the terror that was over the land. They tell me that in the villages about Dartmooor the stout Devonshire hearts sank as men’s hearts used to sink in the time of plague and pestilence. There was horror, too, about the Norfolk Broads, and far up by Perth no one would venture on the path that leads by Scone to the wooded heights above the Tay. And in the industrial districts: I met a man by chance one day in an odd London corner who spoke with horror of what a friend had told him.

“ ‘Ask no questions, Ned,’ he says to me, ‘but I tell yow a’ was in Bairnigan t’other day, and a’ met a pal who’d seen three hundred coffins going out of a works not far from there.’ ”

And then the ship that hovered outside the mouth of the Thames with all sails set and beat to and fro in the wind, and never answered any hail, and showed no light! The forts shot at her and brought down one of the masts, but she went suddenly about with a change of wind under what sail still stood, and then veered down Channel, and drove ashore at last on the sandbanks and pinewoods of Arcachon, and not a man alive on her, but only rattling heaps of bones! That last voyage of the Semiramis would be something horribly worth telling; but I only heard it at a distance as a yarn, and only believed it because it squared with other things that I knew for certain.

This, then, is my point; I have written of the terror as it fell on Meirion, simply because I have had opportunities of getting close there to what really happened. Third or fourth or fifth hand in the other places; but round about Porth and Merthyr Tegveth I have spoken with people who have seen the tracks of the terror with their own eyes.

Well, I have said that the people of that far western county realised, not only that death was abroad in their quiet lanes and on their peaceful hills, but that for some reason it was to be kept all secret. Newspapers might not print any news of it, the very juries summoned to investigate it were allowed to investigate nothing. And so they concluded that this veil of secrecy must somehow be connected with the war; and from this position it was not a long way to a further inference: that the murderers of innocent men and women and children were either Germans or agents of Germany. It would be just like the Huns, everybody agreed, to think out such a devilish scheme as this; and they always thought out their schemes beforehand. They hoped to seize Paris in a few weeks, but when they were beaten on the Marne they had their trenches on the Aisne ready to fall back on: it had all been prepared years before the war. And so, no doubt, they had devised this terrible plan against England in case they could not beat us in open fight: there were people ready, very likely, all over the country, who were prepared to murder and destroy everywhere as soon as they got the word. In this way the Germans intended to sow terror throughout England and fill our hearts with panic and dismay, hoping so to weaken their enemy at home that he would lose all heart over the war abroad. It was the Zeppelin notion, in another form; they were committing these horrible and mysterious outrages thinking that we should be frightened out of our wits.

It all seemed plausible enough; Germany had by this time perpetrated so many horrors and had so excelled in devilish ingenuities that no abomination seemed too abominable to be probable, or too ingeniously wicked to be beyond the tortuous malice of the Hun. But then came the questions as to who the agents of this terrible design were, as to where they lived, as to how they contrived to move unseen from field to field, from lane to lane. All sorts of fantastic attempts were made to answer these questions; but it was felt that they remained unanswered. Some suggested that the murderers landed from submarines, or flew from hiding places on the West Coast of Ireland, coming and going by night; but there were seen to be flagrant impossibilities in both these suggestions. Everybody agreed that the evil work was no doubt the work of Germany; but nobody could begin to guess how it was done. Somebody at the Club asked Remnant for his theory.

“My theory,” said that ingenious person, “is that human progress is simply a long march from one inconceivable to another. Look at that airship of ours that came over Porth yesterday; ten years ago that would have been an inconceivable sight. Take the steam engine, take printing, take the theory of gravitation: they were all inconceivable till somebody thought of them. So it is, no doubt, with this infernal dodgery that we’re talking about: the Huns have found it out, and we haven’t; and there you are. We can’t conceive how these poor people have been murdered, because the method’s inconceivable to us.”

The club listened with some awe to this high argument. After Remnant had gone, one member said:

“Wonderful man, that.” “Yes,” said Dr. Lewis. “He was asked whether he knew something. And his reply really amounted to ‘No, I don’t.’ But I have never heard it better put.”

It was, I suppose, at about this time when the people were puzzling their heads as to the secret method used by the Germans or their agents to accomplish their crimes that a very singular circumstance became known to a few of the Porth people. It related to the murder of the Williams family on the Highway in front of their cottage door. I do not know that I have made it plain that the old Roman road called the Highway follows the course of a long, steep hill that goes steadily westward till it slants down and droops towards the sea. On either side of the road the ground falls away, here into deep shadowy woods, here to high pastures, now and again into a field of corn, but for the most part into the wild and broken land that is characteristic of Arfon. The fields are long and narrow, stretching up the steep hillside; they fall into sudden dips and hollows, a well springs up in the midst of one and a grove of ash and thorn bends over it, shading it; and beneath it the ground is thick with reeds and rushes. And then may come on either side of such a field territories glistening with the deep growth of bracken, and rough with gorse and rugged with thickets of blackthorn, green lichen hanging strangely from the branches; such are the lands on either side of the Highway.

Now on the lower slopes of it, beneath the Williams’s cottage, some three or four fields down the hill, there is a military camp. The place has been used as a camp for many years, and lately the site has been extended and huts have been erected. But a considerable number of the men were under canvas here in the summer of 1915.

On the night of the Highway murder this camp, as it appeared afterwards, was the scene of the extraordinary panic of the horses.

A good many men in the camp were asleep in their tents soon after 9:30, when the Last Post was sounded. They woke up in panic. There was a thundering sound on the steep hillside above them, and down upon the tents came half a dozen horses, mad with fright, trampling the canvas, trampling the men, bruising dozens of them and killing two.

Everything was in wild confusion, men groaning and screaming in the darkness, struggling with the canvas and the twisted ropes, shouting out, some of them, raw lads enough, that the Germans had landed, others wiping the blood from their eyes, a few, roused suddenly from heavy sleep, hitting out at one another, officers coming up at the double roaring out orders to the sergeants, a party of soldiers who were just returning to camp from the village seized with fright at what they could scarcely see or distinguish, at the wildness of the shouting and cursing and groaning that they could not understand, bolting out of the camp again and racing for their lives back to the village: everything in the maddest confusion of wild disorder.

Some of the men had seen the horses galloping down the hill as if terror itself was driving them. They scattered off into the darkness, and somehow or another found their way back in the night to their pasture above the camp. They were grazing there peacefully in the morning, and the only sign of the panic of the night before was the mud they had scattered all over themselves as they pelted through a patch of wet ground. The farmer said they were as quiet a lot as any in Meirion; he could make nothing of it.

“Indeed,” he said, “I believe they must have seen the devil himself to be in such a fright as that: save the people!”

Now all this was kept as quiet as might be at the time when it happened; it became known to the men of the Porth Club in the days when they were discussing the difficult question of the German outrages, as the murders were commonly called. And this wild stampede of the farm horses was held by some to be evidence of the extraordinary and unheard-of character of the dreadful agency that was at work. One of the members of the club had been told by an officer who was in the camp at the time of the panic that the horses that came charging down were in a perfect fury of fright, that he had never seen horses in such a state, and so there was endless speculation as to the nature of the sight or the sound that had driven half a dozen quiet beasts into raging madness.

Then, in the middle of this talk, two or three other incidents, quite as odd and incomprehensible, came to be known, borne on chance trickles of gossip that came into the towns from outland farms, or were carried by cottagers tramping into Porth on market-day with a fowl or two and eggs and garden stuff; scraps and fragments of talk gathered by servants from the country folk and repeated to their mistresses. And in such ways it came out that up at Plas Newydd[18] there had been a terrible business over swarming the bees; they had turned as wild as wasps and much more savage. They had come about the people who were taking the swarm like a cloud. They settled on one man’s face so that you could not see the flesh for the bees crawling all over it, and they had stung him so badly that the doctor did not know whether he would get over it, and they had chased a girl who had come out to see the swarming, and settled on her and stung her to death. Then they had gone off to a brake below the farm and got into a hollow tree there, and it was not safe to go near it, for they would come out at you by day or by night.

And much the same thing had happened, it seemed, at three or four farms and cottages where bees were kept. And there were stories, hardly so clear or so credible, of sheep dogs, mild and trusted beasts, turning as savage as wolves and injuring the farm boys in a horrible manner—in one case it was said with fatal results. It was certainly true that old Mrs. Owen’s favourite Brahma-Dorking cock[19] had gone mad; she came into Porth one Saturday morning with her face and her neck all bound up and plastered. She had gone out to her bit of a field to feed the poultry the night before, and the bird had flown at her and attacked her most savagely, inflicting some very nasty wounds before she could beat it off.

“There was a stake handy, lucky for me,” she said, “and I did beat him and beat him till the life was out of him. But what is come to the world, whatever?”

Now Remnant, the man of theories, was also a man of extreme leisure. It was understood that he had succeeded to ample means when he was quite a young man, and after tasting the savours of the law, as it were, for half a dozen terms at the board of the Middle Temple,[20] he had decided that it would be senseless to bother himself with passing examinations for a profession which he had not the faintest intention of practising. So he turned a deaf ear to the call of “Manger” ringing through the Temple Courts, and set himself out to potter amiably through the world. He had pottered all over Europe, he had looked at Africa, and had even put his head in at the door of the East, on a trip which included the Greek isles and Constantinople. Now, getting into the middle fifties, he had settled at Porth for the sake, as he said, of the Gulf Stream and the fuchsia hedges, and pottered over his books and his theories and the local gossip. He was no more brutal than the general public, which revels in the details of mysterious crime; but it must be said that the terror, black though it was, was a boon to him. He peered and investigated and poked about with the relish of a man to whose life a new zest has been added. He listened attentively to the strange tales of bees and dogs and poultry that came into Porth with the country baskets of butter, rabbits, and green peas; and he evolved at last a most extraordinary theory.

Full of this discovery, as he thought it, he went one night to see Dr. Lewis and take his view of the matter.

“I want to talk to you,” said Remnant to the doctor, “about what I have called, provisionally, the Z Ray.”

V

Dr. Lewis, smiling indulgently, and quite prepared for some monstrous piece of theorizing, led Remnant into the room that overlooked the terraced garden and the sea.

The doctor’s house, though it was only a ten minutes’ walk from the centre of the town, seemed remote from all other habitations. The drive to it from the road came through a deep grove of trees and a dense shrubbery, trees were about the house on either side, mingling with neighbouring groves, and below, the garden fell down, terrace by green terrace, to wild growth, a twisted path amongst red rocks, and at last to the yellow sand of a little cove. The room to which the doctor took Remnant looked over these terraces and across the water to the dim boundaries of the bay. It had French windows that were thrown wide open, and the two men sat in the soft light of the lamp—this was before the days of severe lighting regulations in the far west—and enjoyed the sweet odours and the sweet vision of the summer evening. Then Remnant began:

“I suppose, Lewis, you’ve heard these extraordinary stories of bees and dogs and things that have been going about lately?”

“Certainly I have heard them. I was called in at Plas Newydd, and treated Thomas Trevor, who’s only just out of danger, by the way. I certified for the poor child, Mary Trevor. She was dying when I got to the place. There was no doubt she was stung to death by bees, and I believe there were other very similar cases at Llantarnam and Morwen;[21] none fatal, I think. What about them?”

“Well: then there are the stories of good-tempered old sheepdogs turning wicked and ‘savaging’ children?”

“Quite so. I haven’t seen any of these cases professionally; but I believe the stories are accurate enough.”

“And the old woman assaulted by her own poultry?”

“That’s perfectly true. Her daughter put some stuff of their own concoction on her face and neck, and then she came to me. The wounds seemed going all right, so I told her to continue the treatment, whatever it might be.”

“Very good,” said Mr. Remnant. He spoke now with an italic impressiveness. “Don’t you see the link between all this and the horrible things that have been happening about here for the last month?”

Lewis stared at Remnant in amazement. He lifted his red eyebrows and lowered them in a kind of scowl. His speech showed traces of his native accent.

“Great burning!” he exclaimed. “What on earth are you getting at now? It is madness. Do you mean to tell me that you think there is some connexion between a swarm or two of bees that have turned nasty, a cross dog, and a wicked old barn-door cock and these poor people that have been pitched over the cliffs and hammered to death on the road? There’s no sense in it, you know.”

“I am strongly inclined to believe that there is a great deal of sense in it,” replied Remnant with extreme calmness. “Look here, Lewis, I saw you grinning the other day at the club when I was telling the fellows that in my opinion all these outrages had been committed, certainly by the Germans, but by some method of which we have no conception. But what I meant to say when I talked about inconceivables was just this: that the Williams’s and the rest of them have been killed in some way that’s not in theory at all, not in our theory, at all events, some way we’ve not contemplated, not thought of for an instant. Do you see my point?”

“Well, in a sort of way. You mean there’s an absolute originality in the method? I suppose that is so. But what next?”

Remnant seemed to hesitate, partly from a sense of the portentous nature of what he was about to say, partly from a sort of half-unwillingness to part with so profound a secret.

“Well,” he said, “you will allow that we have two sets of phenomena of a very extraordinary kind occurring at the same time. Don’t you think that it’s only reasonable to connect the two sets with one another?”

“So the philosopher of Tenterden steeple and the Goodwin Sands thought, certainly,”[22] said Lewis. “But what is the connexion? Those poor folks on the Highway weren’t stung by bees or worried by a dog. And horses don’t throw people over cliffs or stifle them in marshes.”

“No; I never meant to suggest anything so absurd. It is evident to me that in all these cases of animals turning suddenly savage the cause has been terror, panic, fear. The horses that went charging into the camp were mad with fright, we know. And I say that in the other instances we have been discussing the cause was the same. The creatures were exposed to an infection of fear, and a frightened beast or bird or insect uses its weapons, whatever they may be. If, for example, there had been anybody with those horses when they took their panic they would have lashed out at him with their heels.”

“Yes, I dare say that that is so. Well.”

“Well; my belief is that the Germans have made an extraordinary discovery. I have called it the Z Ray. You know that the ether is merely an hypothesis;[23] we have to suppose that it’s there to account for the passage of the Marconi current from one place to another. Now, suppose that there is psychic æther as well as a material æther, suppose that it is possible to direct irresistable impulses across this medium, suppose that these impulses are towards murder or suicide; then I think that you have an explanation of the terrible series of events that have been happening in Meirion for the last few weeks. And it is quite clear to my mind that the horses and the other creatures have been exposed to this Z Ray, and that it has produced on them the effect of terror, with ferocity as the result of terror. Now what do you say to that? Telepathy, you know, is well established; so is hypnotic suggestion. You have only to look in the ‘Encyclopædia Britannica’ to see that, and suggestion is so strong in some cases as to be an irresistible imperative. Now don’t you feel that putting telepathy and suggestion together, as it were, you have more than the elements of what I call the Z Ray? I feel myself that I have more to go on in making my hypothesis than the inventor of the steamengine had in making his hypothesis when he saw the lid of the kettle bobbing up and down. What do you say?”

Dr. Lewis made no answer. He was watching the growth of a new, unknown tree in his garden.

The doctor made no answer to Remnant’s question. For one thing, Remnant was profuse in his eloquence—he has been rigidly condensed in this history—and Lewis was tired of the sound of his voice. For another thing, he found the Z Ray theory almost too extravagant to be bearable, wild enough to tear patience to tatters. And then as the tedious argument continued Lewis became conscious that there was something strange about the night.

It was a dark summer night. The moon was old and faint, above the Dragon’s Head across the bay, and the air was very still. It was so still that Lewis had noted that not a leaf stirred on the very tip of a high tree that stood out against the sky; and yet he knew that he was listening to some sound that he could not determine or define. It was not the wind in the leaves, it was not the gentle wash of the water of the sea against the rocks; that latter sound he could distinguish quite easily. But there was something else. It was scarcely a sound; it was as if the air itself trembled and fluttered, as the air trembles in a church when they open the great pedal pipes of the organ.

The doctor listened intently. It was not an illusion, the sound was not in his own head, as he had suspected for a moment; but for the life of him he could not make out whence it came or what it was. He gazed down into the night over the terraces of his garden, now sweet with the scent of the flowers of the night; tried to peer over the tree-tops across the sea towards the Dragon’s Head. It struck him suddenly that this strange fluttering vibration of the air might be the noise of a distant aeroplane or airship; there was not the usual droning hum, but his sound might be caused by a new type of engine. A new type of engine? Possibly it was an enemy airship; their range, it had been said, was getting longer; and Lewis was just going to call Remnant’s attention to the sound, to its possible cause, and to the possible danger that might be hovering over them, when he saw something that caught his breath and his heart with wild amazement and a touch of terror.

He had been staring upward into the sky, and, about to speak to Remnant, he had let his eyes drop for an instant. He looked down towards the trees in the garden, and saw with utter astonishment that one had changed its shape in the few hours that had passed since the setting of the sun. There was a thick grove of ilexes bordering the lowest terrace, and above them rose one tall pine, spreading its head of sparse, dark branches dark against the sky.

As Lewis glanced down over the terraces he saw that the tall pine tree was no longer there. In its place there rose above the ilexes what might have been a greater ilex; there was the blackness of a dense growth of foliage rising like a broad and farspreading and rounded cloud over the lesser trees.

Here, then was a sight wholly incredible, impossible. It is doubtful whether the process of the human mind in such a case has ever been analysed and registered; it is doubtful whether it ever can be registered. It is hardly fair to bring in the mathematician, since he deals with absolute truth (so far as mortality can conceive absolute truth); but how would a mathematician feel if he were suddenly confronted with a two-sided triangle; I suppose he would instantly become a raging madman; and Lewis, staring wide-eyed and wildeyed at a dark and spreading tree which his own experience informed him was not there, felt for an instant that shock which should affront us all when we first realise the intolerable antinomy of Achilles and the Tortoise.[24] Common sense tells us that Achilles will flash past the tortoise almost with the speed of the lightning; the inflexible truth of mathematics assures us that till the earth boils and the heavens cease to endure the Tortoise must still be in advance; and thereupon we should, in common decency, go mad. We do not go mad because, by special grace, we are certified that, in the final court of appeal, all science is a lie, even the highest science of all; and so we simply grin at Achilles and the Tortoise as we grin at Darwin, deride Huxley, and laugh at Herbert Spencer.[25]

Dr. Lewis did not grin. He glared into the dimness of the night, at the great spreading tree that he knew could not be there. And as he gazed he saw that what at first appeared the dense blackness of foliage was fretted and starred with wonderful appearances of lights and colours.

Afterwards he said to me: “I remember thinking to myself: ‘Look here, I am not delirious; my temperature is perfectly normal. I am not drunk; I only had a pint of Graves with my dinner, over three hours ago. I have not eaten any poisonous fungus; I have not taken Anhelonium Lewinii[26] experimentally. So, now then! What is happening?’”

The night had gloomed over; clouds obscured the faint moon and the misty stars. Lewis rose, with some kind of warning and inhibiting gesture to Remnant, who, he was conscious was gaping at him in astonishment. He walked to the open French window, and took a pace forward on to the path outside, and looked, very intently, at the dark shape of the tree, down below the sloping garden, above the washing of the waves. He shaded the light of the lamp behind him by holding his hands on each side of his eyes.

The mass of the tree—the tree that couldn’t be there—stood out against the sky, but not so clearly, now that the clouds had rolled up. Its edges, the limits of its leafage, were not so distinct. Lewis thought that he could detect some sort of quivering movement in it; though the air was at a dead calm. It was a night on which one might hold up a lighted match and watch it burn without any wavering or inclination of the flame.

“You know,” said Lewis, “how a bit of burnt paper will sometimes hang over the coals before it goes up the chimney, and little worms of fire will shoot through it. It was like that, if you should be standing some distance away. Just threads and hairs of yellow light I saw, and specks and sparks of fire, and then a twinkling of a ruby no bigger than a pin point, and a green wandering in the black, as if an emerald were crawling, and then little veins of deep blue. ‘Woe is me!’ I said to myself in Welsh, ‘What is all this colour and burning?’

“And, then, at that very moment there came a thundering rap at the door of the room inside, and there was my man telling me that I was wanted directly up at the Garth, as old Mr. Trevor Williams had been taken very bad. I knew his heart was not worth much, so I had to go off directly, and leave Remnant to make what he could of it all.”

VI

Dr. Lewis was kept some time at the Garth. It was past twelve when he got back to his house. He went quickly to the room that overlooked the garden and the sea and threw open the French window and peered into the darkness. There, dim indeed against the dim sky but unmistakable, was the tall pine with its sparse branches, high above the dense growth of the ilex trees. The strange boughs which had amazed him had vanished; there was no appearance now of colours or of fires.

He drew his chair up to the open window and sat there gazing and wondering far into the night, till brightness came upon the sea and sky, and the forms of the trees in the garden grew clear and evident. He went up to his bed at last filled with a great perplexity, still asking questions to which there was no answer.

The doctor did not say anything about the strange tree to Remnant. When they next met, Lewis said that he had thought there was a man hiding amongst the bushes—this in explanation of that warning gesture he had used, and of his going out into the garden and staring into the night. He concealed the truth because he dreaded the Remnant doctrine that would undoubtedly be produced; indeed, he hoped that he had heard the last of the theory of the Z Ray. But Remnant firmly reopened this subject.

“We were interrupted just as I was putting my case to you,” he said. “And to sum it all up, it amounts to this: that the Huns have made one of the great leaps of science. They are sending ‘suggestions’ (which amount to irresistible commands) over here, and the persons affected are seized with suicidal or homicidal mania. The people who were killed by falling over the cliffs or into the quarry probably committed suicide; and so with the man and the boy who were found in the bog. As to the Highway case, you remember that Thomas Evans said that he had stopped and talked to Williams on the night of the murder. In my opinion Evans was the murderer. He came under the influence of the Ray, become a homicidal maniac in an instant, snatched Williams’s spade from his hand and killed him and the others.”

“The bodies were found by me on the road.”

“It is possible that the first impact of the Ray produces violent nervous excitement, which would manifest itself externally. Williams might have called to his wife to come and see what was the matter with Evans. The children would naturally follow their mother. It seems to me simple. And as for the animals—the horses, dogs, and so forth, they as I say, were no doubt panicstricken by the Ray, and hence driven to frenzy.”

“Why should Evans have murdered Williams instead of Williams murdering Evans? Why should the impact of the Ray affect one and not the other?”

“Why does one man react violently to a certain drug, while it makes no impression on another man? Why is A able to drink a bottle of whisky and remain sober, while B is turned into something very like a lunatic after he has drunk three glasses?”

“It is a question of idiosyncrasy,” said the doctor.

“Is idiosyncrasy Greek for ‘I don’t know’?” asked Remnant.

“Not at all,” said Lewis, smiling blandly. “I mean that in some diatheses whisky—as you have mentioned whisky—appears not to be pathogenic, or at all events not immediately pathogenic. In other cases, as you very justly observed, there seems to be a very marked cachexia associated with the exhibition of the spirit in question, even in comparatively small doses.”

Under this cloud of professional verbiage Lewis escaped from the Club and from Remnant. He did not want to hear any more about that dreadful Ray, because he felt sure that the Ray was all nonsense. But asking himself why he felt this certitude in the matter he had to confess that he didn’t know. An aeroplane, he reflected, was all nonsense before it was made; and he remembered talking in the early ’nineties to a friend of his about the newly discovered X Rays.[27] The friend laughed incredulously, evidently didn’t believe a word of it, till Lewis told him that there was an article on the subject in the current number of the Saturday Review; whereupon the unbeliever said, “Oh, is that so? Oh, really, I see,” and was converted to the X Ray faith on the spot. Lewis, remembering this talk, marvelled at the strange processes of the human mind, its illogical and yet all-compelling ergos, and wondered whether he himself was only waiting for an article on the Z Ray in the Saturday Review to become a devout believer in the doctrine of Remnant.

But he wondered with far more fervour as to the extraordinary thing he had seen in his own garden with his own eyes. The tree that changed all its shape for an hour or two of the night, the growth of strange boughs, the apparition of secret fires among them, the sparkling of emerald and ruby lights: how could one fail to be afraid with great amazement at the thought of such a mystery?

Dr. Lewis’s thoughts were distracted from the incredible adventure of the tree by the visit of his sister and her husband. Mr. and Mrs. Merritt lived in a well-known manufacturing town of the Midlands, which was now, of course, a centre of munition work. On the day of their arrival at Porth, Mrs. Merritt, who was tired after the long, hot journey, went to bed early, and Merritt and Lewis went into the room by the garden for their talk and tobacco. They spoke of the year that had passed since their last meeting, of the weary dragging of the war, of friends that had perished in it, of the hopelessness of an early ending of all this misery. Lewis said nothing of the terror that was on the land. One does not greet a tired man who is come to a quiet, sunny place for relief from black smoke and work and worry with a tale of horror. Indeed, the doctor saw that his brother-in-law looked far from well. And he seemed “jumpy”; there was an occasional twitch of his mouth that Lewis did not like at all.

“Well,” said the doctor, after an interval of silence and port wine, “I am glad to see you here again. Porth always suits you. I don’t think you’re looking quite up to your usual form. But three weeks of Meirion air will do wonders.”

“Well, I hope it will,” said the other. “I am not up to the mark. Things are not going well at Midlingham.”[28]

“Business is all right, isn’t it?”

“Yes. Business is all right. But there are other things that are all wrong. We are living under a reign of terror. It comes to that.”

“What on earth do you mean?”

“Well, I suppose I may tell you what I know. It’s not much. I didn’t dare write it. But do you know that at every one of the munition works in Midlingham and all about it there’s a guard of soldiers with drawn bayonets and loaded rifles day and night? Men with bombs, too. And machine-guns at the big factories.”

“German spies?”

“You don’t want Lewis guns[29] to fight spies with. Nor bombs. Nor a platoon of men. I woke up last night. It was the machine-gun at Benington’s Army Motor Works. Firing like fury. And then bang! bang! bang! That was the hand bombs.”

“But what against?”

“Nobody knows.”

“Nobody knows what is happening,” Merritt repeated, and he went on to describe the bewilderment and terror that hung like a cloud over the great industrial city in the Midlands, how the feeling of concealment, of some intolerable secret danger that must not be named, was worst of all.

“A young fellow I know,” he said, “was on short leave the other day from the front, and he spent it with his people at Belmont[30]—that’s about four miles out of Midlingham, you know. ‘Thank God,’ he said to me, ‘I am going back to-morrow. It’s no good saying that the Wipers salient[31] is nice, because it isn’t. But it’s a damned sight better than this. At the front you know what you’re up against, anyhow.’ At Midlingham everybody has the feeling that we’re up against something awful and we don’t know what; it’s that that makes people inclined to whisper. There’s terror in the air.”

Merritt made a sort of picture of the great town cowering in its fear of an unknown danger.

“People are afraid to go about alone at nights in the outskirts. They make up parties at the stations to go home together if it’s anything like dark, or if there are any lonely bits on their way.”

“But why? I don’t understand. What are they afraid of?”

“Well, I told you about my being woke up the other night with the machine-guns at the motor works rattling away, and the bombs exploding and making the most terrible noise. That sort of thing alarms one, you know. It’s only natural.”

“Indeed, it must be very terrifying. You mean, then, there is a general nervousness about, a vague sort of apprehension that makes people inclined to herd together?”

“There’s that, and there’s more. People have gone out that have never come back. There were a couple of men in the train to Holme,[32] arguing about the quickest way to get to Northend, a sort of outlying part of Holme where they both lived. They argued all the way out of Midlingham, one saying that the high road was the quickest though it was the longest way. ‘It’s the quickest going because it’s the cleanest going,’ he said.

“The other chap fancied a short cut across the fields, by the canal. ‘It’s half the distance,’ he kept on. ‘Yes, if you don’t lose your way,’ said the other. Well, it appears they put an even half-crown on it, and each was to try his own way when they got out of the train. It was arranged that they were to meet at the ‘Waggon’ in Northend. ‘I shall be at the “Waggon” first,’ said the man who believed in the short cut, and with that he climbed over the stile and made off across the fields. It wasn’t late enough to be really dark, and a lot of them thought he might win the stakes. But he never turned up at the ‘Waggon’—or anywhere else for the matter of that.”

“What happened to him?”

“He was found lying on his back in the middle of a field—some way from the path. He was dead. The doctors said he’d been suffocated. Nobody knows how. Then there have been other cases. We whisper about them at Midlingham, but we’re afraid to speak out.”

Lewis was ruminating all this profoundly. Terror in Meirion and terror far away in the heart of England; but at Midlingham, so far as he could gather from these stories of soldiers on guard, of crackling machine-guns, it was a case of an organised attack on the munitioning of the army. He felt that he did not know enough to warrant his deciding that the terror of Meirion and of Stratfordshire were one.

Then Merritt began again:

“There’s a queer story going about, when the door’s shut and the curtain’s drawn, that is, as to a place right out in the country over the other side of Midlingham; on the opposite side to Dunwich. [33] They’ve built one of the new factories out there, a great red brick town of sheds they tell me it is, with a tremendous chimney. It’s not been finished more than a month or six weeks. They plumped it down right in the middle of the fields, by the line, and they’re building huts for the workers as fast as they can, but up to the present the men are billeted all about, up and down the line.

“About two hundred yards from this place there’s an old footpath, leading from the station and the main road up to a small hamlet on the hillside. Part of the way this path goes by a pretty large wood, most of it thick undergrowth. I should think there must be twenty acres of wood, more or less. As it happens, I used this path once long ago; and I can tell you it’s a black place of nights.

“A man had to go this way one night. He got along all right till he came to the wood. And then he said his heart dropped out of his body. It was awful to hear the noises in that wood. Thousands of men were in it, he swears that. It was full of rustling, and pattering of feet trying to go dainty, and the crack of dead boughs lying on the ground as someone trod on them, and swishing of the grass, and some sort of chattering speech going on, that sounded, so he said, as if the dead sat in their bones and talked! He ran for his life, anyhow; across fields, over hedges, through brooks. He must have run, by his tale, ten miles out of his way before he got home to his wife, and beat at the door, and broke in, and bolted it behind him.”

“There is something rather alarming about any wood at night,” said Dr. Lewis.

Merritt shrugged his shoulders.

“People say that the Germans have landed, and that they are hiding in underground places all over the country.”

VII

Lewis gasped for a moment, silent in contemplation of the magnificence of rumour. The Germans already landed, hiding underground, striking by night, secretly, terribly, at the power of England! Here was a conception which made the myth of “The Russians” a paltry fable; before which the Legend of Mons was an ineffectual thing.

It was monstrous. And yet—

He looked steadily at Merritt; a square-headed, black-haired, solid sort of man. He had symptoms of nerves about him for the moment, certainly, but one could not wonder at that, whether the tales he told were true, or whether he merely believed them to be true. Lewis had known his brother-in-law for twenty years or more, and had always found him a sure man in his own small world. “But then,” said the doctor to himself, “those men, if they once get out of the ring of that little world of theirs, they are lost. Those are the men that believed in Madame Blavatsky.”[34]

“Well,” he said, “what do you think yourself? The Germans landed and hiding somewhere about the country: there’s something extravagant in the notion, isn’t there?”

“I don’t know what to think. You can’t get over the facts. There are the soldiers with their rifles and their guns at the works all over Stratfordshire, and those guns go off. I told you I’d heard them. Then who are the soldiers shooting at? That’s what we ask ourselves at Midlingham.”

“Quite so; I quite understand. It’s an extraordinary state of things.”

“It’s more than extraordinary; it’s an awful state of things. It’s the terror in the dark, and there’s nothing worse than that. As that young fellow I was telling you about said, ‘At the front you do know what you’re up against.’ ”

“And people really believe that a number of Germans have somehow got over to England and have hid themselves underground?”

“People say they’ve got a new kind of poison-gas. Some think that they dig underground places and make the gas there, and lead it by secret pipes into the shops; others say that they throw gas bombs into the factories. It must be worse than anything they’ve used in France, from what the authorities say.”

“The authorities? Do they admit that there are Germans in hiding about Midlingham?”

“No. They call it ‘explosions.’ But we know it isn’t explosions. We know in the Midlands what an explosion sounds like and looks like. And we know that the people killed in these ‘explosions’ are put into their coffins in the works. Their own relations are not allowed to see them.”

“And so you believe in the German theory?”

“If I do, it’s because one must believe in something. Some say they’ve seen the gas. I heard that a man living in Dunwich saw it one night like a black cloud with sparks of fire in it floating over the tops of the trees by Dunwich Common.”

The light of an ineffable amazement came into Lewis’s eyes. The night of Remnant’s visit, the trembling vibration of the air, the dark tree that had grown in his garden since the setting of the sun, the strange leafage that was starred with burning, with emerald and ruby fires, and all vanished away when he returned from his visit to the Garth; and such a leafage had appeared as a burning cloud far in the heart of England: what intolerable mystery, what tremendous doom was signified in this? But one thing was clear and certain; that the terror of Meirion was also the terror of the Midlands.

Lewis made up his mind most firmly that if possible all this should be kept from his brother-in-law. Merritt had come to Porth as to a city of refuge from the horrors of Midlingham; if it could be managed he should be spared the knowledge that the cloud of terror had gone before him and hung black over the western land. Lewis passed the port and said in an even voice:

“Very strange, indeed; a black cloud with sparks of fire?”

“I can’t answer for it, you know; it’s only a rumour.”

“Just so; and you think or you’re inclined to think that this and all the rest you’ve told me is to be put down to the hidden Germans?”

“As I say; because one must think something.”

“I quite see your point. No doubt, if it’s true, it’s the most awful blow that has ever been dealt at any nation in the whole history of man. The enemy established in our vitals! But is it possible, after all? How could it have been worked?”

Merritt told Lewis how it had been worked, or rather, how people said it had been worked. The idea, he said, was that this was a part, and a most important part, of the great German plot to destroy England and the British Empire.

The scheme had been prepared years ago, some thought soon after the Franco-Prussian War. Moltke[35] had seen that the invasion of England (in the ordinary sense of the term invasion) presented very great difficulties. The matter was constantly in discussion in the inner military and high political circles, and the general trend of opinion in these quarters was that at the best, the invasion of England would involve Germany in the gravest difficulties, and leave France in the position of the tertius gaudens. [36] This was the state of affairs when a very high Prussian personage was approached by the Swedish professor, Huvelius.

Thus Merritt, and here I would say in parenthesis that this Huvelius was by all accounts an extraordinary man. Considered personally and apart from his writings he would appear to have been a most amiable individual. He was richer than the generality of Swedes, certainly far richer than the average university professor in Sweden. But his shabby, green frock-coat, and his battered, furry hat were notorious in the university town where he lived. No one laughed, because it was well known that Professor Huvelius spent every penny of his private means and a large portion of his official stipend on works of kindness and charity. He hid his head in a garret, some one said, in order that others might be able to swell on the first floor. It was told of him that he restricted himself to a diet of dry bread and coffee for a month, in order that a poor woman of the streets, dying of consumption, might enjoy luxuries in hospital.

And this was the man who wrote the treatise “De Facinore Humano”;[37] to prove the infinite corruption of the human race.

Oddly enough, Professor Huvelius wrote the most cynical book in the world—Hobbes preaches rosy sentimentalism in comparison—with the very highest motives. He held that a very large part of human misery, misadventure, and sorrow was due to the false convention that the heart of man was naturally and in the main well disposed and kindly, if not exactly righteous. “Murderers, thieves, assassins, violators, and all the host of the abominable,” he says in one passage, “are created by the false pretence and foolish credence of human virtue. A lion in a cage is a fierce beast, indeed; but what will he be if we declare him to be a lamb and open the doors of his den? Who will be guilty of the deaths of the men, women and children whom he will surely devour, save those who unlocked the cage?” And he goes on to show that kings and the rulers of the peoples could decrease the sum of human misery to a vast extent by acting on the doctrine of human wickedness. “War,” he declares, “which is one of the worst of evils, will always continue to exist. But a wise king will desire a brief war rather than a lenghty one, a short evil rather than a long evil. And this not from the benignity of his heart towards his enemies, for we have seen that the human heart is naturally malignant, but because he desires to conquer, and to conquer easily, without a great expenditure of men or of treasure, knowing that if he can accomplish this feat his people will love him and his crown will be secure. So he will wage brief victorious wars, and not only spare his own nation, but the nation of the enemy, since in a short war the loss is less on both sides than in a long war. And so from evil will come good.”

And how, asks Huvelius, are such wars to be waged? The wise prince, he replies, will begin by assuming the enemy to be infinitely corruptible and infinitely stupid, since stupidity and corruption are the chief characteristics of man. So the prince will make himself friends in the very councils of his enemy, and also amongst the populace, bribing the wealthy by proffering to them the opportunity of still greater wealth, and winning the poor by swelling words. “For, contrary to the common opinion, it is the wealthy who are greedy of wealth; while the populace are to be gained by talking to them about liberty, their unknown god. And so much are they enchanted by the words liberty, freedom, and such like, that the wise can go to the poor, rob them of what little they have, dismiss them with a hearty kick, and win their hearts and their votes for ever, if only they will assure them that the treatment which they have received is called liberty.”

Guided by these principles, says Huvelius, the wise prince will entrench himself in the country that he desires to conquer; “nay, with but little trouble, he may actually and literally throw his garrisons into the heart of the enemy country before war has begun.”

This is a long and tiresome parenthesis; but it is necessary as explaining the long tale which Merritt told his brother-in-law, he having received it from some magnate of the Midlands, who had travelled in Germany. It is probable that the story was suggested in the first place by the passage from Huvelius which I have just quoted.

Merritt knew nothing of the real Huvelius, who was all but a saint; he thought of the Swedish professor as a monster of iniquity, “worse,” as he said, “than Neech”—meaning, no doubt, Nietzsche.[38]

So he told the story of how Huvelius had sold his plan to the Germans; a plan for filling England with German soldiers. Land was to be bought in certain suitable and well-considered places, Englishmen were to be bought as the apparent owners of such lands, and secret excavations were to be made, till the country was literally undermined. A subterranean Germany, in fact, was to be dug under selected districts of England; there were to be great caverns, underground cities, well drained, well ventilated, supplied with water, and in these places vast stores both of food and of munitions were to be accumulated, year after year, till “the Day” dawned. And then, warned in time, the secret garrison would leave shops, hotels, offices, villas, and vanish underground, ready to begin their work of bleeding England at the heart.

“That’s what Henson told me,” said Merritt at the end of his long story. “Henson, head of the Buckley Iron and Steel Syndicate. He has been a lot in Germany.”

“Well,” said Lewis, “of course, it may be so. If it is so, it is terrible beyond words.”

Indeed, he found something horribly plausible in the story. It was an extraordinary plan, of course; an unheard of scheme; but it did not seem impossible. It was the Trojan Horse on a gigantic scale; indeed, he reflected, the story of the horse with the warriors concealed within it which was dragged into the heart of Troy by the deluded Trojans themselves might be taken as a prophetic parable of what had happened to England—if Henson’s theory were well founded. And this theory certainly squared with what one had heard of German preparations in Belgium and in France: emplacements for guns ready for the invader, German manufactories which were really German forts on Belgian soil, the caverns by the Aisne made ready for the cannon; indeed, Lewis thought he remembered something about suspicious concrete tennis-courts on the heights commanding London. But a German army hidden under English ground! It was a thought to chill the heart.

And it seemed from that wonder of the burning tree, that the enemy mysteriously and terribly present at Midlingham, was present also in Meirion. Lewis, thinking of the country as he knew it, of its wild and desolate hillsides, its deep woods, its wastes and solitary places, could not but confess that no more fit region could be found for the deadly enterprise of secret men. Yet, he thought again, there was but little harm to be done in Meirion to the armies of England or to their munitionment. They were working for panic terror? Possibly that might be so; but the camp under the Highway? That should be their first object, and no harm had been done there.

Lewis did not know that since the panic of the horses men had died terribly in that camp; that it was now a fortified place, with a deep, broad trench, a thick tangle of savage barbed wire about it, and a machine-gun planted at each corner.

VIII

Mr. Merritt began to pick up his health and spirits a good deal. For the first morning or two of his stay at the doctor’s he contented himself with a very comfortable deck chair close to the house, where he sat under the shade of an old mulberry tree beside his wife and watched the bright sunshine on the green lawns, on the creamy crests of the waves, on the headlands of that glorious coast, purple even from afar with the imperial glow of the heather, on the white farmhouses gleaming in the sunlight, high over the sea, far from any turmoil, from any troubling of men.

The sun was hot, but the wind breathed all the while gently, incessantly, from the east, and Merritt, who had come to this quiet place, not only from dismay, but from the stifling and oily airs of the smoky Midland town, said that that east wind, pure and clear and like well water from the rock, was new life to him. He ate a capital dinner at the end of his first day at Porth and took rosy views. As to what they had been talking about the night before, he said to Lewis, no doubt there must be trouble of some sort, and perhaps bad trouble; still, Kitchener would soon put it all right.[39]

So things went on very well. Merritt began to stroll about the garden, which was full of the comfortable spaces, groves, and surprises that only country gardens know. To the right of one of the terraces he found an arbour or summer-house covered with white roses, and he was as pleased as if he had discovered the Pole. He spent a whole day there, smoking and lounging and reading a rubbishy sensational story, and declared that the Devonshire roses had taken many years off his age. Then on the other side of the garden there was a filbert grove that he had never explored on any of his former visits; and again there was a find. Deep in the shadow of the filberts was a bubbling well, issuing from rocks, and all manner of green, dewy ferns growing about it and above it, and an angelica springing beside it. Merritt knelt on his knees, and hollowed his hand and drank the well water. He said (over his port) that night that if all water were like the water of the filbert well the world would turn to teetotalism. It takes a townsman to relish the manifold and exquisite joys of the country.

It was not till he began to venture abroad that Merritt found that something was lacking of the old rich peace that used to dwell in Meirion. He had a favourite walk which he never neglected, year after year. This walk led along the cliffs towards Meiros, and then one could turn inland and return to Porth by deep winding lanes that went over the Allt. So Merritt set out early one morning and got as far as a sentry-box at the foot of the path that led up to the cliff. There was a sentry pacing up and down in front of the box, and he called on Merritt to produce his pass, or to turn back to the main road. Merritt was a good deal put out, and asked the doctor about this strict guard. And the doctor was surprised.

“I didn’t know they had put their bar up there,” he said. “I suppose it’s wise. We are certainly in the far West here; still, the Germans might slip round and raid us and do a lot of damage just because Meirion is the last place we should expect them to go for.”

“But there are no fortifications, surely, on the cliff?”

“Oh, no; I never heard of anything of the kind there.”

“Well, what’s the point of forbidding the public to go on the cliff, then? I can quite understand putting a sentry on the top to keep a look-out for the enemy. What I don’t understand is a sentry at the bottom who can’t keep a look-out for anything, as he can’t see the sea. And why warn the public off the cliffs? I couldn’t facilitate a German landing by standing on Pengareg,[40] even if I wanted to.”

“It is curious,” the doctor agreed. “Some military reasons, I suppose.”

He let the matter drop, perhaps because the matter did not affect him. People who live in the country all the year round, country doctors certainly, are little given to desultory walking in search of the picturesque.

Lewis had no suspicion that sentries whose object was equally obscure were being dotted all over the country. There was a sentry, for example, by the quarry at Llanfihangel, where the dead woman and the dead sheep had been found some weeks before. The path by the quarry was used a good deal, and its closing would have inconvenienced the people of the neighbourhood very considerably. But the sentry had his box by the side of the track and had his orders to keep everybody strictly to the path, as if the quarry were a secret fort.

It was not known till a month or two ago that one of these sentries was himself a victim of the terror. The men on duty at this place were given certain very strict orders, which from the nature of the case, must have seemed to them unreasonable. For old soldiers, orders are orders; but here was a young bank clerk, scarcely in training for a couple of months, who had not begun to appreciate the necessity of hard, literal obedience to an order which seemed to him meaningless. He found himself on a remote and lonely hillside, he had not the faintest notion that his every movement was watched; and he disobeyed a certain instruction that had been given him. The post was found deserted by the relief; the sentry’s dead body was found at the bottom of the quarry.

This by the way; but Mr. Merritt discovered again and again that things happened to hamper his walks and his wanderings. Two or three miles from Porth there is a great marsh made by the Afon river before it falls into the sea, and here Merritt had been accustomed to botanise mildly. He had learnt pretty accurately the causeways of solid ground that led through the sea of swamp and ooze and soft yielding soil, and he set out one hot afternoon determined to make a thorough exploration of the marsh, and this time to find that rare Bog Bean,[41] that he felt sure, must grow somewhere in its wide extent.

He got into the by-road that skirts the marsh, and to the gate which he had always used for entrance.

There was the scene as he had known it always, the rich growth of reeds and flags and rushes, the mild black cattle grazing on the “islands” of firm turf, the scented procession of the meadowsweet, the royal glory of the loosestrife, flaming pennons, crimson and golden, of the giant dock.

But they were bringing out a dead man’s body through the gate.

A labouring man was holding open the gate on the marsh. Merritt, horrified, spoke to him and asked who it was, and how it had happened.

“They do say he was a visitor at Porth. Somehow he has been drowned in the marsh, whatever.”

“But it’s perfectly safe. I’ve been all over it a dozen times.”

“Well, indeed, we did always think so. If you did slip by accident, like, and fall into the water, it was not so deep; it was easy enough to climb out again. And this gentleman was quite young, to look at him, poor man; and he has come to Meirion for his pleasure and holiday and found his death in it!”

“Did he do it on purpose? Is it suicide?”

“They say he had no reasons to do that.”

Here the sergeant of police in charge of the party interposed, according to orders, which he himself did not understand.

“A terrible thing, sir, to be sure, and a sad pity; and I am sure this is not the sort of sight you have come to see down in Meirion this beautiful summer. So don’t you think, sir, that it would be more pleasant like, if you would leave us to this sad business of ours? I have heard many gentlemen staying in Porth say that there is nothing to beat the view from the hill over there, not in the whole of Wales.”

Everyone is polite in Meirion, but somehow Merritt understood that, in English, this speech meant “move on.”

Merritt moved back to Porth—he was not in the humour for any idle, pleasurable strolling after so dreadful a meeting with death. He made some inquiries in the town about the dead man, but nothing seemed known of him. It was said that he had been on his honeymoon, that he had been staying at the Porth Castle Hotel; but the people of the hotel declared that they had never heard of such a person. Merritt got the local paper at the end of the week; there was not a word in it of any fatal accident in the marsh. He met the sergeant of police in the street. That officer touched his helmet with the utmost politeness and a “hope you are enjoying yourself, sir; indeed you do look a lot better already”; but as to the poor man who was found drowned or stifled in the marsh, he knew nothing.

The next day Merritt made up his mind to go to the marsh to see whether he could find anything to account for so strange a death. What he found was a man with an armlet standing by the gate. The armlet had the letters “C. W.” on it, which are understood to mean Coast Watcher. The Watcher said he had strict instructions to keep everybody away from the marsh. Why? He didn’t know, but some said that the river was changing its course since the new railway embankment was built, and the marsh had become dangerous to people who didn’t know it thoroughly.

“Indeed, sir,” he added, “it is part of my orders not to set foot on the other side of that gate myself, not for one scrag-end of a minute.”

Merritt glanced over the gate incredulously. The marsh looked as it had always looked; there was plenty of sound, hard ground to walk on; he could see the track that he used to follow as firm as ever. He did not believe in the story of the changing course of the river, and Lewis said he had never heard of anything of the kind. But Merritt had put the question in the middle of general conversation; he had not led up to it from any discussion of the death in the marsh, and so the doctor was taken unawares. If he had known of the connexion in Merritt’s mind between the alleged changing of the Afon’s course and the tragical event in the marsh, no doubt he would have confirmed the official explanation. He was, above all things, anxious to prevent his sister and her husband from finding out that the invisible hand of terror that ruled at Midlingham was ruling also in Meirion.

Lewis himself had little doubt that the man who was found dead in the marsh had been struck down by the secret agency, whatever it was, that had already accomplished so much of evil; but it was a chief part of the terror that no one knew for certain that this or that particular event was to be ascribed to it. People do occasionally fall over cliffs through their own carelessness, and as the case of Garcia, the Spanish sailor, showed, cottagers and their wives and children are now and then the victims of savage and purposeless violence. Lewis had never wandered about the marsh himself; but Remnant had pottered round it and about it, and declared that the man who met his death there—his name was never known, in Porth at all events—must either have committed suicide by deliberately lying prone in the ooze and stifling himself, or else must have been held down in it. There were no details available, so it was clear that the authorities had classified this death with the others; still, the man might have committed suicide, or he might have had a sudden seizure and fallen in the slimy water face-downwards. And so on: it was possible to believe that case A or B or C was in the category of ordinary accidents or ordinary crimes. But it was not possible to believe that A and B and C were all in that category. And thus it was to the end, and thus it is now. We know that the terror reigned, and how it reigned, but there were many dreadful events ascribed to its rule about which there must always be room for doubt.

For example, there was the case of the Mary Ann, the rowing-boat which came to grief in so strange a manner, almost under Merritt’s eyes. In my opinion he was quite wrong in associating the sorry fate of the boat and her occupants with a system of signalling by flashlights which he detected or thought that he detected, on the afternoon in which the Mary Ann was capsized. I believe his signalling theory to be all nonsense, in spite of the naturalised German governess who was lodging with her employers in the suspected house. But, on the other hand, there is no doubt in my own mind that the boat was overturned and those in it drowned by the work of the terror.

IX

Let it be noted carefully that so far Merritt had not the slightest suspicion that the terror of Midlingham was quick over Meirion. Lewis had watched and shepherded him carefully. He had let out no suspicion of what had happened in Meirion, and before taking his brother-in-law to the club he had passed round a hint among the members. He did not tell all the truth about Midlingham—and here again is a point of interest, that as the terror deepened the general public co-operated voluntarily, and, one would say, almost subconsciously, with the authorities in concealing what they knew from one another—but he gave out a desirable portion of the truth: that his brother-in-law was “nervy,” not by any means up to the mark, and that it was therefore desirable that he should be spared the knowledge of the intolerable and tragic mysteries which were being enacted all about them.

“He knows about that poor fellow who was found in the marsh,” said Lewis, “and he has a kind of vague suspicion that there is something out of the common about the case; but no more than that.”

“A clear case of suggested, or rather commanded suicide,” said Remnant. “I regard it as a strong confirmation of my theory.”

“Perhaps so,” said the doctor, dreading lest he might have to hear about the Z Ray all over again. “But please don’t let anything out to him; I want him to get built up thoroughly before he goes back to Midlingham.”

Then, on the other hand, Merritt was as still as death about the doings of the Midlands; he hated to think of them, much more to speak of them; and thus, as I say, he and the men at the Porth Club kept their secrets from one another; and thus, from the beginning to the end of the terror, the links were not drawn together. In many cases, no doubt, A and B met every day and talked familiarly, it may be confidentially, on other matters of all sorts, each having in his possession half of the truth, which he concealed from the other. So the two halves were never put together to make a whole.

Merritt, as the doctor guessed, had a kind of uneasy feeling—it scarcely amounted to a suspicion—as to the business of the marsh; chiefly because he thought the official talk about the railway embankment and the course of the river rank nonsense. But finding that nothing more happened, he let the matter drop from his mind, and settled himself down to enjoy his holiday.

He found to his delight that there were no sentries or watchers to hinder him from the approach to Larnac Bay, a delicious cove, a place where the ashgrove and the green meadow and the glistening bracken sloped gently down to red rocks and firm yellow sands. Merritt remembered a rock that formed a comfortable seat, and here he established himself of a golden afternoon, and gazed at the blue of the sea and the crimson bastions and bays of the coast as it bent inward to Sarnau and swept out again southward to the odd-shaped promontory called the Dragon’s Head. Merritt gazed on, amused by the antics of the porpoises who were tumbling and splashing and gambolling a little way out at sea, charmed by the pure and radiant air that was so different from the oily smoke that often stood for heaven at Midlingham, and charmed, too, by the white farmhouses dotted here and there on the heights of the curving coast.

Then he noticed a little row-boat at about two hundred yards from the shore. There were two or three people aboard, he could not quite make out how many, and they seemed to be doing something with a line; they were no doubt fishing, and Merritt (who disliked fish) wondered how people could spoil such an afternoon, such a sea, such pellucid and radiant air by trying to catch white, flabby, offensive, evil-smelling creatures that would be excessively nasty when cooked. He puzzled over this problem and turned away from it to the contemplation of the crimson headlands. And then he says that he noticed that signalling was going on. Flashing lights of intense brilliance, he declares, were coming from one of those farms on the heights of the coast; it was as if white fire was spouting from it. Merritt was certain, as the light appeared and disappeared, that some message was being sent, and he regretted that he knew nothing of heliography.[42] Three short flashes, a long and very brilliant flash, then two short flashes. Merritt fumbled in his pocket for pencil and paper so that he might record these signals, and, bringing his eyes down to the sea level, he became aware, with amazement and horror, that the boat had disappeared. All that he could see was some vague, dark object far to westwards, running out with the tide.

Now it is certain, unfortunately, that the Mary Ann was capsized and that two schoolboys and the sailor in charge were drowned. The bones of the boat were found amongst the rocks far along the coast, and the three bodies were also washed ashore. The sailor could not swim at all, the boys only a little, and it needs an exceptionally fine swimmer to fight against the outward suck of the tide as it rushes past Pengareg Point.

But I have no belief whatever in Merritt’s theory. He held (and still holds, for all I know), that the flashes of light which he saw coming from Penyrhaul, the farmhouse on the height, had some connexion with the disaster to the Mary Ann. When it was ascertained that a family were spending their summer at the farm, and that the governess was a German, though a long naturalised German, Merritt could not see that there was anything left to argue about, though there might be many details to discover. But, in my opinion, all this was a mere mare’s nest; the flashes of brilliant light were caused, no doubt, by the sun lighting up one window of the farmhouse after the other.

Still, Merritt was convinced from the very first, even before the damning circumstance of the German governess was brought to light; and on the evening of the disaster, as Lewis and he sat together after dinner, he was endeavouring to put what he called the common sense of the matter to the doctor.

“If you hear a shot,” said Merritt, “and you see a man fall, you know pretty well what killed him.”

There was a flutter of wild wings in the room. A great moth beat to and fro and dashed itself madly against the ceiling, the walls, the glass bookcase. Then a sputtering sound, a momentary dimming of the lamp. The moth had succeeded in its mysterious quest.

“Can you tell me,” said Lewis, as if he were answering Merritt, “why moths rush into the flame?”

Lewis had put his question as to the strange habits of the common moth to Merritt with the deliberate intent of closing the debate on death by heliograph. The query was suggested, of course, by the incident of the moth in the lamp, and Lewis thought that he had said, “Oh, shut up!” in a somewhat elegant manner. And, in fact Merritt looked dignified, remained silent, and helped himself to port.

That was the end that the doctor had desired. He had no doubt in his own mind that the affair of the Mary Ann was but one more item in the long account of horrors that grew larger almost with every day; and he was in no humour to listen to wild and futile theories as to the manner in which the disaster had been accomplished. Here was a proof that the terror that was upon them was mighty not only on the land but on the waters; for Lewis could not see that the boat could have been attacked by any ordinary means of destruction. From Merritt’s story, it must have been in shallow water. The shore of Larnac Bay shelves very gradually, and the Admiralty charts showed the depth of water two hundred yards out to be only two fathoms; this would be too shallow for a submarine. And it could not have been shelled, and it could not have been torpedoed; there was no explosion. The disaster might have been due to carelessness; boys, he considered, will play the fool anywhere, even in a boat; but he did not think so; the sailor would have stopped them. And, it may be mentioned, that the two boys were as a matter of fact extremely steady, sensible young fellows, not in the least likely to play foolish tricks of any kind.

Lewis was immersed in these reflections, having successfully silenced his brother-in-law; he was trying in vain to find some clue to the horrible enigma. The Midlingham theory of a concealed German force, hiding in places under the earth, was extravagant enough, and yet it seemed the only solution that approached plausibility; but then again even a subterranean German host would hardly account for this wreckage of a boat, floating on a calm sea. And then what of the tree with the burning in it that had appeared in the garden there a few weeks ago, and the cloud with a burning in it that had shown over the trees of the Midland village?

I think I have already written something of the probable emotions of the mathematician confronted suddenly with an undoubted two-sided triangle. I said, if I remember, that he would be forced, in decency, to go mad; and I believe that Lewis was very near to this point. He felt himself confronted with an intolerable problem that most instantly demanded solution, and yet, with the same breath, as it were, denied the possibility of there being any solution. People were being killed in an inscrutable manner by some inscrutable means, day after day, and one asked “why” and “how”; and there seemed no answer. In the Midlands, where every kind of munitionment was manufactured, the explanation of German agency was plausible; and even if the subterranean notion was to be rejected as savouring altogether too much of the fairy-tale, or rather of the sensational romance, yet it was possible that the backbone of the theory was true; the Germans might have planted their agents in some way or another in the midst of our factories. But here in Meirion, what serious effect could be produced by the casual and indiscriminate slaughter of a couple of schoolboys in a boat, of a harmless holiday-maker in a marsh? The creation of an atmosphere of terror and dismay? It was possible, of course, but it hardly seemed tolerable, in spite of the enormities of Louvain and of the Lusitania.[43]

Into these meditations, and into the still dignified silence of Merritt broke the rap on the door of Lewis’s man and those words which harrass the ease of the country doctor when he tries to take any ease: “You’re wanted in the surgery, if you please, sir.” Lewis bustled out, and appeared no more that night.

The doctor had been summoned to a little hamlet on the outskirts of Porth, separated from it by half a mile or three-quarters of road. One dignifies, indeed, this settlement without a name in calling it a hamlet; it was a mere row of four cottages, built about a hundred years ago for the accommodation of the workers in a quarry long since disused. In one of these cottages the doctor found a father and mother weeping and crying out to “doctor bach, doctor bach,” and two frightened children, and one little body, still and dead. It was the youngest of the three, little Johnny, and he was dead.

The doctor found that the child had been asphyxiated. He felt the clothes; they were dry; it was not a case of drowning. He looked at the neck; there was no mark of strangling. He asked the father how it had happened, and father and mother, weeping most lamentably, declared they had no knowledge of how their child had been killed: “unless it was the People that had done it.” The Celtic fairies are still malignant. Lewis asked what had happened that evening; where had the child been?

“Was he with his brother and sister? Don’t they know anything about it?”

Reduced into some sort of order from its original piteous confusion, this is the story that the doctor gathered.

All three children had been well and happy through the day. They had walked in with the mother, Mrs. Roberts, to Porth on a marketing expedition in the afternoon; they had returned to the cottage, had had their tea, and afterwards played about on the road in front of the house. John Roberts had come home somewhat late from his work, and it was after dusk when the family sat down to supper. Supper over, the three children went out again to play with other children from the cottage next door, Mrs. Roberts telling them that they might have half an hour before going to bed.

The two mothers came to the cottage gates at the same moment and called out to their children to come along and be quick about it. The two small families had been playing on the strip of turf across the road, just by the stile into the fields. The children ran across the road; all of them except Johnnie Roberts. His brother Willie said that just as their mother called to them he heard Johnnie cry out:

“Oh, what is that beautiful shiny thing over the stile?”

X

The little Roberts’s ran across the road, up the path, and into the lighted room. Then they noticed that Johnnie had not followed them. Mrs. Roberts was doing something in the back kitchen, and Mr. Roberts had gone out to the shed to bring in some sticks for the next morning’s fire. Mrs. Roberts heard the children run in and went on with her work. The children whispered to one another that Johnnie would “catch it” when their mother came out of the back room and found him missing; but they expected he would run in through the open door any minute. But six or seven, perhaps ten, minutes passed, and there was no Johnnie. Then the father and mother came into the kitchen together, and saw that their little boy was not there.

They thought it was some small piece of mischief—that the two other children had hidden the boy somewhere in the room: in the big cupboard perhaps.

“What have you done with him then?” said Mrs. Roberts. “Come out, you little rascal, directly in a minute.”

There was no little rascal to come out, and Margaret Roberts, the girl, said that Johnnie had not come across the road with them; he must be still playing all by himself by the hedge.

“What did you let him stay like that for?” said Mrs. Roberts. “Can’t I trust you for two minutes together? Indeed to goodness, you are all of you more trouble than you are worth.” She went to the open door:

“Johnnie! Come you in directly, or you will be sorry for it. Johnnie!”

The poor woman called at the door. She went out to the gate and called there:

“Come you, little Johnnie. Come you, bachgen,[44] there’s a good boy. I do see you hiding there.”

She thought he must be hiding in the shadow of the hedge, and that he would come running and laughing—“he was always such a happy little fellow”—to her across the road. But no little merry figure danced out of the gloom of the still, dark night; it was all silence.

It was then, as the mother’s heart began to chill, though she still called cheerfully to the missing child, that the elder boy told how Johnnie had said there was something beautiful by the stile: “and perhaps he did climb over, and he is running now about the meadow, and has lost his way.”

The father got his lantern then, and the whole family went crying and calling about the meadow, promising cakes and sweets and a fine toy to poor Johnnie if he would come to them.

They found the little body, under the ashgrove in the middle of the field. He was quite still and dead, so still that a great moth had settled on his forehead, fluttering away when they lifted him up.

Dr. Lewis heard this story. There was nothing to be done; little to be said to these most unhappy people.

“Take care of the two that you have left to you,” said the doctor as he went away. “Don’t let them out of your sight if you can help it. It is dreadful times that we are living in.”

It is curious to record that all through these dreadful times the simple little “season” went through its accustomed course at Porth. The war and its consequences had somewhat thinned the numbers of the summer visitors; still a very fair contingent of them occupied the hotels and boarding-houses and lodging-houses and bathed from the old-fashioned machines on one beach, or from the new-fashioned tents on the other, and sauntered in the sun, or lay stretched out in the shade under the trees that grow down almost to the water’s edge. Porth never tolerated Ethiopians or shows of any kind on its sands, but “The Rockets” did very well during that summer in their garden entertainment, given in the castle grounds, and the fit-up companies that came to the Assembly Rooms are said to have paid their bills to a woman and to a man.

Porth depends very largely on its midland and northern custom, custom of a prosperous, well-established sort. People who think Llandudno overcrowded and Colwyn Bay[45] too raw and red and new, come year after year to the placid old town in the south-west and delight in its peace; and as I say, they enjoyed themselves much as usual there in the summer of 1915. Now and then they became conscious, as Mr. Merritt became conscious, that they could not wander about quite in the old way; but they accepted sentries and coast-watchers and people who politely pointed out the advantages of seeing the view from this point rather than from that as very necessary consequences of the dreadful war that was being waged; nay, as a Manchester man said, after having been turned back from his favourite walk to Castell Coch, it was gratifying to think that they were so well looked after.

“So far as I can see,” he added, “there’s nothing to prevent a submarine from standing out there by Ynys Sant[46] and landing half a dozen men in a collapsible boat in any of these little coves. And pretty fools we should look, shouldn’t we, with out throats cut on the sands; or carried back to Germany in the submarine?” He found the coast-watcher half-a-crown.

“That’s right, lad,” he said, “you give us the tip.”

Now here was a strange thing. The north-countryman had his thoughts on elusive submarines and German raiders; the watcher had simply received instructions to keep people off the Castell Coch fields, without reason assigned. And there can be no doubt that the authorities themselves, while they marked out the fields as in the “terror zone,” gave their orders in the dark and were themselves profoundly in the dark as to the manner of the slaughter that had been done there; for if they had understood what had happened, they would have understood also that their restrictions were useless.

The Manchester man was warned off his walk about ten days after Johnnie Roberts’s death. The Watcher had been placed at his post because, the night before, a young farmer had been found by his wife lying in the grass close to the Castle, with no scar on him, nor any mark of violence, but stone dead.

The wife of the dead man, Joseph Cradock,[47] finding her husband lying motionless on the dewy turf, went white and stricken up the path to the village and got two men who bore the body to the farm. Lewis was sent for, and knew at once when he saw the dead man that he had perished in the way that the little Roberts boy had perished—whatever that awful way might be. Cradock had been asphyxiated; and here again there was no mark of a grip on the throat. It might have been a piece of work by Burke and Hare,[48] the doctor reflected; a pitch plaster might have been clapped over the man’s mouth and nostrils and held there.

Then a thought struck him; his brother-in-law had talked of a new kind of poison gas that was said to be used against the munition workers in the Midlands: was it possible that the deaths of the man and the boy were due to some such instrument? He applied his tests but could find no trace of any gas having been employed. Carbonic acid gas?[49] A man could not be killed with that in the open air; to be fatal that required a confined space, such a position as the bottom of a huge vat or of a well.

He did not know how Cradock had been killed; he confessed it to himself. He had been suffocated; that was all he could say.

It seemed that the man had gone out at about half-past nine to look after some beasts. The field in which they were was about five minutes walk from the house. He told his wife he would be back in a quarter of an hour or twenty minutes. He did not return, and when he had been gone for three-quarters of an hour Mrs. Cradock went out to look for him. She went into the field where the beasts were, and everything seemed all right, but there was no trace of Cradock. She called out; there was no answer.

Now the meadow in which the cattle were pastured is high ground; a hedge divides it from the fields which fall gently down to the castle and the sea. Mrs. Cradock hardly seemed able to say why, having failed to find her husband among his beasts, she turned to the path which led to Castell Coch. She said at first that she had thought that one of the oxen might have broken through the hedge and strayed, and that Cradock had perhaps gone after it. And then, correcting herself, she said:

“There was that; and then there was something else that I could not make out at all. It seemed to me that the hedge did look different from usual. To be sure, things do look different at night, and there was a bit of sea-mist about, but somehow it did look odd to me, and I said to myself, ‘have I lost my way, then?’ ”

She declared that the shape of the trees in the hedge appeared to have changed, and besides, it had a look “as if it was lighted up, somehow,” and so she went on towards the stile to see what all this could be, and when she came near everything was as usual. She looked over the stile and called and hoped to see her husband coming towards her or to hear his voice; but there was no answer, and glancing down the path she saw, or thought she saw, some sort of brightness on the ground, “a dim sort of light like a bunch of glow-worms in a hedge-bank.

“And so I climbed over the stile and went down the path, and the light seemed to melt away; and there was my poor husband lying on his back, saying not a word to me when I spoke to him and touched him.”

So for Lewis the terror blackened and became altogether intolerable, and others, he perceived, felt as he did. He did not know, he never asked whether the men at the club had heard of these deaths of the child and the young farmer; but no one spoke of them. Indeed, the change was evident; at the beginning of the terror men spoke of nothing else; now it had become all too awful for ingenious chatter or laboured and grotesque theories. And Lewis had received a letter from his brother-in-law at Midlingham; it contained the sentence, “I am afraid Fanny’s health has not greatly benefited by her visit to Porth; there are still several symptoms I don’t at all like.” And this told him, in a phraseology that the doctor and Merritt had agreed upon, that the terror remained heavy in the Midland town.

It was soon after the death of Cradock that people began to tell strange tales of a sound that was to be heard of nights about the hills and valleys to the northward of Porth. A man who had missed the last train from Meiros and had been forced to tramp the ten miles between Meiros and Porth seems to have been the first to hear it. He said he had got to the top of the hill by Tredonoc, somewhere between half-past ten and eleven, when he first noticed an odd noise that he could not make out at all; it was like a shout, a long, drawn-out, dismal wail coming from a great way off, faint with distance. He stopped to listen, thinking at first that it might be owls hooting in the woods; but it was different, he said, from that: it was a long cry, and then there was silence and then it began over again. He could make nothing of it, and feeling frightened, he did not quite know of what, he walked on briskly and was glad to see the lights of Porth station.

He told his wife of this dismal sound that night, and she told the neighbours, and most of them thought that it was “all fancy”—or drink, or the owls after all. But the night after, two or three people, who had been to some small merrymaking in a cottage just off the Meiros road, heard the sound as they were going home, soon after ten. They, too, described it as a long, wailing cry, indescribably dismal in the stillness of the autumn night; “like the ghost of a voice,” said one; “as if it came up from the bottom of the earth,” said another.

XI

Let it be remembered, again and again, that, all the while that the terror lasted, there was no common stock of information as to the dreadful things that were being done. The press had not said one word upon it, and there was no criterion by which the mass of the people could separate fact from mere vague rumour—no test by which ordinary misadventure or disaster could be distinguished from the achievements of the secret and awful force that was at work.

And so with every event of the passing day. A harmless commercial traveller might show himself in the course of his business in the tumbledown main street of Meiros and find himself regarded with looks of fear and suspicion as a possible worker of murder, while it is likely enough that the true agents of the terror went quite unnoticed. And since the real nature of all this mystery of death was unknown, it followed easily that the signs and warnings and omens of it were all the more unknown. Here was horror, there was horror; but there was no links to join one horror with another; no common basis of knowledge from which the connexion between this horror and that horror might be inferred.

So there was no one who suspected at all that this dismal and hollow sound that was now heard of nights in the region to the north of Porth, had any relation at all to the case of the little girl who went out one afternoon to pick purple flowers and never returned, or to the case of the man whose body was taken out of the peaty slime of the marsh, or to the case of Cradock, dead in his fields, with a strange glimmering of light about his body, as his wife reported. And it is a question as to how far the rumour of this melancholy, nocturnal summons got abroad at all. Lewis heard of it, as a country doctor hears of most things, driving up and down the lanes, but he heard of it without much interest, with no sense that it was in any sort of relation to the terror. Remnant had been given the story of the hollow and echoing voice of the darkness in a coloured and picturesque form; he employed a Tredonoc [50] man to work in his garden once a week. The gardener had not heard the summons himself, but he knew a man who had done so.

“Thomas Jenkins, Pentoppin,[51] he did put his head out late last night to see what the weather was like, as he was cutting a field of corn the next day, and he did tell me that when he was with the Methodists in Cardigan he did never hear no singing eloquence in the chapels that was like to it. He did declare it was like a wailing of Judgement Day.”

Remnant considered the matter, and was inclined to think that the sound must be caused by a subterranean inlet of the sea; there might be, he supposed, an imperfect or half-opened or tortuous blow-hole in the Tredonoc woods, and the noise of the tide, surging up below, might very well produce that effect of a hollow wailing, far away. But neither he nor any one else paid much attention to the matter; save the few who heard the call at dead of night, as it echoed awfully over the black hills.

The sound had been heard for three or perhaps four nights, when the people coming out of Tredonoc church after morning service on Sunday noticed that there was a big yellow sheepdog in the churchyard. The dog, it appeared, had been waiting for the congregation; for it at once attached itself to them, at first to the whole body, and then to a group of half a dozen who took the turning to the right. Two of these presently went off over the fields to their respective houses, and four strolled on in the leisurely Sunday-morning manner of the country, and these the dog followed, keeping to heel all the time. The men were talking hay, corn and markets and paid no attention to the animal, and so they strolled along the autumn lane till they came to a gate in the hedge, whence a roughly made farm road went through the fields, and dipped down into the woods and to Treff Loyne farm.

Then the dog became like a possessed creature. He barked furiously. He ran up to one of the men and looked up at him, “as if he were begging for his life,” as the man said, and then rushed to the gate and stood by it, wagging his tail and barking at intervals. The men stared and laughed.

“Whose dog will that be?” said one of them.

“It will be Thomas Griffith’s, Treff Loyne,” said another.

“Well, then, why doesn’t he go home? Go home, then!” He went through the gesture of picking up a stone from the road and throwing it at the dog. “Go home, then! Over the gate with you.”

But the dog never stirred. He barked and whined and ran up to the men and then back to the gate. At last he came to one of them, and crawled and abased himself on the ground and then took hold of the man’s coat and tried to pull him in the direction of the gate. The farmer shook the dog off, and the four went on their way; and the dog stood in the road and watched them and then put up its head and uttered a long and dismal howl that was despair.

The four farmers thought nothing of it; sheepdogs in the country are dogs to look after sheep, and their whims and fancies are not studied. But the yellow dog—he was a kind of degenerate collie—haunted the Tredonoc lanes from that day. He came to a cottage door one night and scratched at it, and when it was opened lay down, and then, barking, ran to the garden gate and waited, entreating, as it seemed, the cottager to follow him. They drove him away and again he gave that long howl of anguish. It was almost as bad, they said, as the noise that they had heard a few nights before. And then it occurred to somebody, so far as I can make out with no particular reference to the odd conduct of the Treff Loyne sheepdog, that Thomas Griffith had not been seen for some time past. He had missed market day at Porth, he had not been at Tredonoc church, where he was a pretty regular attendant on Sunday; and then, as heads were put together, it appeared that nobody had seen any of the Griffith family for days and days.

Now in a town, even in a small town, this process of putting heads together is a pretty quick business. In the country, especially in a countryside of wild lands and scattered and lonely farms and cottages, the affair takes time. Harvest was going on, everybody was busy in his own fields, and after the long day’s hard work neither the farmer nor his men felt inclined to stroll about in search of news or gossip. A harvester at the day’s end is ready for supper and sleep and for nothing else.

And so it was late in that week when it was discovered that Thomas Griffith and all his house had vanished from this world.

I have often been reproached for my curiosity over questions which are apparently of slight importance, or of no importance at all. I love to inquire, for instance, into the question of the visibility of a lighted candle at a distance. Suppose, that is, a candle lighted on a still, dark night in the country; what is the greatest distance at which you can see that there is a light at all? And then as to the human voice; what is its carrying distance, under good conditions, as a mere sound, apart from any matter of making out words that may be uttered?

They are trivial questions, no doubt, but they have always interested me, and the latter point has its application to the strange business of Treff Loyne. That melancholy and hollow sound, that wailing summons that appalled the hearts of those who heard it was, indeed, a human voice, produced in a very exceptional manner; and it seems to have been heard at points varying from a mile and a half to two miles from the farm. I do not know whether this is anything extraordinary; I do not know whether the peculiar method of production was calculated to increase or diminish the carrying power of the sound.

Again and again I have laid emphasis in this story of the terror on the strange isolation of many of the farms and cottages in Meirion. I have done so in the effort to convince the townsman of something that he has never known. To the Londoner a house a quarter of a mile from the outlying suburban lamp, with no other dwelling within two hundred yards, is a lonely house, a place to fit with ghosts and mysteries and terrors. How can he understand then, the true loneliness of the white farmhouses of Meirion, dotted here and there, for the most part not even on the little lanes and deep winding byways, but set in the very heart of the fields, or alone on huge bastioned headlands facing the sea, and whether on the high verge of the sea or on the hills or in the hollows of the inner country, hidden from the sight of men, far from the sound of any common call. There is Penyrhaul, for example, the farm from which the foolish Merritt thought he saw signals of light being made: from seaward it is of course, widely visible; but from landward, owing partly to the curving and indented configuration of the bay, I doubt whether any other habitation views it from a nearer distance than three miles.

And of all these hidden and remote places, I doubt if any is so deeply buried as Treff Loyne. I have little or no Welsh, I am sorry to say, but I suppose that the name is corrupted from Trellwyn, or Tref-y-llwyn, “the place in the grove,” and, indeed, it lies in the very heart of dark, overhanging woods. A deep, narrow valley runs down from the high lands of the Allt, through these woods, through steep hillsides of bracken and gorse, right down to the great marsh, whence Merritt saw the dead man being carried. The valley lies away from any road, even from that by-road, little better than a bridlepath, where the four farmers, returning from church were perplexed by the strange antics of the sheep-dog. One cannot say that the valley is overlooked, even from a distance, for so narrow is it that the ashgroves that rim it on either side seem to meet and shut it in. I, at all events, have never found any high place from which Treff Loyne is visible; though, looking down from the Allt, I have seen blue wood-smoke rising from its hidden chimneys.

Such was the place, then, to which one September afternoon a party went up to discover what had happened to Griffith and his family. There were half a dozen farmers, a couple of policemen, and four soldiers, carrying their arms; those last has been lent by the officer commanding at the camp. Lewis, too, was of the party; he had heard by chance that no one knew what had become of Griffith and his family; and he was anxious about a young fellow, a painter, of his acquaintance, who had been lodging at Treff Loyne all the summer.

They all met by the gate of Tredonoc churchyard, and tramped solemnly along the narrow lane; all of them, I think, with some vague discomfort of mind, with a certain shadowy fear, as of men who do not quite know what they may encounter. Lewis heard the corporal and the three soldiers arguing over their orders.

“The Captain says to me,” muttered the corporal, “ ‘Don’t hesitate to shoot if there’s any trouble.’ ‘Shoot what, sir?’ I says. ‘The trouble,’ says he, and that’s all I could get out of him.”

The men grumbled in reply; Lewis thought he heard some obscure reference to rat-poison, and wondered what they were talking about.

They came to the gate in the hedge, where the farm road led down to Treff Loyne. They followed this track, roughly made, with grass growing up between its loosely laid stones, down by the hedge from field to wood, till at last they came to the sudden walls of the valley, and the sheltering groves of the ash trees. Here the way curved down the steep hillside, and bent southward, and followed henceforward the hidden hollow of the valley, under the shadow of the trees.

Here was the farm enclosure; the out-lying walls of the yard, and the barns and sheds and outhouses. One of the farmers threw open the gate and walked into the yard, and forthwith began bellowing at the top of his voice:

“Thomas Griffith! Thomas Griffith! Where be you, Thomas Griffith?”

The rest followed him. The corporal snapped out an order over his shoulder, and there was a rattling metallic noise as the men fixed their bayonets and became in an instant dreadful dealers out of death, in place of harmless fellows with a feeling for beer.

“Thomas Griffith!” again bellowed the farmer.

There was no answer to this summons. But they found poor Griffith lying on his face at the edge of the pond in the middle of the yard. There was a ghastly wound in his side, as if a sharp stake had been driven into his body.

XII

It was a still September afternoon. No wind stirred in the hanging woods that were dark all about the ancient house of Treff Loyne; the only sound in the dim air was the lowing of the cattle; they had wandered, it seemed, from the fields and had come in by the gate of the farmyard and stood there melancholy, as if they mourned for their dead master. And the horses; four great, heavy, patient-looking beasts they were there too, and in the lower field the sheep were standing, as if they waited to be fed.

“You would think they all knew there was something wrong,” one of the soldiers muttered to another. A pale sun showed for a moment and glittered on their bayonets. They were standing about the body of poor, dead Griffith, with a certain grimness growing on their faces and hardening there. Their corporal snapped something at them again; they were quite ready. Lewis knelt down by the dead man and looked closely at the great gaping wound in his side.

“He’s been dead a long time,” he said. “A week, two weeks, perhaps. He was killed by some sharp pointed weapon. How about the family? How many are there of them? I never attended them.”

“There was Griffith, and his wife, and his son Thomas and Mary Griffith, his daughter. And I do think there was a gentleman lodging with them this summer.”

That was from one of the farmers. They all looked at one another, this party of rescue, who knew nothing of the danger that had smitten this house of quiet people, nothing of the peril which had brought them to this pass of a farmyard with a dead man in it, and his beasts standing patiently about him, as if they waited for the farmer to rise up and give them their food. Then the party turned to the house. It was an old, sixteenth century building, with the singular, round, “Flemish” chimney that is characteristic of Meirion. The walls were snowy with whitewash, the windows were deeply set and stone mullioned, and a solid, stone-tiled porch sheltered the doorway from any winds that might penetrate to the hollow of that hidden valley. The windows were shut tight. There was no sign of any life or movement about the place. The party of men looked at one another, and the churchwarden amongst the farmers, the sergeant of police, Lewis, and the corporal drew together.

“What is it to goodness, doctor?” said the churchwarden.

“I can tell you nothing at all—except that that poor man there has been pierced to the heart,” said Lewis.

“Do you think they are inside and they will shoot us?” said another farmer. He had no notion of what he meant by “they,” and no one of them knew better than he. They did not know what the danger was, or where it might strike them, or whether it was from without or from within. They stared at the murdered man, and gazed dismally at one another.

“Come!” said Lewis, “we must do something. We must get into the house and see what is wrong.”

“Yes, but suppose they are at us while we are getting in,” said the sergeant. “Where shall we be then, Doctor Lewis?”

The corporal put one of his men by the gate at the top of the farmyard, another at the gate by the bottom of the farmyard, and told them to challenge and shoot. The doctor and the rest opened the little gate of the front garden and went up to the porch and stood listening by the door. It was all dead silence. Lewis took an ash stick from one of the farmers and beat heavily three times on the old, black, oaken door studded with antique nails.

He struck three thundering blows, and then they all waited. There was no answer from within. He beat again, and still silence. He shouted to the people within, but there was no answer. They all turned and looked at one another, that party of quest and rescue who knew not what they sought, what enemy they were to encounter. There was an iron ring on the door. Lewis turned it but the door stood fast; it was evidently barred and bolted. The sergeant of police called out to open, but again there was no answer.

They consulted together. There was nothing for it but to blow the door open, and some one of them called in a loud voice to anybody that might be within to stand away from the door, or they would be killed. And at this very moment the yellow sheep-dog came bounding up the yard from the woods and licked their hands and fawned on them and barked joyfully.

“Indeed now,” said one of the farmers, “he did know that there was something amiss. A pity it was, Thomas Williams, that we did not follow him when he implored us last Sunday.”

The corporal motioned the rest of the party back, and they stood looking fearfully about them at the entrance to the porch. The corporal disengaged his bayonet and shot into the keyhole, calling out once more before he fired. He shot and shot again; so heavy and firm was the ancient door, so stout its bolts and fastenings. At last he had to fire at the massive hinges, and then they all pushed together and the door lurched open and fell forward. The corporal raised his left hand and stepped back a few paces. He hailed his two men at the top and bottom of the farmyard. They were all right, they said. And so the party climbed and struggled over the fallen door into the passage, and into the kitchen of the farmhouse.

Young Griffith was lying dead before the hearth, before a dead fire of white wood ashes. They went on towards the “parlour,” and in the doorway of the room was the body of the artist, Secretan, as if he had fallen in trying to get to the kitchen. Upstairs the two women, Mrs. Griffith and her daughter, a girl of eighteen, were lying together on the bed in the big bedroom, clasped in each other’s arms.

They went about the house, searched the pantries, the back kitchen, and the cellars; there was no life in it.

“Look!” said Dr. Lewis, when they came back to the big kitchen, “look! It is as if they had been besieged. Do you see that piece of bacon, half gnawed through?”

Then they found these pieces of bacon, cut from the sides on the kitchen wall, here and there about the house. There was no bread in the place, no milk, no water.

“And,” said one of the farmers, “they had the best water here in all Meirion. The well is down there in the wood; it is most famous water. The old people did use to call it Ffynnon Teilo; it was Saint Teilo’s Well, they did say.”

“They must have died of thirst,” said Lewis. “They have been dead for days and days.”

The group of men stood in the big kitchen and stared at one another, a dreadful perplexity in their eyes. The dead were all about them, within the house and without it; and it was in vain to ask why they had died thus. The old man had been killed with the piercing thrust of some sharp weapon; the rest had perished, it seemed probable, of thirst; but what possible enemy was this that had besieged the farm and shut in its inhabitants? There was no answer.

The sergeant of police spoke of getting a cart and taking the bodies into Porth, and Dr. Lewis went into the parlour that Secretan had used as a sitting-room, intending to gather any possessions or effects of the dead artist that he might find there. Half a dozen portfolios were piled up in one corner, there were some books on a side table, a fishing-rod and basket behind the door—that seemed all. No doubt there would be clothes and such matters upstairs, and Lewis was about to rejoin the rest of the party in the kitchen, when he looked down at some scattered papers lying with the books on the side table. On one of the sheets he read to his astonishment the words: “Dr. James Lewis, Porth.” This was written in a staggering trembling scrawl, and examining the other leaves he saw that they were covered with writing.

The table stood in a dark corner of the room, and Lewis gathered up the sheets of paper and took them to the window-ledge and began to read, amazed at certain phrases that had caught his eye. But the manuscript was in disorder; as if the dead man who had written it had not been equal to the task of gathering the leaves into their proper sequence; it was some time before the doctor had each page in its place. This was the statement that he read, with ever-growing wonder, while a couple of the farmers were harnessing one of the horses in the yard to a cart, and the others were bringing down the dead women.

“I do not think that I can last much longer. We shared out the last drops of water a long time ago. I do not know how many days ago. We fall asleep and dream and walk about the house in our dreams, and I am often not sure whether I am awake or still dreaming, and so the days and nights are confused in my mind. I awoke not long ago, at least I suppose I awoke and found I was lying in the passage. I had a confused feeling that I had had an awful dream which seemed horribly real, and I thought for a moment what a relief it was to know that it wasn’t true, whatever it might have been. I made up my mind to have a good long walk to freshen myself up, and then I looked round and found that I had been lying on the stones of the passage; and it all came back to me. There was no walk for me.

“I have not seen Mrs. Griffith or her daughter for a long while. They said they were going upstairs to have a rest. I heard them moving about the room at first, now I can hear nothing. Young Griffith is lying in the kitchen, before the hearth. He was talking to himself about the harvest and the weather when I last went into the kitchen. He didn’t seem to know I was there, as he went gabbling on in a low voice very fast, and then he began to call the dog, Tiger.

“There seems no hope for any of us. We are in the dream of death. . . .”

Here the manuscript became unintelligible for half a dozen lines. Secretan had written the words “dream of death” three or four times over. He had begun a fresh word and had scratched it out and then followed strange, unmeaning characters, the script, as Lewis thought, of a terrible language. And then the writing became clear, clearer than it was at the beginning of the manuscript, and the sentences flowed more easily, as if the cloud on Secretan’s mind had lifted for a while. There was a fresh start, as it were, and the writer began again, in ordinary letter-form:

“DEAR LEWIS,

“I hope you will excuse all this confusion and wandering. I intended to begin a proper letter to you, and now I find all that stuff that you have been reading—if this ever gets into your hands. I have not the energy even to tear it up. If you read it you will know to what a sad pass I had come when it was written. It looks like delirium or a bad dream, and even now, though my mind seems to have cleared up a good deal, I have to hold myself in tightly to be sure that the experiences of the last days in this awful place are true, real things, not a long nightmare from which I shall wake up presently and find myself in my rooms at Chelsea.

“I have said of what I am writing, ‘if it ever gets into your hands,’ and I am not at all sure that it ever will. If what is happening here is happening everywhere else, then I suppose, the world is coming to an end. I cannot understand it; even now I can hardly believe it. I know that I dream such wild dreams and walk in such mad fancies that I have to look out and look about me to make sure that I am not still dreaming.

“Do you remember that talk we had about two months ago when I dined with you? We got on, somehow or other, to space and time, and I think we agreed that as soon as one tried to reason about space and time one was landed in a maze of contradictions. You said something to the effect that it was very curious, but this was just like a dream. ‘A man will sometimes wake himself from his crazy dream,’ you said, ‘by realizing that he is thinking nonsense.’ And we both wondered whether these contradictions that one can’t avoid if one begins to think of time and space may not really be proofs that the whole of life is a dream, and the moon and the stars bits of nightmare. I have often thought over that lately. I kick at the walls as Dr. Johnson kicked at the stone, to make sure that the things about me are there.[52] And then that other question gets into my mind—is the world really coming to an end, the world as we have always known it; and what on earth will this new world be like? I can’t imagine it; it’s a story like Noah’s Ark and the Flood. People used to talk about the end of the world and fire, but no one ever thought of anything like this.

“And then there’s another thing that bothers me. Now and then I wonder whether we are not all mad together in this house. In spite of what I see and know, or, perhaps, I should say, because what I see and know is so impossible, I wonder whether we are not all suffering from a delusion. Perhaps we are our own gaolers, and we are really free to go out and live. Perhaps what we think we see is not there at all. I believe I have heard of whole families going mad together, and I may have come under the influence of the house, having lived in it for the last four months. I know there have been people who have been kept alive by their keepers forcing food down their throats, because they are quite sure that their throats are closed, so that they feel they are unable to swallow a morsel. I wonder now and then whether we are all like this in Treff Loyne; yet in my heart I feel sure that it is not so.

“Still, I do not want to leave a madman’s letter behind me, and so I will not tell you the full story of what I have seen, or believe I have seen. If I am a sane man you will be able to fill in the blanks for yourself from your own knowledge. If I am mad, burn the letter and say nothing about it. Or perhaps—and indeed, I am not quite sure—I may wake up and hear Mary Griffith calling to me in her cheerful sing-song that breakfast will be ready ‘directly, in a minute,’ and I shall enjoy it and walk over to Porth and tell you the queerest, most horrible dream that a man ever had, and ask what I had better take.

“I think that it was on a Tuesday that we first noticed that there was something queer about, only at the time we didn’t know that there was anything really queer in what we noticed. I had been out since nine o’clock in the morning trying to paint the marsh, and I found it a very tough job. I came home about five or six o’clock and found the family at Treff Loyne laughing at old Tiger, the sheep-dog. He was making short runs from the farmyard to the door of the house, barking, with quick, short yelps. Mrs. Griffith and Miss Griffith were standing by the porch, and the dog would go to them, look in their faces, and then run up the farmyard to the gate, and then look back with that eager yelping bark, as if he were waiting for the women to follow him. Then, again and again, he ran up to them and tugged at their skirts as if he would pull them by main force away from the house.

“Then the men came home from the fields and he repeated this performance. The dog was running all up and down the farmyard, in and out of the barn and sheds yelping, barking; and always with that eager run to the person he addressed, and running away directly, and looking back as if to see whether we were following him. When the house-door was shut and they all sat down to supper, he would give them no peace, till at last they turned him out of doors. And then he sat in the porch and scratched at the door with his claws, barking all the while. When the daughter brought in my meal, she said: ‘We can’t think what is come to old Tiger, and indeed, he has always been a good dog, too.’

“The dog barked and yelped and whined and scratched at the door all through the evening. They let him in once, but he seemed to have become quite frantic. He ran up to one member of the family after another; his eyes were bloodshot and his mouth was foaming, and he tore at their clothes till they drove him out again into the darkness. Then he broke into a long, lamentable howl of anguish, and we heard no more of him.”

XIII

“I slept ill that night. I awoke again and again from uneasy dreams, and I seemed in my sleep to hear strange calls and noises and a sound of murmurs and beatings on the door. There were deep, hollow voices, too, that echoed in my sleep, and when I woke I could hear the autumn wind, mournful, on the hills above us. I started up once with a dreadful scream in my ears; but then the house was all still, and I fell again into uneasy sleep.

“It was soon after dawn when I finally roused myself. The people in the house were talking to each other in high voices, arguing about something that I did not understand.

“ ‘It is those damned gipsies, I tell you,’ said old Griffith.

“ ‘What would they do a thing like that for?’ asked Mrs. Griffith. ‘If it was stealing now—’

“ ‘It is more likely that John Jenkins has done it out of spite,’ said the son. ‘He said that he would remember you when we did catch him poaching.’

“They seemed puzzled and angry, so far as I could make out, but not at all frightened. I got up and began to dress. I don’t think I looked out of the window. The glass on my dressing-table is high and broad, and the window is small; one would have to poke one’s head round the glass to see anything.

“The voices were still arguing downstairs. I heard the old man say, ‘Well, here’s for a beginning anyhow,’ and then the door slammed.

“A minute later the old man shouted, I think, to his son. Then there was a great noise which I will not describe more particularly, and a dreadful screaming and crying inside the house and a sound of rushing feet. They all cried out at once to each other. I heard the daughter crying, ‘it is no good, mother, he is dead, indeed they have killed him,’ and Mrs. Griffith screaming to the girl to let her go. And then one of them rushed out of the kitchen and shot the great bolts of oak across the door, just as something beat against it with a thundering crash.

“I ran downstairs. I found them all in wild confusion, in an agony of grief and horror and amazement. They were like people who had seen something so awful that they had gone mad.

“I went to the window looking out on the farmyard. I won’t tell you all that I saw. But I saw poor old Griffith lying by the pond, with the blood pouring out of his side.

“I wanted to go out to him and bring him in. But they told me that he must be stone dead, and such things also that it was quite plain that anyone who went out of the house would not live more than a moment. We could not believe it, even as we gazed at the body of the dead man; but it was there. I used to wonder sometimes what one would feel like if one saw an apple drop from the tree and shoot up into the air and disappear. I think I know now how one would feel.

“Even then we couldn’t believe that it would last. We were not seriously afraid for ourselves. We spoke of getting out in an hour or two, before dinner anyhow. It couldn’t last, because it was impossible. Indeed, at twelve o’clock young Griffith said he would go down to the well by the back way and draw another pail of water. I went to the door and stood by it. He had not gone a dozen yards before they were on him. He ran for his life, and we had all we could do to bar the door in time. And then I began to get frightened.

“Still we could not believe in it. Somebody would come along shouting in an hour or two and it would all melt away and vanish. There could not be any real danger. There was plenty of bacon in the house, and half the weekly baking of loaves and some beer in the cellar and a pound or so of tea, and a whole pitcher of water that had been drawn from the well the night before. We could do all right for the day and in the morning it would have all gone away.

“But day followed day and it was still there. I knew Treff Loyne was a lonely place—that was why I had gone there, to have a long rest from all the jangle and rattle and turmoil of London, that makes a man alive and kills him too. I went to Treff Loyne because it was buried in the narrow valley under the ash trees, far away from any track. There was not so much as a footpath that was near it; no one ever came that way. Young Griffith had told me that it was a mile and a half to the nearest house, and the thought of the silent peace and retirement of the farm used to be a delight to me.

“And now this thought came back without delight, with terror. Griffith thought that a shout might be heard on a still night up away on the Allt, ‘if a man was listening for it,’ he added, doubtfully. My voice was clearer and stronger than his, and on the second night I said I would go up to my bedroom and call for help through the open window. I waited till it was all dark and still, and looked out through the window before opening it. And then I saw over the ridge of the long barn across the yard what looked like a tree, though I knew there was no tree there. It was a dark mass against the sky, with wide-spread boughs, a tree of thick, dense growth. I wondered what this could be, and I threw open the window, not only because I was going to call for help, but because I wanted to see more clearly what the dark growth over the barn really was.

“I saw in the depth of the dark of it points of fire, and colours in light, all glowing and moving, and the air trembled. I stared out into the night, and the dark tree lifted over the roof of the barn and rose up in the air and floated towards me. I did not move till at the last moment when it was close to the house; and then I saw what it was and banged the window down only just in time. I had to fight, and I saw the tree that was like a burning cloud rise up in the night and sink again and settle over the barn.

“I told them downstairs of this. They sat with white faces, and Mrs. Griffith said that ancient devils were let loose and had come out of the trees and out of the old hills because of the wickedness that was on the earth. She began to murmur something to herself, something that sounded to me like broken-down Latin.

“I went up to my room again an hour later, but the dark tree swelled over the barn. Another day went by, and at dusk I looked out, but the eyes of fire were watching me. I dared not open the window.

“And then I thought of another plan. There was the great old fireplace, with the round Flemish chimney going high above the house. If I stood beneath it and shouted I thought perhaps the sound might be carried better than if I called out of the window; for all I knew the round chimney might act as a sort of megaphone. Night after night, then, I stood in the hearth and called for help from nine o’clock to eleven. I thought of the lonely place, deep in the valley of the ashtrees, of the lonely hills and lands about it. I thought of the little cottages far away and hoped that my voice might reach to those within them. I thought of the winding lane high on the Allt, and of the few men that came there of nights; but I hoped that my cry might come to one of them.

“But we had drunk up the beer, and we would only let ourselves have water by little drops, and on the fourth night my throat was dry, and I began to feel strange and weak; I knew that all the voice I had in my lungs would hardly reach the length of the field by the farm.

“It was then we began to dream of wells and fountains, and water coming very cold, in little drops, out of rocky places in the middle of a cool wood. We had given up all meals; now and then one would cut a lump from the sides of bacon on the kitchen wall and chew a bit of it, but the saltness was like fire.

“There was a great shower of rain one night. The girl said we might open a window and hold out bowls and basins and catch the rain. I spoke of the cloud with burning eyes. She said ‘we will go to the window in the dairy at the back, and one of us can get some water at all events.’ She stood up with her basin on the stone slab in the dairy and looked out and heard the plashing of the rain, falling very fast. And she unfastened the catch of the window and had just opened it gently with one hand, for about an inch, and had her basin in the other hand. ‘And then,’ said she, ‘there was something that began to tremble and shudder and shake as it did when we went to the Choral Festival at St. Teilo’s, and the organ played, and there was the cloud and the burning close before me.’

“And then we began to dream, as I say. I woke up in my sitting-room one hot afternoon when the sun was shining, and I had been looking and searching in my dream all through the house, and I had gone down to the old cellar that wasn’t used, the cellar with the pillars and the vaulted roof, with an iron pike in my hand. Something said to me that there was water there, and in my dream I went to a heavy stone by the middle pillar and raised it up, and there beneath was a bubbling well of cold, clear water, and I had just hollowed my hand to drink it when I woke. I went into the kitchen and told young Griffith. I said I was sure there was water there. He shook his head, but he took up the great kitchen poker and we went down to the old cellar. I showed him the stone by the pillar, and he raised it up. But there was no well.

“Do you know, I reminded myself of many people whom I have met in life? I would not be convinced. I was sure that, after all, there was a well there. They had a butcher’s cleaver in the kitchen and I took it down to the old cellar and hacked at the ground with it. The others didn’t interfere with me. We were getting past that. We hardly ever spoke to one another. Each one would be wandering about the house, upstairs and downstairs, each one of us, I suppose, bent on his own foolish plan and mad design, but we hardly ever spoke. Years ago, I was an actor for a bit,[53] and I remember how it was on first nights; the actors treading softly up and down the wings, by their entrance, their lips moving and muttering over the words of their parts, but without a word for one another. So it was with us. I came upon young Griffith one evening evidently trying to make a subterranean passage under one of the walls of the house. I knew he was mad, as he knew I was mad when he saw me digging for a well in the cellar; but neither said anything to the other.

“Now we are past all this. We are too weak. We dream when we are awake and when we dream we think we wake. Night and day come and go and we mistake one for another; I hear Griffith murmuring to himself about the stars when the sun is high at noonday, and at midnight I have found myself thinking that I walked in bright sunlit meadows beside cold, rushing streams that flowed from high rocks.

“Then at the dawn figures in black robes, carrying lighted tapers in their hands pass slowly about and about; and I hear great rolling organ music that sounds as if some tremendous rite were to begin, and voices crying in an ancient song shrill from the depths of the earth.

“Only a little while ago I heard a voice which sounded as if it were at my very ears, but rang and echoed and resounded as if it were rolling and reverberating from the vault of some cathedral, chanting in terrible modulations. I heard the words quite clearly.

“Incipit liber iræ Domini Dei nostri.

(Here beginneth The Book of the Wrath of the Lord our God.)

“And then the voice sang the word Aleph, prolonging it, it seemed through ages, and a light was extinguished as it began the chapter:

“In that day, saith the Lord, there shall be a cloud over the land, and in the cloud a burning and a shape of fire, and out of the cloud shall issue forth my messengers; they shall run all together, they shall not turn aside; this shall be a day of exceeding bitterness, without salvation. And on every high hill, saith the Lord of Hosts, I will set my sentinels, and my armies shall encamp in the place of every valley; in the house that is amongst rushes I will execute judgment, and in vain shall they fly for refuge to the munitions of the rocks. In the groves of the woods, in the places where the leaves are as a tent above them, they shall find the sword of the slayer; and they that put their trust in walled cities shall be confounded. Woe unto the armed man, woe unto him that taketh pleasure in the strength of his artillery, for a little thing shall smite him, and by one that hath no might shall he be brought down into the dust. That which is low shall be set on high; I will make the lamb and the young sheep to be as the lion from the swellings of Jordan; they shall not spare, saith the Lord, and the doves shall be as the eagles on the hill Engedi;[54] none shall be found that may abide the onset of their battle.

“Even now I can hear the voice rolling far away, as if it came from the altar of a great church and I stood at the door. There are lights very far away in the hollow of a vast darkness, and one by one they are put out. I hear a voice chanting again with that endless modulation that climbs and aspires to the stars, and shines there, and rushes down to the dark depths of the earth, again to ascend; the word is Zain.”[55]

Here the manuscript lapsed again, and finally into utter, lamentable confusion. There were scrawled lines wavering across the page on which Secretan seemed to have been trying to note the unearthly music that swelled in his dying ears. As the scraps and scratches of ink showed, he had tried hard to begin a new sentence. The pen had dropped at last out of his hand upon the paper, leaving a blot and a smear upon it.

Lewis heard the tramp of feet along the passage; they were carrying out the dead to the cart.

XIV

Dr. Lewis maintained that we should never begin to understand the real significance of life until we began to study just those aspects of it which we now dismiss and overlook as utterly inexplicable, and therefore, unimportant.

We were discussing a few months ago the awful shadow of the terror which at length had passed away from the land. I had formed my opinion, partly from observation, partly from certain facts which had been communicated to me, and the passwords having been exchanged, I found that Lewis had come by very different ways to the same end.

“And yet,” he said, “it is not a true end, or rather, it is like all the ends of human inquiry, it leads one to a great mystery. We must confess that what has happened might have happened at any time in the history of the world. It did not happen till a year ago as a matter of fact, and therefore we made up our minds that it never could happen; or, one would better say, it was outside the range even of imagination. But this is our way. Most people are quite sure that the Black Death—otherwise the Plague—will never invade Europe again. They have made up their complacent minds that it was due to dirt and bad drainage. As a matter of fact the Plague had nothing to do with dirt or with drains; and there is nothing to prevent its ravaging England to-morrow. But if you tell people so, they won’t believe you. They won’t believe in anything that isn’t there at the particular moment when you are talking to them. As with the Plague, so with the Terror. We could not believe that such a thing could ever happen. Remnant said truly enough, that whatever it was, it was outside theory, outside our theory. Flatland cannot believe in the cube or the sphere.”[56]

I agreed with all this. I added that sometimes the world was incapable of seeing, much less believing, that which was before its own eyes.

“Look,” I said, “at any eighteenth century print of a Gothic cathedral. You will find that the trained artistic eye even could not behold in any true sense the building that was before it. I have seen an old print of Peterborough Cathedral that looks as if the artist had drawn it from a clumsy model, constructed of bent wire and children’s bricks.”[57]

“Exactly; because Gothic was outside the æsthetic theory (and therefore vision) of the time. You can’t believe what you don’t see: rather, you can’t see what you don’t believe. It was so during the time of the Terror. All this bears out what Coleridge said as to the necessity of having the idea before the facts could be of any service to one. Of course, he was right; mere facts, without the correlating idea, are nothing and lead to no conclusion. We had plenty of facts, but we could make nothing of them. I went home at the tail of that dreadful procession from Treff Loyne in a state of mind very near to madness. I heard one of the soldiers saying to the other: ‘There’s no rat that’ll spike a man to the heart, Bill.’ I don’t know why, but I felt that if I heard any more of such talk as that I should go crazy; it seemed to me that the anchors of reason were parting. I left the party and took the short cut across the fields into Porth. I looked up Davies in the High Street and arranged with him that he should take on any cases I might have that evening, and then I went home and gave my man his instructions to send people on. And then I shut myself up to think it all out—if I could.

“You must not suppose that my experiences of that afternoon had afforded me the slightest illumination. Indeed, if it had not been that I had seen poor old Griffith’s body lying pierced in his own farmyard, I think I should have been inclined to accept one of Secretan’s hints, and to believe that the whole family had fallen a victim to a collective delusion or hallucination, and had shut themselves up and died of thirst through sheer madness. I think there have been such cases. It’s the insanity of inhibition, the belief that you can’t do something which you are really perfectly capable of doing. But; I had seen the body of the murdered man and the wound that had killed him.

“Did the manuscript left by Secretan give me no hint? Well, it seemed to me to make confusion worse confounded.[58] You have seen it; you know that in certain places it is evidently mere delirium, the wanderings of a dying mind. How was I to separate the facts from the phantasms—lacking the key to the whole enigma. Delirium is often a sort of cloud-castle, a sort of magnified and distorted shadow of actualities, but it is a very difficult thing, almost an impossible thing, to reconstruct the real house from the distortion of it, thrown on the clouds of the patient’s brain. You see, Secretan in writing that extraordinary document almost insisted on the fact that he was not in his proper senses; that for days he had been part asleep, part awake, part delirious. How was one to judge his statement, to separate delirium from fact? In one thing he stood confirmed; you remember he speaks of calling for help up the old chimney of Treff Loyne; that did seem to fit in with the tales of a hollow, moaning cry that had been heard upon the Allt: so far one could take him as a recorder of actual experiences. And I looked in the old cellars of the farm and found a frantic sort of rabbit-hole dug by one of the pillars; again he was confirmed. But what was one to make of that story of the chanting voice, and the letters of the Hebrew alphabet, and the chapter out of some unknown Minor Prophet? When one has the key it is easy enough to sort out the facts, or the hints of facts from the delusions; but I hadn’t the key on that September evening. I was forgetting the ‘tree’ with lights and fires in it; that, I think, impressed me more than anything with the feeling that Secretan’s story was, in the main, a true story. I had seen a like appearance down there in my own garden; but what was it?

“Now, I was saying that, paradoxically, it is only by the inexplicable things that life can be explained. We are apt to say, you know, ‘a very odd coincidence’ and pass the matter by, as if there were no more to be said, or as if that were the end of it. Well, I believe that the only real path lies through the blind alleys.”

“How do you mean?”

“Well, this is an instance of what I mean. I told you about Merritt, my brother-in-law, and the capsizing of that boat, the Mary Ann. He had seen, he said, signal lights flashing from one of the farms on the coast, and he was quite certain that the two things were intimately connected as cause and effect. I thought it all nonsense, and I was wondering how I was going to shut him up when a big moth flew into the room through that window, fluttered about, and succeeded in burning itself alive in the lamp. That gave me my cue; I asked Merritt if he knew why moths made for lamps or something of the kind; I thought it would be a hint to him that I was sick of his flashlights and his half-baked theories. So it was—he looked sulky and held his tongue.

“But a few minutes later I was called out by a man who had found his little boy dead in a field near his cottage about an hour before. The child was so still, they said, that a great moth had settled on his forehead and only fluttered away when they lifted up the body. It was absolutely illogical; but it was this odd ‘coincidence’ of the moth in my lamp and the moth on the dead boy’s forehead that first set me on the track. I can’t say that it guided me in any real sense; it was more like a great flare of red paint on a wall; it rang up my attention, if I may say so; it was a sort of shock like a bang on the big drum. No doubt Merritt was talking great nonsense that evening so far as his particular instance went; the flashes of light from the farm had nothing to do with the wreck of the boat. But his general principle was sound; when you hear a gun go off and see a man fall it is idle to talk of ‘a mere coincidence.’ I think a very interesting book might be written on this question: I would call it ‘A Grammar of Coincidence.’

“But as you will remember, from having read my notes on the matter, I was called in about ten days later to see a man named Cradock, who had been found in a field near his farm quite dead. This also was at night. His wife found him, and there were some very queer things in her story. She said that the hedge of the field looked as if it were changed; she began to be afraid that she had lost her way and got into the wrong field. Then she said the hedge was lighted up as if there were a lot of glow-worms in it, and when she peered over the stile there seemed to be some kind of glimmering upon the ground, and then the glimmering melted away, and she found her husband’s body near where this light had been. Now this man Cradock had been suffocated just as the little boy Roberts had been suffocated, and as that man in the Midlands who took a short cut one night had been suffocated. Then I remembered that poor Johnnie Roberts had called out about ‘something shiny’ over the stile just before he played truant. Then, on my part, I had to contribute the very remarkable sight I witnessed here, as I looked down over the garden; the appearance as of a spreading tree where I knew there was no such tree, and then the shining and burning of lights and moving colours. Like the poor child and Mrs. Cradock, I had seen something shiny, just as some man in Stratfordshire had seen a dark cloud with points of fire in it floating over the trees. And Mrs. Cradock thought that the shape of the trees in the hedge had changed.

“My mind almost uttered the word that was wanted; but you see the difficulties. This set of circumstances could not, so far as I could see, have any relation with the other circumstances of the Terror. How could I connect all this with the bombs and machine-guns of the Midlands, with the armed men who kept watch about the munition shops by day and night? Then there was the long list of people here who had fallen over the cliffs or into the quarry; there were the cases of the men stifled in the slime of the marshes; there was the affair of the family murdered in front of their cottage on the Highway; there was the capsized Mary Ann. I could not see any thread that could bring all these incidents together; they seemed to me to be hopelessly disconnected. I could not make out any relation between the agency that beat out the brains of the Williams’s and the agency that overturned the boat. I don’t know, but I think it’s very likely if nothing more had happened that I should have put the whole thing down as an unaccountable series of crimes and accidents which chanced to occur in Meirion in the summer of 1915. Well, of course, that would have been an impossible standpoint in view of certain incidents in Merritt’s story. Still, if one is confronted by the insoluble, one lets it go at last. If the mystery is inexplicable, one pretends that there isn’t any mystery. That is the justification for what is called free thinking.

“Then came that extraordinary business of Treff Loyne. I couldn’t put that on one side. I couldn’t pretend that nothing strange or out of the way had happened. There was no getting over it or getting round it. I had seen with my eyes that there was a mystery, and a most horrible mystery. I have forgotten my logic, but one might say that Treff Loyne demonstrated the existence of a mystery in the figure of Death.

“I took it all home, as I have told you, and sat down for the evening before it. It appalled me, not only by its horror, but here again by the discrepancy between its terms. Old Griffith, so far as I could judge, had been killed by the thrust of a pike or perhaps of a sharpened stake: how could one relate this to the burning tree that had floated over the ridge of the barn. It was as if I said to you: ‘here is a man drowned, and here is a man burned alive: show that each death was caused by the same agency!’ And the moment that I left this particular case of Treff Loyne, and tried to get some light on it from other instances of the Terror, I would think of the man in the Midlands who heard the feet of a thousand men rustling in the wood, and their voices as if dead men sat up in their bones and talked. And then I would say to myself, ‘and how about that boat overturned in a calm sea?’ There seemed no end to it, no hope of any solution.

“It was, I believe, a sudden leap of the mind that liberated me from the tangle. It was quite beyond logic. I went back to that evening when Merritt was boring me with his flashlights, to the moth in the candle, and to the moth on the forehead of poor Johnnie Roberts. There was no sense in it; but I suddenly determined that the child and Joseph Cradock the farmer, and that unnamed Stratfordshire man, all found at night, all asphyxiated, had been choked by vast swarms of moths. I don’t pretend even now that this is demonstrated, but I’m sure it’s true.

“Now suppose you encounter a swarm of these creatures in the dark. Suppose the smaller ones fly up your nostrils. You will gasp for breath and open your mouth. Then, suppose some hundreds of them fly into your mouth, into your gullet, into your windpipe, what will happen to you? You will be dead in a very short time, choked, asphyxiated.”

“But the moths would be dead too. They would be found in the bodies.”

“The moths? Do you know that it is extremely difficult to kill a moth with cyanide of potassium? Take a frog, kill it, open its stomach. There you will find its dinner of moths and small beetles, and the ‘dinner’ will shake itself and walk off cheerily, to resume an entirely active existence. No; that is no difficulty.

“Well, now I came to this. I was shutting out all the other cases. I was confining myself to those that came under the one formula. I got to the assumption, or conclusion, whichever you like, that certain people had been asphyxiated by the action of moths. I had accounted for that extraordinary appearance of burning or coloured lights that I had witnessed myself, when I saw the growth of that strange tree in my garden. That was clearly the cloud with points of fire in it that the Stratfordshire man took for a new and terrible kind of poison gas, that was the shiny something that poor little Johnnie Roberts had seen over the stile, that was the glimmering light that had led Mrs. Cradock to her husband’s dead body, that was the assemblage of terrible eyes that had watched over Treff Loyne by night. Once on the right track I understood all this, for coming into this room in the dark, I have been amazed by the wonderful burning and the strange fiery colours of the eyes of a single moth, as it crept up the pane of glass, outside. Imagine the effect of myriads of such eyes, of the movement of these lights and fires in a vast swarm of moths, each insect being in constant motion while it kept its place in the mass: I felt that all this was clear and certain.

“Then the next step. Of course, we know nothing really about moths; rather, we know nothing of moth reality. For all I know there may be hundreds of books which treat of moth and nothing but moth. But these are scientific books, and science only deals with surfaces; it has nothing to do with realities—it is impertinent if it attempts to do with realities. To take a very minor matter; we don’t even know why the moth desires the flame. But we do know what the moth does not do; it does not gather itself into swarms with the object of destroying human life. But here, by the hypothesis, were cases in which the moth had done this very thing; the moth race had entered, it seemed, into a malignant conspiracy against the human race. It was quite impossible, no doubt—that is to say, it had never happened before—but I could see no escape from this conclusion.

“Those insects, then, were definitely hostile to man; and then I stopped, for I could not see the next step, obvious though it seems to me now. I believe that the soldiers’ scraps of talk on the way to Treff Loyne and back flung the next plank over the gulf. They had spoken of ‘rat poison,’ of no rat being able to spike a man through the heart; and then, suddenly, I saw my way clear. If the moths were infected with hatred of men, and possessed the design and the power of combining against him; why not suppose this hatred, this design, this power shared by other non-human creatures.

“The secret of the Terror might be condensed into a sentence: the animals had revolted against men.

“Now, the puzzle became easy enough; one had only to classify. Take the cases of the people who met their deaths by falling over cliffs or over the edge of quarries. We think of sheep as timid creatures, who always run away. But suppose sheep that don’t run away; and, after all, in reason why should they run away? Quarry or no quarry, cliff or no cliff; what would happen to you if a hundred sheep ran after you instead of running from you? There would be no help for it; they would have you down and beat you to death or stifle you. Then suppose man, woman, or child near a cliff’s edge or a quarryside, and a sudden rush of sheep. Clearly there is no help; there is nothing for it but to go over. There can be no doubt that that is what happened in all these cases.

“And again; you know the country and you know how a herd of cattle will sometimes pursue people through the fields in a solemn, stolid sort of way. They behave as if they wanted to close in on you. Townspeople sometimes get frightened and scream and run; you or I would take no notice, or at the utmost, wave our sticks at the herd, which will stop dead or lumber off. But suppose they don’t lumber off. The mildest old cow, remember, is stronger than any man. What can one man or half a dozen men do against half a hundred of these beasts no longer restrained by that mysterious inhibition, which has made for ages the strong the humble slaves of the weak? But if you are botanizing in the marsh, like that poor fellow who was staying at Porth, and forty or fifty young cattle gradually close round you, and refuse to move when you shout and wave your stick, but get closer and closer instead, and get you into the slime. Again, where is your help? If you haven’t got an automatic pistol, you must go down and stay down, while the beasts lie quietly on you for five minutes. It was a quicker death for poor Griffith of Treff Loyne—one of his own beasts gored him to death with one sharp thrust of its horn into his heart. And from that morning those within the house were closely besieged by their own cattle and horses and sheep; and when those unhappy people within opened a window to call for help or to catch a few drops of rain water to relieve their burning thirst, the cloud waited for them with its myriad eyes of fire. Can you wonder that Secretan’s statement reads in places like mania? You perceive the horrible position of those people in Treff Loyne; not only did they see death advancing on them, but advancing with incredible steps, as if one were to die not only in nightmare but by nightmare. But no one in his wildest, most fiery dreams had ever imagined such a fate. I am not astonished that Secretan at one moment suspected the evidence of his own senses, at another surmised that the world’s end had come.”

“And how about the Williams’s who were murdered on the Highway near here?”

“The horses were the murderers; the horses that afterwards stampeded the camp below. By some means which is still obscure to me they lured that family into the road and beat their brains out; their shod hoofs were the instruments of execution. And, as for the Mary Ann, the boat that was capsized, I have no doubt that it was overturned by a sudden rush of the porpoises that were gambolling about in the water of Larnac Bay. A porpoise is a heavy beast—half a dozen of them could easily upset a light rowing-boat. The munition works? Their enemy was rats. I believe that it has been calculated that in ‘Greater London’ the number of rats is about equal to the number of human beings, that is, there are about seven million of them. The proportion would be about the same in all the great centres of population; and the rat, moreover, is, on occasion, migratory in its habits. You can understand now that story of the Semiramis, beating about the mouth of the Thames, and at last cast away by Arcachon, her only crew dry heaps of bones. The rat is an expert boarder of ships. And so one can understand the tale told by the frightened man who took the path by the wood that led up from the new munition works. He thought he heard a thousand men treading softly through the wood and chattering to one another in some horrible tongue; what he did hear was the marshalling of an army of rats—their array before the battle.

“And conceive the terror of such an attack. Even one rat in a fury is said to be an ugly customer to meet; conceive then, the irruption of these terrible, swarming myriads, rushing upon the helpless, unprepared, astonished workers in the munition shops.”

There can be no doubt, I think, that Dr. Lewis was entirely justified in these extraordinary conclusions. As I say, I had arrived at pretty much the same end, by different ways; but this rather as to the general situation, while Lewis had made his own particular study of those circumstances of the Terror that were within his immediate purview, as a physician in large practice in the southern part of Meirion. Of some of the cases which he reviewed he had, no doubt, no immediate or first-hand knowledge; but he judged these instances by their similarity to the facts which had come under his personal notice. He spoke of the affairs of the quarry at Llanfihangel on the analogy of the people who were found dead at the bottom of the cliffs near Porth, and he was no doubt justified in doing so. He told me that, thinking the whole matter over, he was hardly more astonished by the Terror in itself than by the strange way in which he had arrived at his conclusions.

“You know,” he said, “those certain evidences of animal malevolence which we knew of, the bees that stung the child to death, the trusted sheepdog’s turning savage, and so forth. Well, I got no light whatever from all this; it suggested nothing to me—simply because I had not got that ‘idea’ which Coleridge rightly holds necessary in all inquiry;[59] facts qua facts, as we said, mean nothing and come to nothing. You do not believe, therefore you cannot see.

“And then, when the truth at last appeared it was through the whimsical ‘coincidence,’ as we call such signs, of the moth in my lamp and the moth on the dead child’s forehead. This, I think, is very extraordinary.”

“And there seems to have been one beast that remained faithful; the dog at Treff Loyne. That is strange.”

“That remains a mystery.”

It would not be wise, even now, to describe too closely the terrible scenes that were to be seen in the munition areas of the north and the Midlands during the black months of the Terror. Out of the factories issued at black midnight the shrouded dead in their coffins, and their very kinsfolk did not know how they had come by their deaths. All the towns were full of houses of mourning, were full of dark and terrible rumours; incredible, as the incredible reality. There were things done and suffered that perhaps never will be brought to light, memories and secret traditions of these things will be whispered in families, delivered from father to son, growing wilder with the passage of the years, but never growing wilder than the truth.

It is enough to say that the cause of the Allies was for awhile in deadly peril. The men at the front called in their extremity for guns and shells. No one told them what was happening in the places where these munitions were made.

At first the position was nothing less than desperate; men in high places were almost ready to cry “mercy” to the enemy. But, after the first panic, measures were taken such as those described by Merritt in his account of the matter. The workers were armed with special weapons, guards were mounted, machine-guns were placed in position, bombs and liquid flame were ready against the obscene hordes of the enemy, and the “burning clouds” found a fire fiercer than their own. Many deaths occurred amongst the airmen; but they, too, were given special guns, arms that scattered shot broadcast, and so drove away the dark flights that threatened the aeroplanes.

And, then, in the winter of 1915–16, the Terror ended suddenly as it had begun. Once more a sheep was a frightened beast that ran instinctively from a little child; the cattle were again solemn, stupid creatures, void of harm; the spirit and the convention of malignant design passed out of the hearts of all the animals. The chains that they had cast off for awhile were thrown again about them.

And, finally, there comes the inevitable “why?” Why did the beasts who had been humbly and patiently subject to man, or affrighted by his presence, suddenly know their strength and learn how to league together, and declare bitter war against their ancient master?

It is a most difficult and obscure question. I give what explanation I have to give with very great diffidence, and an eminent disposition to be corrected, if a clearer light can be found.

Some friends of mine, for whose judgment I have very great respect, are inclined to think that there was a certain contagion of hate. They hold that the fury of the whole world at war, the great passion of death that seems driving all humanity to destruction, infected at last these lower creatures, and in place of their native instinct of submission, gave them rage and wrath and ravening.

This may be the explanation. I cannot say that it is not so, because I do not profess to understand the working of the universe. But I confess that the theory strikes me as fanciful. There may be a contagion of hate as there is a contagion of smallpox; I do not know, but I hardly believe it.

In my opinion, and it is only an opinion, the source of the great revolt of the beasts is to be sought in a much subtler region of inquiry. I believe that the subjects revolted because the king abdicated. Man has dominated the beasts throughout the ages, the spiritual has reigned over the rational through the peculiar quality man to be that which he is. And when he maintained this power and grace, I think it is pretty clear that between him and the animals there was a certain treaty and alliance. There was supremacy on the one hand, and submission on the other; but at the same time there was between the two that cordiality which exists between lords and subjects in a well-organised state. I know a socialist who maintains that Chaucer’s “Canterbury Tales” give a picture of true democracy. I do not know about that, but I see that knight and miller were able to get on quite pleasantly together, just because the knight knew that he was a knight and the miller knew that he was a miller. If the knight had had conscientious objections to his knightly grade, while the miller saw no reason why he should not be a knight, I am sure that their intercourse would have been difficult, unpleasant, and perhaps murderous.

So with man. I believe in the strength and truth of tradition. A learned man said to me a few weeks ago: “When I have to choose between the evidence of tradition and the evidence of a document, I always believe the evidence of tradition. Documents may be falsified, and often are falsified; tradition is never falsified.” This is true; and, therefore, I think, one may put trust in the vast body of folklore which asserts that there was once a worthy and friendly alliance between man and the beasts. Our popular tale of Dick Whittington and his Cat no doubt represents the adaptation of a very ancient legend to a comparatively modern personage, but we may go back into the ages and find the popular tradition asserting that not only are the animals the subjects, but also the friends of man.

All that was in virtue of that singular spiritual element in man which the rational animals do not possess. Spiritual does not mean respectable, it does not even mean moral, it does not mean “good” in the ordinary acceptation of the word. It signifies the royal prerogative of man, differencing him from the beasts.

For long ages he has been putting off this royal robe, he has been wiping the balm of consecration from his own breast. He has declared, again and again, that he is not spiritual, but rational, that is, the equal of the beasts over whom he was once sovereign. He has vowed that he is not Orpheus but Caliban.

But the beasts also have within them something which corresponds to the spiritual quality in men—we are content to call it instinct. They perceived that the throne was vacant—not even friendship was possible between them and the self-deposed monarch. If he were not king he was a sham, an impostor, a thing to be destroyed.

Hence, I think, the Terror. They have risen once—they may rise again.

Explanatory Notes

INTRODUCTION

1 Far Off Things (London: Martin Secker, 1922), 116.

2 “Folklore and Legends of the North,” Literature (September 24, 1898): 272. Rpt. in The Line of Terror and Other Essays, ed. S. T. Joshi (Bristol, RI: Hobgoblin Press, 1997), 31.

3 “On Re-reading The Three Impostors and the Wonder Story,” unpublished ms., August Derleth Papers, State Historical Society of Wisconsin (Madison, WI). It appears that Machen wrote this essay for a contemplated reprint of The Three Impostors by Arkham House.

4 H. P. Lovecraft, “Supernatural Horror in Literature” (1927), in The Annotated Supernatural Horror in Literature, ed. S. T. Joshi (New York: Hippocampus Press, 2000), 23.

5 The Annotated Supernatural Horror in Literature, 61.

6 See Phillip Ellis, “Spectral Soldiers: Possible Literary Antecedents for ‘The Bowmen,’” Studies in Weird Fiction no. 24 (Winter 1999): 5–10.

THE INMOST LIGHT

“The Inmost Light” was first published in The Great God Pan and The Inmost Light (London: John Lane; Boston: Roberts Brothers, 1894) and reprinted in The House of Souls (London: Grant Richards, 1906; New York: Alfred A. Knopf, 1922). It has gone on to become one of Machen’s most frequently reprinted stories, appearing in such anthologies as Joseph Lewis French’s Masterpieces of Mystery (1920), Montague Summers’s The Supernatural Omnibus (1932), and Carl Van Doren’s The Borzoi Reader (1936). Like “The Great God Pan,” it is the tale of a horrible experiment (the attempt to extract the soul from the body), although Machen’s treatment is more transcendent than horrific. It introduces us to Mr. Dyson, an interlocutor widely used throughout the episodic novel The Three Impostors (1895) and a few other works.

1 Ratés: French for “failures.”

2 “Because they lacked a sacred prophet [i.e., a poet].” Horace, Odes 4.9.28.

3 A red lamp was the customary sign of a general practitioner in England. Cf. Sir Arthur Conan Doyle’s stories of medical life, Round the Red Lamp (1894).

4 The pub is named after Major-General Charles George Gordon (1833–1885), a celebrated British army officer chiefly serving in China and Egypt. He was governor-general of the Sudan (1874–79) and heroically defended Khartoum during a siege by Mahdist rebels (1884–85); he died before British forces could lift the siege.

5 Machen alludes to a celebrated passage in the Bible—“Where their worm dieth not, and the fire is not quenched” (Mark 9:44, 46, 48)—referring to the tortures of hell.

6 Paracelsus was the pseudonym of Philippus Aureolus Theophrastus Bombastus von Hohenheim (1493–1541), a German-Swiss physician and alchemist who did pioneering work in medicine and chemistry. The Rosicrucians (Brethren of the Rose Cross) were an esoteric sect probably originating in Germany in the early seventeenth century and chiefly involved in alchemy, astrology, and healing. British novelists William Godwin and Edward Bulwer-Lytton based several of their Gothic novels on the Rosicrucian sect.

NOVEL OF THE BLACK SEAL

“Novel of the Black Seal” is a segment (under the heading “Adventure of the Missing Brother”) of the episodic novel The Three Impostors (London: John Lane; New York: Roberts Brothers, 1895). Machen appears to have endorsed the publication of this segment separately from the novel, as it appeared in Dorothy L. Sayers’s anthology Great Short Stories of Detection, Mystery, and Horror (1928; also titled The Omnibus of Crime) during his lifetime; in this appearance, the first line has been slightly altered (it originally read: “‘I see you are a determined rationalist,’ she said”). The narrator is a Miss Lally, one of three individuals who are hunting down a “young man with spectacles” throughout The Three Impostors; her interlocutor is a Mr. Charles Phillipps, who acts as the recipient of the various “novels” told by the “three impostors.” The tale is one of the richest in Machen’s corpus, presenting with a wealth of convincing documentary evidence the possibility of the existence of “little people” on the underside of modern civilization.

1 Meditationes de Prima Philosophiae (1641; Meditations on First Philosophy), a pioneering philosophical work by René Descartes (1596–1650).

2 The Gesta Romanorum (Deeds of the Romans), a collection of moral anecdotes in Latin probably assembled in the thirteenth or fourteenth century.

3 This passage suggests that Machen was drawing on his own impoverished life in London in the 1880s: “In the corner nearest the angle of the wall by the window I kept my provisions, that is to say, a loaf of bread and a canister of green tea. Morning and evening the landlady or ‘Marry’ would bring me up a tray on which were a plate, a knife, a teapot, a cup and saucer, and a jug of hot water. With the aid of a kettle and a spirit lamp.... I made the hot water to boil and brewed a great pot of strong green tea.” Far Off Things (London: Martin Secker, 1922), 118.

4 “What do I know?” This archaic French expression became the motto of the skeptical philosopher and essayist Michel de Montaigne (1533–1592).

5 Latin for “unknown land.”

6 I.e., the care of horses’ hooves.

7 Humphrey Prideaux (1648–1724), The Old and New Testament Connected in the History of the Jews and Neighbouring Nations (1716–18), commonly known as Prideaux’s Connection.

8 Robert Estienne (1503–1559) and his sons, Henry, Robert, and François, celebrated printers in Renaissance France. “Stephanus” is a Latinization of Estienne.

9 Pomponius Mela (c. 43 C.E.) was the earliest known Roman geographer. De Situ Orbis (On the Position of the World) is a small treatise in three books.

10 C. Julius Solinus was a Latin grammarian of the fourth century C.E. In “The Great God Pan” Machen quotes from a work by Solinus titled De Mirabilibus Mundi (On the Wonders of the World). Although Solinus does in fact mention the “Sixtystone” (hexacontalithos: De Mirabilibus Mundi 31), the Latin passage that follows is of Machen’s invention.

11 The story of Sindbad the Sailor occupies the 538th–566th nights of the Arabian Nights.

12 Either William Pitt the Elder, Earl of Chatham (1708–1778), prime minister of England (1757–61, 1766–68), or his son, William Pitt the Younger (1759–1806), prime minister of England (1783–1801, 1804–06).

13 Literally, “no footsteps backward” (i.e., no turning back). A loose quotation from Horace, Epistles 1.1.74–75: “Quia me vestigia terrent, / Omnia te adversum spectantia, nulla retrorsum.”

14 The Eumenides (literally, “well-meaning women”).

15 Meropes anthropes (literally, “articulate human beings”), a phrase found frequently in Homer (e.g., Iliad 9.340).

16 “Turanian” refers to an ancient language formerly thought to have been used by non-Aryan and non-Semitic peoples in Asia. Cf. Machen’s prose-poem “The Turanians” (in Ornaments in Jade, 1924). A “Shelta” is “A cryptic jargon used by tinkers, composed partly of Irish or Gaelic words, mostly disguised by inversions or arbitrary alteration of initial consonants” (Oxford English Dictionary). Machen uses the term here to denote a language or code understood only by a select band of initiates.

NOVEL OF THE WHITE POWDER

“Novel of the White Powder” is another segment of The Three Impostors (London: John Lane; Boston: Roberts Brothers, 1895), occurring under the heading “The Recluse of Bayswater.” It is narrated by a Miss Leicester, probably identical to the Miss Lally who told “Novel of the Black Seal”; she tells the story to Mr. Dyson, although he is never mentioned in the text. This story also appeared separately on several occasions in Machen’s lifetime, including such anthologies as V. H. Collins’s More Ghosts and Marvels (1927) and T. Everett Harré’s Beware After Dark! (1929). A clever fusion of science (chemistry) and superstition (the witch cult), it features one of the grisliest climaxes in Machen’s fiction.

1 Latin for “Everything resolves into a mystery.” The saying was a commonplace among the scholastic philosophers (“Schoolmen”) of the Middle Ages.

2 A paraphrase of John Keats, “On First Looking into Chapman’s Homer” (1816), l. 14: “Silent, upon a peak in Darien.” The reference is to the explorer Vasco Nuñez de Balboa’s first glimpse of the Pacific Ocean in the province of Darién in Panama in 1513.

3 Apparently a reference to Richard Payne Knight (1750–1824), although he wrote no monograph explicitly about the witch-cult. Possibly Machen is referring to his notorious work The Worship of Priapus (1786), about phallic worship in the ancient and medieval period.

4 “Taking up the chalice of the prince of darkness.” The Latin phrase is in fact of Machen’s own invention.

THE RED HAND

“The Red Hand” was first published in Chapman’s Magazine (December 1895) and included in The House of Souls (London: Grant Richards, 1906); when Alfred A. Knopf reprinted that large omnibus in two volumes, “The Red Hand” was included in the second volume, titled The Three Impostors (1923). It is, in a sense, a pendant to that episodic novel, featuring once again the interlocutors Mr. Dyson and Mr. Phillipps. On the surface it appears to be a detective story, but toward the end it becomes evident that the supernatural (in the form of the suspected existence of the “little people”) is involved.

1 Abury is an archaic name for Avebury, a site in Wiltshire that features one of the most impressive surviving sets of Neolithic stone circles in England, analogous to Stonehenge. This circle was probably erected no more than five thousand years ago, but flints and other remains have been found that are as much as nine thousand years old.

2 Fellow of the Royal Society. The Royal Society of London for the Improvement of Natural Knowledge was founded in 1660.

3 Italian for “fig hand,” in which the hand is made into a fist and the thumb is interposed between the index and middle fingers. It is still considered a highly insulting gesture in Italy, equivalent to saying, “Go take a hike.”

4 Peckham is a district in South London, in the borough of Southwark. In the late nineteenth century it was largely residential, although Rye Lane had become a popular shopping area. Willesden is a district in North West London, in the borough of Brent.

5 dollar: British slang for a crown or five-shilling piece; hence, half a dollar is a half-crown.

6 The Hittite Empire existed from roughly the sixteenth century B.C.E. to 1180 B.C.E. By “Hittite seal” Machen probably refers to one of the various cuneiform tablets found in Assyria in the later nineteenth century.

7 St. Thomas’s Hospital, founded as early as the twelfth century and named after St. Thomas à Becket, was originally built in Southwark, but a new building was constructed in Lambeth in 1871.

8 The phrase occurs at the very beginning of Part II of Confessions of an English Opium-Eater (1821) by Thomas De Quincey (1785–1859).

THE WHITE PEOPLE

“The White People” was written in 1899 and first published in Horlick’s Magazine (January 1904). It was gathered in The House of Souls (London: Grant Richards, 1906; New York: Alfred A. Knopf, 1922). Because of its length, it has not appeared in a great many anthologies, but it was included in Alexander Laing’s The Haunted Omnibus (1937), Basil Davenport’s Tales to Be Told in the Dark (1953), and Jack Sullivan’s Lost Souls (1983), among others. H. P. Lovecraft regarded it as the second-greatest weird tale ever written, next to Algernon Blackwood’s “The Willows.” In the introduction to The House of Souls Machen claimed to have composed the work from “odds and ends of folklore.”

1 Romanée-Conti was a particularly rare and expensive wine made in the Middle Ages in a small region of that name in the Burgundy district of France.

2 Caterans were fighting men in the Highlands of Scotland. Moss-troopers were disbanded soldiers from the Scottish wars of the seventeenth century.

3 Gilles de Rais (or Retz) (1404–1440) was a French nobleman and soldier who was accused of torturing, raping, and killing dozens, perhaps hundreds, of boys and girls. Some (including Aleister Crowley) believe the charges against Gilles were trumped up.

4 The critic John Gibson Lockhart (1794–1854) wrote a famously hostile review of John Keats’s Endymion. His friend Percy Bysshe Shelley later exaggerated the influence of such reviews on Keats’s temperament, maintaining that Keats’s subsequent decline in health stemmed from his discouragement at the reception of his work.

5 Tophet was originally a location near Jerusalem where the Canaanites were thought to have sacrificed children to Moloch. It was later used as a synonym for Hell.

6 The word Juggernaut is an Anglicization of the Indian word Jaganna-tha; hence it would have no etymological connection to the Greek word Argonaut.

7 It is not clear what biblical passage Machen is citing. The most celebrated passage relating to charity in the Bible is St. Paul’s discussion in 1 Corinthians 13:2f.

8 A reference to the story “Qui sait?” (1890; usually translated as “Who Knows?”), by French novelist and short story writer Guy de Maupassant (1850–1893). Like many of his later tales, this story is a grim exploration of psychological aberration.

9 In Greek mythology, “Alala!” was the war-god Ares’s battle cry.

10 Tales of the Genii (1764) is a series of pseudo-Persian tales, written in imitation of the Arabian Nights by James Ridley (1736–1765).

11 The final line of the Doxology.

12 An aumbry was, in medieval times, a cupboard or cabinet, usually in a church and used to store chalices and other objects.

13 Troy Town was a game played by Welsh shepherds in which mazelike paths were cut into the turf in imitation of certain aspects of the Trojan War and also the Labyrinth (the Cretan maze in which the Minotaur was housed).

A FRAGMENT OF LIFE

This short novel was begun in 1899; it is not clear when it was completed. An early version of it was serialized in Horlick’s Magazine (February, March, April, and May 1904), and the final version appeared in The House of Souls (London: Grant Richards, 1906; New York: Alfred A. Knopf, 1922). It was separately published as A Fragment of Life (London: Martin Secker, 1928), but has otherwise not been reprinted aside from its appearance in reprints of The House of Souls. Because its supernatural or fantastic element is so attenuated, it was not included in Tales of Horror and the Supernatural (New York: Alfred A. Knopf, 1948). In its depiction of Edward Darnell’s return to Wales after many years as a clerk in London, it anticipates Machen’s own migration to the small town of Amersham, Buckinghamshire, after nearly forty years in London.

1 A hair-trunk is a large trunk, usually for storing clothes or other objects, with a hair covering.

2 In this context, “kitcat” indicates the size of a portrait—not quite half-length, but showing the hands.

3 Machen’s knowledge of tobaccos was exhibited in the early work of ponderous pseudo-scholarship, The Anatomy of Tobacco (1884).

4 French for “to stroll.”

5 A seaside town on the north coast of Essex.

6 An exhibition of new technological devices was first held in Paris in 1798. Machen is probably referring to the large exhibition of 1878 or to that of 1889 (where the Eiffel Tower was unveiled) or 1900.

7 City Temple is a Nonconformist church. The church dates to 1640; the current building was built on Holborn Viaduct in London in 1874.

8 A long four-wheeled carriage, open or curtained at the sides.

9 Exodus 20:12.

10 Cf. Machen’s later essay “Strange Roads” (Out and Away, December 1919), a poignant account of his walks in the rural countryside.

11 I.e., a female employee of the ABC (Aerated Bread Company) chain of tea shops.

12 A reference to the Transactions of the Hertfordshire Natural History Society and Field Club (1879f.), loosely referred to as the Hertfordshire Naturalist.

13 “To him that waits all things reveal themselves, provided that he has the courage not to deny, in the darkness, what he has seen in the light.” The statement is by Coventry Patmore (1823–1896), British poet and theologian, and is found in his collection of aphorisms, The Rod, the Root and the Flower (1895).

14 “And apples not her own.” Virgil, Georgics 2.82. In Virgil the expression relates to the grafting of one plant on to another, with the result that the original plant, to its delight, bears “alien” fruit.

15 Greek for “practice” or “training.” In Christian thought, the concept refers to spiritual exercises, specifically those pertaining to self-denial.

16 Cesare Lombroso (1835–1909), Italian psychologist and criminologist who, in such works as L’Uomo delinquente (1876; The Criminal Man), propounded a now discredited theory that certain people were born criminals and could be detected by physiological and other features.

17 “Only incredible things must be believed.” An adaptation of the axiom by the early Christian thinker Tertullian (160?–240 C.E.): Certum est, quia impossibile est (“It is certain because it is impossible”: De Carne Christi 5), oftentimes rendered Credo quia impossibile [or incredibile] est (“I believe because it is impossible [or incredible]”).

18 “The sacred fountain must not be turned over to common use.”

19 “The Land of Iolo.”

20 Literally, “the wood of the wise.”

21 Lilith, originally a Mesopotamian female demon, was conceived in the biblical apocrypha as the first wife of Adam, hence a kind of witch figure. Samael, in Judaic lore, is the Angel of Death.

22 “The breaths of the infernal [creatures].”

23 A phrase from Psalms 113:1 (Vulgate) = 114.1 in the King James Version (“When Israel went out of Egypt . . .”).

24 “Now I know for certain that all legends, all histories, all fables, every Scripture is telling a story about ME.”

THE BOWMEN

“The Bowmen” first appeared in the London Evening News (September 29, 1914), and was collected in The Angels of Mons: The Bowmen and Other Legends of the War (London: Simpkin, Marshall, Hamilton, Kent & Co., 1915), a slim volume of Machen’s war tales and sketches that was meant to capitalize on the notoriety of “The Bowmen.” The story’s setting in time and place is quite vague, but it appears to deal with the very early stages of World War I. By late August 1914, the French and British forces were forced to retreat precipitously toward Paris in the wake of the advance of the German army; but in the First Battle of the Marne (September 5–12), tactical errors by the Germans allowed the Allies to hold their ground and force a German retreat, thereby robbing the Germans of a quick victory. In his long introduction to The Angels of Mons, Machen suggests that the tale was inspired by the Battle of Mons (August 23–24, 1914), the first battle in which the British fought the Germans, during which the British were forced to retreat; Machen also recounts the manner in which his story was accepted as a true account in spite of his repeated statements to the contrary, as various parties believed that the story dealt with “angels” (not ghostly archers, as in the story) coming to the rescue of British troops. Accordingly, the “legend” of the “angels of Mons” was born.

1 The Battle of Sedan (September 1, 1870), during the Franco-Prussian War, was a disaster for the French, resulting in the capture of the Emperor Napoleon III and significant losses to the French army that made ultimate defeat inevitable.

2 “It’s a Long Way to Tipperary” (1912) was a music-hall song composed by Jack Judge and Harry Williams. Machen has devised an alternate final line that rhymes with the actual final line of the chorus: “But my heart’s right there.”

3 Evidently a reference to the so-called Siege of Sidney Street, occurring on January 2, 1911, in a street in the Stepney district of London. A criminal gang was besieged by two hundred policemen for six hours; two of the gang members were killed by a fire that eventually consumed the building.

4 The battle of Agincourt, occurring on October 25, 1415, in northern France, constituted one of the greatest victories of England over France, chiefly as a result of the longbow.

THE SOLDIERS’ REST

“The Soldiers’ Rest” was first published in the London Evening News (October 20, 1914) and reprinted in The Angels of Mons: The Bowmen and Other Legends of the War (London: Simpkin, Marshall, Hamilton, Kent & Co., 1915). Like “The Bowmen,” it fuses war, religion, and supernaturalism in a somewhat sentimental portrayal of the fate of wounded British soldiers in the early stages of World War I.

1 Wells is a city in Somerset, in southwestern England, and the site of Wells Cathedral, a magnificent Gothic cathedral built between 1175 and 1490 and featuring about three hundred statues carved into its west front.

2 The soldier does not refer to the two Battles of Cambrai (November 20–December 3, 1917; October 8–10, 1918), which took place years after the story was published. Cambrai is near the border between France and Belgium, and it was near the scene of some of the initial battles between the German Army and the British Expeditionary Force in late August 1914.

3 Boshes is an adaptation of the British slang term Boches, an insulting reference to German soldiers (derived from the French caboche, cabbage or blockhead).

4 Psalm 115:15 (Vulgate) (“sanctorum” for “innocentium”). In the King James Version (Psalms 116:15), the line is rendered: “Precious in the sight of the Lord is the death of his saints.”

5 Sir Walter Scott, The Lay of the Last Minstrel (1805), Canto II, lines 124–26. The lines are found represented in a stained glass window in Melrose Abbey, a Gothic abbey in Melrose, Scotland, founded in 1136.

THE GREAT RETURN

“The Great Return” was serialized in the London Evening News (October 21, 25, 28, November 3, 5, 10, 16, 1915) and published as a separate booklet (London: Faith Press, 1915). It is one of Machen’s most searching treatments of the legend of the Holy Grail, a subject that fascinated him throughout his life. The Holy Grail, usually conceived to be a dish or cup purportedly used by Jesus at the Last Supper and thereby possessing miraculous powers, later became blended with the Arthurian cycle, another subject of great interest to Machen. For one of Machen’s many writings on the subject, see “The Secret of the Sangraal,” an essay written in 1907 and published in The Shining Pyramid (London: Martin Secker, 1925). It is now available in The Secret of the Sangraal (Horam, UK: Tartarus Press, 1995).

1 “Tashai Lama” is an alternate name for the Dalai Lama. The Dalai Lamas were a line of Buddhist spiritual leaders who were the nominal heads of the Tibetan government from 1578 to the 1950s. A British expedition commanded by Colonel Francis Younghusband invaded Tibet in 1904. In 1910 the Chinese invaded, forcing the Dalai Lama to take refuge in British India. He returned in 1912.

2 Paul Julius Reuter (1816–1899), a German entrepreneur who became a naturalized British subject in 1857, established a news agency in 1850, using a combination of telegraphy and homing pigeons. The agency was formally named Reuters in 1851.

3 The phrase “Lords of Life and Death,” referring generally to the unseen hand of fate, occurs frequently in the work of British writer Rudyard Kipling (1865–1933). See “‘The Finest Story in the World’” (1891): “The Lords of Life and Death would never allow Charlie Mears to speak with full knowledge of his pasts . . . The Lords of Life and Death were as cunning as Grish Chunder had hinted.” Best Short Stories (Ware, UK: Wordsworth, 1997), 89.

4 Scottish writer Andrew Lang (1844–1912), although he served as a president of the Society for Psychical Research in 1911, wrote skeptically about myth and religion in such volumes as Myth, Ritual and Religion (1887) and Magic and Religion (1901). In the article “The Poltergeist, Historically Considered,” Proceedings of the Society for Psychical Research 45 (February 1903): 305–26, Lang dismissed most accounts of poltergeists as delusions or fabrications.

5 There are several Llantrisants (the name means “church of the three saints”) in Wales, but the one Machen is probably referring to is a town in the county of Glamorganshire (now Mid Glamorgan) in southern Wales. Although Arfonshire is an archaic designation of the northwestern county of Caernarfornshire or Carnarvonshire, Machen is probably using the term as a generic archaic term for a Welsh county.

6 In Greco-Roman rhetoric, tmesis (a cutting) refers to a single word that has been cut in two with a word or phrase intervening. English slang uses the figure in such a term as “Ri-goddamn-diculous.”

7 Sarnau is a town in the county of Cardigan, near Cardigan Bay, in southeastern Wales.

8 The Evangelical Movement was a movement within the Church of England, emerging in the late eighteenth century and persisting through much of the nineteenth, that sought to restore the church, and the nation, to moral uprightness, with a strong emphasis on social welfare.

9 “Eyebright” is the popular name for the plant Euphrasia officinalis, commonly thought to be a remedy for weak eyes.

10 Lundy is the largest island in the Bristol Channel, the body of water that lies off the southern coast of Wales and off the northern coast of Devon.

11 Ogham is an alphabet, current in the fifth and sixth centuries, customarily used to write in the Old Irish or Brythonic language. Most of the surviving inscriptions in Ogham are in Ireland or western Britain, including south Wales.

12 Machen had, from his perspective as an Anglo-Catholic, written harshly about orthodox Protestantism. See “Sancho Panza in Geneva,” Academy 72 (June 8, 1907): 559–60: “The real truth is that Protestantism is a revolt against Christianity.” The treatise Dr. Stiggins: His Views and Principles (1906) is a satire on a dogmatic Protestant clergyman.

13 Penvro is an archaic term for Pembroke, the county town of Pembrokeshire, in the far western tip of Wales.

14 Twyn (more properly Tywyn) is a seaside resort on the western coast of Wales, in the province of Gwynedd and facing Cardigan Bay. Kemeys is a region near Usk in Monmouthshire.

15 “But trailing clouds of glory do we come / From God, who is our home.” William Wordsworth, “Ode: Intimations of Immortality from Recollections of Early Childhood” (1807), ll. 64–65.

16 In Thomas Hardy’s novel Tess of the d’Urbervilles (1891), John Durbeyfield, Tess’s father, is an alcoholic carter who puts on airs when he learns that he is descended from a noble family, the d’Urbervilles.

17 Teilo Sant, or St. Teilo (d. 604), leader of a monastic school in Llandaff, Wales, purportedly visited Palestine in the year 518, but this account is now discredited.

18 Sir William Crookes (1832–1919), British chemist and physicist, became interested in spiritualism in the 1870s, joining the Society for Psychical Research and concluding that not every instance of spiritualistic phenomena could be accounted for naturalistically. Sir Oliver Lodge (1851–1940) was a British physicist whose reputation later suffered as a result of his credulous belief in spiritualism and telepathy.

19 Henry Hallam (1777–1859) was a British historian and the author of The View of the State of Europe During the Middle Ages (1818). The passage to which Machen alludes appears in the chapter “On the State of Society in Europe During the Middle Ages.”

20 Machen alludes to various Gothic structures found in the cities of Cologne (Köln), Germany; Colne, Lancashire; Arles, France; and Abingdon, Oxfordshire.

21 The Llantrisant parish church was dedicated in 1096; it was rebuilt in 1246 in the Norman style, and a tower was added in the fifteenth century. No doubt to Machen’s horror, the interior was “restored” in 1874 by John Prichard.

22 “My God, and Is Thy Table Spread,” words by Philip Doddridge (1755), music by C. P. E. Bach, arranged by Edward Miller (1790).

23 Mescal button consists of the fresh or dried tubercules of peyote, a hallucinogen.

24 Tynewydd is a village in Glamorgan, about fifteen miles north of Llantrisant.

25 The Tregaron Healing Cup, or the Nant Eos Healing Cup (referring to Nant Eos or Nanteos, a mansion near Aberystwyth, in westcentral Wales), was a wooden chalice, purportedly constructed from a piece of the cross on which Jesus was crucified, brought to England in the late twelfth century by John Stedman.

26 From the hymn “The Blood of Sprinkling, Which Speaketh,” by John Wesley (1703–1791), the founder of Methodism.

27 Greek for “holy, holy, holy.”

28 A fusion of Welsh and Latin. “Sacred is the Father, sacred is the Son, sacred is the Holy Spirit. Holy, holy, holy, blessed Holy Trinity. Holy Lord God of Sabaoth, the Lord God.”

29 Evidently an error for Manafon, a village in the county of Montgomeryshire in east-central Wales.

30 Anatole France (1844–1924), a leading French novelist, wrote skeptically of Joan of Arc’s visions in Vie de Jeanne d’Arc (1908). Andrew Lang (see n. 4 above) replied with a competing biography, The Maid of France (1908).

31 Idylls of the King (1856–85), a celebrated epic poem about King Arthur by Alfred, Lord Tennyson (1809–1892).

32 The reference is to a passage in De Antiquitate Glastoniensis Ecclesiae [On the Antiquities of the Glastonbury Church] by William of Malmesbury (1080?–1143?). In section 30 of that work, there is a reference to the Sapphirus altar as a gift from the Patriarch of Jerusalem. The passage is generally believed to be a later interpolation. See John Scott, An Early History of Glastonbury (Woodbridge, UK: Boydell, 1981), 82.

OUT OF THE EARTH

“Out of the Earth” was first published in T. P.’s Weekly (November 27, 1915) and collected in The Shining Pyramid (London: Martin Secker, 1925). Written in the repertorial style common to Machen’s later tales, it is one of his final contributions to the “Little People mythology.” At the outset Machen, apparently in his own voice, uses the controversy surrounding “The Bowmen” as a springboard for his examination of weird events in Wales.

1 [Edward] Harold Begbie (1871–1929), a British journalist and religious writer, wrote about the “Angels of Mons” controversy in the pamphlet On the Side of the Angels (1915).

2 The Serjeants’ Inn was one of two inns for Serjeants-at-law (an order of barristers in England): the one in Fleet Street dates to 1443; the other, in Chancery Lane, dates to 1416. Both buildings were destroyed during the German bombing in 1941.

3 Manavon is a variant spelling of the Welsh village of Manafon (see n. 29 to “The Great Return”).

4 Tremaen (“place of the stone”) is a common Welsh place-name, reminiscent of Caermaen (“citadel of the stone”), Machen’s name for his birthplace, Caerleon-on-Usk.

5 Pierrot is a character in the Commedia dell’arte, generally depicted as a sad clown.

6 Avalon (from the Welsh afal, apple) is a mythical island associated with the legend of King Arthur: it was where his sword, Excalibur, was forged, and where he would return to recover from his wounds after the Battle of Camlann.

7 Castell Coch is a Gothic Revival church built in 1871–91 by John Crichton-Stuart, 3rd Marquess of Bute, and William Burges on the site of a thirteenth-century castle just north of Cardiff.

8 The Welsh Anglican Church, officially known as the Church in Wales, was formally disestablished in 1920, five years after the first publication of this story.

THE TERROR

The Terror was serialized in the London Evening News (October 16, 17, 18, 19, 20, 21, 23, 24, 25, 26, 27, 28, 30, 31, 1916) as “The Great Terror” and later published in book form as The Terror: A Fantasy (London: Duckworth, 1917). A radically abridged version, bringing the text down to about 25,000 words, was published as “The Coming of the Terror,” Century Magazine (October 1917). Machen was not consulted on this abridgment, but he later remarked that it was skillfully done. Perhaps the acme of Machen’s attempts to convey terror by posing as a sober reporter of “facts” (a technique enhanced by the appearance of the story in a newspaper, by his clever mingling of real and fictitious locales, and by his using the trauma of the world war as a vivid backdrop), The Terror is possibly the most notable example of the supernatural trope of animals hostile to or revolting against human beings. As such, it probably inspired such later tales as Philip Macdonald’s short story “Our Feathered Friends” (1931) and Daphne du Maurier’s novella “The Birds” (1952).

1 Namur, a city in Belgium, fell to the Germans after three days of fighting in August 1914.

2 The Germans were prevented from entering Paris by the British victory at the First Battle of the Marne (September 5–12, 1914).

3 Alexander von Kluck (1846–1934) was a German general who commanded the German First Army at the outbreak of World War I. His army fought the British at Mons (August 23–24, 1914), among other places. Following his retreat after the First Battle of the Marne, he stationed his forces behind the river Aisne, remaining there for several years.

4 The Battle of Neuve Chapelle (March 10–13, 1915), in the northern province of Artois, was a British victory, but the army’s failure to exploit the victory was a significant factor in the fall of the H. H. Asquith government. The Battle of Loos (September 25–October 14, 1915), in the far north of France, resulted in a standoff and immense casualties on both sides.

5 Joseph Joffre (1852–1931) was commander in chief of the French army. He participated in the victorious First Battle of the Marne, but the enormous losses his army suffered at Verdun and the Somme led to his replacement in late 1916 by General Robert Nivelle.

6 A throwster is one who twists silk fibers into raw silk or raw silk into thread.

7 Sir Arthur Conan Doyle wrote an effective horror tale on this subject, “The Horror of the Heights” (Strand, November 1913).

8 The towns Towy, Merthyr Tegveth, and Meiros are apparently fictitious, but the names are based on actual Welsh names. There is a river Towy in Carmarthenshire. Merthyr Tegveth (“the place of the martyrdom of Tegveth”) is the original name of the small parish of Llandegfeth, near Cardiff. Meiros is a place-name used elsewhere in Wales for towns, but none in the locale in question.

9 Llanfihangel means “St. Michael’s Church” in Welsh; there are at least eleven communities in Wales with this term in its name. Machen probably refers to Llanfihangel Aberbythych, a village in Monmouthshire.

10 The village of Llangibby is now spelled Llangybi.

11 Robert Louis Stevenson’s novella The Strange Case of Dr. Jekyll and Mr. Hyde, a classic instance of the doppelgänger motif, first appeared in 1886. See Machen’s comment in Hieroglyphics: A Note on Ecstasy in Literature (1902): “Let us take the strange case of R. L. Stevenson, and especially his Jekyll and Hyde, which, in some ways, is his most characteristic and most effective book.... Many, I have no doubt, gave it a very high place in the ranks of imaginative literature, or (as we should now say) in the ranks of literature; while many other judges set it down as an extremely clever piece of sensationalism, and nothing more. Well, I think both these opinions are wrong; and I should be inclined to say that Jekyll and Hyde just scrapes by the skin of its teeth, as it were, into the shelves of literature, and no more.... It is on the conception, then, alone, that I justify my inclusion of Jekyll amongst works of art; for it seems to me that, lurking behind the plot, we divine the presence of an idea, of an inspiration. ‘Man is not truly one, but truly two,’ or, perhaps, a polity with many inhabitants, Dr. Jekyll writes in his confession, and received a vision of the mystery of human nature” (New York: Knopf, 1923, 70–72).

12 Mr. Tulkinghorn is a successful solicitor in Dickens’s Bleak House (1852–53). By relentless investigation he discovers various secrets in the past of Lady Dedlock and is murdered for his pains.

13 Latin for “foreigner” or “stranger.”

14 The reference is to Thomas De Quincey’s celebrated essay “On Murder Considered as One of the Fine Arts” (1827).

15 Porth is a town in Glamorganshire, in southeast Wales.

16 The Royal Flying Corps, founded in 1912 as a branch of the British Army.

17 The Defence of the Realm Act was passed by Parliament on August 8, 1914 and gave the government wide-ranging powers during war-time, including censorship of war reporting in the press. A second act was passed in 1915.

18 There are two locales named Plas Newydd in Wales. One is the county seat of the Marquess of Anglesey in Llanfairpwllgwyngyll, Anglesey, and the other is the residence of the Ladies of Llangollen, in Llangollen, Denbighshire. Probably the former is meant.

19 Brahma-Dorking is a crossbreed of two different types of poultry, the Brahma (originating probably in India and imported to England in 1853) and the Dorking (developed in Sussex).

20 Middle Temple is one of the four Inns of Court, professional associations to which every English barrister must belong; the others are the Inner Temple, Gray’s Inn, and Lincoln’s Inn.

21 Llantarnam is now a suburb of the new town of Cwmbran, in Torfaen (formerly a part of Monmouthshire), in southeast Wales. Morwen is apparently Machen’s adaptation of morwyn (“maiden”).

22 The reference is to a proverb, “Tenterden steeple is the cause of Goodwin Sands,” meaning that any explanation is better than none.

23 The luminiferous ether (or aether) was a postulation of nineteenth-century science, in which it was assumed that particles could not pass through a void, so that light, radio waves (discovered by Guglielmo Marconi), and other particles had to pass through an infinitely fine medium, which physicists called the ether even though they could not independently demonstrate its existence. The theory collapsed with the emergence of Einstein’s theory of relativity.

24 The paradox of Achilles and the Tortoise was first devised by the Presocratic philosopher Zeno of Elea (490?–430? B.C.E.): In a race, if a slow-moving tortoise was placed ahead of the fleet Achilles, Achilles could never catch it because, no matter how quickly Achilles reaches the tortoise’s original position, the tortoise would have moved a bit ahead, and so on ad infinitum. The paradox can be resolved by pointing to the fallacy of regarding time and distance as made up of discrete units.

25 Machen takes particular aim at some of the leading thinkers of his age—the naturalists Charles Darwin (1809–1882) and Thomas Henry Huxley (1825–1895), and the philosopher Herbert Spencer (1820–1903)—because they were, directly or indirectly, largely responsible for the decline of religious belief among the intelligentsia.

26 Mescal button (see n. 23 to “The Great Return”).

27 X-rays were discovered by the German physicist Wilhelm Röntgen (1845–1923) in 1895.

28 Midlingham is fictitious.

29 A Lewis gun was a light machine gun invented by Colonel Isaac Newton Lewis of the U.S. Army in 1911 and widely used by the British in World War I.

30 There are several towns or parishes named Belmont in England, but only one (Belmont Rural, in Herefordshire) in the Midlands. Probably Machen intends Belmont to be fictitious.

31 The Wipers Salient is a slang reference to the Ypres Salient, the area around Ypres, in Belgium, that was the site of one of the largest battles in World War I (the Second Battle of Ypres, April 22–May 25, 1915).

32 Holme is a village in Cumbria, in northern Britain.

33 Dunwich is a small town in Suffolk, on the southeast coast of Britain. In the seventh century it was the capital of East Anglia. Much of the town has now been submerged by coastal erosion. Algernon Charles Swinburne wrote a poem about the town, “By the North Sea” (1880). Its mention here probably helped to inspire H. P. Lovecraft’s use of the name in such stories as “The Dunwich Horror” (1928), set in central Massachusetts.

34 The Russian writer Helena Petrovna Blavatsky (1831–1891) was the inventor of the mystical philosophy or religion called theosophy, expounded in such works as Isis Unveiled (1877) and The Secret Doctrine (1888). The basic principle of theosophy is the theory of the soul’s passage through seven layers of cosmic awareness to reach the Absolute.

35 Helmuth von Moltke the Younger (1848–1916), nephew of the celebrated Field Marshal Helmuth von Moltke the Elder (1800–1891), was chief of the German General Staff from 1906 to 1914 and was a major figure in the development of German war plans, including a contemplated invasion of Great Britain.

36 Latin for “third [party] in delight.”

37 Latin for On Human Villainy. “Facinore” is Machen’s coinage derived from the noun facinus (villainy).

38 The philosophy of German thinker Friedrich Wilhelm Nietzsche (1844–1900), especially its conception of the übermensch (superman or overman), was commonly believed to have inspired the Germans to initiate World War I. Both the spelling and the pronunciation of his name were rendered erroneously by Anglophone speakers.

39 Herbert Kitchener, 1st Earl Kitchener (1850–1916), was a leading British military figure of the period. He had fought in the Sudan and in the Boer War, then served as commander-in-chief of the Army in India (1902–09). In 1914 he became Secretary of State for War and did important work in raising recruits for the British Army.

40 Pengareg appears to be Machen’s adaptation of Pen carreg (“head of the rock”). There are locales of this name in Gwent and Carmarthenshire.

41 Bog Bean (Menyanthes trifoliata), or Marsh Trefoil, is a water plant commonly found in bogs or marshes in North America and northern Europe.

42 In this sense, heliography refers to the use of the heliograph, a device (chiefly consisting of a mirror) that flashes signals in Morse code by the use of sunlight.

43 Louvain (the French name for the Dutch town of Leuven), the capital of the province of Flemish Brabant, is a town in Belgium where, in late August 1914, the German Army, in its avowed plan to terrify the populace, killed the mayor and other leading officials and destroyed the university library, resulting in the loss of hundreds of thousands of rare volumes and causing worldwide outrage. The Lusitania was a British ocean liner that was sunk by a German U-boat on May 7, 1915, causing the deaths of 1,200 people, including 128 Americans. For a time it seemed as if the incident might lead to the United States’ entry into World War I on the side of the Allies.

44 Bachgen is Welsh for “boy” (bach, used earlier in the expression “doctor bach,” means “little”).

45 Llandudno is a popular seaside resort in the north of Wales. Colwyn Bay is a town and seaside resort a few miles east of Llandudno.

46 Ynys Sant (“sacred island”) is probably a reference to Caldey Island, off the coast of Pembrokshire in southwestern Wales. As a boy Machen spent his holidays in that area.

47 Cf. the Welsh boy Jervase Cradock in “Novel of the Black Seal” (p. 44).

48 William Burke and William Hare were Irish immigrants in Edinburgh who, in 1827–28, committed at least seventeen murders and sold the bodies to medical students for dissection. In most cases they killed their victims by suffocation. They were hanged on January 28, 1829.

49 Carbonic acid (H_2CO_3) is a weak acid that is not used as a weapon. Machen may be intending to refer to carbolic acid, an archaic name for phenol (C_6H_5OH), which was in fact used by the Nazis as an injection to kill victims in the concentration camps in World War II.

50 Apparently a variant spelling of Tredunnock, a village in Monmouthshire.

51 Pentoppin was a real farm near Caerleon-on-Usk known to Machen from boyhood.

52 The reference is to a celebrated passage in James Boswell’s Life of Johnson (1791) in which Johnson claimed to have refuted the idealism of the philosopher George Berkeley, who in Johnson’s view had asserted that the material world does not really exist. “I shall never forget the alacrity with which Johnson answered, striking his foot with mighty force against a large stone, till he rebounded from it, ‘I refute it thus’” (August 6, 1763).

53 Machen was also an actor for a time, serving as a bit player in Frank Benson’s company (1901–10).

54 Engedi (more properly Ein Gedi) is a region in Israel, west of the Dead Sea. David hid from Samuel in the caves of Engedi (1 Samuel 23:29f.).

55 Zain (or Zayin) is the seventh letter of several Semitic alphabets, including Hebrew.

56 Flatland: A Romance of Many Dimensions (1884), is a work by the British writer Edwin A. Abbott (1838–1926), in which a sphere of three dimensions visits a world of two dimensions whose inhabitants fail to grasp the true nature of the sphere’s existence.

57 Peterborough Cathedral (properly the Cathedral Church of St. Peter, St. Paul, and St. Andrew), in the city of Peterborough in Cambridgeshire, is an impressive early Gothic cathedral whose construction began in 1118 and was completed in 1238.

58 Cf. John Milton, Paradise Lost (1667): “With ruin upon ruin, rout on rout, / Confusion worse confounded” (2.995–96).

59 A not entirely accurate citation of Coleridge’s remark in his Table Talk: “A religion, that is, a true religion, must consist of ideas and facts both; not of ideas alone without facts, for then it would be mere philosophy; nor of facts alone without ideas of which those facts are the symbols, or out of which they arise, or upon which they are grounded, for then it would be mere history” (December 3, 1831).

CLICK ON A CLASSIC

www.penguinclassics.com

The world’s greatest literature at your fingertips

Constantly updated information on more than a thousand titles,
from Icelandic sagas to ancient Indian epics, Russian drama to
Italian romance, American greats to African masterpieces

The latest news on recent additions to the list, updated
editions, and specially commissioned translations

Original essays by leading writers

A wealth of background material, including biographies
of every classic author from Aristotle to Zamyatin, plot
synopses, readers’ and teachers’ guides, useful Web links

Online desk and examination copy assistance for academics

Trivia quizzes, competitions, giveaways, news on
forthcoming screen adaptations

THE STORY OF PENGUIN CLASSICS

Before 1946 . . . “Classics” are mainly the domain of academics and students; readable editions for everyone else are almost unheard of. This all changes when a little-known classicist, E. V. Rieu, presents Penguin founder Allen Lane with the translation of Homer’s Odyssey that he has been working on in his spare time.

1946 Penguin Classics debuts with The Odyssey, which promptly sells three million copies. Suddenly, classics are no longer for the privileged few.

1950s Rieu, now series editor, turns to professional writers for the best modern, readable translations, including Dorothy L. Sayers’s Inferno and Robert Graves’s unexpurgated Twelve Caesars.

1960s The Classics are given the distinctive black covers that have remained a constant throughout the life of the series. Rieu retires in 1964, hailing the Penguin Classics list as “the greatest educative force of the twentieth century.”

1970s A new generation of translators swells the Penguin Classics ranks, introducing readers of English to classics of world literature from more than twenty languages. The list grows to encompass more history, philosophy, science, religion, and politics.

1980s The Penguin American Library launches with titles such as Uncle Tom’s Cabin and joins forces with Penguin Classics to provide the most comprehensive library of world literature available from any paperback publisher.

1990s The launch of Penguin Audiobooks brings the classics to a listening audience for the first time, and in 1999 the worldwide launch of the Penguin Classics Web site extends their reach to the global online community.

The 21st Century Penguin Classics are completely redesigned for the first time in nearly twenty years. This world-famous series now consists of more than 1,300 titles, making the widest range of the best books ever written available to millions—and constantly redefining what makes a “classic.”

The Odyssey continues . . .

The best books ever written
PENGUIN CLASSICS
SINCE 1946

Find out more at www.penguinclassics.com

Visit www.vpbookclub.com